I think big brother Ben may be a whole lot nicer now.
Sheriff Deputy Lou Ford (Casey Affleck) has a bunch of problems. Woman problems. Law enforcement problems. An ever-growing pile of murder victims in his West Texas jurisdiction. However, he gets so caught-up with one of his victims, that it throws him a curve to the point of where he’s getting closer and closer to being found out. It’s only a matter of time until he loses total control.
Serial killer movies are hard to do. Sometimes, they can be lovable right from the start (American Psycho). While other times, they can totally miss their mark and be something you’d much rather not waste your time in watching (Mr. Brooks). This falls somewhere in between.
This is a film directed by Michael Winterbottom, a guy who seems all over the place when it comes to his films with comedic picks like 24 Hour Party People, to soft-core porno flicks like 9 Songs, and then to dark drama’s like A Might Heart. Basically, this guy has no real genre and that’s pretty neat. He doesn’t have any real sense of distinctive style or look, but he brings a lot of zealous-energy to everything he chooses, it’s almost too hard to talk bad about anything that he does. But that’s also why I liked this movie because he brings something atmospheric and moody to it all. He definitely has the perfect feel for the dark, hot American West because he shows it in such a noir style that really pulls you in from the start. There is a story to be told here, but this is more all about one dark, sinister trip into the mind of a psycho where everything starts off bad, goes to worse, gets better, and then just gets even more worse than before. Great job from Winterbottom, as he definitely makes up for the movie’s big faults.
Those big faults I’m talking about, lie within the story here. The story actually starts off pretty strong because you feel like you know where it’s going to go and build-up from there, but the problem is that the story isn’t as interesting as you may have mapped it out in your head. Some parts are cool and interesting once we see inside the mind of our closet killer, but whenever that doesn’t happen, the film focuses on how Lou tries to hide away from all of the accusations that are being thrown at him and curiosities he can smell off of everybody he’s around. This isn’t nearly as interesting as the stuff that goes on inside of his head and instead of being thrilling and unpredictable, the actual mystery tale is just there to provide a story for our lead.
Now, to my real problem with this film. In case you haven’t already heard about this flick: this flick is really, really fucked up. Without getting into any spoiler area, two disturbing acts of violence happen to two main characters here and the one thing that really got me here was that the camera never once pans away from it. In today’s world of movie violence, most stuff doesn’t phase me or even get to me because 9 times out of 10; it’s usually just shock value, done for the sake of shock value. That’s never worked on me and probably never will but the violence here feels real and needed to enhance the story, as if it almost pertains to the story and the way this guy feels and thinks. However, I think that’s my biggest problem with this flick.
I can’t really say that I hold anything against this film for showing me some violence that was disturbing, but I can say that it definitely made me think differently about it all because those were the only things left in my mind about this film. It’s some hard stuff to swallow, and as good as the rest of the film may be, I couldn’t help but keep on bringing my mind back to those violent scenes. It’s not like it doesn’t fix well with everything else, it just stuck in my mind more than all else happening. Still, have to give Winterbottom the benefit of the doubt for not panning away once during these scenes and making us actually see the brutality of these grim scenes. On the other hand, I think it also got to me after awhile and may have been more memorable than the actual flick itself. Good for some movies; not good for this.
Actually, he second most memorable aspect of this flick would probably have to go to Casey Affleck and his amazing performance as Lou Ford. It’s obvious, right from the start, that Lou has some pretty fucked up ideas in his head but somehow, Affleck is able to make that sexy and interesting through it all. Affleck doesn’t really look like the kind of dude you could put in the role of a closeted maniac, but I think that’s why he works so well here because he’s able to be subtle about his emotions and feelings throughout the movie, but also totally show how vicious he can be when he has to turn on the “crazy meter”. Affleck has never been that actor that people have been feeling the total and complete need to see in movies, but here, he demands your undivided attention and devotion, even when his character is just sitting there, thinking of who to hack-up next. Lou Ford is a great character to watch and makes the film a whole lot better, mainly because of Affleck’s kick-ass performance. He surely has come a long way since being “Big Ben’s little bro”.
