Apparently in the future, all cops will know kung-fu. Quentin Tarantino will be so happy.
Christian Bale portrays John Preston, a warrior-priest and enforcement officer in a future dystopia where both feelings and artistic expression are outlawed and citizens take daily injections of drugs to suppress their emotions. After accidentally missing a dose, Preston begins to experience emotions which make him question his own morality and moderate his actions, while attempting to remain undetected by the suspicious society in which he lives.
What you have here is a film that’s pretty much a cross with action of The Matrix mixed with the world from 1984. Should be a lot more epic than it sounds, but hey, it’s not all that bad.
The plot here is about a far future, where nobody feels anything and anybody that does or at least try to, ends up getting killed for their actions. The film hits this plot right away with right mood and takes you into this place where absolutely everything is dark and emotionless, and everybody is practically making sure the other isn’t smiling or having a happy though in their head. I was definitely feeling the mood that this film was giving off and I especially liked a lot of the stylistic touches that writer/director Kurt Wimmer had here as well. Everything looks so shiny and very futuristic but doesn’t try too hard to force its look down our throats.
But I’m just going to get past all of the bullshit, because the main reason this film works so well is because of it’s action. The film isn’t a total action-fest the whole way through, but when the action does come through, it’s freakin’ awesome and brings so much more energy to the flick than anything else did. You actually have to be more patient with this film for its action scenes because there is a long stretch where we get little, or no action scenes but they kick ass because of the Kata-like action style going on here. The hand-to-hand combat fights were probably the best because whenever Bale would rip, snap, or crack somebody’s body parts, I almost thought I could feel the same exact pain. There’s a lot of gun-play here as well where Bale pretty much blows everybody up left-and-right and there is even a really cool scene where he faces off against a dude who also has a gun, and they just continue to try and shoot each other, but they keep on missing as they keep on struggling to kill the other. Definitely a lot of fun action to be had here and probably the best part of this flick.
Problem with some of these action scenes is that they all pretty much consist of Bale kicking everybody’s ass, and never ever showing a sign of danger that he may die. I get that the story is all about him being the big dog and can pretty much do no wrong when it comes to fighting and using his skills, but seriously, this guy takes on about 30 dudes at once with just two pistols where they all have assault rifles shooting at him. I mean come on, Patrick Bateman couldn’t even pull that off! It seemed like the film just made him an indestructible force that never lost or got hurt, and therefore, no real danger of loss ever came to this story. It was just me waiting to see when Bale was going to take down a whole army by himself.
I also didn’t really understand the future this film had created, even though they definitely went through its details enough. One of the main elements about this future that I already named were how they can’t feel anything. No emotions. Nada. So what really got me wondering was how the hell are kids made, when the two people who have to make the kids aren’t allowed to feel anything in the first place. I mean, two people have to be horny and ready for action when it comes to making a baby so how can they do such a thing, when they have to worry about being killed for doing so? I know this is a very weird thought that went through my head but it’s just one that kept me thinking more and more as Bale kept on hanging around his kids. Didn’t understand that part and there were plenty of other times where I would someone give off a smile or a sign of anger and it made me think: where’s all of the punishment for all of these feelings?
The real reason this film actually does work as well it does is mainly because of Christian Bale as John Preston. We all know that Bale is a great actor and can pretty much do it all, but this is the one flick where he shows that he can actually handle an action hero role very well. His performance goes from starting out as an emotionless prick, to showing signs of sadness, rage, and joy. The guys transformation makes this story a lot more meaningful in the end and the action scenes make his character more of a bad-ass than ever. What I’m saying here may not make it seem like Bale is all that important in this flick, but he definitely lifts this material up which it needed in the first place.
Taye Diggs holds his own as Preston’s partner Brandt, a guy who you can never tell what he’s going to do next and the scenes where him and Bale face-off, are pretty awesome as well; Emily Watson has some choice moments as Mary and shows a lot more emotion than the boys here; and Sean Bean has a pretty solid cameo appearance, that made me wish I saw more of him in the end. However, some Sean Bean is better than no Sean Bean.
Consensus: Equilibrium may not be the smartest sci-fi flick, and definitely not the most original, but it features a lot of super-hyper action sequences, good performances from the cast, and a pretty dark look at a future where nobody can feel anything.
OK Batty, you had your fun, you had your box-office records, and you had your hype. Now, it’s time to get the hell out of here!
It’s been 8 years since Harvey Dent was killed by Batman and Gotham City is pretty much going to hell. It’s turning for the worse, there’s no central peace or order to be found, and Bane (Tom Hardy), has a huge gang of thugs basically taking over the city. However, little does he know that there’s a certain someone who’s always there to stop evil at once: Batman (Christian Bale).
Honestly, who the hell has not been waiting for this freakin’ movie!?! Ever since The Dark Knight came, stayed for a long-ass time, and went back in 2008, people have been waiting day-after-day just to see what Nolan was going to pull off for his last hurrah. Thankfully, this is his last hurrah, and what a perfect hurrah it is.
Director Christopher Nolan proves, once again, why he is in-fact one of the greatest story-tellers working in film today. I know the same exact thing in The Dark Knight review, but this guy really proves that he has some insane skill with this flick because from start-to-finish, I was basically on-the-edge of my seat, wondering what the hell he was going to do with this story, these characters, and everything else in between. I’ve never been a huge comic-book fan and to be honest I’ve never really read much of Batman comics, but from what I see here, this guy takes the story of Batman that we all know and love, gives it a dark edge, and makes you feel like it can and will go anywhere he wants it to. There were certain parts of this flick where I really felt like some major characters were in danger of being killed off right away and even though that danger comes and goes, much like normal superhero movies, you still feel like the danger is not over. Just when you think that things are going to get better for these characters and Gotham City itself, it doesn’t and throughout the whole film, I was constantly thinking who will I be seeing for the last time and who will I be seeing again to fight the baddies. Sounds lame, I know, but this story really feels like it will go somewhere where no other superhero film has ever dared to do so far before, and sometimes it does, but it’s all I could ask for in an entertaining, superhero movie. A lot of this story harks back to Batman Begins, so be ready for that, but this is it’s own story, through and through.
Nolan is a daring film-maker, well all know and love that, but it’s not just because of how epic and twisty the story can be, it’s all because of what that guy brings to the table that makes this film all of the more enjoyable. There’s a certain type of suspense in this film the whole time that not only made me feel the energy going throughout my veins, but kept my eyes locked on the screen at all times. Every single action scene feels like it’s going to be even better than the last one, which they usually are, but there’s just something so much more epic about the action scenes here that made me want to get up and join in the action, whatever that may have been at the time. You can just feel the energy of this movie escalating into something bigger and bigger as the run-time goes on, and once it gets to that breaking-point, all hell breaks loose and there’s just so much action and excitement going on that you cannot help but feel it come off the screen as well. But, however, as good as a lot of this action may be, it’s still feels very epic and I think a lot of that has to do with Mr. Nolan and what he does behind-the-camera.
This is definitely one of those films to see in IMAX, even though it’s not always shot in that format the whole way through. The shots Nolan grabs here are great, whether it’s these sweeping action set-pieces or just beautiful over-head shots of Gotham City, either way, the IMAX looks great and if you do pay extra for that ticket, you will not be disappointed with what you see, or hear. The sound is just so loud and clear, that whenever an action scene happens, you can almost hear and feel the hits with the loud-ass booms of the speakers, and it gets even better with the score that Hans Zimmer has made up here. As soon as you hear it come up, it hits you and you can just feel like shit is about to go down, one way or another, and sometimes it does, and sometimes it definitely freakin’ does! Didn’t make much sense, but I don’t care! I know I don’t mention scores a lot, but with a film like this, you need an epic score just to give you the feeling of how epic this film truly is. Yeah, I know I said the word “epic” again, but it’s the truth, everything from the score, to the cinematography, to the story, to the action, makes it that from beginning to end. Yeah, there may have been a couple of problems with it’s story here and there, but I was able to let that all go by me and realize that this story just totally grabbed me and never let go. And thank the lord for that.
