Think about it next time you decide to take a swim in a public river.
A semi-dysfunctional family reunites in the worst possible way, when one of their own, Hyun-seo (A-sung Ko), gets captured and presumably killed by a mysterious monster. The family is clearly in a bit of a crisis, constantly fighting, crying, drinking and blaming one another for this travesty, all before the government takes them in and starts doing test, after test, after test on each and everyone of them. Are they infected with anything all that serious? We don’t know. But, does it matter? Not really. The government thinks that they are infected, so therefore, they must be. However, late one night, the father of the little girl, Gang-du (Kang-ho Song), gets a call and wouldn’t you know it! It ends up being her! From there on out, Gang-du and the rest of his family holds out total hope that she’s alive and just waiting for them to rescue her. The only problem is that they have to find out where she’s at and get her, all while sneaking past the government as well. Which, as some of you may know, is not an easy task.
While this may sound all familiar to most of you beings out there who have been brought up on monster movies such as Godzilla, or King Kong, or even most recently, Pacific Rim, don’t stop there with that thought and automatically get turned-off. Because, while the Host may be, in fact, a “monster movie”, it’s not that kind of monster movie that just limits itself to shrieks, creeps, gore, scares and violence. Nope, there’s a little bit more to this one.
Yeah, don’t look behind yourself if you can help it.
See, what’s so neat about the Host is that it’s several different genres, all rolled up, and piled into one big mix of ideas, themes, and sequences that don’t always work perfectly together, but still keep you interested. And honestly, that’s all you’re going to need with any monster movie, let alone this one in particular.
Because sure, we get to see the monster wreck all sorts of havoc on large groups of people, chomp some up for a little breakfast, a little dinner, and a little midnight snack, and heck, we even get to see it chase people down, but it’s not our central focus. Sure, the monster is there and definitely an asset to why this story was made in the first place, but the real main focus here is this family that always remains fascinating. That’s definitely impressive too, because automatically, as soon as we’re introduced to each and every one of these family members, it automatically feels like we’re in for a whole slew of clichés that almost never excite.
The older brother who is a total slacker, constantly falling down everywhere he goes and dozing off whenever he feels like doing so; the younger brother who went to college and everything, but doesn’t have a job and is more interested in causing trouble, then getting his shit together; the sister, who is a professional archer, and definitely the smarter of the bunch; and the father of the three, who is clearly the sweetest, most endearing figure of all that has every bit of faith in his kids that they’ll do the best that they can do, yet, still holds his own reservations as well. If this was a stripped-down, intimate, almost play-like drama, I’d probably be gripped from beginning to end; but the fact that it’s spliced together with something that resembles an action movie, is almost even better.
Although there is the occasional slip-up in its pace, co-writer/director Joon-ho Bong definitely doesn’t lose his head on bogging us down with detail, after detail, after detail that we need to know about these family members and their history together; we get plenty of background info to understand their personalities, so that when they do split up and are on their own for this adventure of sorts, it never gets boring. Even if the dramatic scenes themselves do slow things down terribly, it’s still a nice refresher to get a movie in which the human-characters are treated on a first-grade basis, whereas the monster itself (aka, the real spectacle that most come rushing out the floodgates to see), is simply second.
It also helps that the cast is pretty fine too, with each and everyone doing their job to make the best impression. However, I think the one who runs away with this movie alone is Kang-ho Song, who is basically our main protagonist – or if you want to get really professional about it, our flawed hero for the two-hours. What’s so neat about Song and what he does is that while we’re introduced to his character in a not-so lovely way, overtime, we get to see that he’s a lot smarter and likable than he initially lets off. He’s a total and complete slacker that, at first, we see sleeping on his job while his dad does all the work, but once that all changes and shit gets real, real quick, then the strength of Song’s ability as an actor comes out and we get a character that we can root for, even if he does do some bone-headed things along the way.
Strange way to fish. It is South Korea after all though!
But that only makes him more human, hence why it’s so much easy to sympathize with him and just want the best for him, his family, and those that he loves when all is said and done. Case closed.
Anyway though, like I stated before though, that’s not to say that there isn’t plenty of monster action, it’s just that there’s more to this movie than just that. I appreciated that aspect, and I was also glad to see Bong go out of his way and throw a little satire into the proceedings as well. What I mean is that the story itself is about how the government is more concerned with this virus, who has it, and its chances of breaking out (even if there is one), than actually going out there and destroying the thing that’s possibly causing this virus in the first place. You can get a clear idea that Bong wants to evoke feelings of rebellion and strictly just not fully trusting your government with everything that they do (especially once those slimy Americans get involved!), which makes the movie feel more heightened with emotion that doesn’t just start and end with the family-dynamic.
Basically, what I’m trying to get across is that you can have a fun, exciting and crowd-pleasing monster movie, but if you give us a little something more, then I have no problems whatsoever. More, especially in this case, is always better.
Consensus: While at two full hours, the Host can feel exceptionally long during its more laid-back moments, there’s still a creative, energetic force behind that has it constantly pushing for being more than just a typical, by-the-numbers monster movie, even if it does settle for that at the end.
8 / 10 = Matinee!!
Basically my whole family during the series finale of Six Feet Under.
Photo’s Credit to: Thecia.Com.Au