At least he’s on the wagon now.
After the wild events that took place in New York with Gods of Thunders and worm-holes and such, Tony Stark (Robert Downey Jr.) has found himself in a bit of a crisis. Not only is he constantly reminded of what occurred, but he can’t seem to get any sleep and continually works on his hobby: building and building shit. It doesn’t matter what it is or what it could do, the fact is that he’s building shit, losing sleep, losing the love of his life, Pepper Potts (Gwyneth Paltrow), and losing what it means to be a superhero. However, an evil terrorist by the name of Mandarin (Ben Kingsley), might just change that feeling in the pit of his stomach and have him realize what it was about him that made him Iron Man in the first place.
Since the Avengers came, saw, and conquered the world last Summer, it seemed only right that Marvel would unleash it’s brand-new bag and go back to where it all started: Iron Man, or if you really want to be legit about it: Tony Stark. Without the first movie coming out in 2008 and taking over like it did, who knows just what the hell Marvel might have done not just with their fellow, other superheros, but in general as well. But from what we’ve all seen and what we do know is that Tony Stark is the go-to guy for when you need a compelling movie, and Iron Man is a pretty bad-ass superhero, even if he doesn’t have a big hammer. I still think that’s one of the all-time best weapons in superhero history. By far.
The first piece of curiosity that sprang through my mind when I initially heard of this movie happening, was the choice of Shane Black as director and co-writer. If you don’t know who this cat is, I suggest you go and find Kiss Kiss Bang Bang somewhere on DVD and check that out because it is a gem of a movie and it’s all because of Black. The guy’s also written Lethal Weapon, but in my eyes: his directorial-debut ranks supreme against all others because it’s funny, exciting, and filled to the brim with plot that may seem like over-kill, but keeps you guessing until the end. And just as promising as that may sound for a guy who’s about to tackle Iron Man, it still seemed strange considering that not only was this his second movie to date, but also that his first one had barely any CGI whatsoever, or action for that matter. Most of it was just shooting, guns, bullets, a car-crash, and fake blood. That was it. So, how the hell did Marvel trust this guy with their biggest money-maker to date?
Well, whatever it was that the big guys at M found in him, sure as hell worked because Black does a superb job as both director, and co-writer. Not only is his humor present throughout the whole flick, but the guy also finds a way to throw in some neat and nice little twists here and there to spice things up. One plot-twist that I won’t give up unless you want to e-mail me about it (CMrok93@yahoo.com), really divided this movie into two, different ways. Some will definitely go along with it and think that it was a nice-departure from what we are used to seeing with typical, superhero movies, whereas others may be a bit pissed and wished that they exactly got that typical, superhero movie they had grown so accustomed to. I still haven’t been able to rack my brain around whether or not I liked it all that much, but I will say that in Black’s case, it sure as hell was risky, something different, and not exactly what I was expecting. So, yeah, maybe you could put me in that earlier-group of peeps, but at the same time, don’t, because I’m still not sure.
Just give me some damn time, man!
But what really worked for Black and what mainly surprised the hell out of me is how well he handles all of the action, CGI, and 3D (basically, the big-budget). Black knows exactly what the fans want to see when they see a superhero movie about Iron Man and that’s what the dude gives to ‘em. Some may actually be surprised to see that not all of this action features the actual superhero, Iron Man, but features more of Stark doing all of the ass-kicking himself, but it’s still fun and exciting to see, especially when you add a darker-element of story-telling on top of it all, which is what Black has done surely well. Of course the humor is always there to keep people laughing and giggling, but the stakes feel higher with this one and it’s no surprise that some may actually be scared as to who’s going to get off’d next, who might not make it for Iron Man 4 (although Paltrow spilled the beans on that enchilada), and who’s going to come out victorious and with a little bit of something to brag about. It’s fun to watch a movie that knows how to keep the energy rolling without a real break in the pace, but it’s even better when you feel like the seconds you see a person on screen for, could just might as well be their last. Black keeps this going for quite some time, that is, until the last-half shows up and sort of ruins things.
