Oh, high-school. Those were the freakin’ piss-poor days of teenage angst.
This adaptation stars Logan Lerman as Charlie, an introverted and unpopular teenager who has to come to terms with the suicide of his best friend, falls in with a crowd of outsiders (Ezra Miller and Emma Watson), and is now falling in love for the first time. You know, the usual kids stuff.
High-school. Everybody knows what it’s all about and everybody has memories of it, whether they be good ones or bad ones. For me, being fresh out of high-school, I feel the same exact way where there were days that I loved, and others I just wanted to be over with and move on. High-school is not the only thing you can relate that to, but it’s definitely one of the first times in life where we actually start to feel this, understand this, and eventually, use this tool in our lives to move on and be bigger, possibly more mature adults. Thankfully, this movie made me never, ever want to grow-up.
The trailers, advertisements, and even poster for this film have made it out to be one of your ordinary, run-of-the-mill teenage dramas where we look at how kids eventually grow-up and live their lives. Yawn! Seen it all before and that’s why this film didn’t really intrigue me at first, no matter how much hype was surrounding the book. The one element to this film that did intrigue me a bit was how the actual writer of that book, Stephen Chbosky, not only wrote the screenplay for this adaptation, but also directed it as well. This is a very rare occurrence to hear about in Hollywood since those high-class executives don’t really feel comfortable giving off a big-budget flick to a director they have never worked with before, nor a director that has ever directed anything else before this. However, I don’t think anybody else could have ever directed this. I seriously don’t.
The reason I say this is because Chbosky not only knows everything about this story that he created, but he also feels everything that these characters feel. Every scene here has been done in plenty of other high-school movies before. For instance, the first couple days of high-school where a kid sits all by himself at lunch and can’t connect with anyone; meeting your first friend; going to your first party; getting high for the first time; getting drunk for the first time; and even falling in love for the first-time. All of this, and plenty more conventions of the high-school drama that we usually see, are shown here, but they feel different this time, and by different I mean in a very understandable and powerful way.
Chbosky feels what these characters feel when they get hurt, they get happy, and when they get confused, and every single scene he shows this, never feels tacked-on, manipulative, or cheesy. It all feels real and done with pure and rich emotion to the point of where you can actually relate to these characters a lot on so many topics that get very, very dark at times. But when it does get dark at times, it never loses you because you feel invested in these characters and all of their surroundings and you almost feel like you’re a part of the Wallflowers, more than Charlie is. It can get depressing, but not in a bad way because when it does have fun with itself, it really does have fun and it’s almost like you’re taking a road down memory lane and remembering all of the fun and dumb stuff you did back when you were in high-school. I remember all of the stuff that I did, and I thank this film for letting me actually smile about it all again.
The whole 90′s setting is done well because it uses all of the popular and hip music of that time, but still never exactly tells us when the story takes place giving it that idea that no matter what generation you’re from, or where you grew-up in, teenage angst has always been around and been the same case for all of the people that have had to go through it. That’s one of the main points of the story, but it’s not the only one. The film mainly touches on the feeling of being accepted and actually feeling like you belong somewhere. In this world, sometimes, you can get very, very lonely and almost feel as if you don’t really have much to go about in life anymore and are just going to be stuck in this on-going world of sameness and monotony. To be honest, I feel like that a lot at times and it hits me hard but even in my deepest and darkest times, I still feel accepted by the people around and me and have this idea that I do matter in the world. This film really does hammer that idea down to it’s core and in all honesty, had me in tears by the end of it all once I realized that this wasn’t just one kids story that not a single person could relate to, this is everyone’s story and it’s one story that I think will be beneficial for all of those younglings out there in the world who need to feel accepted and that they do matter in life.
Now that I’ve gone on a huge rant about high-school and the feelings it makes you feel, let me go back to the movie and tell you exactly why this story is as emotionally-involving as any other one I have seen this year: the cast. When I first saw that Logan Lerman was going to be the lead in this, my expectations pretty much plummeted since the kid seems to annoy me in almost everything he does and playing an awkward teen wasn’t going to do much for me, either. However, I stand corrected and say that it’s one of the finest, young performances I have seen this year and in quite some time. The reason I state this is because Lerman has a lot to do. The kid has to be a bit awkward, a bit nerdy, a bit weird, a bit horny, a bit angsty, and above all, a bit of a likable character. Thankfully, the kid nails every single one of those emotions and makes this Charlie character, such a lovely person to stand behind and feel for, especially when we get behind his back-story. Charlie is a nerd, but he’s a lovable nerd that has this type of innocence to him that is easy to root for and only hope for the best, and the trip he takes us through his freshman year of high-school is one of the best class-trips I have ever taken, and that’s all because of Lerman. He’s come a long, long way since being dumb-ass Percy Jackson.
