Snow White’s about to kill a bitch.
In this adaptation of the classic fairy tale, Kristen Stewart stars as Snow White, the young woman destined to become the fairest maiden in the land. Threatened by that fact, the Evil Queen Ravenna (Charlize Theron) sets out to destroy her but she is unaware that Snow White is training in the art of war with a huntsman (Chris Hemsworth) who was originally dispatched to kill her.
After seeing Mirror Mirror, the other Snow White adaptation that was pretty bad, I didn’t fully understand as to why we needed two movies of the same story. Actually, I still don’t but I can at least tell you which adaptation is a lot better than the other.
Any parent who’s thinking about bringing their kid to a Snow White movie can scratch that thought, because this movie definitely isn’t your normal fairy-tale you bring the whole family to. Most of that can be credited to director Rupert Sanders, who’s directing his first feature and gives this flick a very a dark and grim fantasy adventure, that makes it seem like the story of Snow White was mixed around with Lord of the Rings and a Game of Thrones episode. Sanders does a good job here with everything he’s given and takes his time setting up the story nicely, to keep a certain type of tense feeling going on throughout the whole movie. We all know how this story begins, gets going, and eventually ends, but Sanders kept me guessing somehow because he just seemed like a dude that would pull out something new or cool to add to this story and keep us entertained.
Sanders is also a great visual director and although I wouldn’t say he is as good as Mirror Mirror‘s Tarsem Singh, I would still have to say that he does a fine job with all of the beautiful visuals he throws at us here. The film’s tone is not only dark, but so is the rest of film so whenever color does come into play here, it looks gorgeous and is definitely something for us to marvel. There’s one scene in particular where Snow White goes into this very magical, dream-like forest called “Fairy Land”, where all of these purrty colors keep on flying around and almost makes you feel like you are there too. What’s even better is that it’s all in 2D and it still made me feel like I could just reach up and touch those little fairies. But hey, any macho dude reading this review thinking that those are the only things in this film that look good, can be sadly mistaken because there are some cool shots of a battle where the soldiers end up being broken into glass, another forest that has a lot of cool booby-traps that make you instantly high (or something like that), and even a nice shot of Ms. Theron getting nakey, and dipping herself in milk (or something like that). Trust me dudes, no T&A, but it will still hold you over if you can’t handle all of the fairy tale junk. Then again, why would any “real dude” be going out to see this one?
If there was a problem with this flick, it was that I felt it started to lose focus by the end and was losing my interest. Once the Huntsman is in the story, and the dwarves have been introduced, the film gets ready for the big, epic brawl between Snow White, The Huntsman, and their gang vs. Queen Ravenna, her crows that she ends up turning into, and her gang. You would think that since this movie is over 2 hours long, that there would be a butt-load of tension to make this battle go off the chain, but sadly, it didn’t really do much for me since I think they started to focus on too many other subplots. Actually, they didn’t even focus on Ravenna as much as I think they should have because every time she was actually on, you could feel like this movie was going to just lead-up to her final fight with White, which it did, but it just didn’t have me at hello like I was expecting. Maybe it’s just me though, and maybe I didn’t want a 2 hour long Snow White movie. Maybe, maybe, maybe.
What I can say about Ravenna, is that Charlize Theron was a perfect choice for her and seems like she’s having the absolute time of her life just chewing up the scenery here as our mean and evil queen. A lot of people said that they thought Theron was over-acting with this role, but what I think she is doing here is quite perfect considering this chick hasn’t ever really played a villain before (or at least one that we didn’t root for). She’s beautiful, we all know that, but I think Sanders saw that beauty in her the most and gives her some very beautiful scenes where it’s just her looking like an evil, but beautiful queen bitch that you definitely don’t want to piss off.