For the most part, about an hour and a half in, I was on-board with this movie and I easily felt like I was working on a 9-9.5 here, but something happened. No, not the twist I was talking about earlier, but the final showdown that we all know is going to eventually come. Something, I don’t know what it was, just didn’t feel right. It didn’t feel as epic as the rest of the movie did and it sure as hell didn’t do much to really knock me out of my chair with it’s originality; something I was seeing from Black’s side of the room, more and more. Don’t get me mistaken, I still had a ball with this final-act and just about lost my hearing by how many clangs, booms, and bangs I continued to hear (that’s a good thing, by the way), but something didn’t make it feel like the movie was tied-up with a pretty, little bow at the end like all of the other superhero movies have lately. Even Iron Man 2 somehow decided to do that, and as we all know: that was nowhere near greatness.
However, I can’t put anything against this cast because as usual: they are all phenomenal, even the newbies too. But I’ll get to them later, let me stick with the man of the 2 hours, the man with the power, and the man who practically has it all: Robert Downey Jr. Everybody and their mothers (the coolio ones who didn’t give up on him when he got busted all of those years ago) know that Downey was made for this role and he continues to show us why with his egotistical act, look, and feel. Yet, there’s something more to this guy that makes him actually feel like a hero worth rooting for. Stark does make some stupey mistakes and gets caught-up in situations that he could have easily gotten himself out of if he just thought more, but he’s human, dammit! That’s what we do. And even if we don’t have a mansion, a billion dollar corporation, or a suit made of iron that can kick ass and speak like Paul Bettany, we still feel like this guy would do the right thing, if he was given a chance to make the decision as to what that exactly is. Downey is funny as usual, and probably a lot better with the script considering that he practically vouched for Black to get this job, but it’s his human-aspect within that makes this character tick, rock, and kick….some ass. See what I did there? Yeah, I’m all out of being witty for the night.
Even if it seems like nobody in their right minds is willing to let all of the hate for Gwyneth Paltrow go, just for a little bit of time over 2 hours, at least the girl still shows us that she can act and be charming as hell. I don’t hate Paltrow like everybody else seems to, and that’s why I really liked her as Pepper Potts because it not only felt like her character really loved Tony and wanted him to be all fine and dandy once things were over with, but that she could also stick up for herself in the chance arose itself. Pepper isn’t the type of character that you could classify as a “damsel in distress” and that’s the route that Black turns away from and gives her more a chance to knock some people out, if she needs to. During this movie, she definitely does need to and that’s exactly what she does. Keep on going, Mrs. Coldplay!
Don Cheadle is here once again as Col. Rhodes (still thought Terrence Howard was better, but hey, that’s just me, baby) and does fine with what he’s given. Cheadle doesn’t have a huge role here but gets more to do than just pick up Tony’s scraps and make us feel like he’s more of a bad-ass too. Although, I will say that he does get to show us what makes him all bad-ass still. Oh, and before I forget about it all: Rebecca Hall is here as an old-fling of Tony’s and is good, even if her beauty and charm does seem a bit wasted on a character that is essentially around just to show how much of a chauvinistic a-hole Tony basically was back in the darker days before he fell in love with Pep. Still, the girl is mighty fine!
Now is the part where we go onto the baddies and this is where things begin to get a little dicey for me and you. See, Ben Kingsley and Guy Pearce both play some evil a-holes that definitely are not the breed you want to mess with, let alone see Tony mess with, but there’s more to them than just that and I can’t give away too much without sounding annoyingly-vague, or just giving it all up. Both do what they need to do as the baddies, especially Kingsley who actually terrified me at one point, but there are more layers to them and once you see what’s really going on with these cats, you might just be a bit surprised. I sure as hell was and once again: I still don’t know what to make of it. What I can say though, is that the movie does not, for a second, stray-away from giving these two guys plenty of scenery to chew on and that’s where all of the fun comes from. Because if you think about it: that’s all you need in a good villain, right?
Consensus: Starts off perfectly with a funny script, electric set-pieces, and a cast that never backs down from a script they can’t grapple, but Iron Man 3 ends more on a whimper, than on a bang. Which would have been all right and perfect with the world, had we not already see the Avengers and know what there is to expect with the Marvel Universe.
8.5 / 10 = Matinee!!
P.S. Stay for the credits. Even though you probably already knew that, didn’t you?
Summer season here we gooooooo!!!!
