Look out aliens, they’re getting older.
Agent K (Will Smith) travels back through time to the 1960s to save Agent J (Tommy Lee Jones). However, the big mishap here is that he’s about 30 years younger (Josh Brolin) and they both have to fight off super-alien, Boris the Animal, from destroying the world.
Now, I know I sure as hell wasn’t asking for this and I’m pretty sure (hoping) that nobody else really was either; but there is still something positive to be said about this franchise. The first one was very fun and probably stayed in every kids memories forever; and then the second one came around suck all of the fun from the first one! Still, there’s a smidge of fun here taht brought me back to the good old days of sitting down and poppin’ in the old MIB into the VHS, with a couple of my really cool buds. Oh, the old times.
What really had me scared in the beginning was how out-dated this flick seemed. It’s been awhile since the first and second film came out, so when you have Smith up on-screen using lines like “pimpslap the biznitch” or “fo’ real dawg”, it gives off barely any comedy and seems like everybody involved is trying to go back to their 90′s flavor. It’s not sitting well with the viewers, though. Actually, movies, Summer blockbusters, and comedy in general has sort of changed since ’97 and you don’t have to look past the first 20 minutes to notice. I didn’t find myself laughing once and felt boderline disappointing because they tried so damn hard to make me. Everything that Smith did back in the 90′s that seemed hip, cool, and funny — comes off flat. Sure, there’s something nice about a comedy that isn’t all about being raunchy goes with a clean approach, but it just isn’t funny enough here and that’s what pushed my buttons at first.
Thankfully once Smith finds himself in 1969, things start to pick up smoothly. Director Barry Sonnenfeld did a nice job with this material because he was able to balance out all of the elements of comedy, action, sci-fi, and even a bit of drama; and somehow he made it all work. I started chuckling a lot more once they got into the 60′s lunged at the time-period by bringing up iconic figures like Andy Warhol, played hilariously by Bill Hader, and a couple of little references to outdated music and fads that were big around then. Yeah, the time-travel idea may have not been very inspiring, but it still worked, alright? Thanks mainly, of course, to Sonnenfeld, who is able to make it work, without just seeming like a one-trick pony where every other joke is a hit at the decade. When you got MIB gadgets in the 60′s, you got a quick laugh.
However, a lot of the fun comes from the action and sci-fi elements. The 3D for this movie is actually pretty good and the special effects look even better, thanks to the wonderful work by Rick Baker who always seems to be on his A-game no matter what the movie is. Of course, the aliens look great and the gadgets are cooler than ever but there’s also a lot of action here that really keeps the movie going, without ever really stopping itself to slow down and focus on its characters.
You know what? I did sort of like when they started to slow the film down and focus on the characters, because it worked better than expected. The film really focuses on how Jones’ character has changed over the years from this smiling happy dude that is liked by many, to this totally stern and miserable-looking guy that nobody wants to be around. This was a cool idea and used well — whenever the film brought it into the picture a bit, however, it immediate starts to shy away from it and then this final twist comes in at the end to give us a connection to these characters more and it comes off as totally shoehorned in. I don’t want to give anything away but what shocked me at first, really made no sense and seemed like a really manipulative way of getting us to care for these two characters that we already love and root for as it is.
Will Smith returns to the screen after a 4-year absence and plays the role of Agent J with all of the charisma and enthusiasm he has in his pocket, almost as if he wasn’t gone from the screen for 4 minutes. As I said before, a lot of Smith’s comedy at first, comes off as dated but he starts to get the hang of it and shows why he is one of the most lovable personalities on the big-screen and I hope he comes back to stay and not leave us after doing some dumb shit like Seven Pounds. Tommy Lee Jones is not really here all that much as Agent J, because a lot of that time is given to the awesome Josh Brolin, who plays a younger version of him. Brolin hits the deadpan delivery that Jones has perfectly and he adds a lot of charm to a performance that could have easily just been one-note. He said “slick” a little too much for my liking, but I still have to give a lot of love to Brolin for bringing an impersonation of a very notable actor, and giving it his own, little swing.
Jemaine Clement is sort of one-dimensional as the villain, Boris the Animal, and I think it’s a disappointment because I think Clement could have really handled this material like a champ. Instead, they give him non-intimidating villainous lines, a running gag about his name that wasn’t funny the first 100 times they did it, and a Randy “Macho Man” Savage look that made me feel like he was going against the wrong guys in a battle like this. He should have been facing Hulkamania, brothers!!
Consensus: Men in Black III may not be a threequel we needed to see nor does it bring anything new to this almost-forgotten franchise, but it does bring a lot of kid-oriented fun to it, with charming performances from the cast, a breezy pace, and a nice mixture of comedy and action that will remind you as to why this franchise worked so well in the first place.
