Dinosaurs never have been, and never will be the same.
Two dinosaur experts, Dr. Alan Grant (Sam Neill) and Dr. Ellie Sattler Laura Dern), are invited to test out a soon-to-be theme park from a millionaire named John Hammond (Richard Attenborough). Hammond has it all: he’s got the glitz, the glamour, the look, the style, and most surprisingly; he has dinosaurs. That’s right those things that you thought were exterminated almost 70 million years ago are in Hammond’s park, and are causing a ruckus like you’d expect. However, when that ruckus turns from playful to deadly in a matter of 24 hours, all hell breaks loose and it’s time for everybody to get their asses the hell of that damn island.
It’s been a long, long time since I made a return to this wonderful, but scary island but it was still a trip worth taking, even if it was in 3D this time around. Here’s the thing about the 3D since most peeps will want to know right off the bat: it’s nothing worth even talking about (even though that is exactly what I’m doing). The 3D is cool at times and definitely makes you feel as if you are a lot closer to the action than ever before, especially when it’s just jumping right out at you, but other than that; it’s nothing special that would really make me want to go out and see it, again and again. Even though I did see it in theaters, it was all because it was free, early in the a.m., and best of all, with my daddy waddy. Father-son bonding. Ain’t nothing else like it.
Aside from the 3D elements that are relatively lackluster at best, let me just get back with the movie and say that it’s still as fun and entertaining as much as it was all those years ago I watched it as a kid. I remember being scared of the big-ass dinos, I remember gripping my seat when those kids were running all-over-the-place in that kitchen, and I especially remember those freaky fuckers that used to spray poison/venom out of themselves, just as soon as they gave you the warning sign to “run the fuck away, now!”. Fond memories going into this movie and I was so happy to see none of them really tarnished, even if some glaring problems come in the way now that I’m a more sophisticated, and uppity-uppity film critic.
Some of the problems I seemed to have had with the script was not that it was lame or anything, it’s fine for what it is and what it tries to do, it’s just that when the initial plot where there is running, chasing, and panic all throughout the area, I felt like it could have been handled better, and written better without all of the plot inconveniences For instance, the character of John Hammond just seemed like an idiot for even bothering opening up this park, for one reason and one reason only: there’s not enough security. The fact that the dippy was even thinking of opening up this park, where dinosaurs can easily get out of their safe-spots, just by knocking down a couple of wires, seemed really idiotic to me and not something that a rich millionaire would even forget about. Then, it goes on about how he’s cloning these dinosaurs from other gene-pools and turning them all into female, even if that proves a problem for evolution within this park, along with the rising tensions. I get that the guy had a passion and inspiration to create this park and allow everybody to see it, but you got to think things through man before you go all nutso on us.
There’s other problems with the script in certain areas, but the fact of the matter is that this movie is still fun, still entertaining, and still freaky, despite being released almost 20 years ago. Shit, I was actually three months away from entering the world when this movie came out. I’m getting old, man. The movie holds up in many ways because it shows what Steven Spielberg can do when he has a vision and that includes having a ball with his material. Some of it is a tad serious, but rightfully so. It allows us to feel worried for these characters as they constantly try to run and hide from these dinos, without losing a leg, arm, shoulder, knee, or life. It’s pretty scary even after all of these years, but I like how Spielberg was able to transition it back-and-forth, between serious and fun. It’s not light entertainment by any stretch, but if you bring your kid to it, I highly doubt they’ll be scared for life. Granted, they may wet the bed every night and never, ever want to see a dinosaur again, but that’s just life my friend. Quite frankly, it’s your call if you want to take them to see it, not mine. So please, don’t sue me if the kid ends up in a nut-ward or a serial killer. Just saying.
Another factor of this movie that works and also shows how much fun Spielberg seemed to be having while filming was the ensemble-cast he was able to assemble and make ready for this “dinosaur on a rampage” flick. Might have been a hard-sell at the time, but somehow, the man was able to get a lot of heavy-hitters that are still doing great work, even to this day. Laura Dern and Sam Neill are good as the couple that loves dinosaur bones as much as they love each other, and are good at what they do, whether they be together or separate Dern is good at playing-up that tough, female-role where she can do almost as much dirty work, if not more than the boys in town; whereas Neill is good at playing-up his role as the type of dude who doesn’t like kids and doesn’t even want him, but yet, finds himself almost acting like a daddy when the shit hits the fan. Bedtime stories and all.
