Finally, 9 hours of my life can finally be put to rest.
As Sauron’s dark army surround the citadel of Minas Tirith and hope wanes for all of Middle-earth, Frodo (Elijah Wood), Sam (Sean Astin), and Gollum (Andy Serkis) continue their journey towards Mount Doom in order to destroy the Ring of Power.
After two movies that have already racked-up to being over than 3 hours each, it seems almost granted that the final-conclusion of this spectacular trilogy would end with a 3-hour and 21-minute time-limit. That’s right, ALMOST 3-AND-A-HALF HOURS! But what separates this long-ass time-limit from the last two, is the fact that you barely notice it one-bit, despite it being the longest of the three. Just goes to show you that long movies, aren’t always that bad to sit-through.
I think first things first to get this review going would be to give major kudos to director Peter Jackson who, like with the last two, does a magnificent job at showing us this beautiful world of Middle Earth, in all of it’s darkness, weirdness, and overall beauty. The sets, designs, make-up, costumes, art direction, and everything else, just look perfect and with this last movie, you needed that keen-eye for attention to detail that Jackson has to make a movie like this work, and it totally does. Obviously a lot more of this movie is dependent on special-effects and CGI, whereas the last two had it, but not a huge-amount, but it’s not distracting from the real beauty that lies underneath this movie and from what I hear, a lot of this was filmed naturally, which impressed me as hell since it seemed like some of these sets would have taken years to be built, and each movie came-out a year-apart from one another. That’s dedication to detail right there, folks, and it’s no surprise that that same dedication won Jackson almost every art and set-design Oscar that year, and rightfully so.
“What the fuck did you just say?”
However, Peter Jackson didn’t just win a bunch of secondary-awards for his work here on this movie, he also won Best Director and that’s not just because of his strong look and detail into this world he obviously loves, but mainly because the guy has the spirit and passion inside of him that makes this flick work, right about from the start. The reason I say “right about from the start”, is because the film obviously has a bit of a problem in the beginning, because it seems like it’s trying to find it’s footing in how it wants to start things-out. We get a couple of awkward cuts to Frodo and Sam being slightly homosexual with one another, to a pretty un-epic shot of Legolas, Aragorn, Gandalf, and Gimli, all slowly riding-down the grassy lands with their horses, but after that, it picks up it’s speed and momentum, and I was willing to forgive Jackson for all of this because it just continues to get better and better.
Once this movie picks up and knows exactly where it wants to go, it’s the freakin’ most epic, most entertaining, and most emotional-ride you will ever take in a movie. The movie cuts between the two stories of Frodo & Sam’s journey to Mount Doom and the defense of Gondor and Minas Tirith, and whereas the weaving in-and-out of stories took a lot of momentum out of the direction the last time-around, it works so perfectly because both stories have a great deal of built-up tension and emotions that run high in about every frame of this flick. Watching Sam and Frodo make their way to destroying the ring will keep you on the edge of your seat as they constantly continue to find hardships getting to their destination, and the Battle of Peleanor Fields is the other story that seems to be the centerpiece of this movie, and had my heart racing just as much as Sam and Frodo’s journey, even though they were both polar-opposites in terms of pacing and development.
Quick! Who has been the most successful in the past decade? By the way, the two pictured are Orlando Bloom and Karl Urban. Okay, never mind. Dumb question.
In the Two Towers, the Battle at Helm’s Deep was an absolute joy to see play-out on screen because it built-up the intensity, the emotion, the action, and most of all, the fun in having two, opposing sides go head-to-head and watching as they are both equally-matched, and equally-as-smart as the other. It was probably the highlight of that whole movie, even if there was a lot more to cheer-on about, but the battle that takes place here in this flick (the Battle of Peleanor Fields), makes it look like a bunch of kiddies messing around in the playground. Jackson totally ups the ante with his direction by providing so much action, blood, and sometimes, gore to have us really involved, but also adds a great deal of heart and emotion to have us fully-invested enough, to the point of where our hearts are racing every time it seems like somebody is going to be the nest one to bite the dust. Seriously, I’ve seen this movie about 2 or 3 times before, but I was still gripping my sheets, wondering who was going to be next and it sent me shivers up my spine whenever I heard a loud, scary enemy come-through again and provide another threat to all of our heroes and favorite characters. Seriously, if you don’t feel any type of emotional-connection to these characters as they all become one-step closer to death in a span of 1 hour, then you my friend, are just as soulless and as dark as the enemies they are facing. Crappy metaphor, I know, but you get the point.
Secretly, there’s weed in there. Or whatever the hell those Middle Earth snobs call it.
However, that key-battle in the center of this movie is only one of the main reasons why this movie works as well as it does and why Jackson got the Oscar in the first-place. There is so much going on-here that it would definitely be very easy to see how somebody would feel as if it’s too much at one-time, but Jackson evens it all-out so nicely so that we see everything that happens, why it happens, and gives us a bit of time to understand it all. Not many movies that have a certain-type of audience feel the need to do that because they feel as if it’s strictly for the fanboys to understand, and everybody else to ‘eff off, but not Jackson. No, he’s a different type of lad and I’m happy that he decided to take his time with this movie and lay everything-out on the ground for us all to get as soon as the story started to pick-up because when it gets going, it never stops and that’s when you find yourself having the best time of your life with this movie.
