Chicks got to make up their minds.
Best friends and lovers since high school, Jesse (Andy Samberg) and Celeste (Rashida Jones) got married in their twenties and, after a few years of wedded bliss, woke up to discover that they love each other as pals but not as husband and wife. So Jesse moves on, while Celeste is left to wonder just what the hell did she do.
It’s a surprise that this flick hasn’t gotten a bigger distribution than what it already has, because the material here could probably end up making this a sleeper hit of the late Summer, much like (500) Days of Summer did way back in ’09. No, it’s nothing as brilliant and original as that, but it says the same stuff and makes you feel the same emotions, except there’s no Hall & Oates in this one. That already puts it a step-below.
What I think touched me about this story right off the bat was how honest it was about itself. I don’t know how much Jones and co-writer/co-star Will McCormack have experienced in their lives from the past, but it seems like they know a whole lot about relationships, how you make them work, and sometimes, how you can make them fall-apart just by trying to change that other person. There’s a lot here that speaks out to people who think they are too good for their soul-mate and think that it’s time to call it quits just because they aren’t up-to date with them, as much as they are with everything else in the world. There are plenty of people out there just exactly like that, and 9 times out of 10, those people start to realize that they made a huge mistake because they never once thought that the person they’d tried to get rid of, would eventually come back and be the person they always wanted them to be. It’s a very true testament to not just how relationships work, but people as well, and Celeste and Jesse are no different from that.
What I liked most about this script was how every single part of this flick was set-up as a rom-com cliché. Gay best-friend? Check. Chick that needs to get her love-life back on-track but ultimately fails? Check. Witty best friend that tells it like it is? Check. Big speech at the end where the character tells everybody all that they have been through? Double check. The difference here is that this film sees those conventions, and sort of spins them on its head and give us a true tale of love being lost, love being unrequited, and love almost being found once again. The story I have been describing to you for the past 3 paragraphs now, may seem like a total drag but I can assure you that it’s not. There is a lot of material that is funny here and even though every once and awhile this film will show us something we have seen done before in thousands of other rom-coms, it still feels true to itself and to the situation these characters are in.
By the end, when this story started to show it’s true colors and what it was really trying to say, that’s when I actually started to feel a little emotion here and there. The whole idea of this chick getting fed-up with her old husband because he won’t grow-up and then wants him back, doesn’t seem that sympathetic, but the way it’s played out here makes it seem so and you feel for this Celeste character. Not only is she a very realistic female character that you could easily meet at a bar or somewhere in a downtown night club, she’s also a gal that feels some sort of emotions whenever her feelings are hurt and when she wants to just be loved. You don’t really see female characters in rom-coms go through the type of shit Celeste goes through here, and I think that’s what makes her development as a character, all that much better and smarter.
My problem with this script was that I did feel like they took a little bit too much away from Celeste, just in order to give-up some time to random side characters that could have honestly been cut-out. I liked Elijah Wood as the stereotypical gay boss/best-friend, but he doesn’t add a single thing to this whole product and if they were to get rid of him, I don’t think much would have been missed. Not saying that he’s bad or anything, it’s just that there isn’t much to hold onto when it comes to his character. The same could be said for Emma Roberts who plays a Ke$ha-like teen-star that just wants to rock-out with her whatevers out. Roberts is fine in this role too, but she doesn’t add anything either other than a bunch of dumb dick and butt gags that seem tired by the third time they even mention it. Other characters like Chris Messina as a hopeful boyfriend that will take Celeste out of her funk, and Will McCormick as the stoner buddy named Skillz, are all fun to watch but also seem like another example of this film having too many ideas and too many side characters that eventually take away from Celeste’s real problem at-hand: the chick can’t move on.