Samuel L. Jackson shows up and is good in his couple of scenes where he infamously utters the line, “Hold on to your butts.” A bit corny, but it’s classic because of Mr. Jackson. Or Samuel L. Whichever one that mofo desires. Despite the problems I had with his dumb-ass character, screen-vet Richard Attenborough was actually very good at giving us a glimpse into a man that has too much money, too much ambition, but not enough smarts to fully think things through. I felt bad for him, until I realized that he allowed his grand kids to show up for this wonderful weekend. I guess he won’t be invited to Christmas din-din any time soon. And lastly, need I not forget about the one, the only, Mr. Jeff Goldblum as Dr. Ian Malcolm, aka, the rock-star scientist who always lays low, always lays cool, and always has something hilarious or witty to say. It’s classic-Goldblum, whadda ya expect?!?
Consensus: Though the extra-dimension isn’t needed, Jurassic Park still holds up as one of the best, and most entertaining Spielberg flicks because he never seems to lose that fun-aspect that makes it such a ride (they actually have a pretty sucky one in Universal), and also the serious side to it all where you feel like anybody could die at any second, you just don’t know how to expect it coming. Trust me, not as gruesome as it sounds so show your kiddies and see what they have to say. Unless they get traumatized for the rest of their lives. Once again, don’t blame me for not listening to your inner-soul.
9 / 10 = Full Price!!
Damn it sucks to be a Culkin.
Igby Slocumb (Kieran Culkin), a rebellious and sarcastic 17-year-old boy, is at war with the stifling world of old money privilege into which he was born. With a schizophrenic father (Bill Pullman), a self-absorbed, distant mother (Susan Sarandon), and a shark-like young Republican big brother (Ryan Phillippe), Igby figures there must be a better life out there – and sets about finding it.
It’s pretty obvious that a lot of people compare this to the Catcher in the Rye because just from reading the plot on the back of the book, they seem to have plenty in common. However, I have not read that book just yet so don’t worry it’s not going to be another one of those “book vs. movie” reviews.
Writer/director Burr Steers does a pretty good job here with all of the expectations that would come from “adapting” a classic like Catcher. Steers puts a modern spin on this story and gives it this dark edge to it that can sometimes be funny but can also be very sad. I can’t say that this flick is a dark comedy because there are moments that are legitimately meant to be funny but so many other jokes all have to do with either drugs, death, or mental illness that it’s kind of hard not to categorize it as that in the first place. Regardless of what you may call this film though, it’s funny and may surprise you with a lot of the jokes it pulls out of its behind.
Where I think Steers’ writing really worked was in the way he showed Igby’s life, as well as Igby himself. Igby is a great character because he is a total smart-ass that always has something sarcastic to say, seems like one of those kids that would do perfectly on his own, and just reminds me of the type of high school rebel that I always tried to be but somehow failed. The kid is an ass and hates his mother so much that when she dies (not a spoiler because they tell you in the first 2 minutes) he calls up everybody she knows and just tells it like it is, “Yeah…she’s dead”, then moves onto more and more people to tell. There’s also a couple of other scenes that made me laugh at everything he was doing and it was just great to see a teenage character in a flick that wasn’t there to show a dilemma he has with picking up chicks or getting good grades, no, this kid’s trying to make a living and figure out what he wants in life.
It’s not just all of the funny ish that happens here that makes Igby so damn cool, it’s also the fact that he feels like an actual kid with a lot of problems that he tries his hardest to hide from. There’s a lot going on in Igby’s life that has effed him up from a father that basically went nutso right in front of his eyes, a mother that he absolutely despises, a godfather that won’t just let him be his own man, a brother that has always been better than him in anything, and an inability to deal with all of the crazy roommates he gets. Maybe it doesn’t sound all that bad to begin with but for an 18-year old kid (hollah!), it can be a lot to take in at a quick pace and we feel for Igby even though he’s surrounded by assholes constantly.
Some parts of this flick worked for me on a dramatic basis, but others, did not. There’s some little love thing going on between Igby’s lady friend and Igby’s brother that felt forced and just another way to bring conflict to the story of how much more his brother reigns supreme over him now. I also didn’t like how the film just sort of left everything up in the air without any resolution to any of these characters whatsoever. I’m not saying that I loved all of these characters, because a lot of them were just plain and simple assholes, but I still spent enough time with them to actually get to know and care about them, so why not show me what actually happens to them after it all? Hell, we don’t really know what happens to Igby at the end either but what bummed me out was just how sudden and abrupt the ending was without showing me the characters that I spent so much time with.
The reason Igby is so damn good as a character though is because of Kieran Culkin is spot-on with this act and I hope that more and more people take notes and see that this kid has a real true comedic talent. Don’t believe me? Check out ‘Scott Pilgrim vs. The World’, and you’ll see what I’m saying. As for everybody else they’re all good too. Claire Daines is a fun character named Sookie to watch and learn more about, which was a surprise because Daines is usually very bland in her flicks; Jeff Glodblum is the absolute man as Igby’s godfather, D.H.; Amanda Peet is just fine as Rachel, even though I think she kind of over does the whole “I’m on heroin” act she had going for a good part of the movie; Ryan Phillipe plays, once again, the soulless ghoul here as Igby’s bro-brah and does a nice job even though he’s playing another rich kid who thinks he’s better than anybody else; Bill Pullman is great in flash-backs as Igby’s daddy and he has some of the more emotionally wrenching scenes; and Susan Sarandon is back doing what she does best: being a bitch. And that’s all we really want from her.