When an unexpected enemy emerges threatening global safety and security, Nick Fury (Samuel L. Jackson), Director of the International Peacekeeping Agency (known as SHIELD), finds himself in need of a team to pull the world back from the brink of disaster. Spanning the globe, a daring recruitment effort begins.
Ever since 2008 swung by with ‘Iron Man’ on its shoulders, Marvel Studios has pretty much been patiently waiting and building up to this moment. And needless to say (however still said), the wait was worth it.
The best thing about this flick is how Marvel was able to get a director/writer like Joss Whedon. Whedon knocked it out of the park last month with ‘The Cabin in the Woods’, and he pretty much does the same thing here; but instead of focusing on the horror genre, he focuses on the superheros that we all know, love, and hope to be someday. Maybe I’m alone with that last one, and maybe I snuck it in so quick you didn’t even notice, but basically what I’m trying to say is that these are superheros that deserve the right treatment with everything they get. Whedon gives them all that, and much, much more. I mean after all, Whedon is a fanboy at heart but he is also a film-maker, and that is something he’ll always live up to. He knows what comic ban fans expect to see from this type of material, and he absolutely delivers.
Whedon’s great attribute to this flick is that he is able to stage so many excellent action sequences that are some of the best I have seen lately. Of course, the special effects and CGI are perfect. And the IMAX 3-D does makes this film look so cool it seems like you’re right there along for the ride, but when it comes down to some awesome, kick-ass throw downs, Whedon knows how to do it; and even better, do it right. They’re all breath-taking because they have so much intensity, but a lot of it’s because plenty of the action scenes consist of superheros fighting superheros. We get to see Thor versus Iron Man, Captain America versus Thor, Iron Man versus The Incredible Hulk, and so on and so forth. If any of you out there love these superheros and want to see what they would be like stacked up against another superhero, then definitely see this flick because almost every fight shows these heroes pulling just about everything they have out of their arsenal. It’s like King Kong vs. Godzilla, Lincoln vs. Washington, or even Backstreet Boys vs. N’Sync. It’s the battle between two opposing forces that can almost never be stopped, and it’s just pure fun. It’s as easy as that.
The strangest but most awesome thing about this movie is that it’s turns out bring one of the funnier comedies of the past couple of years. Whedon shows that he’s even better when it comes to writing witty scripts, and pinpoints perfection here with this cast of characters. I mean all of these superheros are pretty much egotistical freaks who think they’re superior to others because of their freakishly powerful skills they inherited; and that’s exactly what Whedon touches on here. There are plenty of scenes where it’s just a one-on-one outrageous verbal battle between two characters and it’s probably some of the funniest dialogue you’ll hear this whole summer. But it’s not just these verbal battles that are funny, everything else here is too, and it doesn’t even seem like Whedon is trying to write funny dialogue just to be funny and cool; it comes naturally. Even better is that it’s not just one character who gets a chance to be funny, EVERYBODY here does. There will definitely be moments where you come close to rolling out of your seat. My buddy next to me was on the brink a couple times there and I couldn’t blame him.
I honestly think that the reason this film does work so well the way that it does here is because that we’ve had all this time (4 years to be exact) to get to see, know, love and understand these characters in their own movies; and it’s just awesome to finally see them all together in the same room doing exactly what it is they do best: be freakin’ awesome. Robert Downey Jr. obviously is the star of the show and gives off a whole bunch of hilarious one-liners as Tony Stark/Iron Man (remember when people thought that movie was going to blow?); Chris Evans is THE MAN as everybody’s favorite red, white, and blue superhero, Captain America; Chris Hemsworth is once again likable and charming as the Olde English speaker/Norse God, Thor; Mark Ruffalo does a great job of replacing Edward Norton here as Bruce Banner/Hulk, and gives him this scruffy, worn-out look that coexists well especially when he gets angry and turns green; Scarlett Johansson is pretty cool as Black Widow even though it didn’t really seem like she was going to be around here much, but surprisingly, she is also great and doesn’t let us down; Jeremy Renner is pretty much cool and tough as Hawkeye; and Samuel L. Jackson‘s performance here as Nick Fury is basically him playing the Samuel L. Jackson we always see him play, but this time with an eye-patch. Is that a bad thing? Not at all people, not at all.