Andy Samberg finally gets his real taste at drama and plays it up very well, when he gets the chance to. Samberg, at-first, plays Jesse as his usual jocky, young-minded, goofy persona that always seems to take over his characters but by the end changes it up a bit and starts to grow-up into his own person that is just as confused with what he wants as Celeste is. Jesse’s whole story development seems a little forced (the guy already wants to have a family with this one girl after one date?), but Samberg makes it seem believable with a nice amount of honesty and sensitivity that is unlike anything we have ever seen from him before. It’s not one of those roles that really stands-out and shows that this guy can almost do it all, but it’s a nice way of showing that maybe there is a life for this guy after leaving SNL and doing a shit-fest like That’s My Boy.
The real star of this whole movie, as you probably predicted since she co-wrote it, is Rashida Jones as Celeste. Jones is an actress that we all know can be funny (just watch Parks & Recreation), but she has never really been given that great amount of drama to work with that makes her stand-out from the rest. This performance here is that game-changer for her as Celeste is not only a great character to play, but is also a great performance for Jones where she shows that she can make any character likable and easy to root for just by using her mysterious charm that she has about her. The scenes her and Samberg have are dead-on, as their chemistry is as perfect as you could get it, but when it’s just Jones allowing herself to be shown in such an uncomfortably sad light, it feels real as if Jones is just reliving a past break-up that she still feels terrible about. But even when she has to do the comedy act with her performance as well, she nails it there too and it just shows you that this lady has a very bright future in Hollywood. Hopefully, this is the film that shows it off, too.
Consensus: Celeste and Jesse Forever may suffer from too many ideas and characters but never feels too jumbled up due to a great script that shows the emotional turmoil you go through during heartbreak, as well as what can happen to one person when they realize that the person they got rid of in the first place, was probably the best person for them in the end.
Never thought I would say this, but I missed Tobey.
The Amazing Spider-Man is the story of Peter Parker (Garfield), an outcast high schooler who was abandoned by his parents as a boy, leaving him to be raised by his Uncle Ben (Martin Sheen) and Aunt May (Sally Field). Peter is also finding his way with his first high school crush, Gwen Stacy (Stone), and together, they struggle with love, commitment, and secrets. Oh yeah, and he’s also Spider-Man. Can’t forget about that one, little detail.
Before I start this review off, I have to give a little disclaimer and say that I have a special place in my heart for the Sam Raimi Spider-Man movies. That’s right, even the 3rd one to an extent. So this review may be a bit biased in some points and if that is the case, I apologize but I just can’t believe they actually went through with this idea. I mean honestly, you couldn’t wait 5 more years!?!?
Anywhoo, what interested me most about this reboot was the fact that it’s helmed randomly by Marc Webb (director of one of my favorite flicks from 2009, ((500) Days of Summer). When people saw JGL (Joseph Gordon-Levitt for all of you noobs out there) walking down the streets, singing and dancing to the tunes of Hall & Oates, I highly doubt the thing on everybody’s mind was “ooh, I wonder how cool that would be with webs shooting out of that guy’s hands”. What I’m trying to say is that Webb (oh wait, now I get it) seemed like a very random and odd choice for this flick, but I can’t say that he doesn’t bring something fun to this film either. All of that quirky, indie style from his debut is lost here but there is still plenty of room for him to relish in the art of telling the Spider-Man story, the way he thinks is right and do what he wants, just as long as he doesn’t piss off all of the fan boys who want to see this.
The film is claiming to be “the untold story”, when in reality, it’s just a re-working on the same origin story we’ve seen before. Like for instance, instead of a Peter Parker being bitten in the lab because he was on a class field trip, he is in there because he secretly, sneaked into an internship meeting there. Or, instead of having Parker just shoot webs from his veins, he now has mechanical webshooters that pretty much do the same thing. These are the types of “re-workings” we see in this flick and it’s not so bad considering a lot of it makes more sense and gives us a better look at why the Spider-Man superhero is so damn popular and loved in the first place. There is a bunch of humor here, some of which, annoyed the hell out of me, but other times worked and gave this film a fun little feel.
