Dan the Man's Movie Reviews

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Tag Archives: Julie Delpy

Before Midnight (2013)

Gen-X got old. And grumpy.

We followed Jesse and Celine (Ethan Hawke and Julie Delpy) through their early days in Venice, as they walked around aimlessly and fell in love overnight, only to never see each other ever again. That is, until 9 years later when Jesse releases a book about his one and only night with Celine, she finds him, they talk, and the fireworks between the two begin to spark-up once again. However, we left wondering whether or not Jesse was going to take the bait and stay in Paris with Celine. 9 years later, we catch back-up with them to see how they are doing, whether they are together, and if they still love each other like they once did. The answers may surprise the hell out of you.

I’m going to come right out and say this that not only was Before Midnight my most-anticipated of the summer or the year, but was also my most-anticipated movie to see in general. After seeing Before Sunset and realizing that we never quite knew whether or not Jesse and Celine made it work after all of these years, I was finally happy to know that everybody was back for another gig. But, at the same time, I was also scared because these characters feel like family now, and if not family; then pretty damn close. I could only wish that my family was this attractive and pretentious.

They fell in love right in front of our eyes back in ’95 with Before Sunrise and allowed us to give into the whole cliche about finding that special someone, on a train, and spending the whole night with that person, falling in love, and sightseeing. Then, reality set in and they realized that maybe it was just a fantasy they were living.

Or was it?

Fast-forward 9 years later with Before Sunset, and these two are back together in action with Celine finding Jesse at a book-shop. They both chat it up like usual, but the problem is that Jesse not only has to be back on a plane in an hour, but also has to take that plane back to his wife and kid. However, just when you thought all hopes and dreams were lost for these two love-birds, the movie leaves us the burning-question in our mind: does Jesse stay with Celine and finally live out that fantasy he always dreamed of, or does he go back to the real world, with real problems, like staying loyal to his wife, paying bills, driving the kid back-and-forth from school, and so on and so forth?

"And then we started talking about the after-life and where we wanted our lives to go once we became cosmos in the sky, and then, that's when I knew: he was THE ONE."

“And then we started talking about the after-life and where we wanted our lives to go once we became cosmos in the sky, and then, that’s when I knew: he was THE ONE.”

Well, if you got this far in the review and have yet to see the movie, I’d advise you to turn away because this review is almost impossible to go on without saying anything at all about what happens, how it happens, or who it happens to. I don’t want to say that this is all a spoiler review, but I’m sorry friends and family; I just can’t hold back if I’m going to get as emotional and dramatic as I am about to in a couple of paragraphs. If you want any clarification on whether or not to see this movie, just look at the bottom rating, and be on your way.

Okay, good? Anybody here that’s not supposed to be? Crystal! Let’s go!

Let me just put it down like this: this is the best movie of the year for me. I don’t know if it’s going to stay on top for the rest of ’13 or what, but what I do know is that right now, at this moment in time, this movie is the best movie of the year because it is everything I ever wanted from this series, and more. Linklater, Hawke, and Delpy have been teasing our brains out of our mind for the longest time about how we might get to see Jesse and Celine back in action, and we finally have it! But it’s weird, because it isn’t like you’d expect them to be.

Jesse and Celine are, yes: old. They are married, they have kids, they are vacationing in Greece, Jesse is still a writer, and Celine is coming at a crossroads at her life finding the job she wants, and the job that would be right for her. They still talk with the same fireworks and charm that had them fall in love with one another in the first-place, but something is different. Something is not right. See, they love each other no matter what and definitely seem to appreciate the fact that they are in one another’s life, but everything they didn’t want to be, fantasized about not being, and would joke with one another about; is actually happening to them both. They do bicker; they don’t always get along; they don’t see eye-to-eye; they don’t talk about cool things like the world, human-beings, or the weather; and they sure as hell don’t seem so lax like they once were when they were young and ambitious.

Nowadays, Jesse and Celine are older, more mature, and more understandable about the world that they have come to hit face-to-face, and the people that surround them. Hell, they know more about themselves than ever, and that scares them half to death. Never, not even in a million years did they ever think that they were going to be old, cranky, rushed, and confused about what to do next in life, but hell; it happened and they have to live with it. However, that still means they love the hell out of each other like before, right?

