Not much changes in the world we live in, except for dated movies apparently.
The film follows a nameless drifter referred to as “Nada” (Roddy Piper), who discovers the ruling class within the moneyed elite are in fact aliens managing human social affairs through the use of a signal on top of the TV broadcast, concealing their appearance and subliminal messages in mass media.
It’s funny how spot-on writer/director John Carpenter is with his satire here. All of the comments about the “Reaganomics” of the 80′s, TV, movies, and pop-culture, were all pretty funny and made me think about this a whole lot more than I was even expecting too. But I only wished that he could have kept that going on for longer.
The whole tone and setting that Carpenter started off with was pretty nice. The rich are getting richer, while the poorer are getting poorer and this is an element to this flick that starts this flick off with a bleak beginning but it isn’t as depressing because there is a big-hint of mystery in the air. I liked how Carpenter starts his flicks off, with just the right amount of mystery, setting, and even some character development roaming around as well and this one is no different. However, it was only a matter of time until he started to lose me, and lose me real, real bad.
Everything was going fine with this dark comedy satire idea on 80′s culture, but as soon as Piper puts on his cool shades, then the film goes for a huge action-packed ride. This bothered me because I felt like Carpenter really set himself up big-time with a groovy premise like this that would have everybody laughing at all of its irony, but instead, he just decided to waste his time on bullets and corny one-liners. It’s almost as if he had a good idea in his head and started off with it, and then he just decided to be a little teenager again and get a little crazy with his guns. I don’t know if that’s exactly what was going through Carpenter’s head but it sure as hell seems like it.
But it wasn’t just the fact that the film changed its tone in the first place, what really bothered me was the fact that the action wasn’t as exciting as it could have been to get this story off the ground. Of course, there’s scenes of Piper going around with a shot-gun, shooting off aliens left-and-right (which is always good fun to see) but it just keeps on starting and stopping, almost to the point of where I was utterly and completely bored. I had the same problem with Escape from New York, but it was just so much worse here and instead of keeping me glued in, it just lost me and at one point, even had me nodding off. Also, what the hell was up with that 7-minute fight!?! Made absolutely no sense as to why it went on as excruciatingly long as it did and didn’t really do much for the story, other than to show that Piper is a tough-ass mofo.
Speaking of Roddy Piper, he tries his hardest here as Nada but can’t do nothing else other than seem flat the whole time. I loved Piper as a wrestler, and always found out that he was a funny guy, who could always back it up in the ring with the best of them but he definitely can’t do that as an actor. The casting of Piper was a very smart idea from Carpenter, but Piper’s character is so flat and uninteresting, that’s it almost too hard to believe or even care what the hell this guy is going to do next to all of these bad-ass aliens. Actually, it seemed weird that Piper would start off so squeaky-clean at first, with a guy who almost seems like he wouldn’t hurt a fly, but then changes it up out of nowhere, and is now this wild, crazy, and violent one-liner dropping type of dude that don’t take no shit from nobody. It just seemed very strange to me and no matter how much I love Piper as a wrestler, the guy can’t act. Sorry my kilt-wearing friend.
But hey, at least Keith David was around to keep things going the right way, right?!? That guy better get a damn Oscar one of these days.
Consensus: They Live starts off fresh, smart, and very intriguing with it’s satire-covered premise, but then it switches gears to an action movie, and a not-so fun or entertaining action movie at that with it’s constantly uneven pace.
So, since we’re all connected to one another, does that mean Hugh Grant is connected to me??!?! Yes!
The movie explores how the actions and consequences of individual lives impact one another throughout the past, the present and the future. Action, mystery and romance weave dramatically through the story as one soul is shaped from a killer into a hero and a single act of kindness ripples across centuries to inspire a revolution in the distant future.
Most of you folks out there have probably been seeing loads and loads of advertisements and whatnot for this flick and are probably thinking, “What the hell is this about?” I’m pretty sure my synopsis up there didn’t provide any such help for you either so let me just start off by saying it’s about a bunch of stories that all take place during the past, present, and future, and all connect to each other in slight, little-clever ways. There, now you have it so let’s get on with what makes this film one that the common-folk will hopefully see. I highly doubt my review will do anything to change the opinions of peeps, but there’s always hope, people.
This movie marks the long-awaited return of the famous directing team, the Wachowskis, but it isn’t all about them the whole way. They also share directing-duties with Tom Tykwer, but that doesn’t matter because you can’t really tell who’s directing who as neither of them really have a distinct-style of film-making, other than using loads and loads of CGI in their works. Not saying that’s a bad thing but it’d be a lot more obvious if you had a pairing-up between two directors like, say, Martin Scorcese and David Lynch. One person would be telling a story about a bunch of mobsters going off to whack some guy, while the other person would be telling a story about boogie-men, Roy Orbison songs, and live-walking bunnies. Hell, now that I think about it, that would make a pretty cool-ass flick. Anyway, I am toates off-subject here. Back to the freakin’ movie at-hand.