Actually, I can’t really bag on this film as much because it seems like that’s all Webb is concerned about here: having fun. And no matter what the story may be, I’m down with that. There’s plenty of cool-looking action scenes where it’s just Spidey, doing his good olde, mono-a-mono showdown between him and a baddy, and some really beautiful scenes where we see him just fly through the sky, where New York City is pretty much his playground. Some real nifty stuff to see and have fun with here, and it’s also enhanced by some amazing-looking CGI that doesn’t really come off as fake. I saw this in 3D Imax and I have to say, it’s pretty good but I wouldn’t go out and pay for it only because there isn’t so much here that’s worth that extra-dimension. Then again, that could be said for a whole bunch of other flicks with that tagline; “in 3D”.
However, as fun as a lot of the action may be, there’s not as much as you would expect, especially when it comes to a Summer blockbuster. Maybe that’s not the right thing to say, because there is plenty of action and adventure for you to sink your teeth into, but then there are also these other, quieter moments where it’s just focusing on Parker and Stacy’s love relationship that are not only awkward as hell to watch, but don’t feature any type of fun dialogue to keep you interested. They sort of just show up, stay on-screen, and bother the hell out of you because you just want to see The Lizard and Spidey duke it out once again. I don’t mind when a film, let alone a superhero film, is trying to go into more depth about its main character, but when it’s done in a flick where you should be expecting, non-stop action all over the place, then that’s where the problem lies. Basically, just too slow for a superhero film.
What is very watchable throughout these boring scenes, is actually the eclectic cast that Webb has brought together and being lead by Andrew Garfield as Spider-Man/Peter Parker. Garfield plays a different type of Parker than from what we saw with Tobey Maguire. Instead of coming off as a total nerd, that can’t do anything right because he wears glasses and loves science, Garfield makes him seem like this lost soul that just keeps to himself and doesn’t really care what goes on around him. Yeah, he’s a little strange because he’s always taking pictures of things, but he’s got a certain edge to him that makes him seem a lot cooler than you would expect Peter Parker actually to seem like in the first place. I think that Garfield goes a little too far with his humor in this film, but then again, that can’t really be blamed on him because he’s obviously doing everything in his soul to be the different type of Peter Parker we are used to seeing.
Emma Stone is here as Gwen Stacy, Parker’s apple of his eye, and does a pretty swell job with what she is given and thankfully, as my friend at the screening I was at pointed out, wasn’t playing the usual “damsel in distress” role that we usually see ladies in superhero flicks usually play. She is actually pretty tough and smart, and can stick up for herself whenever the time comes. Her and Garfield have a little awkward chemistry going on here, but I think that’s what’s the point of this flick. Rhys Ifans does a nice job as our villain, The Lizard/Dr. Curt Connors. Ifans can always play these bad-guy roles and this one is no different, except his CGI starts to be a little distracting by the end. Actually, it makes him look like The Hulk and I don’t know if Sony wanted that on their hands after all of The Avengers buzz that still seems to be going on. Seriously, how much more money does that movie need to make?
The casting of Martin Sheen as Uncle Ben, seemed like an awesome bit of casting because Sheen just has this “old-timer likability” thing going on for him, that it doesn’t matter what role he plays, you love him regardless. That’s why everybody was so shocked when he got thrown off the roof in The Departed, because everybody loves that guy, who would want to do such a mean and cruel thing to him? Sally Field is here as Aunt May and as hard as she may try, she seems too young for an Aunt and all of the advice she gives out, makes it seem like she’s doing Mamma Gump, all over again. Another bit of inspired casting was actually Denis Leary as Captain Stacy, mainly because the guy shows that he still has the comedic chops to pull off some very funny moments, but can also make a rather, deuchy character, still likable and understandable.