Well, that’s where the slope gets a bit slippery. It’s obvious that these two still appreciate each other’s company and lending-hands whenever they need it, but it’s not like it once was and that’s where this movie really hits the nail on the head. Even after all of these years, Celine still questions Jesse as to whether or not he thinks he made the right choice staying with her in Paris, or even if she made the right choice getting off of the train with him in Venice. They don’t question it because they regret it, they don’t fully understand where their lives have gone, what they can do to stop time, and whether or not it’s too late. They both fear what’s to come next, but most of all: they fear losing the love of the other. This is where things with this movie really begin to get brutal and it is the most compelling thing I have seen all year.

Like the last two movies, the script here is beautifully-layered down to the last line. Every word of dialogue, every gesture, every idea that the other shares with the other, makes you feel some sort of emotion rather it be happy, sad, scared, or indifferent. No matter what, you will feel something with this movie, and the emotion is only heightened if you love these characters like I do. They aren’t terrible people and they aren’t great people; they are human-beings. They love, they fight, they laugh, they smile, they sleep, they eat, they drink, they clap, they dance, and they do everything that you or I are capable of, which is so rare not only to see in movies nowadays, but to see still be present in a movie that’s already in it’s third entry. Yep, it’s been a long, long time since those wonder days in Venice, and it shows.

The realistic-factor behind these characters, who they are, and what makes them who they are, is only made better by the natural performances from Julie Delpy and Ethan Hawke who give the best performances of their careers, by far. Both can play these characters in their sleep by now, which is nowhere near a bad thing since characters that are as layered and as complex as these ones, need to feel as if they were played by people who weren’t really told to act and emote. They have to be played as if they are real people you could meet on the street and strike up a conversation with, and that is exactly what these two do. Whether they are together or separate in this movie; Ethan Hawke and Julie Delpy are perfection. However, when they are together, the movie shines and never stops.

"Remember this? Remember what we did after? Wanna do it again? Please? Pretty please? Come on, dammit!!!"

“Remember when we last did this? Remember what we did after? Wanna do it again? Please? Pretty please? Come on, dammit!!!”

All three movies have been anchoring on the chemistry between Delpy and Hawke, and this is the one movie where it really matters because there’s so much more going on between these characters, that you need something natural and realistic to really make it work. As I’ve said before, Jesse and Celine still do love one another, but there are problems between the two that seem like ones that most married-couples/adults face, especially at their time and age. They wonder whether they made the right choice or not, or if all of the dreams they once had when they were little tikes, are all but gone. So, rather than facing it head-on and realizing what they have to do, they turn to each other for love, help, and support, and that usually ends in happiness or disaster.

Sadly, it’s more of the latter than the former for these two.

Once again, I can’t stress enough how much these two still do love one another, but there does come a point where you begin to question whether or not it was all real, or a total charade that they stick with because they can. And what’s best of all about this certain in the movie is that it practically comes out of nowhere. By the end of the movie, Jesse and Celine have finally gotten the chance to be with one another, all alone, and ready to do the dirty, but before they can finally get the clothes off and the fluids flowing; it all comes to a screeching halt. Almost seemingly out of nowhere, the married-couple that you thought were the perfect soul-mates for one another and could never be broken-up, somehow actually do start to come unglued as they fight about everything in their life.

This whole sequence they just yell at and fight with one another probably lasts a good 30-40 minutes, but it’s the most compelling and most emotionally-rich sequence in film that I have seen at all this year, and hell; probably the last 5 or 6 years at that. Not a single thing is left out between these two as they get into whether they should move to Chicago so that Jesse can be closer to his son; or if they should get new jobs; or if they made the right choice getting married in the first place; or if the other philandered around; or, last but not least, if they should just call it quits before all is said and done and they have nowhere to go with the rest of their lives. Anything and everything you’d expect these two to argue about, is not left unsaid, but at the same time; not resolved either.