From what I hear through the grapevine, the original novel that this movie is based off of, has been apparently called unfilmable, which makes the direction between these three seem all the more eventful in the long-run. There about six-different stories that are told here, and all seem very understood and easy to follow, where you don’t really ever get confused as to what story is actually taking place and what the hell is going on in each of them. All stories are pretty simple to follow and even though some of them may have goofy sci-fi shit going on, you still get the gist of what’s going on.
And what’s so great about all of these different stories, is that each and every single one is about as entertaining and interesting as you could get. Granted, not all of the stories hold your attention as much (the one that takes place in the woods where everybody talks like they’re from the South, during the 19th century), but they all seemed to keep me glued to the screen and provided me with the right ingredients to have a good time. They also all seem to have their own personalities where there’s one story concerning romance, one story concerning a bunch of slap-stick humor (and it’s slap-stick done right, mind you), one story concerning sci-fi, futuristic action, and even one story that reminded me a lot of Death Wish, with it’s cool, 70′s-thriller vibe. In a way, there’s something here that’s for everyone and if you don’t find one story all that intriguing then you can always depend on another one to come right out, and sweep you off your feet to get you right back into what’s on-screen. Great directing skills from all three of these peeps and it shows you that these guys still have it in them to make an entertaining movie, even if it is almost 3-hours long. Yes, you heard me right, people. 3-HOURS LONG. Bring the red bull, you may need it. But yet, it’s 3-hours that didn’t feel like it at all, so maybe you don’t. You know what? Bring it just in case.
However, as entertaining and interesting as this whole film was, I still felt a bit empty at the end of it all. The whole point of this movie was understandable, and it was how we all the same, underneath our skin. It’s a message that does get drawn-out very well in this movie with certain stories relating and connecting to another in a very small-way, but that message didn’t have any impact on me whatsoever when the movie was over. Some of the characters in the stories I did care about, but not to the point of where I felt like I was going to cry my eyes out if they died or anything. Maybe that’s sick-way of thinking when you see a flick like this but that’s how it all went down for me. No emotional impact, no emotional connection, no nothing. It was just a bunch of fun, entertainment that kept my interest.
But somehow, I felt like the Wachowskis and Tykwer were going for me than just that, which is why I felt like I missing something at the end. The score did give me that epic-feeling in the pit of my stomach and had me look to the screen with wonder, but how the hell was I supposed to connect to characters and to a story through just plain and simple score-music? I don’t know what was wrong with me during the viewing of this flick, but if you expect a huge, tear-jearker, than you may have come to the wrong-place. Bad/sad stuff does happen, but never to the point of where I felt like I needed an extra box of Kleenex on the way home. Maybe that answers the question for ‘ya. So, for all of you Nicholas Sparks fans, don’t even think about going to this after a bad break-up and expecting to relate.
Most of the fun of this movie that I already alluded to earlier, is watching the ensemble cast and seeing all of these different roles they pick-up in each story. See, in this movie, instead of just having a star play one character, in one story, and having that be their own pride and joy, they all get to play another character in each and every other story and all have different looks. Some are goofy-looking, and some are pretty neat-o how they all pulled it off (make-up and costume designs are sure to get an Oscar nomination this year), but overall, they all will probably have you staring at that one character and thinking to yourself, “Is that Huge Weaving in drag?”
And yes, in case you wondering, Hugo Weaving does actually show-up in drag here and it’s fun to watch him play it too, because the guy plays a villain in every, single story. But he’s not the only one having fun out of the cast, because everybody else is pretty much too. Tom Hanks shows up the most prominently in this flick and plays all of these different types and roles that we have never really seen from the guy before and it just goes to show you why exactly this guy is the face of-Hollywood, in a lot of ways. Halle Berry is another one who shows up the most prominently in this flick and shows us all why she deserves bigger and better roles like the ones she has here. It’s been awhile since Berry has actually took a nice, juicy-role that spoke to her true talents as an actress, and thankfully, the time has come to where we see it finally and she handles herself oh so perfectly with every story.
