Chicks got to make up their minds.
Best friends and lovers since high school, Jesse (Andy Samberg) and Celeste (Rashida Jones) got married in their twenties and, after a few years of wedded bliss, woke up to discover that they love each other as pals but not as husband and wife. So Jesse moves on, while Celeste is left to wonder just what the hell did she do.
It’s a surprise that this flick hasn’t gotten a bigger distribution than what it already has, because the material here could probably end up making this a sleeper hit of the late Summer, much like (500) Days of Summer did way back in ’09. No, it’s nothing as brilliant and original as that, but it says the same stuff and makes you feel the same emotions, except there’s no Hall & Oates in this one. That already puts it a step-below.
What I think touched me about this story right off the bat was how honest it was about itself. I don’t know how much Jones and co-writer/co-star Will McCormack have experienced in their lives from the past, but it seems like they know a whole lot about relationships, how you make them work, and sometimes, how you can make them fall-apart just by trying to change that other person. There’s a lot here that speaks out to people who think they are too good for their soul-mate and think that it’s time to call it quits just because they aren’t up-to date with them, as much as they are with everything else in the world. There are plenty of people out there just exactly like that, and 9 times out of 10, those people start to realize that they made a huge mistake because they never once thought that the person they’d tried to get rid of, would eventually come back and be the person they always wanted them to be. It’s a very true testament to not just how relationships work, but people as well, and Celeste and Jesse are no different from that.
What I liked most about this script was how every single part of this flick was set-up as a rom-com cliché. Gay best-friend? Check. Chick that needs to get her love-life back on-track but ultimately fails? Check. Witty best friend that tells it like it is? Check. Big speech at the end where the character tells everybody all that they have been through? Double check. The difference here is that this film sees those conventions, and sort of spins them on its head and give us a true tale of love being lost, love being unrequited, and love almost being found once again. The story I have been describing to you for the past 3 paragraphs now, may seem like a total drag but I can assure you that it’s not. There is a lot of material that is funny here and even though every once and awhile this film will show us something we have seen done before in thousands of other rom-coms, it still feels true to itself and to the situation these characters are in.
By the end, when this story started to show it’s true colors and what it was really trying to say, that’s when I actually started to feel a little emotion here and there. The whole idea of this chick getting fed-up with her old husband because he won’t grow-up and then wants him back, doesn’t seem that sympathetic, but the way it’s played out here makes it seem so and you feel for this Celeste character. Not only is she a very realistic female character that you could easily meet at a bar or somewhere in a downtown night club, she’s also a gal that feels some sort of emotions whenever her feelings are hurt and when she wants to just be loved. You don’t really see female characters in rom-coms go through the type of shit Celeste goes through here, and I think that’s what makes her development as a character, all that much better and smarter.
My problem with this script was that I did feel like they took a little bit too much away from Celeste, just in order to give-up some time to random side characters that could have honestly been cut-out. I liked Elijah Wood as the stereotypical gay boss/best-friend, but he doesn’t add a single thing to this whole product and if they were to get rid of him, I don’t think much would have been missed. Not saying that he’s bad or anything, it’s just that there isn’t much to hold onto when it comes to his character. The same could be said for Emma Roberts who plays a Ke$ha-like teen-star that just wants to rock-out with her whatevers out. Roberts is fine in this role too, but she doesn’t add anything either other than a bunch of dumb dick and butt gags that seem tired by the third time they even mention it. Other characters like Chris Messina as a hopeful boyfriend that will take Celeste out of her funk, and Will McCormick as the stoner buddy named Skillz, are all fun to watch but also seem like another example of this film having too many ideas and too many side characters that eventually take away from Celeste’s real problem at-hand: the chick can’t move on.
Andy Samberg finally gets his real taste at drama and plays it up very well, when he gets the chance to. Samberg, at-first, plays Jesse as his usual jocky, young-minded, goofy persona that always seems to take over his characters but by the end changes it up a bit and starts to grow-up into his own person that is just as confused with what he wants as Celeste is. Jesse’s whole story development seems a little forced (the guy already wants to have a family with this one girl after one date?), but Samberg makes it seem believable with a nice amount of honesty and sensitivity that is unlike anything we have ever seen from him before. It’s not one of those roles that really stands-out and shows that this guy can almost do it all, but it’s a nice way of showing that maybe there is a life for this guy after leaving SNL and doing a shit-fest like That’s My Boy.