Despite all of these awesome and great elements that this film featured (action, acting, humor, CGI, special effects, etc.), I still couldn’t get past the Sam Raimi movies, and I’ll tell you exactly why. I’m 18 right now, so I was about 7 when the first one came out and I loved it to death. Then that second one came out, and gee-goll-e, did that knock my socks off even more! Then that third one came out, and even though it was definitely not on-par with the other two that came before it, it was still fun and endearing enough to keep me locked on to what was going to happen next with Peter Parker. Honestly, that original series from Raimi will always be in my childhood and I was so mad when they decided to go through with this reboot, really I was. It was a total cash-grab, in my opinion, and as fun as this film may be, I still couldn’t stop thinking about the original flicks. Whenever Garfield was flying through the sky, I kept on thinking about Tobey doing the same thing. Whenever Uncle Ben would show up, I kept on thinking about Cliff Robertson delivering the all-time famous line, ”With great power comes great responsibility”. And whenever somebody mentioned Oscorp, Willem Dafoe automatically popped right into my head. Really, the memories from all of my movie-watching from back in the day really made me miss those flicks and also made me want to go watch them again. So maybe this flick wasn’t for me since I loved the originals so much, but honestly, I just wish they never went through this in the first-place. Or at least waited 5 more years so that everybody’s minds were fresh and clear of Raimi and Maguire. Miss them already.
Consensus: The Amazing Spider-Man is exactly what you come to expect from a superhero flick: fun, action-packed, wild and crazy set pieces, baddies doing bad things, goodies doing good things, romantic love story, and some little shots of humor to liven everything up. Problem is, this is a reboot of a series that has already had its movies, and were ones that still stay stuck in my mind no matter what.
Whoever thought that Dawson would end up being Christian Bale’s little bro.
Set in a small, affluent liberal-arts university in present-day New England, USA, where three students named Sean (James Van Der Beek), Lauren (Shannyn Sossamon), and Paul (Ian Somerhalder) who have no plans for the future – or even the present – become entangled in a curious romantic triangle.
If you don’t know who Bret Easton Ellis is by now, go on over to Wikipedia and check him out. He’s the writer of several novels like Less Than Zero, American Psycho, and The Informers. Basically this guy is a fucked up dude who sees the world differently than I can say I do, but I also got to give him a lot of respect because this damn guy is original and it’s even better when you have an original director to help out with the adaptation.
Writer/director Roger Avary is one of the main reasons why this film works so well because he gets inside the mind of Ellis and sees the world through his eyes. Everything is mean, nasty, cruel, but also very very dark in a way that is like unlike any other flick I have seen in quite some time. On the surface, this is a college flick that shows non-stop debauchery, hell, probably a lot more debauchery than ‘Project X’, but underneath it all is actual themes about how people can never connect and these characters are perfect examples of that. They all try to connect to one another and actually be noticed, but somehow, it never works out whether it’s bad timing, miscommunication, a tongue slip, or just a total fuck up which makes everything go to shit. It’s sad to say it but this film is more brutally honest than I ever expected it to be and it was very hard to not agree with what this film was trying to say.
But as I said, this film is also about non-stop debauchery and when I mean debauchery I mean everything such as snortin’ cocaine, drinking beer, having sex, partying, snortin’ cocaine, drinking beer, having sex, and so on and so forth. There is so much of that here but it works for the film because it not only adds to the whole central theme of the flick but it also takes us into this satirical world of college that Ellis has created. These kids never go to class, any time we ever see them they’re doing something bad, and when they aren’t doing something bad, in their heads their planning on doing something bad next. It was funny how Ellis just makes fun of how young adults are, especially ones in college, but the humor isn’t obvious at all, actually it’s the kind of humor that’s pitch black and is almost too dark to understand at first. The inner-thoughts that go through these kids minds is funny because of how short-minded they are but it’s also very sad because it’s true and it seemed like every time I got a laugh out of this flick, I sat there and thought that I shouldn’t be laughing because this film is basically making fun of me as well. Hey!!!