Out of this whole cast, it’s really hard to decipher who has the more-difficult tasks at-hand here, but I will say that the one I was most impressed with was Jim Sturgess who held his own pretty damn well throughout this whole flick. Maybe the guy didn’t do an amazingly spectacular job, but after appearing in shit like 21, Across the Universe, and One Day, the guy took me by surprise by showing me the depths he has as an actor and I look forward to seeing what else he can do in the near-future with his career. Hopefully, just hopefully, he steers clear of those soapy, melodramas that always seem to plague young, good-looking guys’ careers like his.
It should also be as to no surprise that Jim Broadbent steals the show in every story he has, and the one where he and a couple of fellow old-timers plan an escape out of an old-folks home is definitely worth the price of admission alone. Basically, everybody you see on that cast-list up there on the poster, is featured plenty of times in this movie that will have you pointing to the screen a crap-load of times. But on a sad-note, the coolest Brit of them all seems to get the short-stick a bit. Yep, that’s right. I’m talking about you Hugh Grant. I want to see more of you buddy, so show-up in more stuff!
Consensus: Cloud Atlas is a very, very long movie that’s filled with plenty of stories, plenty of characters, and plenty of ambitions that it’s set for itself, but is also a very entertaining and beautiful movie to watch as it never really leaves you bored when it’s all over. It may not be the most emotionally-impacting viewing-experience you’ll have this year, but it’s a great watch that will probably take-up half of your day. But, in a good way at least.
Don’t be racist, especially in L.A.
A Brentwood housewife and her DA husband. A Persian store owner. Two police detectives who are also lovers. A black television director and his wife. A Mexican locksmith. Two car-jackers. A rookie cop. A middle-aged Korean couple… They all live in Los Angeles. And in the next 36 hours, they will all collide…
So the one thing about this movie that always seems to get people crazy (myself included) is that this was the Best Picture winner over the near-masterpiece that is ‘Brokeback Mountain’, and while I can’t say that I think otherwise now, I can still say that i think that this one doesn’t deserve all the bashing it seems to get.
To start off with this flick, I have to say that the general idea of having all of these stories center around racism is pretty nifty and it works mainly because of Paul Haggis‘ script. Haggis did a great job at showing us all of these different perspectives on other peoples’ race and gives us plenty of stories where we realize just how hard it is to be anything in this world, especially when race comes into the picture. I think I’ve mentioned race about 3 times already in this review but it’s as if it was just another character in this movie, but it just didn’t speak. It’s everywhere these characters look, around everything they do, and basically impacts all of their everyday activities and it’s only gotten worse and worse as the years have gone by. It’s a harsh reality but it’s a very true reality and I have to give it to Haggis for at least going out there and showing all of this because it’s something everybody needs to hear and understand. There’s plenty of other themes and messages here about life, people, and the world we live in, not just racism, but it’s definitely one of the themes that I could understand and connect with the most.
The problem that Haggis ran into with this script was that it sometimes dives into soap opera-ish and that’s where it sort of began to lose me. Some moments in this film rang true for me, while others just felt too cinematically cheesy that they could only happen in a movie, which is what movies are all about but this film does try its hardest to seem like its real. Take for instance, the scene with Ryan Phillippe and Larenz Tate, without giving too much away I just want to say that they both are driving in a car and within 1 minute of the ride, they are already fighting and arguing about something, which is trying to show how a black person and white person can’t really get along. Then it ends in a very bizarre and shocking way but it came off more as unbelievable to me because it seemed like Haggis was trying too hard to try and show us how messed up relations between two different races are. Nice try Paul, but life doesn’t always play out like that.
However, for every “made for movies” scene, there was an equally compelling and powerful scene waiting to just come right up and snatch us. Haggis has a couple of scenes as director where he unleashes these very heavy scenes full of his score and they work because as over-powering as it may be, it still keeps your eyes glued on the screen as you can feel the emotion pouring out. Sometimes it works, sometimes it doesn’t, but the fact is that when it works here, it works superbly.
Where this film really works is the ensemble cast that Haggis was able to assemble here and all do perfect jobs with their sometimes unlikable characters. Don Cheadle, Sandra Bullock, and Matt Dillon are all given characters that you can’t really like just because they don’t do the right thing about 95% of the whole flick, but yet they are very compelling, especially Dillon. Matt Dillon is perfect here as the racist cop, which is sort of a cliche in and of itself but he somehow transcends above that formula and makes this a character that it seems like only he could play. He’s unlikable, pompous, and racist but by the end we start to see the human side of him and it actually feels very real and that’s where I think his performance hit its highest note. Once we start to realize that he’s actually a good actor too, is also when his performance got better. Still don’t know why this guy hasn’t been able to get more like this recently. Then again, there was ‘Takers’ but I think that only counts as a good movie for me.