For every single person who has ever talked ish on Christian Bale and what he does with Batman and that “growl” of his (trust me I’m one of them), be ready to feel ultra sad knowing that this will probably be the last time you ever see this guy do that ever again and what a way to go out with it. This is probably the best performance Bale has given as Wayne out of the whole trilogy because he brings out that warrior-like darkness that arose in him from the second flick, but also goes back to when he was just learning the ways of his anger from the first one, as well. It’s a pretty cool mish-mash of character ideas going on with him in this flick and Bale handles it perfectly, just like I expected him to.
After having such an iconic villain like The Joker, played by the late, great Heath Ledger, it feels very obvious that Nolan would try his hardest to make Bane out, almost the same exact way, if not more, but he doesn’t go down that route which I liked. Bane seems like a strange choice of a villain to be in this dark trilogy, but he’s given a lot more development here that gives him a pretty bad-ass origin story to start off with, a bunch of intellectual skills that match his fighting skills, and a pretty intimidating physique, courtesy of rising-star Tom Hardy. Hardy is great with this role and proves to be more intimidating and dangerous than The Joker in more ways than I expected because whenever he’s on-screen, you can just feel that tension whenever he is, but when he isn’t, you can still feel it as if he’s just planning what he’s going to do next in the background somewhere. There’s this great use of his eyes that Hardy uses to convey all of these evil and mean thoughts that are going through his head, and you almost feel happy that you don’t see what else is going with his face. Definitely a great threat for Batty, and another reason why Nolan should have been trusted with this character from the first place. Oh yeah, and that “voice” of his? Easy to understand most of the times, other times, you can’t really hear it fully, but you pretty much get the gist of what he’s talking about. Evil shit, and that’s all you need to know.
Another big worry that people had with this film’s cast of characters was Anne Hathaway as Catwoman/Selina Kyle. It’s not that people didn’t trust Hathaway and her skills as an actress, it’s more or less that fans didn’t know what to expect from this character that seemed so weak whenever she was adapted onto film the other times, but somehow, they pull it off perfectly here, mostly Hathaway. Right from the get-go when you see this girl, she is just bad-ass, smart, witty, sly, evil, and sexy, but you never know what’s on her mind, what she’s going to do next, or who’s side she was going to end up being on in the end of it all. That mystery about her, made her character so much more awesome and bad-ass than anybody ever expected and she totally seems like the type of chick-character that could hold her own with the best of them. Don’t hold me to this, but I sort of do see an Oscar nomination for Hathaway here, but if it doesn’t happen, I won’t surprised, either. Just one of those things I could see happening in the future, and with good reason, too.
As for everybody else in this flick, they’re all pretty good, too. Joseph Gordon-Levitt, aka the effin’ man, does a great job with a character that comes out of nowhere, we know nothing about, and just seems like one of those cookie-cutting good guys that every superhero story needs. However, JGL makes this character so much more bad-ass than anybody, even myself, first thought and he makes a great supporting character that you know you can trust every time he shows up on-screen. JGL is getting bigger and bigger with each and every role he takes, and it’s not for long until this guy finally nabs an Oscar. Maybe even two, hell, maybe even three! I don’t know! The sky is the freakin’ limit with this dude! Marion Cotillard is also new to this story as Miranda Tate, and does a splendid job, as usual, even if her character does seem a little bit forced with the hum-hum romance between her and Bruce Wayne, but it’s easily forgivable since she’s so good in everything she does. As with out returning veterans of the series, Gary Oldman, Morgan Freeman, and Michael Caine, they all do their parts and show why exactly their characters have stayed so strong throughout the whole time of these movies.
I know that throughout this whole review, I kept mentioning and bringing up the word “epic”, but if I had to sum this flick up in one word, it would be exactly just that: epic. You can just feel like this film is going to culminate into something big, something extravagant, and overall, something that will stay in your mind forever because of what Nolan has done with this series, and does with this goodbye to the series and stories that he has made so damn popular once again. Now that he’s done with these flicks, Nolan will go off and do the film he’s always been wanting to do and probably kick as much ass with them as he has with these three, but I will never forget this amazing trilogy and as sad as it may be to see the last time for all of these characters happen right in front of our eyes, I know that I had a great time with all three flicks and I couldn’t have asked for anything better. I’m getting a little teary-eyed here right now just writing this and when you see this flick, trust me, you won’t be able to blame me. Thank you Christopher Nolan. You truly can do no wrong.
Consensus: Though it may be very long, The Dark Knight Rises delivers on every spectrum: acting, writing, directing, cinematography, score, etc. It’s exactly what you could want in a summer blockbuster, and superhero movie, but it’s also exactly what you could want in a film that’s saying “adios” to all of its characters that it’s introduced to us for the past 7 years and it’s a legacy that I won’t forget. That’s for damn sure.
9.5/10=Full Effin’ Price!!
Damn, when they say “Dark”, they freakin’ meant it!
Batman (Christian Bale) raises the stakes in his war on crime. With the help of Lieutenant Jim Gordon (Gary Oldman) and District Attorney Harvey Dent (Aaron Eckhart), Batman sets out to dismantle the remaining criminal organisations that plague the city streets. The partnership proves to be effective, but they soon find themselves prey to a reign of chaos unleashed by a rising criminal mastermind known to the terrified citizens of Gotham as The Joker (Heath Ledger).
Come on now! You can’t honestly sit there and try to tell me that you didn’t see this one coming. I mean with The Dark Knight Rises only about a few short days away, I had to realize again why I’m so juiced up in the first place and thank God for that, cause this movie still kicks ass no matter how many times you see it. And to answer any of your suspicions, I saw this more than 10 times. In it’s entirety, as well.
Let me just get this out of the bag and go off by stating the obvious when I say that this is one of the, if not, the best superhero movie of all-time, and all of that can be attributed to one of the best storytellers working today, Mr. Christopher Nolan. Batman Begins was a pretty damn dark origin story to how Batman became who he is, but this film goes even farther in the dark departments where almost everything here is complex, gloomy, depressing, scary, sad, and most of all, tense. Holy shit is this movie ever so tense! Nolan lets the story be told the way that it should, which works in its own right, but what really got me every time was whenever he would pack this film with another insane action sequence that would last over 10 minutes and just keep my attention up on the screen the whole time. The sounds are loud, the shots are booming, and the whole time, you feel like you’re there and you have no idea what’s going to happen next.
That’s also another aspect I loved about this movie, you never knew what was really going to happen next. Too much in today’s world whenever we get a superhero movie, it’s pretty much the same song and dance but there’s just something different that Nolan brings to this story here and he makes it all the more unpredictable. I mean there is obvious, generic plot points that this film follows through on, but not everything is exactly as you would expect it to be. And honestly, even when things are even remotely up-lifting or happy, they aren’t as sunny shine as you would want. Instead, the daaaaaaarknessss taaakesss overrrrr!!!
So when you do have a story that’s somewhat unpredictable and plenty of hardcore action scenes that kick your ass right into shape, you pretty much have a movie that keeps you on the edge of your seat the whole way through, which is in fact what this film does if not more. Every single scene feel like it matters to this story, only to build it up more and give it more layers, and every time a piece of action would come out on screen, it not only made the film feel that much more intense but also added to the ruthless mood that Nolan gave this film in the first place. You almost feel like this director will do anything and everything to entertain us and keep us watching, but he also doesn’t allow for it to be just his story to tell, we all know and love it the way we do and there’s a spirit underneath it all that really makes it fly (pun intended). It’s not everyday that you get to see a story like this that’s so damn complex and fun, but also one that doesn’t seem like it’s going to be pulling any punches and could literally go anywhere with itself. That’s the type of director Christopher Nolan is and if you don’t believe me, go on and check out his résumé, and see what the eff I’m talking about. This guy means business and it shows through every single film he makes, and that’s why I have total and complete faith in him handling this last one.
If there is any complaint I have to give to this film is that it is almost too tense to the point of where I feel like I was getting tired by the end. I know, I know, I’m going to get attacked in the comments by how lame of a complaint this is but the film does run on a little too long and you feel like there should have almost been an intermission for people to go out and stretch their legs and get some over-priced goodies at the concessions stand. Then again, it’s just another sign of Mr. Nolan not taking any prisoners when it comes to watching his movies and being there for the end, with every body part still in-tact.