The screenplay is awesome and fits Ellis’ style but it’s the style and inspired direction of Roger Avary that really got me here. I can’t say that this film is filled with a style that is unlike any other film you have ever seen before, but there are some pretty inventive things that Avary does here with this story that gives it that extra kick. For example: Avary uses this technique where he plays forward with his camera then rewinds it in a different place and does the same thing to other scenes. This was a technique used in ‘Memento’ but for this flick, Avary gave it this very weird and bizarre feel that not only made me feel like this director could do anything but he actually will too. There’s plenty of other memorable scenes where Avary uses a split-screen to show us the difference between fantasy and reality (hello 500 Days of Summer), a Trainspotting nod, a scene where a snow flake falls down Van Der Beek’s face to melt into a tear in a very emotional scene, a long but quick-paced montage about a dude who went to Europe and all of his experiences, and one of the best “love at first sight” scenes that I have seen in a long, long time. That’s right, a movie that is based off of a novel from the same dude who gave us Patrick Bateman, has one of the better “love at first sight” scenes I have recently seen. Don’t understand it either but it’s something that Avary did here that made it work.
However, as much praise as I may be giving this flick, there was still a huge problem in the end. Earlier I said that this film is basically non-stop debauchery, and as perfect as that idea may have suited this film, it als0 leaved a lot to be desired. This film has no plot, and while it does move at a regular pace, nothing really goes down other than all of the crap that I mentioned earlier. It takes us inside this world of these obvious, loser kids but it still doesn’t really do anything for this film to keep it’s story going and it was sort of a bummer in the end because there could have been a really solid story to work with here in the first place.
Another problem I had with this story was that I think it also lost a lot of focus here because even though it’s supposed to be focusing on these three characters, it mainly puts Sean Bateman in the front, and everybody else in the back or not there at all. I get it that Bateman is basically the notorious asshole here, but there was a good 20 minutes where they didn’t even include Paul, and barely even had Lauren show up either. It was a shame that not only was there barely any story here at all, but it’s even more a shame that they try to sell this as a love triangle, when they barley focus on it or even anybody else other than Sean for that matter.
The cast is a bit odd on paper, but they all do perfectly with each of their incredibly sad and depressing characters. Shannyn Sossamon was absolutely likable and believable as the sweet and innocent virgin gal, that definitely seems like a chick I would love to just hang-out with and maybe give a hug too as well, since the whole time she seemed like she needed one. Ian Somerhalder is pretty solid as Paul, and was definitely giving off those homosexual winks at everyone around him and it worked because this character was weird but also very sad. Jessica Biel may seem like a strange choice for a total slut in a college flick, but she’s actually very good and creates a wholly unlikable character in Lara. Then again, everybody else in this flick is basically unlikable as well so she basically already had her hand in the bag.
The best performance out of this whole cast that really did shock me more than anything was probably James Van Der Beek‘s amazing performance as Sean Bateman. Yes, Dawson is the one dude in this flick, who goes to college to fuck everything up and succeeds at it. I didn’t think I was going to believe it when I was watching this, but slowly and surely, I started to really believe just how sick, effed up, and mean this character was but I also couldn’t hate him since Van Der Beek plays him with such charm and likability, much like Bale did with Patrick Bateman. This is one of the best “against type” roles that I have ever seen and Van Der Beek nails what it’s like to be a person that is angry with everything in the world, especially yourself. I’m a little ashamed to say it, but dare I say that I was actually a bit scared of him here as well…? Great performance and it’s an honest shame that he hasn’t gotten any big roles since this because this definitely should have knocked him back up in the books.
Consensus: The story is basically non-existent but where The Rules of Attraction works in is it’s inspired writing and directing work done by the wonderfully stylized, Roger Avary, and a cast that makes this more than just another film trying hard to be mean and hard to watch, it’s one that may make you look at college and young people in a different way. Still, can’t say that it’s everyone’s cup of tea either.