Consensus: Crash is a very hard flick to talk about because it’s well-written, features some great points about the world we live in, especially when it comes to race, and is acted greatly by everybody involved, but way too many scenes also feel like they were just made for a movie experience and the more the film seemed to ring false, the more it seemed to lose points for me. Good film? Yes. Good enough to win Best Picture over Ang Lee’s near-masterpiece? Nope, sorry.
Hmmm….so is doing drugs fun?
A widow (Ellen Burstyn)’s growing dependence on amphetamines and a self-help television show parallels the struggles of her heroin-addicted son (Jared Leto), his girlfriend (Jennifer Connelly) and friend (Marlon Wayans).
Having seen this film already way back when in 2009, I knew that I was in for a Debbie-downer none the less, which is what I got. However, there’s something with age that makes this film better in a way.
This film is absolutely Darren Aronofsky‘s right from the start, all the way till the last credit rolls off the screen. Aronofsky makes this film the psychedelic head-trip that it is with everything he throws at us with all of the powerful and haunting imagery by his one-of-a-kind style. Aronofsky uses editing in the way that it should be used, as in the way to get inside the mind-set of its characters/stories. Whenever these people are popping pills or shootin’ up, we don’t just see them doing it with a slow burn, we just seem them doing it in an ultra-fast mode that’s done in a matter of 2 seconds. It shows the effect it has on the certain person where time sometimes speeds up, slows down, and even may take you into this dream-world where all of the craziest illusions just pop-up out of nowhere. Either way, Aronofsky is a pro at making a dark story even darker just with the right amount of style to give me images that will probably stay in my head for the rest of my life.
It’s not just Aronofsky’s visuals that get this film going, it’s also the sounds and soundtrack done here that really works wonders as well. The soundtrack is done by Clint Mansell and the Kronos Quartet and every single little piece of music they put in here is as haunting as the last one and it’s one of the very rare times where the songs themselves actually start to build-up and up and up and up along with the actual film itself. The attention to sound is also a big deal here as well because everything sounded so legitimate as if you could hear the pill box poppin’ or the lines being done themselves. This is one of the films that shows how much sound can go a long way, especially if you’re doing a drug film that shows the constant motion people go through, day-in and day-out, when they are on drugs.
Where this film really got me was its message. Yes, it is rather obvious the first time around but once you start thinking about it more and more, and take it into consideration with your own life, then it really hits you. The film talks about how habitual drug use such as pills, cocaine, heroin, etc. will start to disillusion the world you live in and you start to live this imaginary world where almost everything seems to be happening the way you want it, but in reality, it isn’t even close. People in this film start off all happy and high with drugs but then soon start to fall even more and more into the drug world and they start to lose sight of each other and the world they live in. This is very true with real life as I have almost had to go through with some of this myself. Now, I’m not saying that I’ve obviously went through the major shit that these characters go through but drugs came into my life at one point and it really effed me up as well as others around me. Drugs can make you happy, but in the end, drugs always end up doing more harm than good no matter what it may be. Moral of the story is, kids, drugs are bad. Doesn’t get any more simpler than that really.
My only one and main problem with the film was not the film but more of its story. The story is very grim and depressing the whole time but the fact that I couldn’t really feel much for any of these characters, except for the obvious one, was pretty much it. I mean I felt bad for the old lady considering she didn’t know what she was getting herself into with the drugs she was given, other than the fact that she was going to lose some weight, but the others, I couldn’t really feel any sympathy for. I mean they knew what they were getting themselves into right from the moment they did their first “job” and when that all starts to spiral out-of-control and they are basically left with nothing but a couple of hundreds for druggies, I couldn’t feel anything else except for pity. Then again, I don’t think the story is really asking for me to feel anything in the first place so maybe I just wanted somebody to feel for.
I couldn’t go on in this review without mentioning the performance here given by Ellen Burstyn playing that old lady, Sara. This is a very risky role for someone of her age and stature, but she went for it all here and gave one of the memorable performances of the past decade. She’s sad, lonely, troubled, confused, and right when these drugs come into her life, she gets even more crazier by the second and it’s not only sad to watch but also effective as well because there are so many people like her out there in the real world that go through problems as much as she does as well. She definitely deserved that Oscar considering she took a role that I’m guessing not many others went for, and made it her own troubled and depressing character.
Jared Leto has a Brooklyn accent that doesn’t really ring true for me but he actually does very much look the part of the big-time heroin addict that he’s playing here as Harry. Jennifer Connelly play’s his girly-friend and probably has to go through a lot of the more crazier ish that takes over this film within the last act and does a pretty good job with it as I can easily say that I was not that attracted to her as her addiction started going on and on. Let me also not forget to mention that this Marlon Wayans is surprisingly good as Tyrone, and it’s a huge bit of random casting that somehow worked to this guy’s advantage but sad thing was that he didn’t really get much dramatic work after this.