Like with most things in life, people fight, people yell, and people hurt one another, but they apologize, continue on, and act as if nothing happened, but does that mean nothing really happened? For me, it felt like this movie really hit the nail on the head about how Jesse and Celine, no matter how grand their love is for one another, they will always be that married-couple that fights from time-to-time, can’t figure out who’s doing what for the kids, and gets angry at the other for stupid shit like not cleaning up after themselves and so on and so forth. But this can’t be the Jesse and Celine from ’95 and ’04, can it?!?!?! Well, it is and it shows you that no matter what you try, no matter how different you think you are, and no matter what walk of life you take, you will always end up at the spot you didn’t expect to be in: just like everybody else.

I know, I know, I know! I make this movie sound like a total piece of depression from beginning-to-end, but honestly; it isn’t. It made me laugh, it made me cry, it made me happy, it made me think, it made me feel all warm and gooey inside, and it made me sad. However, I can’t say that this movie is worth watching if you expect Jesse and Celine to be all happy with birds chirping and flying all-around them. That isn’t what real life is all about, and that’s certainly not what these two are all about and that’s where this movie goes. It may take some by surprise that the once-adored couple-to-be, is now, all of a sudden, any other married-couple of their generation (aka, the type of people they talked out against in the first and second movie), but with the way these characters have been formed and developed over these three flicks: it feels deserved and all too real to be perceived as a fantasy. Jesse and Celine make you wonder where your life may go, if you decide to take a step for love, and whether it will, or it won’t be the right step you took at the end of your life.

"Wow, you're still funny like I once remember you being. You were funny, right?"

“Wow, you’re still funny like I once remember you being. You were funny, right?”

Without spoiling it all, the movie ends perfectly. After their big, slap-out, drag-out fight of wits and emotion, Jesse and Celine seem to really come together, apologize, make jokes, and talk about what they are going to do later that night (aka, bang). It all seems so happy and hokey for a series that’s the exact-opposite in terms of how it’s first two movies ended and how, but once you get to thinking of it: it really isn’t. By this point in time, Celine has already told Jesse that she does not love him anymore. Not once, but twice, and she does not stutter or take back what she said. Now, does that mean she just said it out of pure-emotion and anger just to really hit Jesse where it hurts? Maybe, but does that mean there isn’t some truth or realistic-feeling to that statement? Maybe, as well.

Linklater, Delpy, and Hawke really seemed to have made this movie their adored, and wonderfully-watched child, but the ending is what makes you think what these two have to say about these characters and whether or not they will be able to stand the test of time like they mentioned in all movies, especially this one. In the end, the final-shot is of these two jokingly-chatting about how they can’t wait for the night so that they can have sex, love, and be passionate with one another, as if they haven’t in the longest time, but not all is fine and dandy. These two just yelled, screamed, hollered, bewildered, insulted, hurt, and tortured the other in a fight that seemed to not only go on forever, but get meaner and meaner as more words and actions were exchanged. Has the damage already been done, or, as I alluded to earlier before; will they forget about it, move on with their life and days, and act as if it never happened?

Is what the REAL Jesse and Celine are all about, or is that what we expect to come with most married-couples in our world? The movie allows for you to have that question linger in your mind, long after the final credit rolls off the screen, and I have yet to think of what it is myself. All I know, is that if they do decide to do a fourth film, count me in, baby! Just let me in advance so I can bring an extra-bag of Kleenex along for the ride.

Consensus: If you loved the first two movies, Before Midnight will be the next step in Jesse and Celine’s trip you definitely want to be apart of, even if everything they’ve been through and are still going through, may not put a smile on your face like it once did before. However, that’s life, and it’s not always going to be a fun-filled ride of happiness and pixies.

9.5 / 10 = Full Price!!!

Not even holding hands anymore. Yup, love blows.

Not even holding hands anymore. Yup, love dies. Goodnight folks!

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2 Days in Paris (2007)

You don’t have to be French to be insane, but hey, it does sort of help.

French photographer Marion (Julie Delpy) and American interior designer Jack (Adam Goldberg) have been together for 2 years and don’t show many signs of slowing-down any time soon. However, that all starts to be re-thought about once Marion introduces Jack to her whole family, friends, and ex-boyfriends, that just so happen to be almost every dude they bump into on the street.