It’s what we 21st century people call: hipster cancer.
An otherwise healthy twentysomething, Adam (Joseph Gordon-Levitt), has a comically early midlife crisis when he gets slapped with a cancer diagnosis — and a 50-50 chance of survival. But what’s the meaning of life when you’re not sure how long yours will last?
It’s been a proven fact that cancer is a hard subject to laugh about. I mean Funny People tried 2 years ago but they didn’t really do much with the cancer angle. However, this is the real cancer-comedy.
The script by Will Reiser does a perfect job of balancing out both the comedy, the drama, and the cancer with this challenging premise. Reiser has plenty of funny one-liners and also a lot of moments that will make you laugh at just how ridiculous everybody is responding to Adam’s cancer. When his work-place finds out that he has cancer, they throw him a huge party as if he was going to die the next day, and that’s just one of the many hilarious scenes this film has.
Another great thing about this script is that the drama works so incredibly well here as well, adding so much more heart to the comedy than I actually expected. Whenever things started to get serious with this film, I didn’t feel like it was forced and instead I felt like it served all of these characters and premise very well. I mean cancer is not always a funny thing and just how Reiser was able to show hilarity and sadness behind it all was a great job on his part.
The film starts to even get darker by the end which is something that really had me falling for this film because it never got so dark to completely turn me off from the film as a whole. This isn’t just about how Adam has to deal with the cancer, it’s about everyone around him who have to cope with it as well. Some people know that their losing a good buddy, while some know their losing a son, and others know they just may be losing a potential lover. Either way, this film shows just how everybody around the person with cancer, is as affected as the person him or herself.
Joseph Gordon-Levitt plays Adam in what I think is his best role yet. At first, it seemed like Adam was just going to be Tom from 500 Days of Summer, which isn’t a bad thing but then again, there’s no real range in that role for Joseph. However, when the film starts to go on, Adam starts to go through chemo and that’s when Joseph really starts to let all of his anger and frustration out. We see so many different sides to this character as he goes through this whole frustrating situation and even as dark as this character may get, we still keep on rooting for him the whole time because he is just a genuinely good and nice guy that really doesn’t deserve this, but nobody else does either really.
Seth Rogen is also great in this film as his best bud, Kyle, and and is the comic relief here that plays so well opposite of Gordon-Levitt. Rogen delivers all of the R-rated laughs we’re all so used to hearing from him nowadays such as the talk about blow jobs, weed, and picking up chicks, but there’s also an under-lining sweetness to this guy that comes out by the end of the film and is something that I think Rogen plays up very well. They work well together and I think that’s because they both seem like they really do care for each other and it’s just great to see Rogen be able to play up his comedy side as well as his softer side that we don’t see too much of really.
Anna Kendrick was also such a joy to watch as Katie, Adam’s therapist, as she plays up a lot of that cuteness and silliness to great effect as her and Gordon-Levitt create such a great chemistry together that it was almost better than his scenes with Rogen. Anjelica Huston was perfectly cast as Adam’s mother, and as always, gives a perfect performance that may be about 15 minutes of total screen-time, still had me tearing up in my seat. My one problem with this cast was Bryce Dallas Howard as Adam’s girlfriend who is a big bitch but at the same time is a character that seemed very badly written and had no reason to really be there other than to create more conflict for his character. Although, she was very good in the role I must say.
Consensus: Cancer and comedy may be a hard subject to make watchable, but 50/50 does that perfectly. With great acting from the whole cast, hilarious moments, and as well as some tender ones as well, this film creates a story that almost seems like real-life with characters that are all perfectly fleshed out.
If everyone from One Flew Over the Cuckoo’s Nest, were teenagers.