Also, I was surprised to see Jessica Alba and Kate Hudson in some pretty down-and-dirty roles that I usually wouldn’t see myself watching them in. But what was even more of a surprise was how good they actually were. They both play Ford’s main ladies and each show a different side to his love, and both work very well. Been awhile since the last time I’ve seen them actually do something worth recommending so I have to give them some love and kudos right here and now. Oh, and there’s a pretty gnarly Bill Pullman cameo here as well. Can’t ever forget about that dude.
Consensus: With a dark and grimly style to make everything moodier and strong performances from the cast, mainly a terrifying Affleck, The Killer Inside Me feels like it has all the right ingredients for a dark and sinister trip in the head of a maniac, but it’s over-shadowed by two appalling scenes of violence and the story doesn’t really grab you, unless its focusing on Affleck’s character.
6.5 / 10 = Rental!!
Damn it sucks to be a Culkin.
Igby Slocumb (Kieran Culkin), a rebellious and sarcastic 17-year-old boy, is at war with the stifling world of old money privilege into which he was born. With a schizophrenic father (Bill Pullman), a self-absorbed, distant mother (Susan Sarandon), and a shark-like young Republican big brother (Ryan Phillippe), Igby figures there must be a better life out there – and sets about finding it.
It’s pretty obvious that a lot of people compare this to the Catcher in the Rye because just from reading the plot on the back of the book, they seem to have plenty in common. However, I have not read that book just yet so don’t worry it’s not going to be another one of those “book vs. movie” reviews.
Writer/director Burr Steers does a pretty good job here with all of the expectations that would come from “adapting” a classic like Catcher. Steers puts a modern spin on this story and gives it this dark edge to it that can sometimes be funny but can also be very sad. I can’t say that this flick is a dark comedy because there are moments that are legitimately meant to be funny but so many other jokes all have to do with either drugs, death, or mental illness that it’s kind of hard not to categorize it as that in the first place. Regardless of what you may call this film though, it’s funny and may surprise you with a lot of the jokes it pulls out of its behind.
Where I think Steers’ writing really worked was in the way he showed Igby’s life, as well as Igby himself. Igby is a great character because he is a total smart-ass that always has something sarcastic to say, seems like one of those kids that would do perfectly on his own, and just reminds me of the type of high school rebel that I always tried to be but somehow failed. The kid is an ass and hates his mother so much that when she dies (not a spoiler because they tell you in the first 2 minutes) he calls up everybody she knows and just tells it like it is, “Yeah…she’s dead”, then moves onto more and more people to tell. There’s also a couple of other scenes that made me laugh at everything he was doing and it was just great to see a teenage character in a flick that wasn’t there to show a dilemma he has with picking up chicks or getting good grades, no, this kid’s trying to make a living and figure out what he wants in life.
It’s not just all of the funny ish that happens here that makes Igby so damn cool, it’s also the fact that he feels like an actual kid with a lot of problems that he tries his hardest to hide from. There’s a lot going on in Igby’s life that has effed him up from a father that basically went nutso right in front of his eyes, a mother that he absolutely despises, a godfather that won’t just let him be his own man, a brother that has always been better than him in anything, and an inability to deal with all of the crazy roommates he gets. Maybe it doesn’t sound all that bad to begin with but for an 18-year old kid (hollah!), it can be a lot to take in at a quick pace and we feel for Igby even though he’s surrounded by assholes constantly.
Some parts of this flick worked for me on a dramatic basis, but others, did not. There’s some little love thing going on between Igby’s lady friend and Igby’s brother that felt forced and just another way to bring conflict to the story of how much more his brother reigns supreme over him now. I also didn’t like how the film just sort of left everything up in the air without any resolution to any of these characters whatsoever. I’m not saying that I loved all of these characters, because a lot of them were just plain and simple assholes, but I still spent enough time with them to actually get to know and care about them, so why not show me what actually happens to them after it all? Hell, we don’t really know what happens to Igby at the end either but what bummed me out was just how sudden and abrupt the ending was without showing me the characters that I spent so much time with.