A superhero film like this is usually made or broken by the villains, and I think they chose right with Tom Hiddleston as Loki. To be honest, I wasn’t the biggest fan of Loki in ‘Thor’ and I actually found him to be a somewhat weak villain no matter, despite how entertaining the flick was. However, Whedon gives Loki just enough time to show how evil and dangerous of a villain he is when he allows this guy to cut a villainous monologue every time he is around one of these heroes. It sounds a bit tiring, but thankfully, Whedon keeps all of these speeches interesting simply while showing how incredibly powerful Loki can be. Also have to give a lot of credit to Hiddleston who shows that he’s definitely able to carry one villain role all by himself, but also exercise a bit of his comedic chops here as well. A lot of the funnier scenes in this movie revolve around Loki and just how ridiculous this damn dude can be.
Actually, it’s not just Loki who gets the special treatment from Whedon here, come to think of it, everybody does and that’s what’s did it for this flick. There are so many characters/superheros here, but Whedon’s still able to keep them all relevant by showing how all of their powers, skills, and elements as heroes can change the situation that they’re in while simultaneously reminding us why and how we fell in love with these characters in the first place. For example, Black Widow is definitely a character that you would expect to be forgettable in this huge cast of characters. But Whedon shows her as being a kick-ass spy and assassin that actually adds a lot more to the team than you would expect. You think a lot differently of her and what she can do with those nice, strong legs. It’s just great that Whedon lets every character have their time to shine and not have any of them get over-shadowed by one in particular. Hell, even Clark Gregg as Agent Phil Coulson gets to have a couple of memorable moments! Joss surely does know how to share the love.
If I had to be a total dickhead here and nit-pick, it would have to be that sometimes, the film did seem to hit a lull in its pace. And not only did it seem to take a bit away from the final product, but it also made me want more action up on the screen. The scenes with Hawkeye and Black Widow were a little lame and didn’t do much for me, but then again, it didn’t matter because when it got to them kicking ass, that’s exactly what they did.
Consensus: The Avengers is pretty much everything you could expect it to be with fun action, great performances from this ensemble cast of characters that we all know and love, very funny screenplay, and just a reminder as to why nerds rule, and will never, ever go away. Best film of the year so far and a totally kick-ass ride from start to finish. Long live Marvel!
BTW: If you guys get a chance to, check out a website called GuysNation. It’s a pretty far-out site I’ve been writing for, for quite some time and just go on by, show me some love, and check out some of the other non-related movie stuff that’s on there as well. Have a good Friday night everybody!
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Batman and Iron Man together at last! Except this time, Batman actually is gay.
Harry Lockhart (Robert Downey Junior) is a thief posing as an actor who teams up with tough-guy private eye Perry Van Shrike (Val Kilmer) and frustrated actress Harmony Faith Lane (Michelle Monaghan). They stumble upon a murder, which is when the comedy starts to ensue.
When you take elements of a noir, mix it together with dark comedy, action, a little bit of love, and a whole lot of satire and put in one flick, it seems like it would just be another jumbled up piece that would turn out to be just another lame rip-off of ‘Pulp Fiction’. However, c0-writer/director Shane Black is definitely a guy you can depend on for originality.
The film starts off with this very self-aware narrative that shows us all of the things we should know about this story, and makes it a point to point out all of the obvious stuff that pop-up later on in the flick. This was a hilarious way to start the flick off because it got me in the right mind-set of how the comedy was going to be, how frequent it was, and that I also wasn’t going to see something I’ve seen before. Black is a writer that I hear so much about and I can really tell that he has some real talent because with each and every single frame, he keeps on bringing more and more fresh ideas to this story to the point where you think anything can happen, and it actually does.
Despite bringing some fresh and new air to this type of flick, there is also a huge amount to laugh-out-loud here, which is exactly what I did. There’s a lot of gay jokes here to be heard but they work incredibly well, the tongue-in-cheek humor that shows these characters basically talking like they are in another crime-action flick works and doesn’t seem overly used at all, the one-liners just come out like crazy, and you can’t laugh at how funny Black is when he’s poking fun at Hollywood. We always get those flicks that make it abundantly clear that Hollywood is just a huge scam but this flick tells it in a very funny and different way where Black brought up funny statements such as the fact that every girl from a little farm-town makes it “big” or that everyone in these bars look like celebrity impersonators, just felt like the best kind of satire that actually had me laughing. It’s also one of those flicks that pokes fun at people getting shot and killed but that still made me laugh. I don’t know what it is with this guy, but Shane Black is really earning points from me.
