No Vanilla Ice, no dice.
News reporter April O’Neil (Megan Fox) aspires to be more than just a soft-core journalist that has to cover stories about “staying in shape”, or “doing pilates”; she wants to make a difference, even if that said difference goes exactly against everything her editor (Whoopi Goldberg) stands for. That’s why, during her night of casually strolling around, she stumbles upon a possible story about a band of trusty superheroes saving the day from the almighty powerful and evil Shredder, April jumps right on it. Probably more so than she originally wanted to, because what she eventually finds out is that these so-called “superheroes” happen to be four life-sized, walking, talking, HGH-fueled, pizza-lovin’, witty, ass-kickin’ Teenage Mutant Ninja Turtles. They take orders from their rat father (Master Splinter) and set out to save NYC from total mass destruction. This is when April and her level of expertise come into play when she finds out that wealthy businessman, and her deceased father’s old lab-partner, Eric Sacks (William Fichtner) is setting out to wipe out the Turtles, sell their blood, make lots of money, take over the world, and something else, too. Either way, it’s something bad that he wants and the Turtles won’t stand for it. Not as long as they’re still happenin’ and cool.
90’s nostalgia, man: It gets me every time.
That said, I was in no way looking forward to another re-boot of the TMNT franchise, especially one that’s come out twenty years after the fact. Sure, there was that 2007 animated-flick, but to a true Turtles fan like myself, it doesn’t count. What does count, however, are the life-sized, dudes-in-costumes Turtles that kicked ass, ate pizza, danced with Vanilla Ice (see link up top), and befriended Elias Koteas.
These new, and I guess, slightly improved, CGI-versions? Eh, not so much! But hey, I’m a guy who loves film and most of all, I like to be entertained. So yeah, it doesn’t really matter if somebody’s defecating on my childhood or not, as long as you’re fun, then I’m pleased! I may not be totally ecstatic beyond belief that you’re somewhat destroying any sense of childhood I may still hold onto, but I will at least take your hand, come off to never, never land and yes, maybe even crack a smile or two.
And even if Michael Bay does just so happen to have his greedy, numbly paws in it, I’ll still stay along for the ride. Because in the summer, that’s all you need: Fun. If you can add a certain layer of nostalgia, then yeah, it’s definitely a little bit better than something like, well, I don’t know, say the Transformers franchise.
But that said, this movie is not perfect in the least bit. For the most part, it can be kind of a mess that doesn’t know whether it wants to take its story, its characters, or even its whole universe seriously, or if it just wants to be one, long, running-gag about how these turtles cannot only just say goofy things, but can also drop new millennium references every so often, too. Most of that stems from the fact that Johnathan Liebesman isn’t a very good director, and more or less, seems like he’s just copying each and every trademark we’ve come to expect from a Michael Bay movie. That’s not to say that the humor borders on racist or downright misogynistic (okay, maybe more of the later), but it is to say that you have to wonder just where exactly they were trying to go with this tone at certain points.
Cause sometimes, it’s a light, fun and frothy movie that seems to be tailor-made for the next generation of kiddies who may not have a single clue what a Vanilla Ice is; but other times, it seems like the movie wants to be exactly like the Transformers franchise, except without any robots or side-boobage. Instead, we have humans, Asians and turtles, constantly kickin’ the crap out of one another, without any blood shown. Meaning, it’s an extremely violent PG-13 movie, which is strange considering that this mostly seems to be advertised towards the younger ones who will want to rope their adoring, yet miserable parents into going to see it.
Does that make it a bad movie? Nope, not at all. But does it make it a confused movie that doesn’t quite know where it wants to go, who it wants to be for, or where exactly it wants to land? Most definitely. And although I’m glad to see that Bay didn’t produce a movie that borders being downright offensive, I still wish that he got a more than credible enough director to carry-out a job that could have just been laid down to “impersonate me and my directorial-style”. Because, when you get right down to it, that’s exactly what this movie is: A Michael Bay movie.
For better, and also for worse. Take with that what you will, parents.
And considering that Bay does have more than a few fingers involved with this movie, it may seem totally strange that Megan Fox would even bother to be apart of another project of his (of course, with all things considering), but whatever the stipulations behind her appearance here may have been, I have to say, the gal’s fine as O’Neil. Sure, she’s a lot foxier (pun intended) than you’d expect an April O’Neil-type to look like, but Fox does fine with just delivering her lines in a charming manner, that lets us know that she’s not only in on the joke, but doesn’t want to be just laughed at and pointed at either. She’s a woman, dammit!
Putting the silverware to good use.
Same goes for Will Arnett, too (except for the woman part), who easily steals the show as her cameraman/side-kick/creepy-dude-who-constantly-wants-to-get-in-her-pants, Vernon Fenwick. He’s funny, sarcastic and seems perfectly-suitable for Bay’s strange sense of humor. And I think it’s pretty easy to know exactly what kind of character William Fichtner’s is going to turn out to be when he shows up, but, as usual with him, he’s fine at just playing him. He’s a dick, he knows it and he has some fun with it. Well, at least as much fun as one can have in a Michael Bay-ish movie.
Now, of course, I’ve saved the best aspect for the last, meaning that the main attraction most people are going to want to see and know all about are our titled-characters themselves: The Teenage Mutant Ninja Turtles. And like you’ve probably fondly remembered them as being way back when in your childhood, each one has their own respective personality, to decipher which one is which – Michelangelo (or “Mikey”), is the stoner that says stuff like “brah” and other witty stuff; Leonardo, the leader, who takes control of the group when everybody and everything seems to get a bit too out-of-hand; Donatello, the nerd, who wears large bifocals over his head/face to remind you every so often; and Raphael, the team’s bad boy who always promises that whatever mission he’s on, is his “last one”, before he branches off on his own, presumably to become the owner of a major trust-fund for roided-out turtles or something.
Anyway, all of them, with the inclusion of everybody’s favorite, metaphor-dropping rodent, Master Splinter, are fine and as charming as you expect them to be. They’re one-note throughout the whole movie, sure, but for what they are (which is, a bunch of turtles who can talk and do stuff like you or I), they’re nice. They’re not insulting to anybody out there and they sure as hell can’t be categorized on which race they may, or may not be.
And yes, coming from a Michael Bay-ish movie, that means a whole heck of a lot.
Consensus: Inoffensive, short, fun and somewhat charming for the time its on screen, Teenage Mutant Ninja Turtles won’t have you remembering the good old days of the cartoons or previous movies, but it will have you entertained for a short time.
5.5 / 10 = Rental!!
BAG has got some major competition on his hands now.
Photo’s Credit to: IMDB, AceShowbiz, Goggle Images