Christian Bale, once again, does a pretty solid job as Batman/Bruce Wayne and shows that he definitely has the skills and charm to pull of a complex character like Batman where we see him as this happy and rich playboy, that has to stand up for what is right, put on the cape, belt, suit, and everything, just to show what he believes in. Maybe that was a little too corny for Batman, and hell, even this movie, but you know what I mean. Bale is always awesome and regardless of what he does with his voice, you know this guy always kicks ass. It was also awesome to see everybody else return here and give their characters more development this time around with Gary Oldman as Lt. James Gordon, Morgan Freeman as Lucius Fox, and of course, Michael Caine as Alfred Pennyworth. Also, people will probably notice that Katie Holmes didn’t return to her character of Rachel Dawes (for Mad Money, great decision honey!), so they put Maggie Gyllenhaal in for her and she does pretty awesome. She isn’t necessarily a damsel in distress character as she can stick up for herself but also makes it clear why two dudes like Wayne and Dent would be fighting over here.
But when it all comes right down to it, you cannot talk about this film without going over it’s two main villains: Harvey Dent/Two-Face and The Joker. I feel bad for Aaron Eckhart here because this guy totally gets over-shadowed by all of the hype with his character, as it’s obviously always more focused on The Joker, which isn’t fair because the guy kicks some sweet ass in this role. Eckhart definitely seems like a great choice for Dent because he’s always been able to play these somewhat slimy characters, that you know you can’t hate because deep-down inside, there’s something good in them. Take this role for instance, as it is a lot harder to portray a dude that is pretty much a romantic rival to our main hero, and also goes from good guy to bad guy pretty quickly and dramatically. But somehow, Eckhart pulls it all off and I’m glad to see that he finally got his chance to be apart of the A-list because this guy has something about him that just really clicks.
However, you can’t talk about this film without not talking about it’s main attraction in the first place, and with good reason: Heath Ledger as The Joker. This is one of those rare, inspired bits of casting that comes around almost once a decade where a random actor gets put in this role where it doesn’t seem like it fits that person one bit, but somehow, they pull it all off perfectly to the point where you almost don’t feel like you’re not watching that same actor do their own thing. That’s this rare role where Ledger just got to do anything he wanted with this iconic villain. Does he have the same wit and charm as Nicholson’s? Of course, but it’s a lot more darker now and goes along with the tone so perfectly because Ledger isn’t a Joker that’s all about fun and games, this ‘effer will kill you when he has the chance to do so and he’ll laugh and smile about it. Don’t believe me? Just try and remember that magic trick. Thank you, I rest my case. But honestly, this is one of Ledger’s best performances ever, which is obvious because he won the Oscar that year anyway but it should not be all about because he died and the Academy felt bad. No, this guy commands the screen every time he is up there and you get the perfect feel for what this actor really would have done, had he lived on and saw what this iconic role done to his career. Really is a sad thing to see when you have somebody with such a bright future right ahead of them, just fall short because of some stupid drugs, but we will always have the movies and that’s what matters.
Consensus: The Dark Knight is exactly what you would expect from a superhero flick, especially one that is considered the greatest of all-time: awesome action sequences, tense storytelling, unpredictable story, great acting, easy-to-root for hero that has more problems at stake than just a bunch of baddies, baddies that are as menacing and evil as you can get, and a direction that just reminds you that Christopher Nolan is a man amongst men when and when it comes right down to it, this guy can do it all if he wanted to! The Dark Knight Rises, here I come baby!!
Fear the Batman and his raspy voice!
As a boy a young Bruce Wayne watched in horror as his millionaire parents were slain in front of his eyes, a trauma which led him to become obsessed with revenge but his chance is cruelly taken away from him by fate. The discovery of a cave under his mansion, and a prototype armoured suit leads him to take on a new persona, one which will strike fear into the hearts of men who do wrong, he becomes Batman (Christian Bale).
Since everybody and their mothers have been hyping up the release of the epic conclusion of the Christopher Nolan Batman Saga, I thought it would be a good time to go back and check out what these other two did to have all of this excitement. However, it only got me more and more excited for what’s bound to come July 20th.
What Nolan does here with this Batman flick is give it a whole new look, edge, and feel to it. Instead of going for the slap-happy, goofy type of Batman we usually see from Adam West and the terrible Joel Schumacher, we get a real serious Batman that works a lot better. That’s right, no Prince jams, no Bat nipples, and no hammy villains: everything is played straight to the core and that is one of the main things that Nolan does here perfectly. Nolan actually gets into the character of Bruce Wayne more and find out how, why, and for what reasons he goes off from being this million dollhair playboy, to all of a sudden becoming a kick-ass dude dressed in a Bat suit. Of course being dressed as a Bat when you’re laying down the law on somebody is a little kooky in its own right, but they actually bring that up amongst other topics, and it all comes together perfectly.
Nolan also knows how to make this film look great with some perfect shots coming from the cinematography, but also with the sleek and dark look this film had the whole time, especially when it came to Gotham City itself. Gotham City here, actually looked like a metropolis rather than just a set with some fancy designs on it and it got me into this setting where every one and everything is just dirty as hell, everybody and their mothers are all corrupted, and there is no law being brought down on anything bad happening. Gotham City has never looked better and it only gets cooler and cooler to look at once Nolan begins to bring in some of Batman’s cool gadgets and whatnot, all of which, are going to make you want to head on back down to the local Toys R Us and play around a little bit. I’m probably alone on that one but it’s just another excuse to go and play with my toys.
There was plenty of action that worked, especially the finale which kept the energy flowing, but it start to bother me after awhile. Yeah, Nolan gives us the action we want but whenever he does, the camera is constantly up each person’s asses and you can’t see anything else other than a couple of figures throwing punches and kicks at one another. With all of these “hand to hand” combat fight sequences being edited so tightly, it was really hard for me to even get a feel for who was hitting who and who was doing what to whom, and I guess I just also wanted that “awww shittt he just broke that bulls….” moment that I usually get whenever I watch a superhero/action movie. Instead, I just guessed who was winning and who ended up winning and 9 times out of 10, I was right.
Christian Bale was a great choice for Bruce Wayne/Batman because the guy can look and act the part no matter what it is that he does, and he is no different here. I like how Bale gave off this dark but cocky attitude about him that made his character seem more like Patrick Bateman, which isn’t such a bad thing considering that is by-far one of his best performances of all-time and it’s definitely a lot easier to cheer on this guy when it comes to the beat-downs. Katie Holmes was pretty damn flat as Rachel and I think that’s mainly because the writing didn’t give her much to do, other than constantly bitch at every one around her, especially at Bruce and then act like they’re in love at the end. Yeah, didn’t really believe that after all of the hissy-fighting but maybe she was just tense. Then again, that’s always an excuse for ladies.
As for the villain(s) of this flick, each and every single one of them do fine-ass jobs and give a lot more to this story, even if it is without any real iconic villain that we all know and love from the Batman series. Liam Neeson is sinister as Henri and seems like the type of dude you really don’t want to mess with, even if it is Oskar Schindler; Tom Wilkinson was freakin’ funny (in a good way) as the last mobster in Gotham City; and Cillian Murphy does a great job playing up that whole crazy-persona here as Dr. Crane, and thankfully, he doesn’t overdo it one bit. Oh yeah, another surprise is that The Scarecrow is actually scary this time around. Never going into the corn fields ever again.
Consensus: Batman Begins is not perfect but it’s a very dark, bleak, and serious type of superhero film that works due to it’s inspired direction from Christopher Nolan, and some awesome performances that all of the cast gives out, with the exception of Katie Holmes which was pretty predictable.
Whoever thought that Dawson would end up being Christian Bale’s little bro.
Set in a small, affluent liberal-arts university in present-day New England, USA, where three students named Sean (James Van Der Beek), Lauren (Shannyn Sossamon), and Paul (Ian Somerhalder) who have no plans for the future – or even the present – become entangled in a curious romantic triangle.
If you don’t know who Bret Easton Ellis is by now, go on over to Wikipedia and check him out. He’s the writer of several novels like Less Than Zero, American Psycho, and The Informers. Basically this guy is a fucked up dude who sees the world differently than I can say I do, but I also got to give him a lot of respect because this damn guy is original and it’s even better when you have an original director to help out with the adaptation.
