Hearts are for wimps. Adrenaline is what the big boys play with.
Chev Chelios (Jason Statham) has had problems with his heart, but this time: it’s almost worse. This go-around, Chev still has the bad heart but also faces a Chinese mobster, who has stolen his nearly-indestructible heart and replaced it with a battery-powered ticker that requires regular jolts of electricity to keep working. This provides many, many problems for Chev, as you could expect, but problems he and his gal (Amy Smart) can’t solve on their own. If, you know what I mean?
If you walked away from the original Crank thinking that it was the dumbest ideas, and a brainless exercise only made as a gimmick because it was quick, fast, and raunchy for a reason: then this definitely won’t be your bag. However, if that first one was a brainless exercise you didn’t mind removing the insides of your head for, then grab a red bull, grab a bunch of buddies, and get ready to go! Woo-hoo! I’m amped-up already!
I don’t know what the hell writers/directors Mark Neveldine and Brian Taylor do in their spare time, but I wouldn’t be surprised if these guys spend their weekends by snorting lines, picking up hookers, playing video-games, and then document all of their crazy and wild adventures of the night into a screenplay. Sounds a little far-fetched and a bit too 80′s glam star rock-starish to me, but I could see it happening because they really upped the ante with this one. For better and for worse, all depending on the type of person you are. The original worked so well as it did because it was fun, fast-paced, all-over-the-place, knowingly-stupid, and didn’t for a second take itself seriously. Granted, it wasn’t always the non-stop ride I would have expected to be in the pleasure of (you know, because the guy’s got a heart that needs to live on freakin’ adrenaline!), but still worked for my crazy mind at the time and that’s what made me happy to see these guys get all buck wild again.
The story starts off three months from where the last one ended and right after the first 5 minutes, the film gets right back into it’s hard-hitting, quick-moving, action-filled pace. But this time, everything and anything would, and quite possibly could, indeed happen. This film definitely isn’t afraid to be considered “offensive” and definitely doesn’t care what characters people want to see alive or dead. Anybody could be offed at any second, and you never know if the scene you get with one person where they are acting like total jack-asses, will be their last-time alive on-screen for us to have the pleasure of seeing. Or displeasure, wherever you stand on this one. This idea made the movie fun because it truly made me wonder just where the hell this story was going, and whwre exactly the creators were going to end-up with. There is also plenty of the shootings, killings, murders, tits, ass, blood, and bullets, but the story is what kept me really alive and interested. Got to give a lot of love to Neveldine/Taylor for not just trying to cash-in on a sequel and do nothing cool with it. Can’t say the same thing about the Ghost Rider sequel, but hey, you can’t win ‘em all.
One of the finer elements of the first movie was it’s humor and how everything, no matter how innate or crazy, happened for a reason and that was to mainly just entertain us some more for shits and gigs. That’s here once again, but in full-force mode. Everything that you would expect to be wacky, wild, and just totally insane to happen, does happen in the typical, over-the-top fashion and added a lot of joy to the final proceedings. However, I think Neveldine/Taylor got a little bit of a hot-head with everything, because they sort of over-do what could have been a movie that was just as funny as the first, if not more hilarious.
All of the funny happenings that made the first movie so comical, are here, but also seem to be very stretched-out and exaggerated for cheap-laughs. Like laughs you’ve already had before, but this time: is MORE EXTREME. For instance, the infamous scene from the first movie where Chev bones his girl in-front of a bunch of people in Chinatown is here, but this time, done to even bigger and badder effect. It still shows Chev boning his girl, but what makes it so much MORE EXTREME, is that it’s played-out in front of a horse-racing crowd, packed to the gills with people. Does it work? Yeah, I guess you could say it’s funny for the first 5 minutes or so, but then after awhile, the film starts to become like one of those lame-ass SNL sketches that never get the idea that they’re funny, and just continue to dig themselves deeper and deeper into a hole, almost until the point everybody wants it just burn to the ground, die, and never come back to life, including the actors apart of the skit as well.
I know I went into a long-ass description about this movie’s abilities to try their hardest to be funnier than the first, but it’s the truth. It follows all of the same formulas of most sequels, where more of everything is needed, just to up the stakes a bit more. That works when it comes to the plot, the action, and the pacing of the movie, but the humor just constantly keeps on hitting you over-the-head, and it becomes an annoyance after awhile. Maybe too much blow was the reason for that problem here. Just maybe.
No matter what “action film of the month” Jason Statham does, he always give it his biggest and best shot, and his second go-around as Chev Chelios is no different. Statham is a respectable action star in this movie, because he isn’t that afraid to put himself into some embarrassing and goofy situations, but also doesn’t shy-away from major bad-assery, as well. Chelios finds himself in more-ridiculous situations this time around, but it’s so easy to root for him that you don’t even care how many innocents he kills or how many crimes he gets away with. The guy is the freakin’ man and he kicks ass almost every single second he gets a chance to. And also, the guy gets to bone Amy Smart in front of almost every person to see! If that doesn’t show you how bad-ass he is, I don’t know what the hell will!