Consensus: Though it’s not for the faint of heart, Requiem for a Dream is an anti-drug film that has a hard-hitting style used by director Darren Aronofsky, a score that will make you terrified, and performances from everyone involved, especially Burstyn, that add so much more to these characters than just a bunch of junkies.
Of course this is Disney’s first black princess, and she’s a frog half of the film. Classy Disney!
Down in New Orleans during the fabulous Jazz Age, young Princess Tiana (voice of Anika Noni Rose) searches for true love and comes face-to-face with snooty debutante Charlotte (Jennifer Cody), ancient voodoo priestess Mama Odie (Jennifer Lewis) and the evil Dr. Facilier (Keith David). But with the help of her mother (Oprah Winfrey), a crooning alligator and other friends, Tiana’s fairy-tale dreams may come true after all.
When you have a film that’s advertised as the people who made ‘Aladdin’ and ‘The Little Mermaid’, you got a lot to live up to. However, I can say that black isn’t better, but still alright.
With all of the talent involved, I have to say that they really did do a great job with this material. Granted, the original story isn’t much different from anything else we’ve seen before, but they do a great job of actually expanding on that idea and giving it a little fresh twist of actually having the princes be a frog too. Not much of a huge shocking twist in the story, but still a good one none the less.
I think if anything was to really stick out about this film was the setting of New Orleans which really did a lot for this film. You go from the southern swamps, to the mansions, and to French Quarters which all give it a really cool look especially with this beautiful 2D animation that just pops out here. With just about every film being released in 3-D nowadays, it was kind of cool to actually see a film, let alone animated, that could have really benefited if given the extra dimension. It’s a film that is very very pretty to look at but if this was in 3-D, I think it would look even better. Especially this scene where some kind of crazy voodoo is going on and these constant colors are just flying all-0ver-the-place and bring you into this sort of acid trip, which would have been even more awesome, if I had those glasses on.
The songs are also another strong-point by how much different types of song genres that come about and give Randy Newman a lot of space to show his talents in. One song is typical jazz, another is gospel, another is Cajun, and then so on and so forth and it was just awesome how great all of these songs sounded. Hell, the film even opens up with some Dr. John here as well and once you open up with him, you know you got the flavor.
The cast and characters in this film are also all pretty good with the likes of Anika Noni Rose, Terrence Howard, John Goodman, Bruno Campos, and Oprah Winfrey among others. Probably the most stand-out job of the whole cast was Keith David (aka THE EFFIN’ Man) as Dr. Facillier, the voodoo man. He not only proves he can deliver sinister dialogue but he can also sing like a professional. He has totally got some major respect points from me now.
However please don’t get me wrong, I do not think this is a bad film by any stretch of the means, it is just not as memorable as any of the other Disney-animated films. When I walked away from Aladdin, I always remember humming “A Whole New World” or “Friend Like Me”. Even with The Little Mermaid I caught myself singing “Under the Sea” or “Part of Your World”. Damn I’m even singing it now! Even though the songs here may be fun to listen to and very well-done, they still don’t match up one bit to any of these other songs from any of these other films and I still can’t remember one off the top of my head.
There is also no real break-out character that we’re always so used to seeing. With Aladdin it Robin Williams as The Genie, and with The Little Mermaid it was Sebastian. Here…I’m guessing maybe the big ass alligator named Louis, who just wanted to play in a jazz band because he was very good at the trumpet. How ironic that his name is Louis too. Even though these characters aren’t memorable, they’re still amusing.
Consensus: The Princess and the Frog benefits from good music, a sweet and tender love story at it’s core, and the beautiful look of the film, but nothing else really stands out and even though the film doesn’t have much wrong with it in general, it just lacks in comparison to so many other Disney classics. Not a bad film just not a memorable one either.
I wonder what would happen if this occurred in my “hood”.
Kevin Carson (Bow Wow), a young man living in the projects, dreams of having his life changed by winning the lottery — as do all his neighbors — but when Kevin finally hits it big, he must keep his good luck secret until he can claim the prize. Thrilled to be in possession of the $370 million ticket, Kevin endeavors to keep his scheming and sometimes hostile neighbors at bay.
Looking at this premise, it actually looks like Friday stretched out over an entire weekend, but sadly it’s nowhere close.
The one thing I must say about this film is that it does have some fun moments. The humor here is short and sweet, and it’s overall generally harmless. I didn’t find myself being offended by any of this (probably because I’m white), but if I was black, I don’t think I would be offended by this either.
