Next time, just get actual wolverines to save your asses.
Chris Hemsworth stars Jed Eckert, the leader of a group known as The Wolverines. The Wolverines are a group of young adults/children who run off to the hills after the initial attack from an invasion by North Korea, and then fight off the opposition by using the knowledge of their hometown to their advantage. Same shit as the original, just a whole different decade.
As you all probably saw around last week, I reviewed the original, 1984 cult-classic of this movie and I have to say, it didn’t do anything for me. Yeah, I had a bit of fun going back to the golden-days of when we hated Russia and seeing all of these young teenie-boppers, running around and killing off Ruskies, but overall, was pretty lame and terribly corny. This remake/reboot/whatever the fuck you want to call it, is exactly like that movie, but instead, placed in a time where anybody, I do repeat, ANYBODY could call mommy, daddy, 911, secret service, president, or anybody, just with a click of a button. In case you can’t tell by now, this movie freakin’ blows.
I guess when you have material like this, you’re supposed to leave all rhyme, reason, or all sense of belief at the door and just go into have a fun time watching a bunch of teenagers go gung ho against the North Koreans. In a way, it works, but in other ways, it just doesn’t. Mainly where most of the problem for this film lies in the fact that it does change-up some of the happenings in the original a bit, but it still feels dull and unoriginal. It’s as if every scene in this movie, was meant to just be shown on there, without any real energy or zeal whatsoever and just have people wait-up for the next, big action-sequence that apparently was going to hold you over until the next burst of energy.
The problem is, the burst of energy comes from the hand of this first-time director, Dan Bradley, who just doesn’t seem like he’s fit to hold onto a whole movie, where action doesn’t take place non-stop. With most of the action-scenes, Bradley does an alright job and obviously has a bit of fun playing around with the bigger-budget and present-day setting of this premise, but everything else that doesn’t concern action, things blowing up, people getting killed, or bullets flying, he absolutely, positively chokes on, and chokes on hard. The characters all talk in this macho, deuchy language that does nothing to make us laugh and each and every one, didn’t even seem to have a personality that was worth recognizing or holding onto. I mean, I know it’s a bit of an obvious convention in of these movies to have a joker in the group that lightens everything-up with his comedy, but they didn’t even have that here. It was just straight-up seriousness all-around, and rarely did these kids ever live-it-up because any second, they could have just vanished. Actually, come to think of it now, there’s not even that much character-development here and worse, even though all of these characters are people you’re supposed to be rooting for, care for, and be upset for when something bad happens to them, by the end, you sort of don’t care and it’s surprisingly weird how the other characters sort of seem to feel the same-way.
For instance, a couple members of the group get killed-off during a raid and as sad as it may be, the sadness/melodrama only lasts for about a minute, and then we soon see Hemsworth and Palicki flirting their asses-off by a lake as if nothing ever happened to anybody, let alone to one of their friends that they became close with, just as soon as this terrible event occurred. If my freakin’ good-buddy died in warfare, most likely, no matter how hot the babe was, I would probably not be thinking about getting my “D” wet, especially if we were in a local-war with another country that just so happened to invade my little city. Not only is that bad, but the villains that actually take-over this little city, seem to be more focused on pissing off this group, rather than taking over the U.S., taking over the world, or even, taking over the universe. Nope, they don’t care about world-domination, they just care about getting in the hair of some kids that have AK’s, good looks, and some really, really lame dialogue. Go get em, North Korea!
I think it should be noted right now that this film wasn’t supposed to be released on Thanksgiving during the year 2012. Apparently, this was supposed to come-out back in 2009 but MGM went bankrupt, and apparently pushed this film’s release-date and it’s existence back to a latter-date. Sadly, the latter-date had to be now in the movie theaters, and not now, something I would have bought for $5 at Walmart during Black Friday. But this whole project being shelved for over three-years, definitely shows in a way that makes you realize that these editors, writers, and producers were just very, very rampant in getting this out there that the film comes off like a blubbering mess. I am no lover of the original movie, but at least that had some fun-spirit in it and felt like it was a movie, rather than just a couple of cool action scenes strung together by a huge-deal of melodrama. This one, doesn’t even have that and the whole-time, I was just bored, uninspired, and feeling less and less patriotic as it went along. Hell, in a way, I started to root for the North Koreans because nobody in this group had my sympathy of my feelings.