Teenager Lyle Jensen (Joseph Gordon-Levitt) is committed to the juvenile ward of a mental institution after brutally beating another boy. There, he encounters a pack of equally lost souls, including a girl who hurts herself (Zooey Deschanel), a 12-year-old child molester (Cody Lightning) and a bipolar teen planning an escape (Michael Bacall). Don Cheadle stars as the resident psychiatrist who works tirelessly to break through to his charges and give them hope.
Where this film is no where near as close to the Milos Forman classic, it still does have a great look and insight into the world of depression, and the people that try to help it.
Going into the film you have to be ready for a whirlwind storm of total unhappiness, something I did not do. I still wish there was a bit more light touches added to the film rather than just, all these suicidal tendencies running all over the place. I also think that first-time director, Jordan Melamed, gets too caught on focus with the shaky cam feature, and I found this aspect for some of the scenes to be a distraction, cause it was just all over the place.
Other than those two problems, this film does give great insight into depression. You see how these characters tell their stories about heart break, and tragedy. Almost every story, as depressing as the other, ultimately touches you, cause in all honesty if you have ever known somebody that is facing depression, or any type of mental illness, you can understand the pain that these kids are feeling.
One of my friends saw this movie, and was like, “this isn’t how real people act”. When in reality, this is totally how people act when they are under depression. I mean, the truth of this story is that, all these characters from the cutter, to the molester, and to the kid with anger management issues, not all of them find solutions in life, it’s more about helping to climb that mountain and achieve greatness.
Don Cheadle basically devours the screen every time he gets it with his superb acting. Everytime this guy is on-screen, you can feel his frustration, but also a sense of relief whenever he is around, and you can trust him with your life. It was cool to see Zooey Deschanel and Joseph Gordon-Levitt star together again as love interests, because of my love for (500) Days of Summer. They both have a great sense of rawness within their characters, and each give off great performances to support the film.
Consensus: Manic may have obvious flaws, especially with the camera that will probably make you puke, but features great performances, to back up a wonderful screenplay about the reality of depression, and the harsh things to come of it.
No not the time of season, a chick.
When his girlfriend, Summer (Zooey Deschanel), unceremoniously dumps him, greeting-card copywriter and hopeless romantic Tom (Joseph Gordon-Levitt) begins sifting through the year-plus worth of days they spent together, looking for clues to what went awry. As he recalls the good and bad times he spent with the commitment-phobic girl, his heart reawakens to what it cherishes most.
This is surely one of the best romantic comedy’s, if you would like to call it, that I have seen all year. I was totally suprised by this film and its deliverance of the story. I expected this film to be showing the days of their relationship from day 1 to day 500, but instead you get a totally original way of showing these two relationships’. We go from day 43 to day 3, and from day 147 to 79, and we begin to string together their relationship.
The heavily inspired and originality of this film is what really got me. There are some really original moments that are both memorable but also very true and I just wish that more directors would take as many chances as director Marc Webb has. The non-linear telling of the story is not distracting one bit and falls into total order and fully gives us the ups and downs of their relationship.
Many other things about this film are just so amazing but one imparticular is that this is not your regular romantic comedy that you come by. It’s true about love and life unlike many other romantic comedy’s that have come and gone and surely shows what its like when two “real” people get together. The stylized scenes are there and not very show off and through these scenes you can actually feel the sense of being in love.
Chemistry between the two leads is so perfect that I actually thought I was watching a documentary on a couple. Gordon-Levitt is amazing, and sort of reminds of a John Cusack type guy who is your normal everyday dude but he’s not boring. He’s also very believable and very entertaining to watch and I caught myself loving this guy throughout the whole movie. Deschanel is also very good playing the character she always plays but this one adds a little twist and you like this one a lot more than anyone she’s ever played.
The feelings I felt during this film I cannot explain. I never have come around a film in my life that has made me feel so happy and mesmerized about my life and this film, and overall it was a very touching experience.
Consensus: This film is so original with great chemistry, true screenplay, real-life people, very fresh soundtrack, and overall a very different but touching unconventional love story that I loved from beginning to end.