The other one in that cast that everybody has been wondering about was Emma Watson and whether or not she was going to be able to get rid of the whole Hermione Granger act that she has come to be worldly-known for by now. Thankfully, just like Lerman, she does a great job with this character and makes us realize just why there is so much to love about her in the first-place. My only complaint with this film would probably have to be her and that American-accent that seems to come-in and out sometimes, but she’s so damn charming here that it’s very easy to get by and just love her character as much as our little friend Charlie does. I look forward to seeing more from this gal in the future and hopefully seeing her go-on and do bigger stuff than Rupert Grint or Daniel Radcliffe may do. Sorry guys, you just don’t got it like Emma.
And last, but certainly not least, Ezra Miller plays the crazy, fun, and gay kid that Charlie first befriends, Patrick. After seeing Miller play a pretty effed-up kid in We Need to Talk About Kevin, I was so happy to see him absolutely steal each and every single scene he was in because of that delivery he has. I don’t know what it is about his delivery or what, but whenever he’s given a line that’s either funny or sarcastic, he just owns it and totally comes off as the funniest guy in the room. But it’s not all fun and games with his character, he’s actually got a very dark-element to him that really makes you feel for him and understand just why he feels the way he does in life, despite being a gay young teen. Miller finally shows us the emotional side to his acting ability that we’ve all been waiting to see for so long and makes me feel like this kid is going to be a huge break-out star after this and probably the most successful out of three young stars in this movie. Sorry Logan and Emma, you two are great, but Ezra kicks ass.
Since this is mainly a movie about kids and everything they go through, it seems a bit unneeded for adult characters but each one does a great job with the limited material they’re given. Some stars show-up for only a minute, while others show-up for 6 minutes, but regardless of how much they actually show-up, they all do what they’re needed and that’s to give good performances. Much of this love goes out to Paul Rudd as Bill, Charlie’s ridiculously cool English teacher that made me really jealous that I never had him in my high-school life. And I mean Paul Rudd, not the actual cool teacher himself. God, that would be so damn cool.
Consensus: In case you haven’t been able to tell from my highly-detailed review, I loved almost everything about The Perks of Being a Wallflower. It’s emotionally heartfelt, poignant, entertaining, funny, dark, insightful, sad, well-acted, great to listen to, and always had me watching and loving these characters for what they were, and not for what they needed to be. Definitely see it, especially if you’re just another little guy starting out in high-school. This one here, may change your life.
Boning Keira Knightley would probably be on my list of things to do if the world was going to end in three weeks.
Set in a too-near future, a man searches for a meaningful connection as humanity’s last days are at hand. Can he find his greatest love at the worst possible time? As the respective journeys of Dodge (Steve Carell) and Penny (Keira Knightley) converge, the two spark to each other and their outlooks – if not the world’s – brighten.
I really do like this idea. What would you do, if you knew you only had 21 days to live? Would you have endless sex? Get drunk all of the time? Commit suicide? Party it up like no other? Tell off people you have always wanted to tell off? Rekindle with an old flame? Find love one last time? Or just sit there and go on through your day, as if nothing happened? Honestly, I don’t know what I would do except maybe watching all of my favorite movies one last time. This won’t be one of them.
This is the debut from writer/director Lorene Scafaria, and it’s a pretty good one, too considering she is the chick he wrote Nick and Norah’s Infinite Playlist, a movie that made me want to kill all NYC indie bands in existence. That’s why I’m afraid to go to New York, because I know that if I do step somewhere in that city and I hear an indie band, murder will happen. OK, that’s actually not the reason but you get the drift, I didn’t like that movie but I like this one and I think that’s because Scafaria starts this movie out pretty well with a lot of humor.
There’s a lot of goofy stuff that happens in the first half, where we see how all of these people react to the apocalypse differently, like a bizarre-o restaurant called “Freindsies” that starts out with a happy birthday song, and then ends in an orgy that almost comes out of nowhere. Definitely think of that next time I go to Hooters for my b-day celebration. Then there’s also another scene where we see Penny and Dodge get picked up by some random dude, only to find out that he has hired a hitman to kill him. Pretty funny stuff altogether but underneath all of the humor, there lies a very sad darkness and eventually, it comes up from out of nowhere which was good for this film, but also bad.