Writer/director Roger Avary is one of the main reasons why this film works so well because he gets inside the mind of Ellis and sees the world through his eyes. Everything is mean, nasty, cruel, but also very very dark in a way that is like unlike any other flick I have seen in quite some time. On the surface, this is a college flick that shows non-stop debauchery, hell, probably a lot more debauchery than ‘Project X’, but underneath it all is actual themes about how people can never connect and these characters are perfect examples of that. They all try to connect to one another and actually be noticed, but somehow, it never works out whether it’s bad timing, miscommunication, a tongue slip, or just a total fuck up which makes everything go to shit. It’s sad to say it but this film is more brutally honest than I ever expected it to be and it was very hard to not agree with what this film was trying to say.
But as I said, this film is also about non-stop debauchery and when I mean debauchery I mean everything such as snortin’ cocaine, drinking beer, having sex, partying, snortin’ cocaine, drinking beer, having sex, and so on and so forth. There is so much of that here but it works for the film because it not only adds to the whole central theme of the flick but it also takes us into this satirical world of college that Ellis has created. These kids never go to class, any time we ever see them they’re doing something bad, and when they aren’t doing something bad, in their heads their planning on doing something bad next. It was funny how Ellis just makes fun of how young adults are, especially ones in college, but the humor isn’t obvious at all, actually it’s the kind of humor that’s pitch black and is almost too dark to understand at first. The inner-thoughts that go through these kids minds is funny because of how short-minded they are but it’s also very sad because it’s true and it seemed like every time I got a laugh out of this flick, I sat there and thought that I shouldn’t be laughing because this film is basically making fun of me as well. Hey!!!
The screenplay is awesome and fits Ellis’ style but it’s the style and inspired direction of Roger Avary that really got me here. I can’t say that this film is filled with a style that is unlike any other film you have ever seen before, but there are some pretty inventive things that Avary does here with this story that gives it that extra kick. For example: Avary uses this technique where he plays forward with his camera then rewinds it in a different place and does the same thing to other scenes. This was a technique used in ‘Memento’ but for this flick, Avary gave it this very weird and bizarre feel that not only made me feel like this director could do anything but he actually will too. There’s plenty of other memorable scenes where Avary uses a split-screen to show us the difference between fantasy and reality (hello 500 Days of Summer), a Trainspotting nod, a scene where a snow flake falls down Van Der Beek’s face to melt into a tear in a very emotional scene, a long but quick-paced montage about a dude who went to Europe and all of his experiences, and one of the best “love at first sight” scenes that I have seen in a long, long time. That’s right, a movie that is based off of a novel from the same dude who gave us Patrick Bateman, has one of the better “love at first sight” scenes I have recently seen. Don’t understand it either but it’s something that Avary did here that made it work.
However, as much praise as I may be giving this flick, there was still a huge problem in the end. Earlier I said that this film is basically non-stop debauchery, and as perfect as that idea may have suited this film, it als0 leaved a lot to be desired. This film has no plot, and while it does move at a regular pace, nothing really goes down other than all of the crap that I mentioned earlier. It takes us inside this world of these obvious, loser kids but it still doesn’t really do anything for this film to keep it’s story going and it was sort of a bummer in the end because there could have been a really solid story to work with here in the first place.
Another problem I had with this story was that I think it also lost a lot of focus here because even though it’s supposed to be focusing on these three characters, it mainly puts Sean Bateman in the front, and everybody else in the back or not there at all. I get it that Bateman is basically the notorious asshole here, but there was a good 20 minutes where they didn’t even include Paul, and barely even had Lauren show up either. It was a shame that not only was there barely any story here at all, but it’s even more a shame that they try to sell this as a love triangle, when they barley focus on it or even anybody else other than Sean for that matter.
The cast is a bit odd on paper, but they all do perfectly with each of their incredibly sad and depressing characters. Shannyn Sossamon was absolutely likable and believable as the sweet and innocent virgin gal, that definitely seems like a chick I would love to just hang-out with and maybe give a hug too as well, since the whole time she seemed like she needed one. Ian Somerhalder is pretty solid as Paul, and was definitely giving off those homosexual winks at everyone around him and it worked because this character was weird but also very sad. Jessica Biel may seem like a strange choice for a total slut in a college flick, but she’s actually very good and creates a wholly unlikable character in Lara. Then again, everybody else in this flick is basically unlikable as well so she basically already had her hand in the bag.
The best performance out of this whole cast that really did shock me more than anything was probably James Van Der Beek‘s amazing performance as Sean Bateman. Yes, Dawson is the one dude in this flick, who goes to college to fuck everything up and succeeds at it. I didn’t think I was going to believe it when I was watching this, but slowly and surely, I started to really believe just how sick, effed up, and mean this character was but I also couldn’t hate him since Van Der Beek plays him with such charm and likability, much like Bale did with Patrick Bateman. This is one of the best “against type” roles that I have ever seen and Van Der Beek nails what it’s like to be a person that is angry with everything in the world, especially yourself. I’m a little ashamed to say it, but dare I say that I was actually a bit scared of him here as well…? Great performance and it’s an honest shame that he hasn’t gotten any big roles since this because this definitely should have knocked him back up in the books.
Consensus: The story is basically non-existent but where The Rules of Attraction works in is it’s inspired writing and directing work done by the wonderfully stylized, Roger Avary, and a cast that makes this more than just another film trying hard to be mean and hard to watch, it’s one that may make you look at college and young people in a different way. Still, can’t say that it’s everyone’s cup of tea either.
Gets me more and more excited for the live-action adaptation of “Don’t Wake Daddy” directed by Wes Craven.
Crashing the biannual RIMPAC exercise, a mysterious alien spaceship makes the month-long training event more important than ever before for our naval forces. Unaware of their goals beyond apparent wanton destruction, with a force field keeping what’s out out, and what’s in in, it’s down to a handful of ships and erratic lieutenant Alex Hopper (Taylor Kitsch) to take down the alien forces and save our world from being turned into dust.
Any person that was even somewhat bummed to hear that Michael Bay was done with the whole Transformers franchise, can only be happy to see that there may be a new franchise brewing. For some odd reason, though, it’s based on a board game that I only played when I was really, really bored. I was a very hyper kid in case you didn’t know.
Instead, taking over duties as director is Peter Berg. Berg is a dude who knows how to do action well even though his scripts may not always be perfect. Case in point, flicks like The Rundown and Hancock, are two films that hit-hard with its action and entertains the hell out of everybody watching even though it may not be winning any awards in its originality department. Still, the guy knows what he’s doing and that’s pretty obvious with this flick too, but it almost seems like he wanted to be more like Bay rather than try to put his own stamp on this soon-to-be movie series.
First of all, before I start to crack down on this film I would like to say that it is pretty fun and action-heavy, if that’s all you want. Berg definitely has a lot of fun with this loud, crazy, and insane atmosphere and story that it almost seems like he has a bit too much fun with all of the havoc but you still can’t help but be entertained watching it all yourself. I will say that the action did hold me over for many parts and I think that’s mainly because the special effects do actually look quite good. Berg’s huge visual FX team definitely makes this film look legit and plenty of the scenes where it’s just the alien’s ships squaring off against the Navy’s ships are actually very realistic. However, that can’t get past everything that is so lame.
I’ve been using that word a lot lately. “Lame”. But that’s exactly what this flick is because as fun and entertaining Berg and his FX team try to make this flick, they continue to get bogged down by the fact that this script is so damn shitty and unoriginal. I get it that I’m not supposed to be going to this flick for witty and powerful writing, but you got to give me something to work with here that can at least hold me over when shit isn’t blowing up. However, this film’s dialogue is so overly cheesy, so obvious, and so ridiculous that whenever there is a moment of everybody being serious, there is tons and tons of laughter, but whenever the film is joking around with us, the film ends up just being stupid and a lame attempt at comedy. It’s also annoying since every single character here seems to have their own witty line, right before they go off and do something heroic or bad-ass. Are lines like “Boom” and ”Mahalo Motherfucker” really needed for a flick like this? Actually, they don’t even say the “F” word, they just cut it off because they didn’t want to lose their fan-friendly PG-13 rating. Lame.