Speaking of our “bone gal for the hour”, Amy Smart gets to show a bit more of what she’s got as Eve, which I was real happy about because the chick can pull off some great moments, if she’s ever given the chance to. Not only does she get to show-off that she can be hot, sexy, and down to bang at any second of the day, but also gets to flex her action-muscles and actually have you feel like if she needed to, she could totally kick your ass and defend her man. That Jason Statham, is one hell of a lucky man. Even if he really isn’t Chev Chelios and getting the chance to bang Amy Smart in real-life. Then again, something tells me he totally is and it’s all just an act of his. If that’s the case, give the guy the freakin’ Oscar now!
As with any other sequel in the history of sequels, we get the original characters, but also a slew of new ones, and as the case with most sequels: some work and some just seem like filler. Bai Ling was really freakin’ cool as a prostitute named Ria, who keeps on calling Chelios, “her Kevin Costner to her Whitney Houston”. Ling has never really gotten to be this bad-ass before and it’s really surprising to see how well she can pull it off. It also helps matters too, that she’s practically half-naked throughout the whole movie so there’s definitely some fun in watching that, as well. The late, and I don’t know if he’s considered this by now, but great Corey Haim also happens to show up as some mullet, d-bag that gets involved with wild proceedings of Chev Chelios’ life, and it’s pretty cool to see the guy back in a major-role, in a major-movie release. Even if the movie is, Crank: High Voltage. Clifton Collins Jr. gets to pull off some campy villainous ish as the Elvis impersonator, El Huron. Collins Jr. does what he does best here, and that’s to totally over-play his evil role, even though I wonder if he and Michael Rooker have placed a bet against one-another to see who can bitch-out of being a villain in every movie they do, first. It’s going to be close, but something tells me Rooker may lose that one. To go along with Haim, we also get another late and great in this movie; and that just so happens to be David Carradine playing a character named Poon Dong. That’s right: one of David Carradine’s last roles ever was playing a guy named “Poon Dong”. The best thing about this wild and crazy cast of characters is that each and every person knows about the joke, and is totally in on it so to just watch them show-up, for no other reason other than to get pummeled by bullets, was a-okay with me.
Consensus: If you loved the first movie, then Crank: High Voltage will be exactly for you. It’s got naked women, guns, blood, gore, a fast-pace, Jason Statham kicking ass, and a Amy Smart sex scene. However, like most sequels, it’s a bit of an over-kill with it’s jokes that never seem to end or seem rehashed from the first one.
7.5 / 10 = Rental!!
It’s what it would be like for Forrest if he took coke before his big run.
The film centers on a British hitman in Los Angeles named Chev Chelios (Jason Statham) who is poisoned and must keep his adrenaline flowing constantly in order to keep himself alive, and in so doing causes mayhem, gets into fights with other gangsters, has altercations with the police and takes numerous drugs.
Take the basic concept of ‘Speed’ mix it up with a little bit of ‘Oldboy’ and throw in some ‘Falling Down’ for good measure, and there you have Mark Neveldine and Brian Taylor directorial debuts. Sounds crazy, which it is.
This action film is pretty cool considering it has a concept that is used well and isn’t taken seriously one bit. The humor here ranges from deadpan, to tongue-in-cheek, and then surprisingly to dark material as we see some innocent bystanders get thrown into the deaths for good measure. There were moments where I actually found myself laughing at this flick and what it was doing, and I think the film was doing that along with me. The dialogue is definitely a lot snappier and cooler than we come to expect from our average action flick so we are spared the bad dialogue and attempt at character development, and instead we get blood, gore, and lots and lots of violence.
The action in this flick also works mainly because of the direction from these two dudes, who give the film this style that is actually one of the first to use this kind. These guys use a bunch of crazy techniques like the shaky-cam, to four-way split screens, and then to some graphics and special effects that you would see in video games, which all may take awhile to get used to after awhile but keep this film’s energetic and frenetic pace moving at a quick speed. It was also great to actually Quiet Riot and NOFX on a movie soundtrack, so that’s definitely a plus.
My only problem with this flick is that I feel like they kind of dropped the ball sometimes on their own premise. It seems like half-way through that these guys sort of forgot that Chelios had to keep on moving at a rapid pace in order to stay alive because there were plenty moments here when he would actually tries to slow things down and talk to the bad guys. This happens a numerous amount of times and I also just felt like they could have definitely done more of him ass-kicking people as well. I mean yeah, we get to see him shoot people but we never actually get to see a fist-fight every once and awhile but then again, maybe that’s just me being weird expecting more from a film called ‘Crank’.