Consensus: Igby Goes Down has an involving lead character, as well as some very funny moments that take us inside the mind of a teenager, no matter how quick life may come at you for it.
Being on Adult Swim does not mean that making a film is the next step. Just stay on TV.
Two guys (Tim Heidecker and Eric Wareheim) get a billion dollars to make a movie, only to watch their dream run off course. In order to make the money back, they then attempt to revitalize a failing shopping mall.
I will say that on occasion, I have found myself watching the 15-minute, Adult Swim TV series that this flick is made from. However, as funny as that show may be at times, I can’t help but think that maybe they should have just stayed doing what it was that they were doing rather than just really stretching it all out.
Where my problem with this film lied was in its overall pacing. Even though there is an occasional spark of humor found, the film starts off terribly slow and doesn’t really build-up anything all that interesting or compelling about it other than that these dudes are trying to re-build a mall so they can pay off debts. I definitely would have not minded this as much if it was consistently funny but it just felt like Tim and Eric didn’t really have any idea where to take this film other than just try and tie all of these funny sketches they had in their heads with some story that was just about every bit as lame. In fact, even this film just feels like one whole sketch being stretched out a little too far even if it is only about an hour and a half time-limit.
This film first gained a whole bunch of controversy at Sundance because the gross-out stuff they have going on in this flick was apparently a little too much for the crowd, but it wasn’t as bad as I was expecting. I mean you got a while scene of diarrhea, a scene of Eric jizzing, and a whole simulated sex scene where Tim and this chick are basically rolling around with one another, giving each other some fun dildo action in the you know where spots. These guys definitely know how to push the boundaries which is always something I like but here it didn’t really do much other than gross me out just a bit.
Where my compliments of this film lie is actually that some parts of this flick really had me laughing, despite the other parts where I felt like they just ran every skit/joke they had into the ground and stomped on their face while they were done. Yeah, I know it sounds brutal but after awhile you may start to think that too. The film isn’t hilarious but there are a couple of times where it seems like Tim & Eric are obviously having a lot of fun with all of the money they’ve been given to make this flick so they choose this as an opportunity to poke fun at some major Hollywood happenings as well as just poke fun at certain type of plot conventions. The bright moments here in this flick had me remembering exactly why the show is so cult followed today but there just wasn’t enough of it to fully have me hitting up the Netflix account looking all over for their show.
Tim and Eric are both good here as themselves but since they are on-screen the whole time, it doesn’t much matter because this is all about who these two dudes actually know well enough to get them to show up in their movie. Will Ferrell plays the mall’s original member and his one early scene with Tim and Eric really shows all three of their great chemistry together; Zach Galifianakis plays a hippie friend of these dudes named Jim Joe Kelly and it’s great to see him being sort of funny again; and it was also pretty funny to see John C. Reilly play Taquito, the janitor of the mall, and basically looks like he always does in every flick but has this strange, Mexican-like accent going on that doesn’t really work but then again, maybe that’s just the point that Tim and Eric are at least trying to get through.
Consensus: When it comes to pushing the boundaries of how far a flick can go with its gross-out humor, Tim and Eric’s Billion Dollar Movie definitely succeed, but when it comes to making a full-length feature flick and actually making it seem funny without stretching their sketch comedy skills a little too far, they don’t do so well. Still, fans of the show will definitely love this a lot more than myself.
Talk about FLYing solo. Actually I have no idea what that term has to do with this film I just felt like being witty.
While testing his teleportation device, scientist Seth Brundle (Jeff Goldblum) accidentally merges his cells with those of a housefly. As his reporter girlfriend (Geena Davis) bears witness, Seth slowly — and quite disgustingly — morphs into an insect.
I’ve never really taken time out of my film-reviewing and looked at any of David Cronenberg‘s films but after seeing this one, I may just check out more because this guy’s crazy!
The one thing that Cronenberg does well is that instead of being just another dumb and silly gore-fest about a dude who turns into a fly is that he actually lets there be time for the story to actually build up to where we actually care for everything that happens. There’s a very smooth pace that Cronenberg brings to this film and one that seems like it’s more of just developing the story and characters rather than just being slooooow.