My only gripe with this flick is that I do feel like the film tries a little too hard to give us a complicated plot so it doesn’t become one of those stories it’s making fun of. Yes, the plot is a mystery but it gets way too complicated to the point of where I had no idea who the hell this chick was that they were searching for, let alone, if she was alive or dead. All I wanted to see was what would happen to our three main characters and I guess that’s where my favorite parts of this flick came from.
Robert Downey Jr. is absolutely awesome as Harry Lockhart because he plays Downey the way we want to see him played. The character, Harry himself is pretty interesting but it’s not his character arch that made him interesting, it was the charisma and charm that Downey gives off in his performance that gets you behind this guy right from the start. Once again, it’s one of those mile-a-minute/tweeker talks that we usually get from him but it works well for his character and it’s just so much fun to see Downey having a ball with a character like this.
However, what really surprised me was how he actually took the back-burner from a dude none as, Val Kilmer. Yes, The Val Kilmer takes this film from Downey and practically makes it his own with his hilarious performance as Gay Perry (yes that is his name). Kilmer is an actor that is known for choosing some really good roles but then at the same time, known for choosing some real shit roles but I think he found his niche here as the sarcastic-as-hell, gay cop that just elevates this film beyond belief, every time he shows up on-screen. Don’t let me take any credit away from Downey because I think he was awesome here equally, but it was Kilmer who just brought so much energy, so much fun, and so much humor to this whole flick that it really made me crack-up at just about everything he said, even when he was being serious. The chemistry is also a lot of fun to watch too considering that they are supposed to be hating each other for a good part of the flick but they still end up having that buddy chemistry that worked so well for Black in the past.
Michelle Monaghan is surprisingly awesome as Harmony Faith Lane, Harry’s love-interest. I was very surprised when I actually found myself laughing at Monaghan’s character here because not only is she fine as hell but she’s got some great comedic timing to her as well and makes her character seem more than just another one-note, action flick love-interest that starts off strong but then starts to fade away from the picture slowly. I also couldn’t stop thinking about how much Emma Stone actually looks and sounds like her but I hope that Stone stays on the path she’s on, considering Monaghan hasn’t really had a good flick in awhile.
Consensus: Kiss Kiss Bang Bang is an original piece of work that combines mystery, crime, action, romance, and tongue-in-cheek comedy that works on almost every level especially with its great lead performances and gets me more and more excited to see what Black and Downey Jr. are going to do with ‘Iron Man 3′.
Who is “The Zodiac Killer”? Actually I think the better question is who cares?
“The Zodiac Killer” was a serial killer during the 60′s to 70′s who wrote to the San Francisco Chronicle talking about what he was going to do next and stunned everybody all-over-the-world by how he was never caught. Two people, a homicide detective (Mark Ruffalo) and journalist (Robert Downey Jr.) spend half of their lives trying to solve the case, only to be shown-up many years later by a cartoonist (Jake Gyllenhaal).
Going into this and knowing that this was a David Fincher flick, I had a feeling that I was in for some utterly insane craziness that happens in just about all of his films. However, when it comes to a 157 minute film about an open-case, I got something way way better.
This is a very long film that is filled with non-stop talking, evidence, procedures, details, facts, and everything else that has to do with this case but I was never bored once. Fincher seems totally dedicated to this case and all of the investigations and claims that were made for this whole case are brought up giving us a more clear view of what is actually going on with this case. We never find out who the killer is, even though we get a general idea through red herrings, but the fact that we listen and learn as this case is following through, you can get a sense that you are here solving the case as much as they are as well. Of course this is more like a clear-cut film that seems like one long episode of ‘CSI’, but if you like mystery/crime films that show you just about everything without leaving anything out, this is a perfect watch for you as much as it was for me.
