This will probably bring up a lot of awkward questions about where babies come from and how they’re made. Questions I look forward to answering.
The film stars Jennifer Garner and Joel Edgerton as an happily married couple who have been unable to conceive a child and are ready to give up. One night after a bit too much wine, they fantasize about what their ideal child would be and bury a box with all these wishes in their backyard. Lo and behold, a dirt-covered little boy (CJ Adams) appears on their doorstep the next day.
That’s a pretty strange premise to have and it’s only weirder that the son of Frank Zappa, Ahmet, wrote it himself. However, while his father was inventive and original with what he could with his profession in music, he just so happens to be the total opposite with his.
What bothered the most about this flick was how damn predictable it was. I sort of knew that I was going to get that right from the start going into this, but I wasn’t expecting it this bad. Everything happens in the same ways you would expect it to normally go down in flicks like these, and what’s worse is that I barely got a surprise. The recipes for this family-oriented flick have already been written out and predicted before-hand, and it was only a matter of time until I was throwing money down on what was going to happen next, how, and when. Sadly, it was only me and my grandparents who went to go see this (go ahead, make jokes) and they weren’t down to throw any moolah around but you can bet your sweet-asses if I had gone with a bunch of girls I would have been loaded. With money, that is.
As soon as Timothy shows up in these people’s lives, he somehow makes all of these miraculous dreams and miracles come true but without ever doing anything. Take it for granted, the kid’s a nice kid and has a certain amount of goody-goody charm to him but he doesn’t do anything that could be deemed terribly special to the point of where you actually believe in these townspeople actually standing behind him altogether. I thought that they were going to play this story out as if it was “the Forrest Gump for kids” but even that would have been too much of a stretch for this movie. A lot of belief has to be suspended for these types of films but not so much to where you think people would buy the fact that these people know he has leaves on his legs, and they never choose to say anything. Where I come from, that kid would have gotten his ass thrown in so many lockers they would run-out. And don’t even get me started on all of the lunch money he’d lose.
But as terribly formulaic and predictable this all is, it still has a nice message deep-down inside that I couldn’t help but enjoy every time it was on-display. Basically, this film is all about how kids should be themselves, live up to what they want to do, and don’t have anybody ever tell them that they are weird for doing so. I got this message right from my parents when I was a young kid and I’ve been living that way ever since and look where it’s gotten me. I’m no major success in life or anything, but I still have stay trued to myself and the things that I want to do regardless of how weird it may be viewed at as by other people. This message is very prominent in this flick and I hope it is one that gets out to kids, as well as parents so they can tell their kids the same thing.
The real element of this movie that actually won me over was probably the performances from everybody involved, even if their characters may have not been the best that they have ever portrayed. Jennifer Garner and Joel Edgerton are awesome as the wife and husband couple that eventually get Timothy Green and they play up this very loving mother and father-combo well, and you could see why they would be great parents to have, especially for a kid with such odd predicaments as Timothy. Garner is fine but it’s Edgerton who really nails it as the fun-loving dad who just wants Timothy to have the love and support from a father-figure that he never had, and that sometimes results in the funnier and more heartfelt scenes of the whole movie. Not saying that there were many, but they still worked mainly because it was Edgerton behind all of them.
I was actually surprised that this kid, CJ Adams, didn’t bother me as much as I was expecting him to. Kids actors aren’t always the best to watch in movies like this, especially those ones that try to sound ultra-smart and cute, but somehow just end up being annoying and that’s what I thought Timothy Green was going to end up being. Thankfully, he’s not and this young blood, Adams, plays him very well by giving him a conscience that’s easy to stand-behind. Also, without sounding terribly effin’ creepy, the kid’s very cute and will probably have a lot of young girls swooning over him. I was like that once, but then I started to get facial hair. That’s when it all went South for me.
Everybody else in this cast is fine too, the only problem is that they aren’t giving characters that are worth paying much attention to, even though the film tries to make us see otherwise. Ron Livingston easily steals every scene that he’s in as Edgerton’s boss, but his character is played off as this one-note dickhead that we don’t really care what happens to him or what lesson he learns; Rosemarie DeWitt (who is almost this year’s Jessica Chastain with how many times I’ve seen her show up in random shit) plays Garner’s younger sister that believes all of her kids are miraculous and so much better than what they really are, and she’s alright with the role but she is another one that feels too one-notey for us to care about; David Morse has a very interesting character as Edgerton’s dead-beat daddy that was barely ever there for him when he needed him the most, and actually gives it his all even though by the end of the film, his character is sort of wasted in a bunch of false sentimental moments that don’t do much development for his character, or Edgerton’s for that matter; and Dianne Wiest, as great as she may be, she gives off one of the biggest one-note pieces of trash in this whole movie and seemed way too mean and cruel to be a chick that these many people would put up with, let alone have her as the head of the city council. There’s plenty of other familiar faces to be seen here, but they’re all given characters that don’t really seem like you should care about at all and the film takes too much of its focusing on them, when they could be focusing more on Timothy and his so-called “parents”.
Consensus: Though it is well-acted and features a nice message for the whole family, The Odd Life of Timothy Green just doesn’t bring any surprises, emotional resonance, or any type of extravagant characters to hold onto. Still, it’s bearable to sit through and won’t kill you to check out on a rainy, Sunday afternoon.