Another thing that Cronenberg does well is that he takes all of these different sides of the story, and puts them together well. There’s a little bit of romantic comedy stuff here, some sci-fi stuff as well, real human drama too, and then to top it all off a lot of scary stuff to keep people scared as well. It seems like a very goofy combination that wouldn’t work at all but somehow Cronenberg makes it work beyond belief. There’s a lot of people who said they saw a metaphor for AIDS in here too but I mostly just saw how people react to a disease all differently and how it can make some people never want to let go, but in some cases, you just have to no matter how much you love them.
The make-up and costumes are also pretty cool looking even though they may be incredibly gory and will turn many others away. We see how Seth’s body changes and transforms over time and to say the least, it’s not pretty but it actually looks very detailed and disgusting in a good way. In a world filled with CGI everything, it’s a huge relief to see an 80′s film that makes a dude who is turning into a fly, actually look like a fly with the power of some really cool-looking make-up and costumes.
My main problem with this film is that I feel like too much of it was a little too over-the-top just for the sake of being over-the-top. Granted, I liked how gory and disgusting these costumes looked but there were times where I felt like Cronenberg just wanted to shock people with what he was showing in Seth’s transformation and for me, it came off as a bit annoying.
One example is that Seth’s girl, Veronica, gets pregnant and she has no idea what’s in her. Is it a human, a fly, or a flyhuman? Nobody knows and neither does she but she has a dream that she actually gives birth to a little fly baby thing and she’s just yelling and screaming with this blood all over and to me this just seemed random and really forced. It was almost like Cronenberg just wanted us to see something we’ve never seen before by showing us a little fly thingy coming out of a woman and it seemed a tad forced and random.
The cast isn’t a real big one but with the people they have, it really is a treat. Jeff Goldblum is perfect here as Seth because Goldblum is such a goofy actor that to have him as this guy go through this total transformation works because he brings this sort of funny charm to his character as well. I was rooting for this guy even though he did go through this terrible transformation and how Goldblum plays him like a real, likable human being is also very sad especially when he starts to really turn into a fly at the end. It’s also rare to ever see him in a leading role and he does great with it. Geena Davis is also very good as Veronica, as she doesn’t lose sight of her love for Seth even as times get harder and harder. Their chemistry is great and how these build it up more and more as time goes on really adds an extra layer of heart to this film and works for the full product as a whole.
Consensus: The Fly is a little too over-the-top at points, but David Cronenberg perfectly mashes all of these different elements of romance, drama, and horror as well as a great leading role from Jeff Goldblum to give is a disgusting but emotionally well-told film.
Having to live in this house for a week, I would probably go mad.
Never trust anyone over 30 … except this group of erstwhile buddies and former college radicals. After years apart, friends who’ve followed divergent paths reunite at the funeral of one of their own. Watch as the top-notch ensemble (William Hurt, Kevin Kline, Glenn Close, JoBeth Williams, Mary Kay Place, Tom Berenger and Jeff Goldblum) reconnects.
The Big Chill is just one of those big ensemble films that just rely a lot on its ensemble to the best. Some of that works, some of that doesn’t.
The one problem with this film is not so much as its fault but more of a generation barrier. The film is about people that grew up during the 60s, and have to get used to the 80s. Back then when the film was made we could connect to that, but now in the 21st century a lot has changed.
Another thing with the film is its subtlety with its characters and the story itself. There really is no story here except all these good-looking pople staying together in one house, talking, and just making random thoughts on life. Also, we never really understand the characters of who and what they are. There is one chick that goes on about how she wants to be pregnant, then the other one’s basically saying “hey have my husband make a baby”.
The writing here is however top-notched. It borders on many levels of dramatic and comedic, but strikes a fine line between both which I enjoyed mostly. I feel like the way these people talked is how real people actually do talk, its just that they are so honest with each other that they just say anything they want without any consequences, that is what kind of struck me off. The scenes and how the movie was structured were so quick and short, that we never got a chance to understand these people right away.
The film did have good stuff to it surprisingly. The eclectic soundtrack of old hits from soul and classic rock add a lot of flavor to the film, instead of just having one of those cheesy 80s dramatic score pieces. Also, though the characters weren’t quite well done, I still think the performances added on a lot more.
Almost everybody does a great job with there characters and the material with what they are given. Glenn Close of the 4 females does the best job as playing the one character in the whole film who we understand from start to finish, without any real confusion. William Hurt does the best job out of the 4 males, and proves that he can be self-destructive while still being likable in how he runs his life.
Lastly, the one last problem is that the whole film is about how life and how these characters accept it for what it is. But there is no real message for this film. I think when you have a character that has committed suicide, you should really build off of that and have an idea about life that you shouldn’t take for granted. That doesn’t quite happen here instead we just end up with these characters who just are happy with life cause they got to see each other but what about the life of their deceased friend?
Consensus: There are a lot of faults here including the generation gap, lack of subtlety from characters and plot, and no real message, but has good performances from its ensemble cast, a great soundtrack, and wonderful writing that is real and tragic.