The reason Igby is so damn good as a character though is because of Kieran Culkin is spot-on with this act and I hope that more and more people take notes and see that this kid has a real true comedic talent. Don’t believe me? Check out ‘Scott Pilgrim vs. The World’, and you’ll see what I’m saying. As for everybody else they’re all good too. Claire Daines is a fun character named Sookie to watch and learn more about, which was a surprise because Daines is usually very bland in her flicks; Jeff Glodblum is the absolute man as Igby’s godfather, D.H.; Amanda Peet is just fine as Rachel, even though I think she kind of over does the whole “I’m on heroin” act she had going for a good part of the movie; Ryan Phillipe plays, once again, the soulless ghoul here as Igby’s bro-brah and does a nice job even though he’s playing another rich kid who thinks he’s better than anybody else; Bill Pullman is great in flash-backs as Igby’s daddy and he has some of the more emotionally wrenching scenes; and Susan Sarandon is back doing what she does best: being a bitch. And that’s all we really want from her.
Consensus: Igby Goes Down has an involving lead character, as well as some very funny moments that take us inside the mind of a teenager, no matter how quick life may come at you for it.
A video-game come to life on screen, but in a good way this time.
Set in the year 3028, many years after the planet Earth has been blown to bits by an alien race named the Drej, a young boy named Cale (Matt Damon) is discovered to hold the secret map of the Titan machine inside of his hand. The machine holds the power to unleash another planet for the few surviving humans still roaming around in space, and the opportunity to re-ignite their evolution.
This may seem like a totally random flick to review but for some odd reason I caught this on my Netflix queue and I haven’t seen it ever since it first came out so I thought it would definitely be a great way to get some nostalgia. Being a kid ruled.
One of the best things about watching movies is how they can sometimes take you out of the world that you’re living in at the present and transport you into this different world with all of its inhabitants and beauty. This is one of the main things I liked about this movie because it takes you out into the galaxy above and around us and shows its beauty and sometimes its darkness. The visuals in some cases may be dated, but they still look glorious because they show these little animated sketches but give it this 3-D look that almost makes it seem like a live-action flick. The film does a great job of combining both styles of animation here which works and takes you to this vision of space that I haven’t seen done before. There are so many great sights to see that it’s hard to just put my finger on one and I almost wish it was in 3-D and released again in 2012 because I think it would actually look even better and maybe get a better box office return.
To add on with the visuals too, the action is very fun and there is some sort of great energy that co-directors Don Bluth and Gary Goldman both contain that makes this flick so much fun. There is just enough story here to make sense but when the shoot-em-up action scenes pop-up, they bring a lot to the film and make it feel like a lot of fun as if you’re watching ‘Star Wars’ in cartoon version. Let me also not forget to mention that there are some pretty cool rock songs courtesy of Jamiroquai, Lit, and even Fun Lovin’ Criminals. I don’t understand why more animated flicks let alone more movies in general just don’t use a pretty up-beat rock soundtrack to add to their action because it can honestly do wonders like it did here.
However, on the writing front, there is a lot of problems to be had here. First of all, as understanding as the story is in the first place it still doesn’t mean that it’s original by any means. There’s so much here that seems borrowed from plenty of other sci-fi flicks/stories that it can be very annoying at points. I mean there’s no big surprises at the end of the flick, but I was at least asking for some originality for me to get to that point. I also can’t forget to mention that this flick seems very adultish for an animated flick. Sometimes there will be a random sex joke that may seem more subtle than you expect but it’s still random, and there is plenty of other moments where it seemed like this flick really stepped over the whole PG rating, especially when it’s trying to connect with a kids audience but maybe that’s why it didn’t do so well at the box office in the first place anyway.
The characters here are also very bland and they aren’t very interesting, except for maybe one character, who wasn’t even human. Matt Damon, Bill Pullman, and Drew Barrymore, among others, all do their best with their voice jobs it’s just that their characters are so bland that it’s almost way too hard to root for them to save mankind. They all seemed to be written very dry or lifeless and they didn’t stretch my imagination as much as the cool visuals did either. However, the one character that I seemed to like the most was the Caterpillar-looking type named Gune, voiced by John Leguizamo. I don’t know what it is, but it always seems like Leguizamo is able to make any character he is playing, likable beyond belief.
Consensus: The visuals are very pretty to look at and there is a lot of fun to be had here with the energy in the action, but Titan A.E. still suffers from unoriginal writing, characters, and plot devices that seem to be used from so many other sci-fi stories. Still, what stands out from all of those other ones is its great visuals which make it a lot better than it has any right to be in the first place.
Seattle Grunge may not be the most romantic music out there, but for these people, it’s the closest thing their going to get to Marvin Gaye.