Jason Statham definitely made this film work with his whole performance as Chelios because he’s the perfect kind of action star that can make you laugh your ass off at, but the next second he could totally scare the shit out of you by how scary and serious he can be. Statham has to do a lot of crazy things here like snorting and injecting just about everything in sight, running around the city half-naked, and even boning his girl in front of all of these Chinese people, and he makes it all work because he never seems to take himself too seriously here. Statham is the perfect fit for this kind of role and it was also even cooler to hear that he did his own stunts, which is always a bonus for me.
Amy Smart is playing that woman-in-peril act as Chelios’s girlfriend, Eve, but she’s good in this role because she actually adds a lot of sexiness to her role and her and Statham actually a have a nice little chemistry that seems playful but also very sexxed up. I wish the villains were a lot badder but then again, I don’t think it much mattered considering all I wanted to do was see Statham run around like a wild banshee, and that is exactly what I got.
Consensus: Crank may have some slow parts here and there, but its still a fun, energetic, and not-so serious thrill ride that knows what it is and isn’t trying to be anything else. Also helps that you have Jason Statham in your lead role too but then again, that’s always a given.
Spanish is such a fun language to speak, especially if your Ron Burgundy.
This film tells the story of Armando Alvarez (Ferrell), a struggling ranch owner whose fortune seem to turn when his younger brother Raul (Diego Luna), a successful businessman, shows up to save the property. But when Armando falls for his brother’s fiancee (Genesis Rodriguez), and Raul’s business dealings turn out to be a bit shady, all hell breaks loose as they find themselves in the crosshair of Mexico’s most feared drug lord, the ruthless Onza (Gael Garcia Bernal).
It seems like Will Ferrell is able to do anything as long as it consists of him doing anything funny or that makes him look utterly ridiculous. This film does both but not as well as I or the film itself would have it liked it being.
This is basically one long parody of those corny-ass, Spanish television shows you would see at around 1 p.m. and it actually is very funny even though it could be said that the film is just using one joke, over and over again. There is a lot that they parody with this flick (all of the sets and animals look so damn fake!) and it made me laugh much like I was expecting. But it’s not just a satire because there are plenty of moments where it seems like straight-up low brow humor that we have seen from certain Apatow flicks. It’s a funny combination of both styles of comedic writing and they both come together pretty well.
Some people are actually complaining about how the script is so dumb, but that’s pretty much the point. The whole film focuses on pointing little jokes here and there at how over-dramatic these certain stories can get and it works in that way. It had me laughing, that’s for damn sure, but it definitely could have had me laughing a hell of a lot more. However, that’s what brings me onto my biggest problem with this flick.
Since the film is essentially a one-joke premise, there is a part where the film really starts to run out of steam and feel as if it was long, extended SNL skit. Don’t get me wrong, I definitely laughed plenty of times but there were other times where I felt like the jokes started either totally missing the mark or just trying too hard to be funny that it almost seemed like the film was actually straining itself. It also gets bad when certain jokes go on a little too long like where they explain what a scene would have been like if it weren’t for the fact that it was a little too crazy for its budget. That may sound funny on paper, and it’s actually funny in the film itself but it runs on just a tad too long like the director didn’t know when it was time to end his punch-line.
What also was sort of a total let-down was the fact that this flick looked like it was going to be one big ridiculous comedy that just got more and more dumb as it went on, but for some reason, I couldn’t help but think it’s not as ridiculous as the plot and advertisements may have you think at first. Of course you have Ferrell speaking Spanish and a whole bunch of other moments where it seems like they are being over-dramatic just to be funny, but for some odd reason it just never crossed that boundary into utterly ridiculous territory. Maybe I expected too much, but then again coming from Ferrell, I should be expecting this sort of stuff. And lots and lots of it.
I must say though, it was great to see Will Ferrell explore his comedic talents with his way of trying to speak in Spanish and even as unbelievable he may be at that language, it still doesn’t matter because he’s very funny playing that lovable, big, goofy dude we all know and love him for. Gael García Bernal is also quite funny as the notorious drug kingpin villain that we always get in these sort of flicks; Diego Luna is having a pretty good year so far with this and ‘Contraband’; and Génesis Rodríguez is so damn hot that I didn’t really pay attention much to her performance rather than just her rack. Still though, good performances from everybody speaking in their native tongue, except for Ferrell obviously.
Consensus: Casa de Mi Padre features some very funny moments that will either leave you crying or just chuckling thinking about it long after the movie is over, but there are times where the jokes seem to go on for too long and the fact that it isn’t consistently funny may be a bit of a draw-back, especially when you consider that Will Ferrell is in it.