The real star of this whole movie, as you probably predicted since she co-wrote it, is Rashida Jones as Celeste. Jones is an actress that we all know can be funny (just watch Parks & Recreation), but she has never really been given that great amount of drama to work with that makes her stand-out from the rest. This performance here is that game-changer for her as Celeste is not only a great character to play, but is also a great performance for Jones where she shows that she can make any character likable and easy to root for just by using her mysterious charm that she has about her. The scenes her and Samberg have are dead-on, as their chemistry is as perfect as you could get it, but when it’s just Jones allowing herself to be shown in such an uncomfortably sad light, it feels real as if Jones is just reliving a past break-up that she still feels terrible about. But even when she has to do the comedy act with her performance as well, she nails it there too and it just shows you that this lady has a very bright future in Hollywood. Hopefully, this is the film that shows it off, too.
Consensus: Celeste and Jesse Forever may suffer from too many ideas and characters but never feels too jumbled up due to a great script that shows the emotional turmoil you go through during heartbreak, as well as what can happen to one person when they realize that the person they got rid of in the first place, was probably the best person for them in the end.
Cheesy titles don’t always make cheesy movies.
Being a teenager is too much for 16-year-old Craig (Keir Gilchrist), who shocks his parents (Lauren Graham and Jim Gaffigan) by checking himself into a mental health clinic for a little R & R. But when the youth ward is unexpectedly closed, he’s forced to live among the adult patients.
Being a teenager can be a bitch, hell, I should know because even though I’am the big 18, that still means I have lots of more problems to come along with me in life. All teenagers have gone through that time in life where you all of a sudden get very sad, depressed, and almost start changing into a whole different person. This actually happened to me and in order to get my sadness out of me, I made what you now may know as, Dan the Man’s Movie Reviews. Yes, sadness created this happy-go-lucky review site.
The tag-team of Anna Boden and Ryan Fleck (‘Half Nelson, ‘Sugar‘) capture what it is to be sad and almost feel like you are the only one who feels like this. They also have a great deal of funny moments that really kept me laughing and get past more of the fluffy moments that actually happen. There is drama here as well but it’s not particularly over-dramatic which was good, but in a way, a little bit of a problem that I had with this film.
The film made me feel for the characters and get attached to the story but there were too many moments where I felt like this film fell into the fun-loving idea of these little teenagers being teenagers, and stepped away from the sadness that happens with depression and suicide. There were times where it got a little dark, but never to the point of where it felt compelling or believable enough. I guess that Boden and Fleck were afraid to get too dark and depressive when they have all of these funny moments but I still would have liked to see more.
Another part of this film I never understood was why exactly were these crazy people and suicidal people in the same exact ward together? I realize I may be nit-picking just a bit but I don’t think that totally insane people would be together with these angsty kids that are on the suicide watch or anything. I also never understood why all of these kids brought Craig stuff from the outside world but the stuff was never checked and how anybody could bring anything they wanted to bring. I mean if a kid really wanted to off himself, he could have easily just called up his best bud to bring him his gun. It would be as easy that.
The cast is fun and probably what always makes this film fun to watch. Keir Gilchrist is pretty good as the nervous, sort of sad, and pretty awkward Craig that always seems to know how his potential but for some reason can’t get by it. Gilchrist is good at making this character likable even though we never understand fully as to why he’s so sad, but it’s easy to actually stand behind the kid. Emma Roberts is also good as his little romantic interest, a girl named Noelle, who even though we never understand why she’s in there, we just know that she is cool and always lets Craig be himself, when it seems like he never will. They create a good chemistry together but they weren’t in this film together as much as I was expecting.
The best part of this whole cast was actually Zach Galifianakis as Bobby. Zach is so good here because he shows a lot of the usual goofy and eccentric comedy that has made him so known, but he’s not as hyper and crazy as he usually is, which probably makes him a lot easier to stand as a character. Bobby also has a very dark side to him which is what Zach shows a lot of promise in basically having you really get behind his character, and believe that this guy could be so funny, yet so sad deep down inside.
Consensus: It’s Kind of a Funny Story is pretty funny, entertaining, and features a lot of heart as well, but it almost feels like it’s a little too scared to step into some very dark spots where I think it would have really worked a whole lot more if the directors and writers went that extra mile.
Something I’ve been wanting for awhile now, and I wasn’t disappointed. Love when that happens!
Perennial survivor Sidney Prescott (Neve Campbell), now a successful self-help author, returns to her home town of Woodsboro. Sidney’s homecoming, however, coincides with a slew of unsettling new murders.
I have and always will be a huge fan of the Scream franchise. Scream was awesome, Scream 2 was almost even better, and although Scream 3 wasn’t as good as either, it still wasn’t terrible. Thankfully that this is just about in between all of them.
So finally about 15 years since the original, director Wes Craven and writer Kevin Williamson got back together and did what they do best, make funny effective horror films. Williamson keeps a lot of that self-referential talk here about the constant horror movie cliches, and what to do and what not to do, but there were also some great moments of actual comedy. I have always laughed at the Scream movies, but here I was actually “LOLing” all over the place much to my surprise. I won’t lie some of this smart talk does seem a little bit dated, because it has been done three more times, including this, and it may get annoying for some viewers. But for me, I had a ball with all this talk, and it really did assure me that Williamson hasn’t lost that touch.
