Pitt being Pitt, Morgan being Morgan, Spacey being Spacey, and Fincher being Fincher. Hell yeah.
Two homicide detectives are on a desperate hunt for a serial killer whose crimes are based on the “seven deadly sins”. The seasoned Det. Sommerset (Morgan Freeman) researches each sin in an effort to get inside the killer’s mind, while his novice partner, Mills (Brad Pitt), scoffs at his efforts to unravel the case.
David Fincher is a total mad-man and I think he has only gotten better as the years have gone on, but it’s great to see where it all started.
This film is straight-up messed up however, it is also a very smartly written one to say the least which is a lot of thanks to writer Andrew Kevin Walker, who did a lot of junk before and after this film but somehow got thing clickin’ at the right time and place. The film shows the characters always one step behind the killer so we’re constantly left wondering how is this damn guy so freakin’ smart and we don’t quite know what he’ll do next. It fully keeps you on the edge of your seat, until the grand finale comes up and then were left with, “Wow”.
However, it’s not the smarty-pants that the killer has is what’s so good about this screenplay, it’s the fact that it is actually horror/thriller film that has something to say. The killer’s motives really stuck into my head because he is only doing this to people that are not innocent, but more as to people who deserve it because of the hurt and pain they push onto others so subtly. This film will mess with how you view the world and most of all will take you inside of the mind of the serial killer it’s showing, which is unlike any thriller I have ever seen before. What the killer says is still in my mind and will stick with yours probably too.
The real reason this film works though is Fincher’s direction, that is almost nothing short of brilliant. His use of lighting still works in any film, and especially here because he knows how to make any place, no matter where it may be, and just make it the most dirty, grimy, and disturbing place you have ever seen on film. The thing is though, that he’s making Chicago look like this shit-hole where it doesn’t stop raining for a whole week. All of Fincher’s visual flairs add to the depressed and dark setting of this film and just about every sequence is thrilling just by the way he keeps the tension and mystery going.
Oh and let’s not forget the opening title sequence to the remix of the song “Closer” by Nine Inch Nails. Like that damn song didn’t already have me creeped out. Thanks Finch.
I also liked the fact that we never actually got to see any of the killing’s happen, and more of just the aftermath of these grisly murders. There’s a lot to be shocked by after seeing this film, and although I have seen this about 4 times now, I have to say that I still get a little grossed out by what I see. Others may like this, may despise it and this is one of those films where it’s just “not for everybody”. That can be said for a lot of Fincher films except for maybe his last two that came out, but with The Girl With the Dragon Tatoo, I think he’s back on-track for grossing people out again.
The cast is also nothing short of magnificent either. Brad Pitt is great as the young, cocky, and headstrong cop David Mills who wants to get the bad-guy at any way possible, and Morgan Freeman is even better as William Somerset, the laid-back, seasoned cop who plays the voice of reason every time Mills gets a little loose with it. They’re contrast of old school vs. new school is amazing to see on-screen and they work together so well having me actually believing them as a real-life detective team. The real shining star of this whole film is probably Kevin Spacey, who you will probably be stuck remembering long after the final credit reels off the screen. I can’t say much else about this role, but this is easily the best performance from the whole film by just how much he gets into not only the character’s heads, but also the audiences head as well.
Consensus: Although it may not be for everybody, Seven is still one of Fincher’s best with a tension-filled atmosphere, brilliant script, superb writing, and a grand finale that will be sure to stay in your mind way long after the film is over.