What I did like about this total shift in tone was that Scafaria gives this trip between Penny and Dodge, some real development so that when these two eventually do “fall in love” it’s earned and feels like something that’s meant to happen, much like the end of the world. That’s another aspect of this movie that kept me going throughout, the fact that there was two ways this movie could have ended. It was a comedy after all, so there could have been a sucker-punch ending where Scafaria decided that the world wasn’t really going to end and all of these people have to live with the dumb mistakes they have already made. But then again, going with the actual doomsday coming around is more logical and it seems like at one point that Scafaria is going to go for it and totally wipe out the whole planet of Earth. I won’t give away what ending she does end up with, but it had me glued to the screen until the credits rolled.
However, as funny as this film could have been at times, the dramatic stuff does come on a little too strong, giving the film an uneven tone. The first half, as I have already mentioned, is pretty damn funny with a whole bunch of wacky situations to how people would act when the end of their days is coming up. But once the film starts to unravel and the idea that everybody will actually die starts to set in, things start to get more and more melancholy and sad. Honestly, I get that you can’t have a film about the nearing apocalypse and have it be funny the whole way through, but this shit ends up getting depressing. Really, the last hour or so barely had any laughs whatsoever and even though before that, it wasn’t the funniest thing known to man, it still put a smile on my face and made me happy. Really, you couldn’t have done this film any differently with it’s tone than Scafaria already did, but it feels like Funny People, where it’s like two different films stuck together. Some of this stuff was touching though, so I can’t be too harsh on it.
Actually, the main reason this flick was so touching was because of the odd pairing of Steve Carell and Keira Knightley. These two actually make a good romantic couple together, even though the age difference between them is a big turn-off for most people, myself included, but I guess that’s the point of them and why they’re together. These two would have never hung-out if the world was still the same, but because of this coincidental circumstance, they end up being the only person they’d much rather spend their last few days alive with.
Carell is doing that sad-sack character again here, but still works well especially when he has to play a character that is still so sad from the fact that his wife and everything else he knows, has left him. Whereas Knightley is playing a lively and full-of-life character, but still shows that she has some sad emotions to her as well. Knightley is great in this role and shows that she actually has some comedic chops to her as well, but it’s the fact that we are able to care for her character as much as Carell’s is and that’s where I think the real beauty of this film lies. The pairing of these two may be odd, but it’s also somewhat inspired and shows that if you have an inspired premise, inspired writing, and inspired characters, then it all can work out in the end. That is…until the world blows up. Then, that’s when things don’t work out.
Consensus: Seeking a Friend for the End of the World is funny, tender, well-acted by its leads, and has its heart in the right place, but also features a big tonal shift about halfway through that makes it feel like two different movies, wrapped up into one, big apocalyptic nightmare.
The main reason why I refuse to travel to New Zealand.
Heavenly Creatures is true story of two teenage girls (Kate Winslet and Melanie Lynskey) from New Zealand who form a very strong friendship that changes both of their lives as they live through their own imaginations. However, things start to get strange when their friendship turns into obsession, which soon leads into murder.
The most disturbing aspect of this whole film is that this is an actual true story and while that is effed up in it’s own right, the chicks are still alive and well today, roaming the streets of only God knows where. Then again, this is a Peter Jackson film which means it’s always going to be strange.
The one thing about this film that sets it apart from other films of this nature is the direction and vision from Jackson himself. This is a pretty straight-forward story but the way Jackson tells it through extreme close-ups, awkward camera angles, constant zooming in-and-out, and not many regular shots, gives this flick a real different feel that I haven’t really seen before in a film that’s about two teenagers who go bat-shit crazy.
However, my problem with this whole direction is that everything here is practically going just about a mile a minute and I just wanted this film to slow down a bit. I get what Jackson was trying to do here, he wanted us to see the world through these girls’ own eyes and imaginations but after awhile it felt like Jackson just wanted us to know that it’s him directing so of course we need gigantic clay figures running rampant killing people. The best scenes for me here were when Jackson kind of just let the tension flow and come on in itself without Jackson ever getting in the way of that but for some reason, he just tried a little too hard and got in the way of what was going on.