Craven also brings back his horror hand back, and even though the times have changed since 1996, he still shows that he can go along with them. Craven does a great job of keeping the suspense with this story alive the whole time, and guessing just who the killer really is. In the first one, I had no idea but in the later two, I knew right away so it was a real treat to keep on guessing just who Ghostface really was. I must say you will be shocked by this twist, but it’s all thanks to Craven who actually made us guessing. It’s less scary as it is actually insanely suspenseful, but still works none the less.
The one thing about this film that really had me happy was that it seemed so much smarter than any other horror film has been in the past 10 years. The usage of cell phones and the internet works well here because it gives us more chilling and suspenseful moments, and keeps us on the edge of our seats the whole time. I’m not going to say that i could see any horror film actually happening, but this one is actually kind of believable with the things that happen. These characters know what to expect next, so sometimes they make a smart decision and live, others make a dumb decision and die, and then sadly others make smart decisions and still die. As the body count goes up, so does the blood and gore, and I must say that Craven hasn’t lost his knack for that either.
It was also good to see some of the old crew back together, even though it was only three of the original cast members. Neve Campbell still looks stunning, and can hold the role of Sidney Prescott like no other. David Arquette is still awesome as Dewey even though he is getting older, and looking creepier with that stash, but didn’t he have a limp in the third and fourth? Courtney Cox is also still sexy as Gale Weathers, and it’s such a shame to see her and Arquette’s marriage fall apart since they were the real heart of these films. But then again, I guess if you name your kid Cocco, you don’t have much luck anyway.
The rest of the uber young cast is solid too. Emma Roberts is still that spunky, little girl and isn’t fully grown-up yet to take these roles yet, but with what she’s given, she does her best. Hayden Panettiere is actually very smart and witty as Kirby, Rory Culkin as Charlie also has some good lines, and Erik Knudsen is also very funny. But let’s not forget the awesome Adam Brody and Anthony Anderson as the two bumbling coppers here, who literally have the best lines in this film, and I’m still laughing about one line, but I can’t say which one. Have to go and see for yourself.
Consensus: Scream 4 may have it’s fair share of annoying self-referential language, but the scares are well done, the suspense ins numbing sometimes, and the script is funny enough to keep you laughing. Overall, I’m just glad to see the franchise back, and glad to see it keeping me fully entertained.
I guess good-looking people can find love on Valentine’s Day too.Very surprised.
In this Los Angeles-set comedy from director Garry Marshall (Pretty Woman), the tripwires of modern love are exposed in a carousel involving relationships and the single life on the most romantic day of the year: February 14. Proposals, infidelity, loneliness and more are explored.
Valentine’s Day isn’t an actual holiday, I hate to break it to all of you romantics out there. It is a lame excuse for Hallmark to sell more gift cards, flowers, and of course those dark chocolates that the person doesn’t eat. This movie is kind of like those dark chocolates.
The writers of this film have a lot of stories going on here, and in all honesty I think they only care about probably two or three here, the others are just let’s throw random big celebrities in this film. It was probably about 30 minutes into the story and I noticed that they were still introducing characters here. There is also of problems with script because it does hit almost every single rom-com cliche you can think of, but you can’t really hate on the film for that, cause it’s what you expect.
From the beginning, I knew how this was going to start, fizzle, and end. But it does have its moments of likability, and surprising charm. For this type of film you just have to take it for what it is, and that’s just a film that keeps you mildly entertained even though you know what’s going to happen in the end. Yes, some moments are just cheesy and obvious, but it all ends well in a film where you expected it too. If you also need a perfect date movie for you and your girl, just sit, watch, and laugh at this when she laughs, and you are all hers for the taking.
The cast is humongous to say the very least. There is a lot of good people such as Bradley Cooper, Julia Roberts, Anne Hathaway, Jennifer Garner, Jessica Alba, and Topher Grace among others. Also you have the funny side performers that aren’t really doing anything but just there to make you laugh: George Lopez, Queen Latifah, Hector Elizondo, and Shirley MacLaine. And then there’s the awfully random: Jamie Foxx, Taylor Lautner, and Taylor Swift, who was actually surprisingly funny. All the performance I guess are good, which is what brings out more likability within the film, but some stories aren’t given enough time to develop so their just kind of left out to dry.
Consensus: Basically what you have here is Hollywood trying to make big bucks by having A-list beautiful people, a simple premise, and a lot of rom-com cliches, but that doesn’t mean it’s not a little bit entertaining and harmless.