Writer/director/co-producer/editor/main-star Julie Delpy really deserves to be in more movies. Everybody who has ever seen a picture of Delpy, knows her for one thing and one thing only: Celine from the Before Sunrise soon-to-be trilogy, and with good reason because both movies are beautiful, showcase her talents as an actress, and feature some top-notch writing on her part. However, whereas her co-star Ethan Hawke has been able to go-out there and make a name for himself as an actor, Delpy has sort of stayed back in the darkness and let roles come her way whenever they do. There’s nothing really wrong with that but it’s also a huge shame too, especially once you see films like these that not only show her off as a great actress, but as a great-worker behind-the-camera as well.

Before all of you dismiss this movie as another, “wacky in-laws” picture along the reigns of Meet the Parents, but with French subtitles, don’t be fooled because this is some rich-writing, at it’s finest. It seems like Delpy has a very, very keen-ear for dialogue but not just in the goofy, French-way, but the straight-laced American-way as well. A lot of the situations at-hand here feel obvious, predictable, and conventional, but Delpy adds a certain-bit of raunchy edge to it that makes it funnier and a lot more unpredictable in where it goes. Watching an American feel awkward as hell around every-single dude that his girlfriend recognizes from a past fling has never been funnier and rather than having it be repetitive and dull by about the 4th or 5th time, it keeps on throwing more and more at us in order to spice things up a bit.

Yeah, I can totally see the resemblance.

Yeah, I can totally see the resemblance.

It’s not all about fun and games, though, because this is actually a rom-com, with real romance in it that is actually brought-up to the table many of times. You can obviously tell that these two have problems with one another and are fairly different as well, but they can at least get past all of that because of the ways they are similar, are so strong and make them love each other even more. Yeah, they bicker, argue, and yell at one another quite a bit, but they feel like a real-couple that have been through a lot, know each other a little TOO well, and also can’t find happiness any other way, other than being in the other’s company. It’s a romance you believe in and that’s why when the film starts to get a bit serious by the end, it delivers on what message it’s trying to get across about love and relationships, because the two are so believable together. For as much as they fight throughout the whole hour-and-a-half, the one thing that still stays on your mind is how much they really do love each other, and that’s a fresh and new change-of-pace for a genre that seems to lack those nowadays. Hollywood, take notes from Delpy. The babe has got it all.

As a writer, Delpy is great and shows a lot of strengths in terms of being quirky, goofy, but never over-doing it. However, as a director, she’s a bit messy and makes a couple of rookie mistakes that are willing to be forgiven, only because everything else works so well. For instance, most of the scenes that she has set-up where something goofy or completely insane happens to, you know, make things worse and more unbearable for this couple, seem to go-on a bit too long. There’s a scene with Delpy and Goldberg inside of a cab, where the cab-driver is a racist bigot that pisses Delpy off, right from the start and as funny as it may be to see her and Goldberg’s reactions, it still seems to go on a bit long, to the point of where I got what Delpy was trying to do. She was trying to show plenty of situations where things go from bad-to-worse in a matter of minutes and although that’s the name of the game with this movie, she could have knocked-it down quite a bit to not have it be so noticeable.

Not shaking strangers hands, eating fast-food, all in Paris! Typical American.

Not shaking strangers hands and eating fast-food, all while in Paris! Typical American.

Another mistake she makes is by narrating half-of the film, and that’s mainly because it seems so unnecessary. She touches on certain happenings, thoughts, or ideas that seem to be so obvious just by staring at the screen and it’s annoying, not just because Delpy is, but because of the things she’s declaring almost seems like you could say one, big, “DUHH!”, to her. Still, as much as it annoyed me, I still have to say that everything else she does was fine with me in my book and I can definitely tell that this is the type of gal that knows how to make a funny movie, even funnier, just by throwing-in a couple of dirty, bad-girl words, here and there. That’s how I like ‘em. Roar!