The film also opens up with these girls covered in blood from head-to-toe screaming about a murder so right off the bat, I knew exactly what was going to happen by the end and for the whole time, I was just sitting there waiting for it to happen. If they didn’t show us this scene right from the get-go, I think I would have been more into this film like I had wished because it was only till after the flick that I actually checked out the actual case itself.
Even though I still bitch about all of these problems with the film I still found myself totally involved with the very disturbing story that this flick is all about. Seeing two girls go from being friends, to obsessive lover types, to stone-cold killers is downright frightening and the fact that everything here is true is what kept me really disturbed. Every film always shows the bright side to friendship and finding your bestie, but you hardly ever see the dark side of that and what it can do to not just everyone around you, but also yourself. The last 10 to 20 minutes are probably some of the most tense and disturbing I’ve seen ever since ‘Bully’ and I have to say that is something worth recommending.
The performances given by the two girls here are awesome and I think elevated this film completley. Melanie Lynskey is great as Pauline Parker and gave me that very angsty but dangerous teen-vibe the whole time. I still cannot look at her the same and actually be able to call her hot seeing this film. Kate Winslet gives a break-through performance here as Juliet Hulme and steals the show giving this incredible energy that keeps the film entertaining every time she is on-screen. It’s crazy to see where these two really got their starts and it’s also even more great that they sort of made me feel something for their characters, even if they are totally effed up in the head.
Consensus: Peter Jackson has way too much style here for me to actually be involved with this story, but regardless, Heavenly Creatures is a flick that is very disturbing, well-acted, and makes you feel as if you are in these girls’ heads as they go from normal to completley insane.
If only Giamatti was coaching WWE-style wrestling, rather than that soft/real crap.
Paul Giamatti is a stressed out and frustrated attorney, father, and high school wrestling coach named Mike. He agrees to be a guardian to this old dude who is starting to suffer from dementia just to get some money. His grandson, Kyle (Alex Shaffer), shows up after running away from his mother that he hates. So Mike lets him live in his house with his family and he soon learns that he is also a badass wrestler that could save his shitty wrestling team.
Written/directed by a dude named Thomas McCarthy who I still need to check out more of considering that he’s only made two other films and I have heard nothing but lovely things for them both. Also, considering that he wrote for the near-perfect flick, ‘Up’, this is definitely a guy who is able to get the Kleenex out.
The story is pretty simple but the way that McCarthy writes and directs everything here, makes it all seem new and refreshing in its own little, non-original way. Everything here simply feels like real-life with real people, real situations, and real dialogue. McCarthy makes everything that happens in this story not seem like something before (even though that is the case) by just giving us the problems that these characters face but after spending so much time with them, we can empathize with them and root them on no matter what.
McCarthy does a great job with balancing out comedy and drama very well here also. The comedy aspect works out perfectly because in about the first 45 minutes, I was peeing my pants in just how damn funny this dialogue was especially since there are a whole bunch of running gags that have to do with the older guys and the fact that their wrestling team sucked, and they bring it up basically every time the film goes towards the wrestling mat, but it’s very funny and never seems over-used. It seems like everybody in this film had me laughing my ass off at one point but when it came to the dramatic side of this flick, that’s where the film really started to surprise me.
There’s a moment where this film really starts to kick in to some very dramatic material but it never gets too schmaltzy or annoying, instead it stays real which is a true testament to McCarthy’s job as a screen-writer. The film never seems to be trying too hard to make us tear-up or even get us to feel something for these situations, it just sort of happens because we spend so much time with all of these characters and we get to love them. The whole dynamic between Mike and Kyle is very odd but great because it shows just how these two obviously different people need each other in their lives for solace and comfort. It’s great to see how McCarthy puts in this flick as things start to get pretty dark by the end of the flick, but he still doesn’t lose his charm when it comes to writing and I still found myself laughing, even though I never teared up once. Yeah I know that it’s dumb to judge how much I liked a film by the fact if I cried or not but honestly, I was a baby during ‘Up’, so I was almost expecting the same thing here as well.
The problem for me with this film was the fact that by the end everything started to get very predictable and instead of me not knowing just what was going to happen next, I knew exactly what was going to occur and happen to these characters. Did I like this element in a way? Yes. Did I not like this in another way though too? Yes as well. The reason I didn’t like this element as much is because the fact that it was predictable just showed me that it didn’t seem like McCarthy was able to really go for the gutso with this script and try to really tug at our heart-strings but instead give us a satisfying, if predictable fall-out. This is good if you are trying to satisfy everybody who watches the flick but when it comes to people who really want to feel something when they are watching a comedy-drama, you shouldn’t make it feel like a cop-out and almost as if you were scared to really try anything else other than just staying light and happy. Don’t get me wrong, I thought the script was awesome but the last act for me was pretty disappointing considering how much the whole film made me feel.
