Chicks got to make up their minds.
Best friends and lovers since high school, Jesse (Andy Samberg) and Celeste (Rashida Jones) got married in their twenties and, after a few years of wedded bliss, woke up to discover that they love each other as pals but not as husband and wife. So Jesse moves on, while Celeste is left to wonder just what the hell did she do.
It’s a surprise that this flick hasn’t gotten a bigger distribution than what it already has, because the material here could probably end up making this a sleeper hit of the late Summer, much like (500) Days of Summer did way back in ’09. No, it’s nothing as brilliant and original as that, but it says the same stuff and makes you feel the same emotions, except there’s no Hall & Oates in this one. That already puts it a step-below.
What I think touched me about this story right off the bat was how honest it was about itself. I don’t know how much Jones and co-writer/co-star Will McCormack have experienced in their lives from the past, but it seems like they know a whole lot about relationships, how you make them work, and sometimes, how you can make them fall-apart just by trying to change that other person. There’s a lot here that speaks out to people who think they are too good for their soul-mate and think that it’s time to call it quits just because they aren’t up-to date with them, as much as they are with everything else in the world. There are plenty of people out there just exactly like that, and 9 times out of 10, those people start to realize that they made a huge mistake because they never once thought that the person they’d tried to get rid of, would eventually come back and be the person they always wanted them to be. It’s a very true testament to not just how relationships work, but people as well, and Celeste and Jesse are no different from that.
What I liked most about this script was how every single part of this flick was set-up as a rom-com cliché. Gay best-friend? Check. Chick that needs to get her love-life back on-track but ultimately fails? Check. Witty best friend that tells it like it is? Check. Big speech at the end where the character tells everybody all that they have been through? Double check. The difference here is that this film sees those conventions, and sort of spins them on its head and give us a true tale of love being lost, love being unrequited, and love almost being found once again. The story I have been describing to you for the past 3 paragraphs now, may seem like a total drag but I can assure you that it’s not. There is a lot of material that is funny here and even though every once and awhile this film will show us something we have seen done before in thousands of other rom-coms, it still feels true to itself and to the situation these characters are in.
By the end, when this story started to show it’s true colors and what it was really trying to say, that’s when I actually started to feel a little emotion here and there. The whole idea of this chick getting fed-up with her old husband because he won’t grow-up and then wants him back, doesn’t seem that sympathetic, but the way it’s played out here makes it seem so and you feel for this Celeste character. Not only is she a very realistic female character that you could easily meet at a bar or somewhere in a downtown night club, she’s also a gal that feels some sort of emotions whenever her feelings are hurt and when she wants to just be loved. You don’t really see female characters in rom-coms go through the type of shit Celeste goes through here, and I think that’s what makes her development as a character, all that much better and smarter.
My problem with this script was that I did feel like they took a little bit too much away from Celeste, just in order to give-up some time to random side characters that could have honestly been cut-out. I liked Elijah Wood as the stereotypical gay boss/best-friend, but he doesn’t add a single thing to this whole product and if they were to get rid of him, I don’t think much would have been missed. Not saying that he’s bad or anything, it’s just that there isn’t much to hold onto when it comes to his character. The same could be said for Emma Roberts who plays a Ke$ha-like teen-star that just wants to rock-out with her whatevers out. Roberts is fine in this role too, but she doesn’t add anything either other than a bunch of dumb dick and butt gags that seem tired by the third time they even mention it. Other characters like Chris Messina as a hopeful boyfriend that will take Celeste out of her funk, and Will McCormick as the stoner buddy named Skillz, are all fun to watch but also seem like another example of this film having too many ideas and too many side characters that eventually take away from Celeste’s real problem at-hand: the chick can’t move on.
Andy Samberg finally gets his real taste at drama and plays it up very well, when he gets the chance to. Samberg, at-first, plays Jesse as his usual jocky, young-minded, goofy persona that always seems to take over his characters but by the end changes it up a bit and starts to grow-up into his own person that is just as confused with what he wants as Celeste is. Jesse’s whole story development seems a little forced (the guy already wants to have a family with this one girl after one date?), but Samberg makes it seem believable with a nice amount of honesty and sensitivity that is unlike anything we have ever seen from him before. It’s not one of those roles that really stands-out and shows that this guy can almost do it all, but it’s a nice way of showing that maybe there is a life for this guy after leaving SNL and doing a shit-fest like That’s My Boy.
The real star of this whole movie, as you probably predicted since she co-wrote it, is Rashida Jones as Celeste. Jones is an actress that we all know can be funny (just watch Parks & Recreation), but she has never really been given that great amount of drama to work with that makes her stand-out from the rest. This performance here is that game-changer for her as Celeste is not only a great character to play, but is also a great performance for Jones where she shows that she can make any character likable and easy to root for just by using her mysterious charm that she has about her. The scenes her and Samberg have are dead-on, as their chemistry is as perfect as you could get it, but when it’s just Jones allowing herself to be shown in such an uncomfortably sad light, it feels real as if Jones is just reliving a past break-up that she still feels terrible about. But even when she has to do the comedy act with her performance as well, she nails it there too and it just shows you that this lady has a very bright future in Hollywood. Hopefully, this is the film that shows it off, too.
Consensus: Celeste and Jesse Forever may suffer from too many ideas and characters but never feels too jumbled up due to a great script that shows the emotional turmoil you go through during heartbreak, as well as what can happen to one person when they realize that the person they got rid of in the first place, was probably the best person for them in the end.