This film isn’t so terrible just because it tries to be funny, plenty of action flicks nowadays try their darn near hardest to do that, but it’s more that there’s nothing new or original really offered here. All of the action revolves around ships trying to blow each other up by constantly tossing missiles at each other and the aliens being able to throw any kind of weird or strange sci-fi shit at the opposite team. It becomes fairly boring and monotonous, that only seems to be used for the sake of keeping our minds off of the fact that this script blows. Probably also didn’t help that all of the action was played with a loud-ass noise constantly blaring through the speakers. Actually, I think one of the speakers in my theater blew out and I was not surprised because my ears are still ringing from all of that loud ruckus. I sound old, I know.
What was also another bummer about this flick was the aliens themselves. Yes, once again in a Summer blockbuster there seems to be aliens as the villains but honestly, who else could pull off such a thing as the villains in this flick? Russians? Arabs? Swedes? Anywho, the explanation for them being on Earth is pretty dumb and sounds like the same reason I heard last Summer in Super 8, and the way they look is terribly unintentionally funny. With their helmets on, they seemed like a bunch of soldiers from the cancelled Halo movie, and when they take them off, they all look like evil Goblins and seem way too silly to be considered a bunch of evil and menacing pack of aliens. They seem more like the ones you want to cuddle with, or save from the government. Not throw out in the open and have them killed.
As far as the cast in concerned, everybody tries but they aren’t given much to do with this material. Taylor Kitsch plays Alex, a slacker who joins the Navy, and within weeks is the senior officer on the big, bad naval ship, being allowed to call all of the shots. This didn’t make any sense but Kitsch definitely tries with this character, even though the guy comes off very bland and does too much of the “Christian Bale Batman’s voice”, but I think he obviously has talent, just needs the right movies to show it off. Maybe that’s what Savages will be for. Brooklyn Decker isn’t as convincing as the military physical therapist, but she definitely is easy on the eyes.
Liam Neeson is one of the big draws of this flick, but he’s barely in it and whenever he does show up, he’s the absolute man and steals the show away from everyone around him. Shame the dude didn’t get more screen-time but he was probably off doing 10 other flicks around the filming of this one and hell, I don’t blame him for leaving. I would have too. Alexander Skarsgård also isn’t around that much either but that’s for reasons I can’t say, even though I am so damn tempted to. Oh yeah, and we also have pop singer Rihanna making her feature-film role debut and is absolutely terrible. She plays one of those bad-ass female roles that’s usually made for and done a lot better by Michelle Rodriguez, but she can’t even do any of that right. Honestly, Berg should have just called me up, told me to get a slight tan, cut my gonads, and get a butch-looking wig, and I could have honestly done a better job than whatever the hell this chick does here. Rihanna, you’re a great singer but stay away from movies and closer to Chris Brown’s hands. Oh yeah!
Consensus: Battleship definitely thrills with it’s loud explosions and fun direction from Peter Berg, but the script takes away from everything else with its overt silliness, lines that seem like they are jokes in and of itself, and characters that don’t make any sense but are just here to give us people to care about and root on to win the good fight. Michael Bay will be back people, get ready.
Apparently being addicted to sex isn’t fun. Dammit!
Michael Fassbender stars as Brandon, a sex-addict who is constantly bedding women almost each and every single night. However, his sister (Carey Mulligan) soon comes in to live with him and gets in the way of his life-style even though he continues to get worse and worse. Family and sexy-time just don’t really mix.
Other than almost seeing ‘Blue Valentine’ last year when it still had the rating, this marks my first time ever seeing an NC-17 flick, even though it weird is that I didn’t get carded. For some reason they have just never been my thing because they are usually always porno flicks that try to do something, but end up not doing anything. However, this is a flick that I’m glad to say deserved its rating and doesn’t hide away any pee-pees, ta-ta’s, or…well…you know…lady parts.
Writer/director Steve McQueen (no, this one) goes for the guts, or should I say wieners, and keeps this dreary and freaky mood where everything is dark, disturbing, and just not right. There isn’t a real driving force behind this narrative but to see the ways this guy goes about his days, popping b’s left-and-right still made me feel like something crazy was going to happen next.
What I liked about McQueen’s direction is that he actually doesn’t try to spell-out anything, except for the sex of course but even that to an extent is somewhat thought-provoking. McQueen lets us see this guy for what he is and what he’s suffering with and when things go from bad to worse, it’s hard to take your eyes off of the screen mainly because you know that this story is just going to get crazier and crazier. I never felt any emotional attachment to this story but I thought the way that McQueen showed this form of addiction, in it’s sad and dark haze, was very gutsy and he didn’t back down from showing anything, which I thought needed to be done to get the full experience of this film.
Where McQueen really nails this film down is in his way of filming, because being an artist himself, he shows that you can make anything great to look at. I love tracking shots and how McQueen keeps them going on for scene-after-scene was really great because it made me feel as if I was there and it was pretty nice to actually see somebody create tension by using just one shot the whole 5-10 minutes. There are a lot of memorable moments here where McQueen doesn’t cut away once such as the dinner scene he had with his co-worker, or when he’s jogging through the streets of NYC, or when he’s just standing there spying on his next sexual prey. McQueen really added a lot to this film other than just a bunch of really dirty sexy-time scenes, he made this feel real.
However, where this method fails is when he takes a little too long with certain scenes that I think should have been cut right away. I think anybody reading this knows what scene I’m talking about. The scene where Mulligan absolutely butchers the song “New York, New York” played on for way too long and instead of just trying to show us something that these characters share, it made me wonder just how much longer could this damn scene go on for? I mean it wasn’t that long of a song in the first place, right?
Another problem with this film is that the film does start to lose it’s own sight by the end, even though it always stayed interesting. I felt like this film really struck a cord with me when it came to its story, but how everything played out in the end seemed a tad predictable and unfocused. There were certain moments where an idea would pop into my head and I would imagine if what I was thinking, would actually happen in the flick, and 9 times out of 10, it actually happened. What I’m trying to say is that the last 30 minutes were predictable and I could tell what was going to happen next, even though my eyes were still glued to the screen.
The reason why this film felt unfocused by the end too was because there were a lot of characters, situations, and questions that were around within the first hour of the flick, but somehow found their own ways of leaving as soon as things start to get a little crazy. There were questions about this brother and sister on whether or not they actually had incest, and to be truly honest I think they did. However, I can’t be too sure because this film may sort of gives hints to that whole idea, I still think that there were a lot of questions about that and many other certain elements that this film brought up as well. Hey, I liked how McQueen didn’t try to spell it all out for us, but I still think he should have at least left us with a bit more answers.
Once again, Michael Fassbender owns in a role that needs him to do so. Take it for granted, he’s pretty much doing a Christian Bale impersonation right from the start but that doesn’t mean that he doesn’t deliver like you would expect a sex-junkie to do so. Fassbender really does let it ALL hang out and with a performance like this, it’s easy to see why he can definitely be an Oscar winner because he’s able to show so many emotions without even barely moving his face. He’s a sly dude when it comes to him getting the ladies, but when he has to show off some real emotions, Fassbender nails it and gives us a glimpse at a guy that seems trapped by his own demons which makes him ultimately vulnerable. This is a very physical and emotional performance for Fassbender, and one that I think he does a superb job in even though he probably won’t get nominated for an Oscar because it’s “too racy”. Besides he should win an Oscar just for being able to piss on camera, which is something I have never seen on film before and since I can’t even pee with somebody standing right behind me, I got to give some props to a guy that can do it in front of a whole film-crew. Carey Mulligan is also pretty good as the foul-mouthed sister of his, but when it comes to being Fassbender’s sister in this flick, you kind of get over-shadowed big-time.
Consensus: Shame ends up leaving more questions unanswered than we would have liked but the vision of Steve McQueen and the unrelenting performance from Fassbender, makes this flick a dark and dreary story that gets crazier and disturbing as it goes on, but with a lot more emotion still left in-tact.
If only George of the Jungle was here to save THE BATMAN!!
Renowned director Werner Herzog’s inspiring drama recounts the heroic saga of Dieter Dengler, a German-American fighter pilot and highly decorated Vietnam veteran whose reconnaissance plane was shot down in 1966. Captured by enemy forces and held in a Laotian torture camp near the Ho Chi Minh Trail, Dengler (portrayed by Christian Bale) defied death by organizing one of the most daring escapes in the Vietnam conflict.
I know how much everybody loves director Werner Herzog but I just haven’t ever really checked out any of his stuff before now. To say the least, he isn’t as great as everybody says he is but he’s still good.