What McCarthy does do perfectly here though is give us an ensemble cast that gives everyone here a chance to shine. Paul Giamatti is always great in everything he does, and continues to do so with his performance here as Mike. Giamatti is such a lovable dude that no matter how many bad things the characters that he’s playing does, we always somehow like him because it’s Paul Giamatti. He’s great at what he does and when it comes to playing the every-day daddy role, he handles it perfectly. Also, for his first role ever, Alex Shaffer does a pretty bang-up job as Kyle. Kyle is just a really simple kid that isn’t a bad seed by any chance other than the fact that he’s troubled but also very charming. Shaffer handles the charming and the troubled side of Kyle very well and seems like a mature kid right from the get-go that may not look like a kid I could leave the house key with, but by day 4, I’m practically telling him that I keep it under the rug when I’m not home.
Bobby Cannavale is a dude I have seen before but regardless he’s great here as Mike’s assistant-coach, Terry and made me laugh just about every damn time he opened up his mouth; Jeffrey Tambor is also a lot of fun as Vigman, Mike’s other assistant-coach because come on people, the guy is always funny; and it’s also great to see Burt Young actually working again because to be honest, after doing my ‘Rocky’ review I actually started to wonder if this dude was still alive. Terrible thought I know, but a thought none the less.
Amy Ryan is perfect as Mike’s wife, Jackie, who has that perfect balance of drama and comedy to the point of where she feels like a couple of moms that live right around me. At first, she seemed like she was going to be this highly annoying and strict mom who was very weird about having this kid come into the house, but after awhile you get to see her for who she really is and she’s just really cool and down-to-earth, which I was not expecting one bit. Great to know that she isn’t the crackhead mom in this flick though.
Consensus: Even though it gets very predictable by the end, Win Win is still well-written with rich characters, amazing performances by this ensemble cast, and a simple look and feel that seems like a genuine story.
Damn, I’m scared to be a journalist now.
This fact-based film depicts the rise and fall of disgraced magazine journalist Stephen Glass (Hayden Christensen), a staff writer at The New Republic and a contributor to Rolling Stone who ultimately fabricated many of his stories, which led to his downfall.
Writer-director Billy Ray takes a film that I had some little interest in at first, and totally takes it into places I was not expecting in the least bit. I mean because it does have Anakin Skywalker in it, and he just blows.
Ray does a tremendous job of telling the story: giving us the facts of what exactly happened, the tough world of journalism, and even a little character study of a sociopath. This all may seem a little too much for a story that’s about a dude lying, but it brings so much more depth to this story that as it developed more and more, I found myself more and more intrigued by this film.
I, myself, actually want to be a journalist and I found this to be a big warning for all journalists out there to not make up phony stories, even though sometimes they would be nice to hear. It’s not necessarily about making people happy with the stories, it’s more about telling the truth, and how we should all never try to make things up as they go along just for some kicks. This theme is amazing because the fact is that today reporters at every publication seem to be exposed for doing the same thing. You’d think the lesson would have been learned eventually, but it hasn’t.
The film doesn’t show Stephen Glass as this total dick-head of a dude who messed with his stories to be “fun”, he’s actually just a kid that messed up big-time and wanted nothing more to make people happy when they read his stories. I mean I actually did sort of feel for this kid, as did everybody in this film because this Glass kid, was so charming and nice that when the ish really started to hit the fan, everybody stuck up for him, except for the editor who was downright embarrassed when he let such fake stories go by him. This brings up some moral questions as to how you would feel if you were ever put in the same situation and how you would respond it.
However, the problem with this film is that even though they show us a nice-portrait of this kid Glass, we never really get inside of his mind except for a couple of dumb foreshadowing scenes. When this kid was on-screen, I was actually on the edge of my seat as he tried to cover up more and more of his lies and then saying it was just because he was in a state of panic. This all was interesting and the film could have actually went deeper into this character more to actually have us understand just why he did what he did, but the film never really does.