Another great element to this film that Fincher uses is creating tension in the mood as if I was watching a flick from the 70′s itself, which is where the story takes place. Fincher creates the fashions and feelings of the time, but still being able to add in his own CGI-enhanced material that will still seem relevant to the story as it gives it this very moody and grim look but still in a way full of colors when some big shine of light comes through. We also get these dark and moody feelings where something is just not right in the air and the fact that almost nothing happens (no big car chases, no big shoot-out) is a true testament to Fincher’s sturdy hand considering the whole time I was on-the-edge-of-my-seat with this paranoia that I was starting to feel a lot more than the actual characters themselves. I also could not tell you if there was a completley unneeded scene here that had nothing to do with this actual investigation, which is not very common with thrillers nowadays but then again, Fincher is just a totally different dude.
I think I was just some impressed by this film because it’s something that is incredibly different from anything else that Fincher has done before. We see him in more of a subdued drama, that may seem too dialogue-heavy in some parts, but overall keeps you watching the whole time. The fact that Fincher also never lets us in on what he feels is the right solution to this case or who he feels is really the killer, made me appreciate this film even more as it could almost be another case where even motion pictures can shed some intelligent life on an investigation that may have taken forever to solve, but could be easily solved by just facing the facts…Jack.
My one and only problem with this flick is that I didn’t really like what it turned out to be in the end when we start to focus on Gyllenhaal’s character, Robert Graysmith. We see how Graysmith starts to become terribly obsessed with this case so much that he starts to alienate his family, grow paranoid in everything he does, and basically make his house a shit-sty of papers that have to do with the case that he can’t get over and just let go. We have all seen this idea and material way too much and it wasn’t like the last act had me annoyed, I was still easily interested but I just think it was more of a bummer to see Fincher resort what seemed like ‘The Number 23′.
Fincher has a huge cast of characters here but only a couple stand out in my book. Jake Gyllenhaal gives a very good performance as Graysmith and shows that he has a lot of craft, energy, and tension in almost every scene that he places himself in. It’s such a shame that him and Fincher vowed to never work again because Gyllenhaal was able to give one of his best grown-up performances that I have really seen so far. No, I do not mean you, ‘Prince of Persia’. Mark Ruffalo is also very good as David Toschi, showing that he is able to throw himself into an eccentric role that demands you to feel his pain and anguish. Robert Downey Jr. is a lot of fun as the flamboyant and funny, Paul Avery and shows why Downey should just go back to playing normal people roles rather than just Tony Stark or Sherlock Holmes. There are so many other people in this film that just do phenomenal jobs with each of their own respective roles and I really have to give it to Fincher for nailing down just about every single role.
Consensus: Zodiac is a film where barely anything happens, except for a lot of talking and investigation into a case that is still open today, but Fincher keeps this long flick totally entertaining, exciting, and tense with a great screenplay that dives right into the investigation itself, and show perfect performances by just about everybody involved.
Why is Tony Starks such a total d-bag all of a sudden.
Wealthy inventor Tony Stark (Robert Downey Jr.) — aka Iron Man — resists calls by the American government to hand over his technology. Meanwhile, Ivan Vanko (Mickey Rourke) has constructed his own miniaturized arc reactor, causing all kinds of problems for our superhero. Sam Rockwell, Gwyneth Paltrow, Scarlett Johansson, Don Cheadle and Samuel L. Jackson co-star in director Jon Favreau’s sequel based on Marvel comic book characters.
After seeing Iron Man, back in 2008, I was totally in love with Iron Man, and the series that was to be. However, I can’t say that I enjoyed this one as much.
First of all, the writing in this film is very top-notch compared to the first one. I can’t remember the last superhero movie that I actually laughed, or chuckled, the whole time through the film. There’s a huge deal of one-liners, that work, and some do not, but it was just better to get a not so serious superhero film.
I think the main problem with this movie is that it has the same thing all superhero films go through: sequelitis. Sequelitis is when a sequel to a very famous film, gets too over-powered with characters, run time, and overall too much story. The film starts off fine with good action here and there, but by the 1 hour mark gets totally dry beyond belief. For a long time, there just wasn’t anything happening, other than the fact that Starks was a total alcoholic (without the film really saying it), and some scenes with Rourke and Rockwell being bad boys. If you take away the sexy people, and big explosions, you really just have a film about one arrogant defense contractor, against another arrogant defense contractor.