A group of twenty-something friends (Matt Dillon, Kyra Sedgwick, Bridget Fonda, and Campbell Scot), most of whom live in the same apartment complex, search for love and success in grunge-era Seattle.
Writer/Director Cameron Crowe is a very smart person. His two films Jerry Maguire, and Say Anything.., are perfect examples of films that blend smart comedy, with realistic romance. With this one, he does an OK job to say the least.
The one thing Crowe does with this film is that he shows these real people talking about real stuff, and expressing their real feelings. You get a real sense of how love is, and sometimes not supposed to be. Crowe plays out some little director tricks to give us the feeling of how it feels to be in love, and how we all react to when we are in love. There’s also a lot of Generation X nostalgia that will tell you how these people feel about the future, and what they expect from it.
Although, I think Crowe didn’t know what to do when it came to comedy. Yeah, there’s a little laugh here and there, but it’s all too random. There are just moments where something weird happens, and yeah, it turns out funny, but it’s so useless.
Also, the soundtrack is pretty rockin’, with grunge greats like Soundgarden, Pearl Jam, and Alice in Chains, but the music never plays a huge part in this film which kind of bums me out. I wanted to hear more insight on how this dirty, and dark music, made these people feel, and how they connected to it.
The performances from the cast we’re very good. Bridget Fonda is good, as this cute, likable girl that falls for the heavy grunge rocker, Cliff, played by the always amusing Matt Dillon. He’s as usual funny, but he’s also kind of a dick, but its not off-putting, he knows that he is. Campbell Scott and Kyra Sedgwick do the best jobs together in this film. They are both aimlessly in love, but they don’t know how to approach it, nor do they know how to express, cause they have recently been hurt. It’s great to see these two on-screen together, and it all feels so real. We also get great cameos from Paul Giamatti, Jeremy Piven, Bill Pullman, and the most random one yet, Tim Burton. Yeah, the director dude is in this, and I have no idea why.
The only problem with a lot of these characters is that it never gets fully in-depth to who these people really are. Yeah, we get to hear about their past love-life, but we walk into their lives with an open-mind, but get nothing in return. We guess their all good, and nice people, they just all need love. I guess…..
Consensus: Aimless, and not enough depth, stops Singles from being a great romantic comedy, but it has good performances, and a very smart script that shows real people, talking about real feelings.
One weakness to a hit-man: alcohol.
After alcoholic hit man Frank (Ben Kingsley) botches an assignment, he leaves the Polish mob family he works for to clean up the mess and relocates to San Francisco, where he dries out, gets a job at a mortuary and falls in love with Laurel (Téa Leoni). But when a rival gang threatens the family, he returns to take care of business — with Laurel in tow.
For normal films, we always see the life and premise of a hit-man, as a very sad and depressing one, where he does nothing other than just kill people without any discontent. With this film, we get a totally new fresh take on that familiar piece, and it works a lot better.
The one problem with this film is that I wasn’t expecting so much as to what I got. I was looking for a nice dark comedy, on the world of the mob and hit men, but the film starts to dive into a romantic comedy type. I mean, the film centers on this love between Kingsley and Leoni, that by the end when the little mobster story-line comes in, its sort of random since they always kept focusing on their love.
But, for the 90 minutes or so, the film kept me entertained throughout. The comedy works very well, mostly cause it doesn’t poke too many jokes at this man’s alcoholism, or the fact that he kills people, instead it focuses more on the strange parts of life, that somehow always come to you faster, than you expect.
The film mostly works due to those performances from the cast. Kingsley is great with this dead-pan character, that almost at times, doesn’t even seem human, but that what makes him great. I mean this dude is going from Gandhi to killer mobster dude, how can he not be a little discombobulated. Téa Leoni gives one of those great performances, with her dude voice, gives one of the best performances of her career, showing enough charm and to actually make you believe she could fall in love with this dude. The supporting cast is good:
and last but not least……………………….
Bill Pullman, being a random deuche that is sort of just in the movie, well, for the sake of being in the movie. God this guy was in every movie: Casper, A League of Their Own, hell, he was even the president in Independence Day! Poor guy, need to see him back!
Consensus: You Kill Me does get a little lost, but is an enjoyable 90 minute film, with great performances from all of the cast, and a witty screenplay.