My main gripe with this is its tone is all-over-the-place. The problem is that it’s social-political commentary isn’t very smart, it’s humor isn’t hilarious, and it’s drama isn’t thought-provoking. There’s a huge struggle with tone issues here because there’s some real shocking gritty realism, but then at the same time it still has that over-the-top ridiculous humor. For instance you can’t have a slimy preacher talking about some girl he thinks is hot, and then in the next scene talk earnestly about giving back to the community, just be a comedy.
Let’s not also forget the huge amount of stereotypes, and cliches that are within this script. This film is very shallow, showing these people walking around with guns as if it’s nobody’s business, everybody going crazy after this one kid for his money, and there’s actually a girl who just wants to be a baby daddy. I have no idea why there would be so many tired stereotypes in a film that tries to show that the hood isn’t such a bad place after all.
However, the cast is what really brought this film all together in the end. Bow Wow is not the best actor, but there is something magnetic about him on screen where he actually looks like he’s having a good time. This a more adult lead role for him, and I can see that he has got enough charm to carry a film. Ice Cube (who also produced) plays Mr. Washington, and makes a good acting choice as he brings out that distinct coolness about him, and he really commits to being this old man which I surprisingly bought. Naturi Naughton plays Bow Wow’s best friend, Stacie, and has one of the most endearing and likable performances of the whole cast. The rest of the ensemble is filled with plenty of stars such as Brandon T. Jackson, Keith David, Charlie Murphy, Loretta Devine, Gbenga Akinnagbe, Terry Crews, Bill Bellamy, Mike Epps, and the marvelous thespian that is, T-Pain. All do fine with their little jobs but are never fun enough, and aren’t really given much of a shot to be as hilarious as I know they can be. Still, they add a lot of fun to this film.
Consensus: There’s an amount of fun here that isn’t wasted, especially not on its cast, but Lottery Ticket suffers from a tipsy-turvy tone, non-stop stereotypes, and tired cliches. However, you will enjoy yourself if you’re looking for a fun story that all means well in the end.
Any place with a temperature below 20 degrees is ultimately the scariest place ever.
Scientists working in Antarctica are forced to abandon their research after a helicopter crashes near their camp, bringing a lone dog into their midst. But the plot thickens when the otherworldly canine changes form in the middle of the night. As it turns out, the dog is a shape-shifting alien that can attack animals — and unsuspecting humans.
Ever since I played that video game back in the day, I have always been wanting to see what this whole film was all about, and thankfully I wasn’t let down.
This is from the insane mind of horror legend John Carpenter, who was on a role in the 80′s, and this film shows it. The film combines two elements here to create a lot of horror within this movie and that is the actual story and the jaw-dropping special effects that both work so well hand-in-hand.
There is a great deal of suspense to to this story as it plays well along the lines of a “whodunit”, but actually more of a” whoisit”. You don’t really have an idea s to what’s going on, how it’s happening, and who or what is causing all this until it is too late, and this film keeps that mystery going for a pretty long time, thus kept my interest the whole time. The special effects are also some of the best I’ve seen in a film ever, and they really are some of the most disgusting, freakiest things I have ever seen. It was nice to see just how amazingly scary these special effects can look, and still be creepy about 20 years later and not actually be computer-generated. With these two elements helping this film’s creepiness, some really crazy shit goes down. I can’t go in to what exactly does happen, but to say the least, there’s some crazy batso shit here that will really mess with your mind.
However, my only real complaint with this film was that I felt like the characters weren’t actually written that well. The cast does a pretty good job with what their given but all these dudes really just seem like cliche, and I feel if they actually brought just a little bit more insight to these character’s lives, I would have actually rooted for them more and more. Although, you do have Kurt Russell sporting one of the best beards in film history, and Keith David being that cool, black man.
Consensus: With ultimately terrifying special effects, and an inspired direction from the mind of John Carpenter, The Thing will leave you on the edge of your seat, as well as scaring the crap out of you.
God, I wish I was playing a video game instead of watching this crap.
It’s 2034, and humans can control and kill each other in a large-scale online gaming world. But Kable (Gerard Butler), a wrongfully convicted soldier forced to join the violent competition, tries to free himself by taking out its evil architect, Ken (Michael C. Hall). While being controlled by a rich kid (Logan Lerman), Kable must also save his wife, Angie (Amber Valletta), who’s trapped in her own avatar world.
Looking at the plot and trailer from a far, I was thinking it looks really cheesy, but at the same-time, bat-shit crazy which is always good. However, it’s not good here.