These guys were facing off against aliens, before that was even cool.
Working for a highly-funded yet unofficial government agency, K (Tommy Lee Jones) and J (Will Smith) are the Men In Black, providers of immigration services and regulators of all things alien on Earth. While investigating a series of unregistered close encounters, the MIB agents uncover the deadly plot of an intergalactic terrorist who is on a mission to assassinate two ambassadors from opposing galaxies currently in residence in New York city.
So with Men in Black III coming out soon, I thought it would be a nice idea to go back and check out the first one that not only did I love as a kid, but so did every other kid around me. Sad to see how things change as you grow older, and then become a d-bag movie critic.
Director Barry Sonnenfeld did a pretty good job with this material, which is based on a comic book series that’s full of darkness and violence, by making it somewhat light and fluffy with humor and slime instead. There was plenty of jokes to go around in this flick and I liked that because it showed that the film didn’t really take itself too seriously, which was never more serious than it needed to be at all in the first place. I mean you have two guys dressed in ALL black, going around looking for aliens: how much goofier can you get? Liked the tone of this film because it could have easily fallen apart by taking a serious look at the world of alien hunting. It’s actually more cool than it is goofy, but I think it’s all in a day’s work and that’s all that really mattered to me.
What really took me away was the fact that Rick Baker‘s art direction was something only he could do. Baker is a dude that’s known for doing all of the make-up and costume features on plenty of films ranging from Tim Burton’s Planet of the Apes, The Nutty Professor, and the one he just recently won an Oscar for, The Wolfman. If you have watched any of those three, you will notice that this guy isn’t messing around when it comes to making some crazy make-up look real and this is probably one of his best examples. Whether it’s the giant bug Edgar, or the little worm aliens with the Mexican accents, or even Jack Jeebs, Baker’s detail to make-up and costumes look funny, scary, and surprisingly, very believable. This was one of the main selling points of the flick when it first came out and it’s understandable as to why because they still hold up in today’s day and age of constant IMAX 3D flicks filled with CGI out the wahzoo, coming out almost every weekend.
What I was a little bummed out by this film was that a lot of this just feels very generic, which is mainly due to the plot. The plot is so 1-2-3 that you can usually tell everything that’s going to happen within the first 5 minutes and even though it’s not as bad here as it is with plenty of other flicks of this nature, I still couldn’t get past that I wasn’t really going to see any surprises. Still, I think it’s Sonnenfield’s direction that kept my mind off of this problem for a short time anyway. Speaking of short time, the film is only 98 minutes long and it actually went by pretty quick, even though I do think they could have done a little bit more developing when it came to the characters and just what exactly their main objective was. I get that they were going after the one big, bad alien dude but I don’t know how he was going to tear down the galaxy. Hmmm, maybe it’s just a mystery I’ll never know about.
Where I think this film really worked well with was the two performances from Tommy Lee Jones as Agent K and Will Smith as Agent J. This is one of those polar-opposite, buddy-buddy combinations we see all of the time in these types of flicks but it’s so much fun to watch here because of the type of performers Jones and Smith both are. Jones’ sense of comedy (or lack thereof) is very dry and sometimes non-existent, while Smith is constantly up in everybody’s grill, making slang jokes at everybody he meets and is constantly just shoving his attitude in other peoples’ faces. They both make a good team together because they work well and you can tell that they both do have chemistry, even though the film doesn’t really focus on it all that much. But hey, at least they’re having fun.
Vincent D’Onofrio‘s performance as Edgar was pretty impressive when it came to his physical stature, like how he moved his body and neck in some crazy places, but he really just left me feeling uncomfortable every time he was on-screen. I don’t really think that was any problem with D’Onofrio at all, as it was more of the writing that made him look and feel like an uncomfortable, dirty slob that looks like he hasn’t bathed in years. It was also pretty bad to see Linda Fiorentino absolutely do nothing with the character she was given as Dr. Laurel Weaver. Yeah, I know that the female character in any action movie isn’t really supposed to be a big role by any means, but you could at least try and make it the least memorable instead of just making it seem like you obviously don’t want to be there with you dry deliver and “phoning it in” looks from start to finish. Never really been impressed by this chick and it’s really no surprise that she hasn’t done much in the past decade.
Consensus: Men in Black is what you would expect: funny, light, filled with cool-looking special effects and monsters from Rick Baker, and entertaining but is also very light on plot, which doesn’t really bring up many surprises as it goes along. However, it’s a flick that will always be in my childhood.