Meanwhile, Kristen Stewart does an OK job as Snow White because she doesn’t really step outside of her comfort zones that we have all seen her play time and time again. She does have a lot more to work with here than she does in those Twilight pieces of shit, but she doesn’t really say or do much that makes us cheer her on the most out of everybody. In fact, the one I was cheering on the most was probably Chris Hemsworth as The Huntsman, who in the past two years after such flicks like Thor, The Cabin in the Woods, and The Avengers, has proven to be a real talent. Hemsworth not only looks the part, with the scruffy beard and grungy-type hair and everything, but also sounds like a guy that would absolutely beat your ass if it came down to you or him to survive. Can’t wait to see what this guy pulls out next.
Let me also not forget to the mention the dwarves that are pretty fun to watch here, but aren’t given as much as they are in Mirror Mirror. It was pretty impressive to see actors like Ian McShane, Nick Frost, Ray Winstone, and Toby Jones being shrunk down to dwarf-size, but they come into the story a little too late for my liking and bring a bunch of humor that doesn’t seem to fit in so well with the rest of the flick. Still, they all do great jobs and I kept on wondering just how Sanders pulled off making all of these regular-sized peeps, seem so small. Maybe I did that a little too much, but at least it kept me watching.
Consensus: Snow White and the Huntsman may run on a little too long, but still features plenty of fun with its darkly epic direction from newbie Rupert Sanders, and a slew of fun performances, especially one from Theron who just seems like she’s having a ball. As she should.
When did Scrooge become a zombie.
Ebenezer Scrooge (Jim Carrey) begins the Christmas holiday with his usual miserly contempt, barking at his faithful clerk (Gary Oldman) and his cheery nephew (Colin Firth). But when the ghosts of Christmas Past, Present and Yet to Come take him on an eye-opening journey revealing truths Old Scrooge is reluctant to face, he must open his heart to undo years of ill will before it’s too late.
I don’t know why I even put that synopsis there considering everybody knows and loves this story. However, Robert Zemeckis wants to do something totally cool, hip and different to this story: put the whole story in 3-D. Even better, with motion-capture. Yikes.
I still don’t understand why Zemeckis has become so obsessed with this whole gimmick of having these computer-animations look like real people and also be in 3-D, although I do have to say that it does look quite pretty. The film looks stunning with a lot of great transitions from one are to the other and plenty of other times where I felt like I was on this adventure with Scrooge and although I didn’t see it in 3-D, I do have to say that it was stunning as it was.
However, I don’t understand why anybody, let alone an Oscar-winning director, would ever get the bright idea of adapting a Charles Dickens novel that is about 150 years old into 3 dimensions. It also didn’t help that all of the CG characters look pretty freakin’ creepy especially when they’re smiling or crying, because they just look like their constipated. Don’t get me wrong this flick is almost like a painting brought to life, in some ways, but if you look too closely you can almost see all of the characters eyes look flat or dead.
The other problem with this gimmick is the fact that the film feels more like a spectacle rather than actually giving us the heart that lies behind this beautiful story. ‘A Christmas Carol’ is a wonderful tale that should and probably will be around for the next 200 years because it just gives off this positive and loving energy that Christmas gives to everybody during this wonderful season. It’s a timeless classic but the film doesn’t seem too hell-bent on making that story come to life here and rather just use it as the back-bone for making it all look pretty.
There was also barely any comedy and when the film tries to be sly and witty with it’s little side comments, it fails and just seems flat. Also, the film can be pretty dark and the times when I saw the three ghosts pop-up, I was more freaked out rather than intrigued. I mean just take a look at Christmas Past. Don’t tell me that doesn’t make you wanna wet your bed on Christmas Eve!
While reading the opening credits, I was excited to see names like Gary Oldman, Robin Wright, and Cary Elwes were all going to be in the movie but it wasn’t long until I realized that this was Jim Carrey‘s show, and those stars are barely ever in it. Carrey is good at playing these animated characters, especially all of the Spirits but when he plays Scrooge it seems like he is just either yelling or mumbling something under his breath. He plays half of the characters here and he at least had me entertained.
Consensus: A Christmas Carol is very good to look at, a fun roller-coaster, and features a great performance from Jim Carrey, but the film feels more like a spectacle that loses the heart, humor, and overall feeling that the original Charles Dicken novel fed off so well. However, if you want a nice little holiday treat, that is in 3-D, check it out.
