Cheating, breaking up, making up: that’s the way love is sometimes. Or at least when you’re going through a mid-life crisis that is.
Thirtysomething couple Michael (Zach Braff) and Jenna (Jacinda Barrett) grapple with parenthood and other life-changing events. Instead of pushing him toward the altar, Jenna’s impending pregnancy has only made Michael feel more trapped. So when he meets flirtatious college student Kim (Rachel Bilson), he’s tempted to stray.
After the total success of the great film, ‘Garden State’, many people were trying to use Zach Braff in any way they could because thirty-somethings from all-over-the-world were in love with him. It’s not a real shame that this is what they ended up with, but they could have gotten something better.
The script written by Paul Haggis (‘Crash’) creates an honest look at modern relationships with all of the fun, love, and even heart-break that can sometimes occur during a relationship. I felt like a lot of what they were talking about here and how everything played out seemed very honest and realistic. Most of this is coming from a guy’s perspective as well but I still had to say that whenever a script comes around, that shows the way love really is, how it feels, and what it should be like, then it’s enough for me to appreciate it. This is why it’s such a real disappointment when things start to get a little hoaky by the end.
I can’t give too much away but somebody utters the words, “never give up” to Michael and this guy literally takes that piece of advice and uses it, which to some may seem sweet and totally romantic but to others like me (basically heartless assholes), this may seem a little cheesy and sort of against the whole film and what it was trying to at least go for. The ending is also stretched longer than it should have been and instead it took forever to get to the last shot, and even that was a disappointment by how it just ends. But then again, I don’t want to say what happened.
The film does have this very fun approach at the beginning, with all of these different characters doing their own thang, having fun, making jokes, and making sexy-time as well. This was good but it soon then begins to narrow down slowly but surely to just being about Michael and his little dilemma that he pops up into, while the other ones just totally disappear and have no real end, they are just gone from the picture completely. This was a bummer because there were plenty of other stories that had promise and they could have tried using to wrap-up real nicely at the end of the film but I never understood why they didn’t do that, instead of just ending with one story basically.
A lot of it seemed trimmed down to where director Tony Goldwyn can’t really do much other than just throw in a real cheesy montage and end the film, rather than actually have it actually impact anybody who’s watching. Although there are parts that certainly stand-out more than others, I was kind of bummed to see such a real talented and great cast sort of go to waste with a story-line that seems to bring the film down a bit by the end.
As messy as this film may sound, or at least how I make it sound, the cast is what really keeps this film moving and getting better and better by the second. Zach Braff uses his usual lazy charm that always seems to get a win for anybody who’s watching, even though he’s essentially playing the same dude in every film. Jacinda Barrett gets a real good role as his pregnant girly-friend, Jenna, and shows exactly why she is so amazing to have as someone who loves you and why Michael is such a dick for questioning in the first place. Rachel Bilson plays Kim, and I think the film was trying to make her the same kind of quirky character Natalie Portman was in ‘Garden State‘, which isn’t a bad thing because her performance is good but I could see where they were going with this character. Surprised that she can actually act though.
The ones here that I actually thought held their own the most was Blythe Danner and Tom Wilkinson as Jenna’s parents because their whole little love-life starts to fall-apart too, and this is what brings out the most in them. Danner is great as this very messed-up and very sad lady, who just can’t seem to get over the fact that she doesn’t get any lovings from her hubby. Tom Wilkinson is amazing with every scene he gets especially in the end, where he impacts not only the characters in the film but also the whole story as well.
Consensus: The Last Kiss has some great touches of honesty about love, life, and hitting a time in your life where you just don’t know what you want, but that all soon starts to fall down as the film gets a little hokey by the end and loses sight of all of its characters and rather just focuses on one.
Trying to keep some of the Halloween spirit up and about during Christmas time.
After losing their academic posts at a prestigious university, a team of parapsychologists (Dan Aykroyd, Bill Murray and Harold Ramis) goes into business as proton-pack-toting “ghostbusters” who exterminate ghouls, hobgoblins and supernatural pests of all stripes. An ad campaign pays off when a knockout cellist (Sigourney Weaver) hires the squad to purge her swanky digs of demons that appear to be living in her refrigerator.
Before director Ivan Reitman decided to go on and do classics such as ‘No Strings Attached’ and ‘Evolution’, he actually did some legendary stuff with a film that you may have heard of, but then again maybe not. All I have to know is…who ya gonna call? I know that was corny but come on, you had to know it was going to happen at least once in this review.
I’ve seen this film a long long time ago and it was always a favorite of mine, so to give it another shot and see how it held up for me all these years later, was a real treat for me. The premise is pretty original right from the start and it would have easily fallen down like a sack of bricks but it somehow ends up being one of the most genius ideas ever put into a film, mainly because of all of the talent that is involved here.
There are so many hilarious one-liners here that I hear uttered from time-to-time but never really got the joke until I had this film refresh my memory and make me realize just how damn funny the lines are. I mean every situation they have here is just utterly ridiculous but the film knows that but still finds plenty of ways to bring out comedy no matter what whether they are depending on some well-placed slap-stick, dead-pan readings from everybody involved, or some sly satire of surging capitalist hubris. Each and every way this film approaches its comedy works beyond belief and I just laughed my ass off at so many things here that were said. Something that doesn’t usually happen when I’m watching an 80′s comedy.
The comedy isn’t the only fun aspect to this film though, Reitman also seems to have a lot of fun with this plot and his direction brings out some of the most imaginative stuff that ever came out on-screen in the 80′s. There is a lot of fun to be had with these guys all running around in these plain-looking jumpsuits chasing after flying goo that is actually a ghost, and every scene ending with some witty pun. Let’s also not forget everybody’s favorite giant villain, Stay Puft Marshmallow Man. I mean honestly, who comes up with this shit and can actually make it somethings that revered as comedic gold.