The problem with this film is that it really is all over the place, with no sense of logic or control whatsoever. I get the satire and what the film is trying to say, by saying we’re to feel guilty for what the world has become in exploiting violence and death on TV, movies, and even in video games, but the problem is that the film focuses on this by showing us loads and loads of amounts of violence and death. The script also tried too hard to be witty or funny at points, and it just ended up being weird or dumb really.
Sometimes when you have crazy, slam-banging action thrillers, you don’t have to really rely on the story because the action is always there to keep you busy. However, this film doesn’t even do that so well, and that’s all blame on writing and directing team Mark Neveldine and Brian Taylor, known for the even crazier Crank films. The problem here is that all the violence just looks terrible, and the way they film this just makes it look low-budget, and a cheap indie film. The action is OK I guess, but that shaky cam gets way too annoying for points, and you don’t even feel like you’re watching a movie anymore, you almost feel like your on a LSD trip. Make sure you just take yourself some mushrooms before you go in.
Also, what the hell was up with all those titty shots? It was like almost every time this film cooled down, they just decided to show some big boobies. Usually, I don’t mind this, but this film literally over-does the whole “boob shot” thing for me, which I thought I’d never have to say….ever.
Gerard Butler is alright in this role as Kable. I have always had faith in this guy, and I do believe he will eventually get that role that will bring him back up, but as the main hero in this film, he is OK. Michael C. Hall does his very best to do a Southern accent as the villain, Ken Castle, and this really doesn’t work probably because they make him seem so cheesy, but this film probably made that on purpose. I still don’t know what Kyra Sedgwick was doing here, and why the hell she accepted this piece of crap! There are also others in this film that need new agents such as Logan Lerman, Amber Valletta, John Leguizamo, Ludacris, and a totally jacked-up Terry Crews. Also, Keith David shows up too! What the hell is wrong with these people!?!? It’s not the cast’s fault as to why these characters suck, it’s the damn film itself.
Consensus: By taking a glorious amount of psychedelics beforehand one could actually have an enjoyable time with this crazy, all-over-the-place action thriller, but if sober, you may find yourself totally bored, annoyed, and just not entertained one bit by this dumb piece of failed satire.
Goes from being a black comedy, to a BLACK comedy. Pun intended.
Put-upon Aaron (Chris Rock) is always plagued by drama and dysfunction, but he encounters more than he can handle while attempting to plan his father’s funeral. What’s a family gathering without jealousy, tension and blackmail?
This film is directed by Neil Labute, but noticed how I said directed, not written. This guy has made some pretty edgy comedies like Your Friends & Neighbors, and In the Company of Men, so I was kind of bummed to see he wasn’t doing any writing for this film, and considering his last remake was The Wicker Man, I was sort of on my tippy toes about seeing this.
Now I haven’t seen the original so this review will be based on this one, so don’t worry no comparisons here my friends. I didn’t want to really see the original at first, but after watching this, I really don’t want to. This script could have been so much better if it was written by Labute, but yet, I don’t know how funny it would have been either. The jokes in this are as tired as how you would feel after a funeral. We have too many poop gags, drug gags, sex gags, and overall just no sense of what’s even funny. The joke doesn’t work the first time, but they keep going on with it, and that’s what really sucks, cause it takes away from all the other possibly good jokes that could have came out.
The one thing that really intrigued me, is the ensemble cast that has some of my favorite African-American comedians, however their not funny. Chris Rock playing this straight-laced, hapless guy was really dumb, because he wasn’t convincing, and he does too much nose clinching, and wide-eyes to convey emotions, and after awhile, I was just sick of it. Martin Lawrence has put on a couple of good pounds, but isn’t funny at all, he has a couple of dirty sex jokes with him and this girl from high-school, and the jokes are about dead within the first minute of it. Tracy Morgan probably made me laugh once or twice, but he’s watered down by dumb poop jokes. Zoe Saldana, Regina Hall, and Loretta Divine are all good on their own time, but just fall fatal victim to the wrath of the gags. Luke Wilson‘s also here, and it looks like him and Martin Lawrence have been hanging out, as well as sharing lines, cause nothing’s really funny here either. The only ones that made ma laugh the most were James Marsden and Peter Dinklage, who were both under the influence in the movie, as well as Danny Glover‘s lines are hilarious. But notice that’s two white guys out of the whole cast, plus one, but those two are the funniest. Oh and Columbus Short, and my fav Keith David are here too, but their not as funny, as they could be.
Consensus: Death at a Funeral has a great ensemble cast full of the best comedy stars, but uses them for stale jokes, that are tired, as well as not funny, and used way too many times.
P.S Roger Ebert said this was the best comedy since “The Hangover”. Sorry Roger, love ya bro, but WTF were you smoking!??!