Actually, let me scratch that, because there was one guy who did happen to have my feelings and remorse for him and that guy is non-other than Chris Hemsworth. Hemsworth, as we have seen time and time again, has a huge-deal of charisma that cannot be overlooked and it’s such a shame that he was given such a shit-role like this as Jed Eckert. And even though the dude does try and in a way, makes us forget about the shitty script-job he’s forced to work with, you still can’t help but remember that this was filmed before he hit it big as Thor and made us all realize that he is one, cool mofo that will have you at hello. Okay, maybe I went a little too overboard with my man-crushness right there, but you get my drift. The guy’s got a heck of a lot of charm to-boot and it’s just sad to see him stoop right on down to this level of crap.
Playing his brother that has little to no resemblance to Hemsworth, is Josh Peck and as terrible as he is here, he isn’t the worst-aspect of this casting. I don’t know if any of you know this out there, but Hemsworth does have a little-brother, that acts, does well in movies, and even looks like Chris. His name is Liam Hemsworth and if you look at that link, you’ll see that the two share an incredible resemblance that would have made a lot more sense, had he been cast instead of skinny and unfunny Josh Peck. But away from the overall casting, Josh Peck still sucks major-ass here and made me laugh every time he opened-up his mouth cause he can’t be serious, he can’t be cool, he can’t be heroic, and he most of all, can’t be the starting-quarterback for his high school football team. Josh, just go back to eating so you can be funny and talented again. Please.
You have to wonder why Josh Peck was given a larger-role over a guy like Josh Hutcherson who has proven us, time and time again that he can actually handle big-roles, despite not having movies all about him. Here, he’s nailed-down to a role that makes him the dope of the group that can’t seem to do anything right and falls for all of the dumbest-pranks set by the group itself. It’s a pretty lame-role for a guy that seems like he’ll be taking over the teen-world very soon once Catching Fire hits the big-screen. And lastly, the only guy who really shows up here and makes us realize that he can take a shit-movie and script, and at least inject some fun into it is Jeffrey Dean Morgan as a U.S. Soldier who sneaks behind enemy lines. The guy’s good, funny, energetic, and also feels like he could and will, kill anyone that stands in his way. Pretty much the guy’s a bad-ass but the question still remains: Who would win in a fight? Thor or The Comedian? Still, waiting on that movie and hopefully they don’t decide to let MGM help finance it either, or it’s another 3 years we’ll be waiting.
Consensus: Red Dawn didn’t really have to do much to make itself better than the original, but it didn’t have to suck this much to make us realize how good that one was either. With choppy-editing, terrible-dialogue, and plot inconsistencies that will have you writing things down for days, you’re most likely just going to want and skip-out on this and see if you can find the original on Netflix and pay The Swayze some love and respect.
Where’s Kevin Costner when you need him?
Set in the 1960’s, three sisters form a Motown singing group, but fame has a heavy price, and Sparkle (Jordin Sparks) is seeing her family fall apart right before her eyes. While Sparkle is writing her songs, it’s her sister, named Sister (Carmen Ejogo), who has center stage. The other two sisters are backup for her, but she is a troubled soul and could make all their hopes and dreams come crashing down.
Being one of the only three white people in a crowd full of black people, I went into this expecting nothing much except for good music, some good times, and also, something that may have not necessarily been targeted towards me. Thankfully, I got both with just a bit more than I expected and yes, it was for me.