Herzog knows how to make a very grueling and brutal story like this almost seem beautiful in his own poetic way. There’s a great deal of suspense here as a scene goes on, with the camera just slowly right behind the characters as the suspense gets larger and larger. I also liked how Herzog didn’t make this film about being a proud member of the U.S. army, and make it more about one man’s eternal struggle to survive and adapt to the environment that surrounds him.
My problem with this film was that nothing here really interested me other than the fact that this was a true story. A true story that I knew exactly how it was going to all pan out in the end. A large majority of the film felt like everything was a routine and didn’t have a natural feel and even though the suspense worked incredibly well at certain points, overall to me, this just felt like something I’ve seen before and didn’t have much of an effect on me as much as the film wanted it to.
Another problem with this film was the fact that all of the captors here just seemed like total idiots and goof-balls just for the sake so that we didn’t even get to know these bad guys one bit. The ringleader has hair down to his shoulders and glasses that look like they would be better used on Ray Charles’ face; another henchmen uses karate on the air randomly for no reason; and the most random of all, a grinning dwarf that seems totally oblivious to everything around him and is just put in the film because Herzog for some odd reason has a love for dwarfs.
Christian Bale here as Dieter Dengler is what really makes this film work and kept me watching the whole time. Bale does his trademark physical transformation that he has used many and many times before but the real power of his performance lies within his emotional transformation that feels so gripping. Bale just seems like a total mad-man when he is forced to adapt to his primal instincts and uses that rough and raw edge to his character that we all have seen before, but works so well right here.
Steve Zahn is also great in this role as Duane Martin. Zahn is always funny and great to watch in little comedic supporting roles but here he is so much more believable and still gives off that extreme likability we all know and love him for. The bond he and Bale create almost seems like a marriage, but that just adds so much more energy to this film. I mean somebody has to give this guy his own film soon! Jeremy Davies does that sort of annoying talk “really strangely act” he always does in everything, but he’s alright here as a Charles Manson look-alike.
Consensus: There is a lot to be on the edge of your seat about in Rescue Dawn but for some reason I just didn’t feel that connected to what was going on, most of it felt generic, and overall, Herzog doesn’t do anything really new that I haven’t seen before. However, the performances from Bale, Davies, and Zahn are what really make this a better film to watch.
The 80s… those were the days. Plastic pop, designer drugs, pretension, fake wealth, bad hair. What a decade.
With a chiseled chin and an iron physique, Patrick Bateman’s looks make him the ideal yuppie — and the ideal serial killer. That’s the joke behind American Psycho, which follows a killer at large during the 1980s junk-bond boom. Bateman (Christian Bale) takes pathological pride in everything from his business card to his Huey Lewis CD collection, all the while plotting his next victim’s vivisection.
Taking a first glance at this film, you would think that it’s a horror film. However, it’s more of satire about all things that weren’t ever cool in the 80′s.
I have not read the book that this film is based off of and to say the least, I really do wish I did, even though this provides a lot of depth for a story and detail for a story about a yuppie who just goes around killing people. But I may have to tell you that it’s more about just the killings, it’s about the person behind the killings.
Director and co-writer Mary Harron puts a new spin on the horror genre and brings a lot of satire here that actually had me laughing. You see all these Wall Street dudes who are so full of themselves, and have so much greed that you just think these are the sickest and most cliche bastards ever, but that’s the whole joke. As Bateman continues with killing these people left-and-right, you may actually find yourself laughing because of the way all of these killings are portrayed, but then you soon realize, he’s laughing with you too.
The film also brings out a lot of great questions about what’s more violent; the fantasies we have in our head about certain amounts of violence, or the actual violence we see in day-to-day life. Bateman has no real reason or inspiration for these killings, and this whole film is not the portrait of an actual serial-killer.
This is more the portrait of a personality and that there are many people out there like this over-achiever, narcissistic, egotistical, and self-centered Patrick Bateman guy here who do whatever they can to satisfy their own needs, and forget everyone else’s. I also liked the fact that you never rarely see any of the killings except for some, and it’s all left to your imagination really and aside all of the chainsaw’s and axes that there’s more of an edge and smarter side to all of these killings because they all have reason.
My problem that I had with this film was actually this random sequence that went on for about 10 minutes and to me just felt totally bogus and not like the whole film at all. There’s a lot of action that goes down, and without giving too much away, just feels like a total fantasy in the end and made no real sense as to why it had to be involved.
Another problem I had which kind of had me confused, was how all of the female characters in this film are practically almost half-human and fall for any type of dumb gag, and it’s funny because you would think that with a film directed and written by a lady, there would be so much more to these lady characters. But for some reason they just seemed stale and very dumb.
Christian Bale really has made himself a house-hold name in Hollywood today, but people almost forget that his role as Patrick Bateman is the real reason. This character is the biggest douche-bag in the whole entire world and walks around like he’s hot shit just hoping that others notice how much his amazing suit cost, and how he just got in so much shape. Bale plays all of this narcissistic act very well in a compelling performance that had me loving this charming, and almost every-day serial killer. Bale really has made a name for himself in today’s world of Hollywood, but if you ask me, this is where people really started to notice.
The rest of the cast is alright even though they don’t really do much compared to Bale. Names such as Jared Leto, Willem Dafoe, Reese Witherspoon, Josh Lucas, Justin Theroux, and a sweet little performance from Chloe Sevigny. A good cast, but then again, they aren’t really given anything good in the first place.
Consensus: Though parts of it may not work as well as others, American Psycho is a great blend of horror and comedy, that makes the scares into satire, and features an amazing, star-making performance from Christian Bale.
So as everyone among the film community know, it is Oscar time babyyyyy!!! So that means get ready for some of the biggest upsets, wins, and probably tearful moments of the year. It was a great year in the film, and this is what has all come down to it people. The big night, and here are my predictions, I hope I do well.
Best Animated Feature: Will Win: Toy Story 3 Should Win: Toy Story 3 Wild Card: How To Train Your Dragon
Best Documentary Feature: Will Win: Restrepo Should Win: Restrepo Wild Card: Exit Through The Gift Shop
Best Foreign Language Film: Will Win: In a Better World Should Win: Dogtooth Wild Card: Biutiful
Best Documentary Short, Best Live Action Short, Best Animated Short: Will Win: Can’t say I care too much
Best Editing: Will Win: The Social Network Should Win: The Social Network Wild Card: Black Swan
Best Cinematography: Will Win: True Grit Should Win: Inception Wild Card: The King’s Speech
Best Visual Effects: Will Win: Inception Should Win: Inception Wild Card: Alice in Wonderland
Best Sound Editing: Will Win: Inception Should Win: Inception Wild Card: Unstoppable
Best Sound Mixing: Will Win: Inception Should Win: Inception Wild Card: The Social Network
Best Art Direction: Will Win: Alice in Wonderland Should Win: Inception Wild Card: The King’s Speech
Best Costume Design: Will Win: Alice in Wonderland Should Win: Alice in Wonderland Wild Card: True Grit
Best Makeup: Will Win: The Wolfman Should Win: The Way Back
Best Original Score: Will Win: The Social Network Should Win: The Social Network Wild Card: Inception
Best Original Song: Will Win: We Belong Together (Toy Story 3) Should Win: We Belong Together (Toy Story 3) Wild Card: I See The Light (Tangled)
Best Adapted Screenplay: Will Win: The Social Network Should Win: The Social Network Wild Card: 127 Hours
Best Original Screenplay: Will Win: The King’s Speech Should Win: Inception Wild Card: The Fighter
Best Supporting Actress: Will Win: Hailee Steinfeld Should Win: Melissa Leo Wild Card: Amy Adams
Best Supporting Actor: Will Win: Christian Bale Should Win: Christian Bale Wild Card: Geoffrey Rush
Best Actor: Will Win: Colin Firth Should Win: Jesse Eisenberg Wild Card: James Franco
Best Actress: Will Win: Natalie Portman Should Win: Natalie Portman Wild Card: Annette Bening
Best Director: Will Win: David Fincher Should Win: David Fincher Wild Card: Tom Hooper
Best Picture: Will Win: The King’s Speech Should Win: The Social Network Wild Card: Toy Story 3
I must say that this is a pretty solid year for the Oscar’s this year. All the nominees look just about right the only problem is how will the picks turn out? This year, everything seems like it’s coming down to Old School (The King’s Speech) vs. New School (The Social Network). The past couple of years The Academy (I hate that word) has been looking more towards hip, new films to win it’s Oscar Best Picture. Films such as Slumdog Millionaire, The Hurt Locker, and American Beauty have all been unconventional new films that have seen their taste of Best Picture gold. But there has also been countless period piece wins for films such as Gladiator, Shakespeare In Love, and The English Patient. Also, many other major award shows have already presented the Best Picture win to The King’s Speech which is really chasing up people’s noses, as many other award shows have been choosing The Social Network as theirs. In my opinion, I liked Inception more than both of them, and yeah it’s nominated, but in all honesty it has no chance of winning. When it comes down to it I think that The Social Network should win, because it is an age-defining film, that went from being known as “The Facebook Movie” to being known as the top contender for every Oscar it’s nominated for. I hope that The Academy goes for the new school, because if they had The King’s Speech win, everyone would feel robbed really.