Now I know that I definitely have to stay away from my wife’s sisters from now on.
The film is a tale of three sisters-Hannah (Mia Farrow), Holly (Dianne Wiest) and Lee (Barbara Hershey-who are all unique and special in their own little ways, but they all have problems when it comes to their men and love life. Taking place over two years, we see their struggles, pleasures, and problems as they come to grip with life.
This film goes into some gross places considering the fact that one of sister’s own husband starts boning around with another sister, however Woody Allen is an amazing writer and makes even the weirdest and craziest of things work somehow in his own little cooky way. I think one of the main reasons being is the fact that he’s able to balance all of these stories, topics, and genres so well that it almost is too hard to take your eyes off the film and rarely does your mind ever go somewhere else.
This is also one of the films in Allen’s career where a lot of it feels very realistic because not only does he use that hand-held camera that makes me feel as if I’m right there with these characters, but the fact that a lot of what these people go through and talk about all ring true. I mean we’ve all gone through these feelings at one point or another (not necessarily the boning of your wife’s sister, but you know what I’m saying…) and because of these very interesting characters, it’s also even easier to relate to.
There is a lot to enjoy here but I really have to give some love to Woody who does a great job of keeping this film very interesting and not trying to bog it down with a lot of his annoying themes and messages he always tries to get across in his films, but here they don’t really get in the way all that much. Except for the whole religious angle which I kind of felt was a little forced and out-of-nowhere. I mean maybe Woody was trying to satirize and bring out some questions within the fact of Christianity, but I didn’t see any real reason for this, except for how it kind of ties together in the end.
I was very glad to see Woody taking a back seat to this cast, and letting everybody strut their stuff and do a bang-up job. All of the girls are all very interesting in their own right and it also helps that each one is played exceptionally well, although I do think we could have gotten to know more about Hannah, considering she is the one who is named in the title and she’s the one sister the film pay’s attention to the least.
Michael Caine actually won an Oscar for his role as Elliot here and I have to say he deserved it because he is just great to watch. Caine’s character is the one who is dicking around on his wife and that calls for many emotionally-strong scenes where he just does not know what he wants, much like everybody else from the whole film, except this guy is actually doing something bad. Caine owns almost every scene and it’s a real great change of pace for him considering he’s not always in every scene and not being terribly witty.
Consensus: Hannah and Her Sisters is a great Woody Allen flick because it balances out heart, darkness, humor, and tenderness all so well with a very well-written script, and performances from everybody involved that add so much more dimensions to these already interesting characters. Oh and it also has Thanksgiving din-din in the film so watch it around that time.
I honestly don’t think I can make any silly pun with this movie.
Becca (Nicole Kidman) and Howie (Aaron Eckhart) grapple with the realities of life eight months after the death of their 4-year-old son, Danny. Even with Becca’s well-meaning mother (Dianne Wiest) offering comfort and weekly group therapy always available, the couple go about their own secret ways of coping.
The film is directed by John Cameron Mitchell, who has had two efforts in the past (Hedwig and the Angry Inch, Shortbus). Those two are completely different from this, and that’s why I like it so much more.
The screenplay is what really works here so well. There is a lot of true and honest insight into the world of grief, and suffering which all rings true. I’m not a parent, but I still know what it’s like to have grief over something, and this film portrays that so well. You don’t blame yourself, but you more or less, blame the people that are trying to help you, and you just can’t help it. By watching this film, you see how hard it is to be normal again after something so devastating has just happened to you.
Cameron Mitchell is a fine choice for this film because although he doesn’t do much with this story that we aren’t expecting, he does let it speak for itself, and give us some emotionally raw scenes. This is some of the most upsetting, and sad material I have seen in a film in quite some time, but somehow he lifts it up into something a little more brighter, and has us know who these people are inside and out.
The only problem with this film is that there are moments in this movie, where you sort of can’t really stand sitting through all this pain. It’s almost like the film Revolutionary Road, where the material you have to work with is just so sad, that it’s hard to actually enjoy yourself. The whole film is not like that, but there are moments in the film where I was sort of sad myself.
Nicole Kidman is absolutely terrific in this film. She captures the raw emotion that goes through a grieving mother, as she tries so hard to stay strong, and look positive, but deep down inside she’s hurting more than ever. Her performance is amazing and I’m so glad that she got an Oscar nomination for this, because she does deserve it. Aaron Eckhart is also very good here, and I think should have gotten some sort of nomination, because he is also another great element as well. He tries to keep his cool about it too, but I can’t help but shed a tear when he starts to talk about his son, and when he gets pissed I have to tell you, it was scary. These two work well together as a married couple who I don’t think once shared a kiss throughout the whole movie. We are constantly playing in our heads who’s acting bad about this all, but it goes back and forth so you can never really tell and I liked that. Dianne Wiest is terrific as always, giving off more heart in this film, but I can’t say I didn’t expect it. Sandra Oh is also a delight to have her also.
Consensus: The subject material may not always be the most happy material, but Rabbit Hole benefits from a terrific cast that delivers so well on this raw and honest story about the loss of a child.