I never saw the original Sparkle, and to be honest, I have no plans on doing so since it seems like this one takes that story, adds nothing new, but somehow still makes it work. I think a lot of that credit has to go director Salim Akil who actually generates a lot of nice touches here and there with rich human moments that sometimes ring true, and plenty, and I do repeat, plenty of great music to listen to and even dance along to. The Motown sound is one of the best and this film remembers it all in the best ways with a lot of of fine tracks you may have, or may have not heard before but regardless, you’ll be tapping your toes and fingers. Now maybe if the Motown sound isn’t your bag, then this probably won’t be the best film to jam around too but since it’s mine, I enjoyed that aspect of this movie. Hell, I already listened to the whole soundtrack so you know it got me going!
But once you get past all of the exhilarating and fun musical numbers, you get what is none other than your usual, predictable story of a bunch of gifted singers, trying to make it big but end up falling short due to some terrible occurrences. Yeah, it goes down the road you would expect it to within the first 5 minutes and it’s a shame because this film could have really shown off some real twists and turns that would have gripped me a lot more had they decided to go down the road less traveled with musical flicks. You get wives being beaten, race cards being pulled, felonies committed, and racial politics being discussed, and it just gets to be the usual cliché-ridden tale you would expect from a story about a bunch of singers in the 60′s and 70′s.
But at the end of the day, everything is predictable and obvious but you never once get left out the story. There’s a type of sensitivity that Akil brings to this material where he spends times with these characters, allows us to get to know where they come from, and where their dreams are headed. I wouldn’t go as far as to say that this is a rich character drama that takes time with it’s story and characters, but at least it gives us something to hold onto and make us root behind these people when their lives really seem to go to shit. But it wasn’t just Akil’s direction that made these characters work, a lot of that has to be because of the ensemble cast of characters on-display here that make every one-dimensional character, seem like a hell of a lot more despite what’s on paper.
American Idol hopeful Jordin Sparks does a fine job as Sparkle because as cliché and obvious this character’s motivations can be, she at least makes her appealing and cute to the point of where she’s at least someone we like to watch on-screen, even if everything she says and does is pretty much calculated. Carmen Ejogo kicked ass as her sister, aptly named Sister, who is the obvious Beyoncé of the group who’s live eventually starts to go down-hill once too much fame and drugs come into play. I’ve seen this Ejogo gal before in other stuff before but whatever it was, it doesn’t matter because she did a great job giving a character that is pretty two-dimensional, more of a heart and soul that feels battered (literally) and bruised due to all of her problems with breaking out of normality. Maybe I gave the character more to chew on than this flick actually did but at least she kept me interested and I wouldn’t have minded seeing a whole film about her.
As for the dudes in the cast, they all do fine with a certain somebody, once again, stealing every scene he was in. Mike Epps did a phenomenal job as the hated comedian, Satin Strothers, who just disrespects everybody he comes around and doesn’t do a nice thing throughout the whole movie, but yet, you still want to see more of him. Epps is one of these actors that can use that perfect blend of seriousness and comedy to his advantage, which he does in-fact show here very well, but there’s a type of intensity to him here as well that makes his character so damn scary whenever he’s on-screen. Yeah, the dude is pretty much your essential dickhead that doesn’t do anything pleasant throughout the whole movie, but with Epps playing him, it’s all fine and dandy.
The real shame of this movie was that this was going to be Whitney Houston‘s big comeback and sadly, as everybody knows, she died about three months after completion for it and what a freackin’ tragedy that is man because she does a great job here as the girls’ strict momma. Houston has never been an actress to write home about but at least she gives it her all and this flick as the momma that is never, ever allowing them to make the same mistakes that she did and you can feel her love and emotional support from her the whole movie. It also helps that when Houston belts out one song, she tears down the house, as you would expect from her and it’s just another sign that she could have really came back after all, and tore it down once again. Sadly, that did not happen and it’s a total disappointment.
Consensus: Sparkles features little or no surprises when it comes to its story, but features a great load of nostalgic music that takes us back to the Motown days, some fantastic performances from the cast that actually elevate these characters, and a couple of nice touches here and there of melodrama that work more than they should.