As for Best Actor, I think that Firth deserves to win for all his years dedicate to films, but Eisenberg fully deserves it. I think what the Academy is doing more and more now, is honoring actors & actresses not for just a certain performance they had, but their careers and saying that it’s their time. I don’t mind seeing stars like Jeff Bridges, Kate Winslet, or Colin Firth win an Oscar, because of the career they have but I’d rather see the “best performance of the year award” go to the BEST PERFORMANCE OF THE YEAR.
When it comes to the Best Actress category, it seems like Natalie Portman is the sole winner for here, as she has won almost every single Best Actress nomination at every award show. However, there is once again that little idea that it’s Annette Bening’s “time” to win, as she has been nominated twice, and still has not won yet even though her career has been going on for so long. I want Portman to win, and most likely she will, but I still have a feeling that The Academy may pull something out of their pockets and surprise us all with a Bening win.
I’m very disappointed that my main man Christopher Nolan was not nominated for Best Director this year. He was snubbed for The Dark Knight, and now he’s being snubbed again, and it just pisses me off knowing that certain directors that do such a good job with daring material, don’t get the credit they deserve. I think if Nolan was nominated, he should have won, but I know it’s The Oscars, and not everything works out the right way.
This year had great films, and I’m glad to see that the Oscars have turned out to be this way. I loved 2010 as a year, and the films made it awesome. Here’s to 2011, and let’s just hope that the Oscars are awesome.
Thanks everybody for always reading, and keep on checking!!
Just shows you that crack is not always whack. I mean just look at Christian Bale. The guys freakin’ Batman.
Mark Wahlberg stars as boxer “Irish” Mickey Ward and Christian Bale as half brother and trainer Dicky Eklund in this inspiring drama based on the fighter‘s rise from working-class Lowell, Mass., to world-class welterweight champ. After a string of defeats, Mickey rediscovers his fighting will with help from Dicky — a once-talented pugilist battling drug addiction.
There hasn’t been a very good boxing movie lately. Now that other “sports” like UFC, MMA, hell even Professional wresting for that matter have taken over mainstream, people have sort of forgotten about boxing. Especially in the film world, but thanks to this, it makes me want more of them.
Director David O. Russell is known for being a huge dick off-screen, and hasn’t really done much else that people know, but because of this film, I think he has finally broken into the mainstream. And it’s with all good reason, he does an amazing job at making this one of the most entertaining pieces of the year. It’s more of a character study than it actually is a boxing film, but it still delivers on plenty of fun, family escapades for us to watch. Also, it was really neat to see the match sequences to be filmed in the digital style that HBO used to use back in the day, and it really did make it all look legit, and not just another boxing film fight sequence.
The screenplay works really well too providing us with a lot more comedy than I expected. There is also a lot of themes that touch on the element of family, which play out so well. You laugh, you cry, but most of all, you love your family, and in the end they always have the best intentions. This film the way it is written, and the way it all plays out, just seems so real. Although you know how this story is going to turn out, you still cannot stop watching, and getting attached to these characters. Everything just seemed very real, and there are barely any moments that feel like they were just put on for the big-screen.
The one main problem I had with this film is that I think it could have gone longer. I know that’s a weird complaint, because many people will probably complain about how it is almost too long, but for me I wanted more somehow. That sounds greedy, and spoiled, but the ending didn’t fully satisfy me to the point of where I was just jumping for joy. This is a weird complaint, I know that, but I just wanted a longer run time.
The main reason to see this is it’s amazing cast. Mark Wahlberg does the straight-man act that he does in a lot of films, but hey it’s not so bad. He is an easy guy to like, and you can tell his frustration with his family, and boxing career. This gives us more of a reason to rally behind him, and keep on watching, which is what all boxing movies need. Amy Adams really steps out of her “goody goody two shoes” light, and gets dirty, bad, and sassy. I loved her performance, and her quick delivery with every line is not only believable, but its also funny, and we actually as fans want to go out with her. Let’s not also forget Melissa Leo who is just perfect as the asshole Mom, who just can’t handle being a nobody. Her performance I loved. But………
The real show is right next to Marky Mark on that poster up above. I have always liked Christian Bale, when people give him shit for his douche bag ways off the screen, and cocky attitude, I have always appreciated almost everything he does. And now all that love that I have given him finally pays off, as I have just seen his best performance, and probably one of the best performances of the year. I loved this performance so freakin’ much. Bale is silly, sad, gritty, crazy, fearless, skinny as a toothpick, but also likable as your any other average Joe. You believe all the little tics, and weird things he says and does, and he commands your attention, and well you gotta give it to him. His character, Dickie Eklund, just couldn’t give up the limelight, and with this performance neither can Bale, cause he steals it. Every scene he is in, he just commands almost every time, and I sure as hell hope he gets an Oscar, cause he is just one of the biggest and best joys to watch on screen.
Consensus: The Fighter may be a story you have seen before, but the inspired direction, and amazing ensemble performances from this cast, make this treat, a fun-filled, entertaining boxing movie, that made us realize we missed this genre too much.
Finally, Johnny Depp actually plays somebody normal.
Set during the Great Depression, it follows the final years of notorious bank robber John Dillinger (Johnny Depp) as he is pursued by Bureau of Investigation agent Melvin Purvis (Christian Bale). It also depicts Dillinger’s relationship with Billie Frechette (Marion Cotillard), as well as Purvis’s pursuit of Sparrow associates and fellow criminals Homer Van Meter (Stephen Dorff) and Baby Face Nelson (Stephen Graham).
Michael Mann is known for directing action-packed thrillers such as Heat, and Collateral, but they were always shot in modern times, with less of a story, here he gets to change up the time, and focus on more story. Which was not a very good idea after all.
I think the one problem with this film is that it is kind of bland, mainly because it’s based on a real-story. Everybody knows what happens to these guys, and it just do anything really fun or inventive to change the pace of our minds with the film. Another problem was the use of an HD camera for this film. The shaky camera takes a lot away from the film, and the pixels, and annoying close-ups, do start to run its course by the first hour mark. I also knew it was a bad idea, cause I kept asking myself: they had hand-held cameras back in the 30′s? Nothing looked as realistic as it could have, with a real camera.
Still I got to give it to the Mann(pun intended), he is still the king of action sequences. Since these dudes are robbing banks, Depression style, of course we get a lot of shoot-outs, and to say the least their actually very fun to watch. There is this one sequence where it takes place in the forest, and I was on the edge of my seat the whole time. Not as great as Heat’s bank robbery, but still great none the less. I also thought he did a good job of showing the known hysteria, and panic that was in the depression, as Dillinger and the boys, started to rumble up on the bank robbery’s.
Johnny Depp does a great job at playing an actual real person for once in a long time. He plays Dillinger as sort of an anti-hero, that’s funny, charming, but also very smart, and lethal with what he does, and does a great job at playing this character. I was pretty disappointed by Christian Bale‘s performance here, and I thought his attempt to make a Southern accent, was pretty dumb, and annoying. It sucks but I think he wants this to be his forgotten role. Marion Cotillard is great here as well, and her and Depp create this lovely chemistry that seems so real, that by the end, you can just feel the love between these two. Other actors that do a good job in this are Giovanni Ribisi, Billy Crudup, Stephen Lang, and a random cameo from Channing Tatum.