Delpy, no matter what it seems like she does, is always a delight to watch on-screen and being the lead in her own-script just makes it all the more joy to watch her bring out the best in her skills as an actress. Not many people may know this from all of the other work she has done over the years, but Delpy has great comedic-timing that shines through every time she’s being weird, quirky, or a bit goofy to show that her character isn’t like every, other female-role you usually see in rom-coms. She seems like a chick that I would definitely, most likely go out with (especially if she looked like Julie Delpy, please let there be a heaven) but also one that seems like a bit of a head-trip when it comes right down to the serious-parts of a relationship and making it work. Yeah, her character isn’t perfect and definitely has her own fair-share of flaws going for her, but it seems more honest that it seems manipulative, and it’s only better that it’s Delpy writing it, as well as acting in it too. Delpy needs to be in more movies. I mean it.

Adam Goldberg is the bit on the opposite-side of Delpy, considering how straight and sarcastic he is with the way he handles things in life, and especially with how he handles everything that goes sour on this trip. Goldberg may piss some people off considering he finds something to complain about almost every time, in every scene, but it’s actually very-amusing and funny to watch since, like Delpy, the guy’s got some great comedic-timing that fits well with how deadbeat his character is. Watching both of them just interact, play-around, and mostly, fight with one another, was still fun to watch because Delpy and Goldberg seemed to have forged a chemistry that feels real and honest, rather than just two actors, being mashed-together into one flick, and being forced to act like they love one another. They actually seem like they do and that’s what’s really special about this movie, and the script that Delpy has created.

Consensus: It’s not a perfect directorial-debut by any means, but there is so much else going on here in 2 Days in Paris, that work, that made me laugh, and made me realize that Delpy really is a lovable-personality in-front of the screen, that you start to forget about it and just enjoy all you see on the screen.

8 / 10 = Matinee!!

"What do you mean our careers were over the moment the year 2000 hit?"

“What do you mean our careers were over the moment the year 2000 hit?”

Before Sunset (2004)

What if the one that got away still stayed hot and you looked really creepy?

Nine years after spending a night together in Vienna, Jesse Wallace (Ethan Hawke) is reunited with Celine (Julie Delpy) while on a book signing tour in Paris. There’s an obvious attraction still between the two but Jesse only has a short amount of time until his plane leaves which means that their meeting may be brief.

Before Sunrise was just about a near-perfect film for me. It had all the ingredients you could ever need for a great romance and I honestly do believe it’s one of the greatest romantic films of all-time, and that really is saying something. So for there to be a sequel to see what happened between the couple that graced that flick, made me anticipate just what the hell happened. Thankfully, I was not let down.

The whole film is about 80 minutes of these two people walking around Paris, talking, going into a coffee shop, then going onto a boat, and then talking some more but the film is never boring. Every single word that these characters let out had me on edge the whole time and I never felt bored by these two talking because even though they talk about generally nothing again, they still do talk about something, if that even makes sense.

What really works with this screenplay is that co-writer/director Richard Linklater, Hawke, and Delpy all came together on this script which gives it this realistic and almost heart-breaking truth to it all. In the first flick you see how these two have this sort of fantasy look at love and the world but now that they are older, everything is a lot more sad and angry around them. These two see the world in a different way like when it comes to relationships and they soon realize that the word “love” isn’t exactly what they thought it meant considering you had to worry about all of the non-nonsensical crap that comes along with it. It’s sad but at the same time realistic because you see how two people grow up and realize that the world isn’t what they once thought it was but still keep a grasp onto what made them happy in the first place. This also leads me into another idea that the film brings up: memory.

The conversation these two have constantly bringing up the miraculous one day they had together and most of the memories they have are very clear and feel as if it was just yesterday. These two are always reminded of that one day that they shared together not just through the way they speak to each other but also through their lives as both constantly could not escape or forget that faithful day that made them realize they really have something special together. The film is basically infused with the idea that as long as you and the other person are alive, the memory will never ever go away and no matter how much you try to run away from that fact it will always come right back to you.

Without Linklater behind the director’s chair though, I don’t think that this film would have even felt the same. Linklater is perfect at just letting the story and characters speak for themselves but that still allows him to do some cool tricks such as these long tracking shots that last almost 10 minutes every time. I love tracking shots and it’s just so great how Linklater can use them to create a certain amount of tension of realistic feel even if it’s just by focusing on one shot the entire time. Also, even though our minds are on the two characters the whole film, Linklater still allows for some beautiful imagery of Paris come into play and give us this view of the lovely place we knew in the first flick.