I love Paris, and I do want to go there. I just hope there isn’t so much love there, as it is in here.
Paris comes to life in this whimsical patchwork of 18 five-minute shorts united by a common theme — love in the City of Lights — and helmed by an international cast of filmmakers, including Gus Van Sant, Olivier Assayas and Alexander Payne. Natalie Portman plays an American actress who captures the heart of a blind student; Juliette Binoche is visited by a ghostly Willem Dafoe; Bob Hoskins solicits a prostitute’s advice on pleasing his wife.
The one thing about this film, is that there all just a bunch of short films, wrapped into a 2 hour film. There are so many stars, so many great directors here, that you would think it would be too hard to put them all into one film, when it could have been better, I still enjoyed it for the most part.
Some of the short stories are better than others, and not all of them are exactly about love. There are some very dark concerning with the deals about racism, drugs, homosexuality, death, and many more, and its not just one big love-fest.
The problem with this film is that some of these short stories just didn’t make any sense at all, and didn’t seem like they belonged. There was one with Elijah Wood, and this other chick as vampires, and it played out as a horror story, but made no sense as to why it was in the film, and what it had to do with the subject of love. There was one more, directed by Wes Craven, with Emily Mortimer and Rufus Sewell, that had to do with death or something like that, and it seemed just so stupid and took me right out of the film.
I have to give it to three directors who did the best with their showcases: Coen Bros., Alexander Payne, and Tom Tykwer. The Coen Bros. add in their own little flavor of whimsy, and it works with its hilarity. Alexander Payne strong fully closes out the film with a sad, but joyful, ode to Paris. However, the best here was indeed Tykwer’s who added in a great love story with Natalie Portman, but with a twist. The things he does with the camera in that short is just magnificent, and captured the whole essence that the film was going for.
Consensus: Some stories are better than others, and some had no intention of being there, but Paris, Je T’aime, works because there is enough wonderful whimsy, and love added to this spectacle.
I don’t think you could stay in any bit of sanity after watching this.
When a psychologist’s (Ewan McGregor) suicidal client starts making bizarre predictions that, to everyone’s mounting consternation, begin to come true. Now, the shrink must race against the clock to save everything he loves before it disappears forever.
The film has a very intriguing psychological twist which I do enjoy from a lot of films. Vanilla Sky and The Sixth Sense are great films that I love to think about in films, but this one doesn’t do it that right.
To start off with something good if you want to see this film do it for the visuals. They are stunning, and create a mood with the film, as the camera shifts everyone once in awhile as something just doesn’t seem right. The color green in this film is shown throughout the whole movie and is really cool to see the color put in all ways different ways throughout the film.
However, as stunning as the visuals were, I just felt like they were put in for no good reason. I felt as if they were put in at times just to be put in and be over the top and try and have us confused about a story that is already confusing as it is.
The film tries a little too hard to be good, creepy fun, but about half way through the film I found myself so uninterested with this story and these characters that I almost just fell asleep. I think that the story wouldn’t have been too confusing if the film wasn’t giving out a lot of misguided clues that didn’t really fit well with the story.
Director Marc Foster shows his true talents of not knowing how to make an effective script at all. The film’s lines in this film are so cheesy and cliched that I couldn’t help myself to laugh by how dumb these lines were being put in.
Though the screenplay is pretty crappy, Stay actually has some good acting. Ewan McGregor is very effective and shows that he can keep a story together even if he does have cheesy lines, and Naomi Watts, as much as she was barely in does a very acceptable job playing his once suicidal girlfriend. Though, Ryan Gosling I think gives the knockout performance as he is very taunting but very believable that this guy is so good at playing with this guy’s mind that you actually start to like him out of all the characters.
The ending is so worthless. The payoff is so weak that after watching this film I felt that this whole movie of 1 hour and 39 minutes was just a total waste of time and in the end pointless.
Consensus: Though visually dazzling and some credible acting, Stay suffers from a bad screenplay, worthless payoff, and ultimately a film you will lose interest for halfway through.