Consensus: There are obvious faults here within Public Enemies, but they are somehow over-shadowed, by the great action sequences, and wonderful performances from the cast, minus Bale.
Awesome memories of Terminator 1,2, and 3……Terminated!!!
All grown up in post-apocalyptic 2018, John Connor (Christian Bale) must lead the resistance of humans against the increasingly dominating militaristic robots. But when Marcus Wright (Sam Worthington) appears, his existence confuses the mission as Connor tries to determine whether Wright has come from the future or the past — and whether he’s friend or foe.
So when I look at Terminator 1,2, and even the 3rd one, I just say “wow these movies rock, and totally introduced me to great sci-fi action”. Probably the first bad sign that this movie was going to blow was that it wasn’t directed by James Cameron, who did the original first two. And although he didn’t do the 3rd, it still looks fucking great compared to this junk. The movie was directed by some dude named McG. In all honesty, what the fuck!?!? Like there’s no normal name for you, you have to make a nick-name considering your only claim to fame was Charlie’s Angels. I guess it’s a good thing that Cameron didn’t get involved with this one probably because he had his sights set on something a lot, a lot, better.
The one semi good thing about this film is that the action, and the visuals look good. The problem is, is that they have made these terminators, so indestructible, that nothing, and I do repeat nothing, can destroy them. So the action scenes, are just repetitive, because these things never go away. It looks good, but after awhile I just start to think it’s a sci-fi remix of The Book of Eli look. And yes, I know Eli came out later, it just looks so the same, and Eli does better in my opinion.
The biggest bummer with this whole film is the fact that the whole story is slow as hell. The action starts off from the get-go, but we get the same story that we saw, just more sci-f, Skynet mumbo jumbo we don’t care about, and “John Connor” is probably mentioned about 1,000 times. The whole script just seems tired, bored, and doesn’t want to do anything new or inventive, just blow shit up.
Christian Bale is absolutely terrible in this film. He does that “Batman” deep throat mumble thing that annoys the crap out of me, and almost every five seconds he’s just yelling, or whispering, never talking. But his best performances was defiantly off-screen (haha I love this audio every time). Sam Worthington is at least watchable here, and brings a lot of emotion to his character, and it just sucks that he is the character I cared for more than the one who actually saves the world. Common’s in this. Why? Who cares, he doesn’t change anything in this movie. I also love how they just put the naked version of Arnold Schwarzenegger, luckily it wasn’t really him, or somebody would have defiantly lost some credit on the man-o meter.
Consensus: There may be some good visuals, and action, but overall Terminator Salvation, is a piss poor attempt to bring back a classic trilogy, while having no heart, and none of the energy the originals did.
It’s Batman vs. Wolverine, except with a little twist of Houdini.
At the dawn of the 20th century, rival magicians Robert Angier (Hugh Jackman) and Alfred Borden (Christian Bale) endeavor to reveal each other’s secrets. Obsessed by the escalating competition, the two illusionists begin to perform increasingly risky tricks, which soon turn deadly.
I never really thought that magicians actually took this stuff as seriously as this movie’s giving us. But hey, it’s Christopher Nolan so I wasn’t expecting anything different.
The film is once again written & directed by the brain-child of the 21st century, Christopher Nolan. He goes back to his old-school style of non-linear plot narrative, to show us all these different sides of each situation. But the great thing about the movie, is just how the story is. It’s all a magic trick. You start out with your ordinary characters, in your ordinary situation, and then you realize it’s a Nolan film, so shit has to get out of whack. So then Nolan gets your mind wrapped in a twist with this whole story, as your trying to keep up, as it goes along, and then the trick happens. The final twist. I’m not going to lie, I liked the ending, I thought how everything turned out to be was great, and the way Nolan directs his smart script matches everything write within this film. Watch closely, cause you will have to be thinking a lot.
There is also more than just magic tricks and how these two try to one-up the other. The film also shows a great deal of how much obsession, and sacrifice can start to take over your life. Both of these dudes just want to do magic tricks, but then after awhile, they start to sense a challenge of who’s better, so they lose a sense of reality, and just try hard to be the better magician, not man, but magician. I also liked how Nolan didn’t just show us all these secrets to the tricks themselves, he lets the audience actually ponder, what’s happening, and how it’s happening. Also, the set pieces of turn-of- the-century 19th century of Colorado was great, because the look is just so dark, and bleak that it feels like the right mood for this material.
I had one problem with this film, and it was the fact that I think that Nolan was trying to confuse and put so much twists and turns into the movie, that he started to lose his audience. Some of the twists, seem like they could actually happen, but some times they just seem un-scientifically based, and it kind of annoyed me. He loses his audience many, many times and never really takes them back on track exactly.
Christian Bale turns in some great work here as Alfred Borden, as well as Hugh Jackman as Robert Angier. The film always balances out who’s the good magician, and the evil magician, mostly cause both of them are. They both do devilish things to over-come the other one’s trick, and it goes back and forth, until the end and you see who reall is the biggest doucher. Michael Caine is great in this, but what else can you say, he’s always the voice of reason in any movie. Scarlett Johansson doesn’t bother me as much here, so she’s alright. David Bowie is surprisingly good in here as Nikola Tesla, even though it is a random casting, he still does a good job.
Consensus: The Prestige may abandon it’s audience, but the film is inteligently written & directed by Christoper Nolan, that’s full of twists and turns, as well as the great cast that can back it all up.
It’s basically Pocahontas minus the animation, cheesy love songs, and furry talking animals.
Set in 1607 at the founding of the Jamestown Settlement, Terrence Malick’s epic adventure chronicles the extraordinary actions of explorer John Smith (Colin Farrell) and Native American princess Pocahontas (Q’Orianka Kilcher). As English settlers and Native Americans clash, Smith and Pocahontas find their worlds colliding and their hearts entwined, but ancestral loyalty may tear them apart. Christian Bale and Christopher Plummer co-star.
When it comes to being secretive, Terrence Malick, is the master at it. There is probably only about 6 pictures of this guy actually in film, and he has had only one public appearance his whole life. But with whatever he’s doing, it’s working, cause he still knows how to make great films.
First of all, with all of Malick’s films, every single shot is just beauty. I mean the style of Malick is here: following a character from the rear as the action is going, frequent camera cuts, and overall just beautiful images. I think this film, visually wise is so much better than his war great, The Thin Red Line, and mostly because of the setting its in. Its placed in the early 17th Century, basically in this unknown land, where you can see everything a mile away, and most scenes are just technically brilliant, and add a lot of emotion to the natural theme of the film itself.
I enjoyed the screenplay cause it takes away all those cliche that people have about the story of Pocahontas. We always kind of got this feeling that the English were total savages when they came on their land, and acted like they ran ish, when they didn’t, and to be brutally honest the Natives weren’t any better. We see how these two totally different types of lifestyles can’t get along, and actually end up in some great war scenes. It’s more than just a corny love story, which the trailer has you thinking, it’s also about the struggle between these two opposing forces, and the connection they can’t make.
The only problem that Malick can’t seem to get away from, is that this film’s narration is over-bearing at points. There are scenes that are just astonishing to look at, the problem is that, its just a scene like that, and somebody narrating gibberish. Honestly, the narration of this film kind of had nothing to do with the film itself. I mean it was boring at some points, although the visuals did hold my eyes, but times I was starting to snooze off. The film begins mostly being about the romance between Smith and Pocahontas, while mostly focusing on Smith, but when Smith suddenly goes to Canada, it becomes all about her. And then they switch the romance over to Christian Bale, and the poor guy is never given the light of day in this film, and never able to show his true talents.
Colin Farrell is great here as John Smith, even though not even speaking for the first 20 minutes he’s on-screen. He has this great sense of smart about his character that has us cheer him on, it’s just kind of a pity, that we never really see him being all that great other than, a bangin’ lover. The film has it’s best performance come from, Q’Orianka Kilcher, who is surprisingly perfect in this role. She starts out as the playful, but smart Pocahontas, who easily falls in love with this dude, but is taken into this new world, where she has to make a transition of how she acts, talks, and feels. She does almost every scene to the best of her ability, and shows off great talent for the future.
Consensus: The New World’s narrative gets very jumbled, as well as not quite as entertaining, but Malick’s inspired direction, including beautifully astonishing visuals, and good performances, make this film worth the while.