Many elements to this story could have been better but instead were just dry. The villain Ivan Vanko is actually a good one surprisingly, mostly due to the fact that the film sets him up to be this totally intimidating guy, with lightning bolts for hands, and a Russian accent that would make Ivan Drago crap his pants. However, the films waters him down with not enough screen-time showing him doing nothing bad or villainous, and showing more evil from Rockwell’s character. The addition of Scarlett Johansson and Samuel L. Jackson makes no sense what so ever, other than just trying to hype up the Avengers films, which are starting to get pretty annoying now. Listen, I understand that sometime in the future there may be an Avengers film, but in the mean time stop hyping it up to the point, of where there seems to be no use for a film to hype it up, rather than a film that’s just hyping another film up anyway. I know that last sentence was totally confusing, but its hard to explain.
I will admit however, the film does show great action when it does have it, and the actors are able to fill the shoes. Downey Jr. is perfect as this charming, sort of snobby millionaire Tony Starks, and you can really tell why he is a perfect choice for this type of super hero. Paltrow is doing what she does best, playing the strong female companion, with enough sense to be believable. Don Cheadle is also replacing Terrence Howard, and does well with picking up the scraps from Howard’s previous performance, but he just is not on the screen as much as I think he could have been. Sam Rockwell is the real star, and totally steals almost every scene he’s in, and shows how superhero villains are supposed to be played even without all the crazy action.
Consensus: Iron Man 2 has charming performances from the cast, good humor, and enough action to satisfy, however, hits a block in the middle of the film where it lags on, and starts to become a cheap, lame excuse for the Avengers movie.
Never would I thought I would see my action figures come to life.
From the Egyptian desert to deep below the polar ice caps, the elite G.I. JOE team uses the latest in next-generation spy and military equipment to fight the corrupt arms dealer Destro and the growing threat of the mysterious Cobra organization to prevent them from plunging the world into chaos.
I remember when I was about 5 years old and playing with my GI Joe’s and every time I just remember making the most outlandish things happen to these guys but never could I think what I thought would happen in this movie.
Think of the craziest things that could ever happen in a film, and you have GI Joe: Rise of The Cobra. Mayhem is everywhere in this movie: in the streets, the North Pole, even in the kitchen, yeah it goes everywhere. The film is exciting and filled with so much action and fun that it really did keep my eye on the screen for long. It’s brainless but very harmful fun and being a huge fan of the toys, and a little bit of the cartoon show I was pleased.
Much of the action was stylized with some great special effects. Some may call them lackluster or inconsistent, but I call them very well-done. Much of the effects look great and actually look close to real life, there is an image of the Eiffel Tower and it does actually look like its falling, and there are really some amazing shots of chases in the sea and through the street that just look amazing.
The film does however have some big downfalls. The film borrowed a lot of scenes and inventions from other big-budget science fiction films such as Iron Man and Transformers. There are a couple of scenes of suits that just look exactly like the Iron Man suit and were never brought up in the action figures at all.
The screenplay is pretty horrendous as well. The film doesn’t take itself too seriously and includes some clever one-liners, but when there delivered from Channing Tatum and Sienna Miller, and not the comedian Marlon Wayans, you have a problem. The lines were so corny and obvious that I couldn’t help but think I was watching Superman or The Dark Knight, I will give credit to Marlon Wayans who does make this film a lot funnier with his deliverance and shows he can deliver in any film.
I felt like the ensemble cast was very well-picked but juts didn’t deliver like I thought it could. Channing Tatum does a really bad job and just looks and feels like a plastic toys the whole time and his love interest Sienna Miller were not very believable as a couple and she wasn’t very deadly either. I love Joseph Gordon-Levitt, and I was excited to see him in this film but I think just how they used him was bull and could’ve been used better anyway. Marlon Wayans and Christopher Ecceleston do well and make their scenes count even with the little amount of time they have.
Consensus: The action and mayhem is in your face and keeps your eyes glued to the screen but the cheesy liners delivered by some horrendous acting just makes this film another big-budget summer movie.