Where the real brilliance of this film lies is within the performances of Julie Delpy and Ethan Hawke, who feel real together. Even though these two never worked again after the first until this flick, their chemistry is still there if not better because as I have said before, they are a lot older now and a lot more sad and angry emotions come out of each other. Right from the get-go, their chemistry feels natural and everything they say all seem improvised even though that is not the case. They are playful with each other and you know that there is just something special between them even if they don’t want to come clear with it themselves and watching them just exchange little glances at one another giving each other little smirks, made me feel like there was more sex in this film than there was in Shame. Both of them start to break-down in front of one another where they both not only show regret but also anger towards the whole situation of how they could have been together, but just missed out somehow. These two are just perfect together and I think the fact that Linklater allowed them to shed some personal issues into their script as well. Delpy was on the rise as an actress, finding roles that she liked and being happy with them, while Hawke was sort of going through a lot of personal problems with his wife at the time, Uma Thurman, and a lot of that shows through by the way his character talks in this flick as well. It’s great to see two stars working together not only on-screen, but on the script as well and shed some real human emotions that come from their own lives as well.

Consensus: Before Sunset is just as great as the first one with a perfect chemistry between Delpy and Hawke, a screenplay that feels natural and realistic, and the real human emotion of watching these two meet up after all of this time. Hopefully, there’s one last one to close out the series but in the mean-time let’s just get ready for Still Dazed and Confused: the 20 year reunion.

9.5/10=Full Price!!

Broken Flowers (2005)

Come on Bill, cheer up. You’ll get that Oscar someday.

Don Johnston (with a T), played by Bill Murray, is a retired bachelor who finds a pink letter from an anonymous women saying that he has a son who is on the look-out for him. Don’s neighbor, Winston (Jeffrey Wright), somehow is able to get him to go out on the road and visit his past lady-friends and see who is his babies mama, and who isn’t.

Writer/director Jim Jarmusch has never been a guy I could fully get into as a filmmaker because too many of his films are just weird to be weird. However, this one is different from all of his others that I’ve seen and that’s a very good thing, especially when you have the effin’ man starring in your flick as well.

The film started off terribly slow with Julie Delpy just straight-up giving the low-down on why she is done with Don and it kind of lags for awhile after that as well which kind of bothered me. I wanted to know exactly where this film was trying to go and it seemed like Jarmusch just wanted to show all of these shots of Don being sad, bored, sleepy, and listening to some classical music all by himself in a very-dark room. The slowness in the beginning had me a little bit worried as to where this was going to go but then it started to finally pick up as soon as the story started to pick up.

I don’t know if anybody knows this by now but I have a total sweet-spot for road films. I don’t know what it is about them that just make me feel as if I’m on some sort of adventure with the character through everything and everywhere. The film started to pick up as soon as it started focusing on Don’s trip and then we started to see how Don inter-acted with all of his ex’s who, some changed, some haven’t. The writing is good because there are a lot of funny moments that are more dry than I expected and when it wants to focus on the total awkwardness that these meetings sometimes hold, really worked out perfectly.

My main problem with this film is that I wish the damn people would talk. Don is ultimately a very sad, slow, and quiet guy that doesn’t know what to talk to these chicks about other than try and snooze in the questions about whether or not they have kids, a type-writer, or pink paper. After awhile, the silence started to bother me because I know a lot of this material could have went a very long way given if the script wasn’t all about silences and awkward pauses in between conversations.

There were moments where I fell like this film hit the right note on being insightful. The film shows these women remembering him, and himself remembering them and there is always this slight thought going through both of their minds as to whether or not things could have been different given that they have stayed together. However, the contrived moments took away from this, as well as Jarmusch’s own weird way of putting his stamp on everything.

An example of Jarmusch just being weird to mess around with this story is when Don goes to his first house and a the daughter of the chick named Lolita lets him in to just chill. A couple of minutes later she comes right out to see him and is wearing absolutely nothing! Hey, I’m not complaining that I got to see Alexis Dziena nakey-wakey but to me, it just seemed way too weird to have in a film that seemed to really base itself on the real events that would happen with something like this. There were many more moments like this (well, not quite like this) but this was the one I kept coming back to.