What is so great about Mary!??!? Oh, it’s Cameron Diaz, nevermind.
The Farrelly brothers nail the laughs in this hugely popular comedy about a hugely popular girl. Mary (Cameron Diaz) is the ideal girlfriend of every guy she meets, especially frustrated high school suitor Ted (Ben Stiller). But he’s got plenty of competition from Matt Dillon and other unexpected rivals.
The film is directed by The Farrelly Brothers, and this is basically the film that got them into mainstream names. For this they combine their signature gross-out humor, as well as a great deal of cute romantic comedy.
The one thing about this film is that it’s comedy pushes the envelope. It doesn’t push the envelope to the point of where your basically leaving in the middle of the movie to throw-up, but it does get very very raunchy and dirty at times, but not without making you laugh. There’s a lot of moments in this film where The Farrelly Brothers go the extra mile, to bring out the excruciating laughs, and well here, they work. Who after watching this can honestly forget about the “Frank and Beans” scene, or the “dog on speed scene”, all of these scenes are so out this world, but hilarious, and done so well.
But it’s not just about the raunchy and disgusting humor, it’s also, the screenplay that’s filled with some good jokes. There are plenty of moments where these guys actually have a lot of funny things to say, and despite all the gross-out stuff, the film still does have a big heart at the core of everything.
I thought that although the comedy had me laughing, I felt like some of it was trying too hard to be so crude, and mean, that it just got on my nerves. There are many, many jokes centered, and made about mentally challenged people, and although I’m not calling myself a saint or anything, I still think some of the jokes were low-blows. I don’t mind being politically incorrect, but when your just being mean to bring out some laughs, you can’t quite laugh.
Ben Stiller plays basically the same straigh-laced geek that he plays in almost every comedy, but hey it works. Cameron Diaz is great here too, and she’s got that fun-loving personality, beautiful looks, and strong sense of control in her life, that makes you fall in love with Mary too. Matt Dillon steals the show here, as liar Patrick Healy. It’s great to see how much he goes through just to get Mary, and the stuff he makes up, and how he puts it, is just hilarious. He may not have been a very funny dude before this movie, but now, he is just hilarious, proving dick-heads can always be funny. The rest of the cast is funny like Chris Elliot (a dude I haven’t seen in years), Lee Evans (some funny stuff when he drops his keys), and my favorite, Keith David (who is just hilarious in that whole “Frank and Beans” scene, and just made me almost cry every time he said something). Also, let’s not forget the perfect cameo from, “Brett”.
Consensus: There’s Something About Mary may be the most politically-correct comedy, but is a great deal of blending cutesy romantic comedy, with raunchy humor, as well as still providing enough other funny moments for the rest of the movie.
Nightmare Before Christmas was so much better.
Curious young Coraline (voiced by Dakota Fanning) unlocks a door in her family’s home and is transported to a universe that strangely resembles her own — only better. But when her Other Mother (Teri Hatcher) doesn’t want Coraline to return to reality, our heroine must summon an amazing amount of courage to go home and save her family.
So Coraline is another stop-motion pick written & directed by Henry Selick, the same dude who did Nightmare Before Christmas, James and the Giant Peach, and the legendary Monkey Bone. But to be honest, this guy should just stop where he’s goin before he destroys his legend.
The film has some great stop-motion visuals. There is a lot of things done with the camera, that I can tell took a lot of effort, and it looks good as it keeps up with the story and the action. Almost all the detail is there, I just wish the story was.
I feel like kids that went into this, probably couldn’t go to sleep until they were 13. I mean this is some freaky stuff, that is just bound to have you sleep with a night-light on for awhile. With all of the implied and overt threats of violence of an uncensored Grimm’s Tale, Coraline fails to entertain as a family film while falling flat on its face as a thriller. Would someone please explain to me the purpose an extended burlesque routine by a nearly naked lady in a film targeting CHILDREN?
The problem with this movie is not just its rating, but the story itself. The film starts out incredibly slow, and very dark and creepy. And I don’t mind if that was the boat they were trying to go for, however, there was barely any happy moments in this film. Everything was dark, and odd, and it was just all slow.
The cast is alright here. Dakota Fanning is good as Coraline, as she adds a lot more sas onto her character than you would expect. Teri Hatcher is good here too, as the mom, who is really creepy, especially when she’s being a bitch. But the reason I’m giving this movie bonus points, is because, Keith David is in this. I love him, he’s the man. Nuff said.
Consensus: Coraline may look good, but it’s stretch of the PG rating, and deep, dark story, just adds on worse to the slow pace.