My one gripe with this flick is that the special effects here are very very bad but then again this is 1984 we are talking about here. I know I sound like a complete dickhead for even bringing this up and knocking down some points for this but to be honest, it sort of took me out of the film considering the whole time I just saw this dog flying through the screen as if he had just popped out of a PlayStation game. I know I’m nit-picking, but for some reason it just bothered me.
The real reason this film worked so well is because of the man that plays Peter Venkman, a man named none other than Bill Murray. Murray is always a show-stealer no matter what it is that he is in and here as Venkman he is no different. His dead-pan delivery is spot-on because he knows that everything in this film is just plain and simply ridiculous and he handles just about everything like the sarcastic unprofessional that he is and almost every time he is on-screen, he had me laughing my ass off. There is a reason why this guy was the main thing to see in ‘Zombieland’. It’s a shame that he is apparently kind of a dick in real-life, because if I saw him walking on the street I would probably just try my hardest to hang out with him the whole day, even though I would probably get denied.
Everybody else here is fine too and each give their own little funny lines, while Murray is off killing this film with his delivery. Harold Ramis is funny as the nerdy Egon, Dan Aykroyd is even funnier and nerdier as Ray, and Ernie Hudson is fun as the token black guy Winston. There is also some funny performances given by Sigourney Weaver as Venkman’s love-interest of sorts, Dana Barrett and Rick Moranis as Barrett’s nerdy next-door neighbor, Louis. As you can probably tell now that there are a lot of nerds in this flick but hey, nerds rule and they deserve their times to shine too.
Consensus: Ghostbusters is the classic that I always imagined it being even when I was still running around in my little Spider-Man undies. It’s funny, original, exciting, and perfectly-delivered by the likes of Bill Murray, Dan Aykroyd, Harold Ramis and many many others.
Bill Murray would be a great war hero.
Bill Murray stars as John Winger, an indolent sad sack who impulsively joins the U.S. Army after losing his job, his car, his girlfriend and his apartment … and, for good measure, he cajoles his best friend (Harold Ramis) into enlisting, too. After making it through boot camp, the duo appropriates a state-of-the-art military vehicle for a weekend furlough, landing behind the Iron Curtain — and in the midst of an international incident.
This is one of those films that could be categorized as an war-comedy film, mostly due to its subject of the war, but doesn’t quite fit it as well.
Stripes has that anarchic taste to it, mostly because its about how these low-life’s actually fight the system and do everything their way. I have to say this film is very very funny. There are many times in this film where the jokes aren’t totally sexed up, but are still very funny. The way the script is written is to create a sense of slacker comedy, where everybody in this film is just different and each have something funny to say.
Still, you can’t shake the feeling that Stripes, while undoubtedly funny in spots, should have been a lot funnier. Yes, it is a comedic classic, but that doesn’t mean its great. I feel like the plot squanders for a bit mostly cause by the end it loses its comedic charm and falls into the action thriller role. yes, this part was entertaining but it just didn’t hold my attention and excitement as much as the first two acts.
Bill Murray gives his best early performance, in doing a great job at playing the rebellious slacker. Ramis is good providing a lot of good dramatic scenes as well, in the middle of the film. Also, there is a nice debut performance from John Candy who is very funny, and shows that he has so much talent at just being a big goofball.
Consensus: Stripes is a comedy classic, despite the squandering plot and weak last act, but has enough comedy, and good performances to make this still a lot of fun.
If Jack Black and Micheal Cera were my ancestors, I would probably be insane.
Banished from their primitive village after the tribe elders deem them too lazy, Zed (Jack Black) and Oh (Michael Cera) leave everything they’ve ever known behind and embark upon an adventure-filled journey through the ancient world.
This is pretty much a remake of History of The World: Part 1, where at least that movie showed it was a bunch of skits, this film tries to weave a story together and ultimately just fails. The story tries to be set around all these biblical figures such as Cain and Abel, or Abraham, and they just come off as dumb and not really making any sense.
Year One is mostly killed from it’s various jokes that seem a little bit too dated. The sex jokes become so obvious and they seem so familiar that I can’t just help to think where have I heard these jokes before. There are parts in this film that just seem destined to be comedic gold for the cast, but then they just end up not turning out the way they could’ve. The film goes from one scene to another acting like the last one didn’t happen, and you just totally forget as well.
The thing that was actually pretty funny about this film was it’s comedy about the Bible, and the Christian faith, that just seemed a little too smart for a PG-13 film. There are many parodies on Biblical history that do sometimes work, but other times seem like it’s just trying too hard to be funny and just ends up being confusing.
Harold Ramis really has got me bummed out here. I really do like a lot of his other films such as Groundhog Day and Caddyshack, but he just doesn’t seem himself at all this movie. His direction is very bad and doesn’t seem inspired at all, and the production values just seem so cheap. I honestly felt like they just filmed this whole movie in the same piece of land throughout the whole filming process.
The one thing about this film that seems to shine is it’s cast. Jack Black and Micheal Cera basically play the same characters they always do in every film and try their hardest with this poor script, but don’t come up very well in the end. The little supporting characters in this film make this good with stars such as Bill Hader, Oliver Platt, and Hank Azaria, they look like their having fun it just doesn’t inspire us to have fun with this movie.
Consensus: Year One has the right factors going for them, but looks cheaply made, is poorly directed, and doesn’t feature many laughs to complete this star-studded cast.