Since Don Johnston is a very sad dude, the film relies solely on Bill Murray to play it subtle, which is something he can do perfectly. There is a lot of silence and pauses in this film, so that sort of takes away his way of improvising to the situations around him but it also gives him the perfect opportunity to create a very minimalistic character that I could still root for the whole film even though he didn’t have much to say. His character arc is pretty strong considering we don’t know much about this guy, but I felt like i really wanted to just because Murray can create so many emotions with just one look on his face. You can tell when he’s happy, sad, or just plain and simply hangin’ out being Bill Murray.

Jeffrey Wright almost takes the show away from Murray as his fun-loving neighbor, Winston. Wright is the total opposite to Johnston which makes him the best character in the whole flick. His performance is obviously a lot of fun and he brings a lot of life to the flick whenever he’s on-screen or talking on the phone to Johnston. It blows that he wasn’t in the flick some more because whenever he was gone, you could really feel the energy sort of come and go. All of Don’s ex-girlyfriends are all played perfectly by older actresses that somehow find a way to make every performance different for all of their slightly different female characters that show a lot of Don’s life somehow.

Consensus: Sometimes I felt like Jim Jarmusch just wanted to be weird for the hell of it, which sort of takes away from Broken Flowers, but Bill Murray’s subtle and understated performance breathes life into this main character and gives us an insightful, sometimes funny, and sometimes dramatic original story.

7/10=Rental!!

Before Sunrise (1995)

Wish I had more first encounters like this.

This film from director Richard Linklater stars Ethan Hawke as an American backpacker who strikes up a conversation with a lovely fellow traveler (Julie Delpy) on the train to Vienna and persuades her to spend his last day in Europe with him. Wandering the picturesque streets of the Austrian capital, the two share stories of their pasts and their dreams for the future, ultimately forging a bond that leads to love.

Writer and director Richard Linklater really does know how to show real emotions, between humans on screen. Although Dazed and Confused may be more of a comical way of showing it, this is the more serious, and romantic way.

The script is basically superb in all the right ways. The film starts off a bit awkward with talks here and there about philosophies, but nothing special, but then these two start to get an actual feel for each other and that is when things start to pick up. I love the fact that these two talked about life, love, and the great big city of Vienna, and just how they want their life to be something but somehow just isn’t.

Not much happens here, but just these two walking and talking about a lot of things, and there are plenty of philosophies that are brought up, but never do they feel forced out on us or used in a preachy way. In a way this actually made me think more about the world I live in where people expect me to do something, and have this huge understanding of what I’m going to do next, and you feel like everything is so planned. Why not take risks sometimes? And why not do something that may change your outlook on life, or possibly something that may change your life forever because you went with your gut-feeling? Many themes are brought up, and this insightful script gives us a beautiful glimpse into these two people’s minds as they discover that love is something more powerful and rich when you least expect it. The human nature really is a beautiful thing, and this film is an examination of that and how this a relationship is something we all want, but to often sadly see slip away. It’s such a shame that this is more true than some would actually expect, but listening to these two talk about love, and everything else in between, I realized that there’s so much more to the huge, transient universe we live in.

I think my only problem here is that I do wish I was older to actually fully understand everything that these two are talking about, so I could actually relate more to. But I think later on in life, I’ll check this out and it will have a bigger effect on me however I must say that I loved what I got here.

These two together right here are just downright amazing. Ethan Hawke and Julie Delpy may seem like polar opposites from the beginning but by the end of the film, they create what is one of the more realistic and believable romances I have ever seen on screen. Obviously, there is a lot of talking here, and that’s all it really is but these two create these perfectly textured three-dimensional characters that seem so real, that even with this short amount of time, you actually do believe they could make it all work and fall in love over night. I was so happy that I with these two throughout the whole night and listening and watching them talk, walk, sing, dance, and gaze at the beautiful sights of Vienna, just had me believe every part of this film, and just totally fall for these characters.

Consensus: Writer/Director Richard Linklater has created a perfect script about love, life, and the universe we live in, by putting it along with a perfectly acted romance from Hawke and Delpy, which culminates in being one of the most believable and lovely romances ever put on screen.

9.5/10=Full Pricee!!

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