We get all of the who’s, the what’s, and the when’s of the story, but never exactly the why part. I think Glass wanted to just get his stories read and make people happy, but never understand as to why he lied about so many of his stories, and what lead him to continue the lies as it seemed like things were going from bad to worse for him. Was he a little crazy? Was he just trying to make it big? Or was he just an insane kid that never really got paid attention too that much because he was so charming? I never understood why Glass exactly did what he did, and that’s what kind of took me away from this tale to make it a little less interesting.
Judging by the poster to the upper-right, you probably already gave up all hope on this film because of that big head you see. Yes everybody, that is Hayden Christensen, but I have to say his performance as Stephen Glass is probably his best ever, and although that’s not saying much, it’s still great in and of itself. The melt-down for Stephen Glass is a slow one but the way Hayden handles it is very believably, especially the way he manipulates almost every one around him to the point of where of no one knows because its terribly subtle. Stephen Glass didn’t seem like a bad kid, just confused and way-over-his-head and Hayden’s performance is so terrific that it almost makes me forget about Anakin. OK, maybe I won’t go that far.
Peter Sarsgaard is also very good as Chuck Lane, the editor who finds Glass out for all of his lies. Lane is a great character because you can tell that he’s going to have some real impact on this story by the end of it, but you just don’t know how, and the way Sarsgaard handles every scene he has is just brilliant. Lane tolerates Glass the most even when the kid lies to him with every statement that comes out of his mouth, which is sad, because Lane really is the one who seems like the actual voice of reason here that knows what’s right and what’s wrong, and knows what has to be done. Great performance from Sarsgaard who is easily becoming one of those signature supporters you need in almost any film.
The rest of the cast is pretty good with the likes of Chloë Sevigny and Melanie Lynskey playing Glass’ two best girly friends; Hank Azaria as the nice and understanding former editor, Michael Kelly; and Steve Zahn and Rosario Dawson are also very good as the two people who find all of the information out that Glass is lying about.
Consensus: The film may have missed a major up-grade in showing us more about the person of Stephen Glass, but other than that, Shattered Glass is phenomenal with great writing and insight into the world of journalism, and great performances from the whole cast, especially Christensen and Sarsgaard, who provide so much context for their characters by the end, that we actually know more about them then the actual story.
Whoever thought you could be getting so ripped off for just buying a can of corn! Damn ADM!
While gathering evidence against his institutional employer to help the FBI build a price-fixing conspiracy case, affable agribusiness executive Mark Whitacre (Matt Damon) begins to piece together a fantasy world of his own.
So this film is really hard to advertise at all. I mean it’s part dark comedy, part satire, part thriller, and sometimes part drama, but it all works out OK.
The film is directed by Steven Soderbergh and he does a fine job of bringing all this different material together. The film doesn’t work as a broad comedy, but it’s funny in a more subtle and satirical way that actually works. You can tell that this film is aiming for laughs behind all this serious lying, and illegal corporate dealings, but the film somehow finds a way to bring comedy in between all this.
My only problem with this is that it is too long for the material that it’s given and some viewers actually may find themselves bored, as I did. The film is about 108 minutes long, and the big pay-off that were all waiting for is about 88 minutes too late for this material. Also, I saw that this film tried to go somewhere with this story, and have us root behind this guy, but after all this lying and making-up of stories, it was kind of hard to actually back this guy up. I also never saw the inspiration behind all this guy’s lying, and in the end the film doesn’t really tell us either.
Also, what the hell was up with that score?? I liked how it reminded me of an old 1950′s crime show, but then at the same time I felt like they were placing it in there to be wacky, and to bring laughs out of the cast. This just showed that Soderbergh didn’t really have much fun material to begin with, so they just relied on a goofy score.
This whole film really belongs to Matt Damon as the ridiculous Mark Whitacre. He is the opposite of the slick, and sneaky FBI undercover informant, he’s a bumbling, nut job that gets stuck in series of unfortunate events, however Damon has you believe him throughout the whole film. He really inhabits this guy and has you believe him as this total chump, and speaks more about Damon’s skills as an actor because it shows that he can carry any film, regardless of material. You also have all these comedians such as Joel McHale, Scott Bakula, Melanie Lynskey, and hell you even got Biff from Back to the Future here, but the problem is that their not really doing anything funny. It was nice to see all these familiar faces, but there was too much of them and it started to get a little distracting, and seem like an episode of I Love The 90′s.
Consensus: Certain elements of The Informant! are entertaining, including Damon’s hilarious performance, but the slow pace, and the mishandled use of the story, feels like it should have been so much better than what it really was.