Another key-element to this movie that Jackson wisely allows, is that every character that we have gotten to know or see over the past 2 films, finally all get their own chance to shine, rather than having it be the Frodo and Gandalf show 24/7, which also means, all of the performances are fully-realized and some of the best of the whole trilogy. Viggo Mortensen kicks ass once again as Aragorn, and shows that he is not one prince to be messed-with, especially when it comes to somebody coming in between him, his buddies, and most of all, his gal that he is so far-away from. I may make Aragorn sound like a bit of a pussy with that description, but trust me, he’s not in the least-bit. Ian McKellen is awesome as Gandalf and shows how wise and warm he is, not only as a ruler, but as a character, as well; Orlando Bloom is good as Legolas, and shows us why the guy kicks just as much as Aragorn does; and John Rhys-Davies doesn’t quite get enough moments to steal the spotlight from everybody else like he did in the 2nd-movie, but he still has a lot of fun here as Gimli. Anybody I didn’t mention, don’t worry, they all did good, especially those little, fuckin’ hobbits.
His ax is the best part of his character, without it, he’s just got one-liners about how small he is. Somebody find it, and quick!
In the past 2 movies, it seems as if Sam and Frodo are the only ones to really get the attention from Jackson in terms of character-development and actually meaning something in the whole grand scheme of things, but now, Jackson allows the other two as well to show what they’re made of. Billy Boyd and Dominic Monaghan are each great as Pippin and Merry, respectively, and show that they aren’t just about of immature jokers, they can actually put-up and shut-up when they need to and actually help move this story along, even if they are without their tree buddies that I missed very, very deeply. These two get a lot to do, but Frodo and Sam aren’t left-out of the equation, either, and their story is by-far the one I really connected to since it’s all about the limits of friendship and how far one will go to really help the other one out and hopefully, save their lives in the process. Elijah Wood has been a bit tweedy as Frodo in the past 2 movies, but really excels here and gives Frodo a bit of a mean-streak that actually has you fearful for Same, as well as Gollum. Wood has never been the star actor of our generation, but here, he shows us that he can act no matter how much he gives-off that softy-smile that really rang the wrong bells for me. Seriously, I thought the revelation at the end was going to be Frodo was in-love with Sam after all of this time, I swear it.
“Yep, there go our careers as we know it.”
As good as Elijah Wood may be, Sean Astin is the one who really steals this show as Samewise Gamgee, and you know what? It’s about damn time this guy finally got his rocks off in these movies, because not only is Samwise as strong of a character as anybody else in this whole damn series, but Astin is also a great-actor too, and one that I feel like never really gets to show himself for all that he is because people still see him as Rudy. Samewise is such an awesome character to watch on-screen not just because he lays down the law for Frodo and tells him all of the obvious stuff about the ring, Gollum, and the evils that come-from both of them, but because you feel like this guy would do anything, I do repeat, ANYTHING, to save his friend’s lives, no matter how hard or impossible it seemed to be. Astin plays this up so perfectly and to watch him come-alive as an actor through Same, is a freakin’ revelation since this guy rarely ever gets the chance to and it’s sort of a shame that this guy never got an Oscar nomination for his work here because he’s understated, believable, strong-willed, and most of all, the emotional anchor that holds this movie down from being a “Nerd’s Only” love-fest.
If there is any reason why this movie deserves the high-rating I’m giving it, it’s mainly because it’s one of those rare-occasions where I’m reminded of why I love watching epic movies such as this: they take me out of the real-world I’m in, and place me into another no matter how unbelievable or fantasy-like it actually may be. After those first, 15-minutes that Jackson seems to struggle with are over, things only go uphill from there and show you exactly why you invested half-of-your-day to see the first 2 movies in the first-place. You love the characters, you love the mythology, you love the setting, you love the battles, and most importantly, you just love what Jackson does with this movie and how he never seems to disappoint any loyal fan of the original source material, or regular, moviegoer that just wants to be transported into a different world. He delivers on both ends of the spectrum and trust me, by the end of this movie, if you loved the first two, you will most likely shed a tear once you see your beloved trilogy come to a sweeping, but beautiful ending that couldn’t have been better, even if Jackson put a freakin’ cherry on top of it. Go out there and see The Hobbit this weekend, people! Lord knows I will be, regardless of if I want to or not. Trust me, I do.
Consensus: Despite being the longest out of the three (clocking in at 3 hours and 12 minutes, The Lord of the Rings: Return of the King still delivers on every end of the spectrum that fans, and moviegoers alike expect from these movies: beautiful sets and designs, fully-realized characters, dazzling action, an emotional story from start-to-finish, and especially with this one, a beautiful send-off to a trilogy we will most likely never, ever forget about, no matter how many prequels Hollywood and Peter Jackson want to churn out of their money-making asses.
“I’m money, bitches.”