Ethan Hunt is back once again, and he’s freakin’ cooler than ever.
Tom Cruise stars once again as IMF agent Ethan Hunt who has to go undercover along with his team (Jeremy Renner, Paula Patton, Simon Pegg) to clear his organization’s name after they are implicated in a global terrorist plot.
After a year or so of this movie, coming and going at the theaters, I still feel pretty guilty that I missed out on it. I missed out on it for many reasons, but the main, which one being that I just didn’t really care for the series all that much and didn’t even bother catching up with any of the other movies. As you all have probably been able to see, I’ve reviewed all three and rather enjoyed them all, but none stand anywhere near as close to this one. I’m still pissed I missed out! Damn you my broke ass from last year!
All of the M:I movies seem to have been all about the cool gadgets, the high-tech stuff, the crazy stunts, and the incredible amounts of punishment that Hunt was able to take. All of those factors, are still here, but they are given more class and pizzazz this time around that feels more like James Bond movie, rather than another, useless cash-grab for the audience. In a way, it is gunning for the wallets of moviegoers, but at the same time, it’s still offering us more than what we are used to seeing in action-thrillers of this caliber, and I think that’s all thanks to the one, and the only, Brad Bird.
After making animated-flicks like The Iron Giant and The Incredibles, Bird took his chances with live-action filmmaking and even though taking a popular-series like this seems awfully risky for a guy who’s never directed humans, up until now, he still over-comes the task of not only allowing us to have a bunch of fun with the material, but do it in a more sophisticated, smarter way that’s easier to believe and understand than most action movies. I know, it’s crazy to actually think a M:I movie would actually have us believe in some of it’s crazy stunts and action, but that’s what Bird does, and he does it oh, so freakin’ well here. But, what’s even crazier is how much fun Bird seems to be having, despite giving this flick a new look and feel that we haven’t ever seen before. Sorry J.J. Abrams, you tried, but the Bird will always fly higher.
There’s a couple of stunts and set-pieces that really mess with you and make you realize exactly why you love action movies so much in the first-place, that is, when they are done well and done the right way. The one scene that always sticks through my mind is when Hunt is climbing the walls of that Skyscraper, as if he was Spider-Man himself, and what’s so breath-taking about that sequence is not only how breathtaking it is to see on-screen in such a way that makes you wonder how somebody didn’t slip-off and plummet to their death, but more or less why you are so on the edge of your seat. I mean, think about it: we all know Hunt is going to survive this stunt, we all know he’s going to live, and yes, we all know that he’s going to end-up saving the day and doing all that cool, action-y stuff that we are used to seeing him do, but yet, we are still on-edge as in wondering if this guy is going to end up becoming a splat on the ground below. Seriously, the palms get sweaty, the hairs on your neck come-up, and the tensions get higher and higher, and it just continues on throughout each and almost every scene/sequence that Bird plays around with, and that’s what I missed so much with action movies, let alone, M:I movies.
The amount of effort that Bird puts into this movie and the material is outstanding and I can’t believe that this guy hasn’t done more live-action movies in his career. Hopefully, just hopefully, this will be the one flick that gets his name out-there for all of the major studios to finally take notice of and give a shot, because who knows what other animated directors are out there, just looking to get their notice for being able to direct actual people. Well, I guess we can all forget about Andrew Stanton for now, but hey! That was one time and one time only! Just choose wisely next time.
No matter how much people may hate or criticize his wild and crazy personal-life, when you get right down to it, Tom Cruise is still, and forever always will be a movie star and his fourth-outing here as Ethan Hunt, shows us once again why we all love him to begin with. Make no means about it, Cruise was born to play Ethan Hunt and no matter how lame or strange the past 3 movies have been in terms of plot, characterization, or action, Cruise has always prevailed in being the best of all and always being able to keep us happy and pleasant enough to watch him go around, kick-ass, and always bring out the best one-liners we can imagine in certain situations. Even the fact that Cruise does his own stunts is something to revel at, especially here, where it seems like it would be so much harder for a man who’s pushing 50 to do. However, like always, Cruise proves all of us nay-sayers wrong again and it just makes me hope and wish to see more of him in this role.
The rest of the crew that Hunt works with, all do great jobs as well, especially Jeremy Renner who, with this role and The Bourne Legacy, seems like the perfect guy to take over an action role, when the reigns need to be passed-down. Renner adds a lot of sensibility to this role and not only gets to flex some of his action-muscles every once and awhile, but his comedic-ones as well, and you know what? The guy’s pretty damn funny when you allow him to be. Just another reason why this guy is a total diamond in the rough when it comes to casting. Paula Patton’s role as Jane Carter may be a tad unbelievable mainly because she’s so young and brass that handing over a top-secret, professional-operation would seem almost too volatile to whoever assigned her, but yet, Patton prevails. Not only is the gal unbelievable sexy beyond belief, but she also gets a chance to kick some ass as well and show the boys a thing or two. Simon Pegg is always fun and nimble to watch as Benji, aka the comic-relief of the movie, but he’s not over-bearing and at least allows a lot of the tense scenes to just calm you down with his jokes. Overall, solid cast that actually gets to take-over the movie, more than Hunt ever does and that’s not so bad considering all of the characters are fun and interesting to watch.
My main gripe with this movie was that despite there actually being a villain, played by Michael Nyqvist, there’s no real-threat that ever seems to stand in the way of our lovable crew. After Philip Seymour Hoffman’s superb job in the last movie, it seems like it would be damn near *ahem* impossible to do anything as good as that, but at least give us the chance to have a villain that at least poses a threat to Hunt and everybody else. Instead, the guy is barely around and even when he does show-up, he doesn’t do shit and most of the time, just gets his ass-kicked. Where’s the real threat in that? It’s also even lamer that the show-down between the two never really occurs and even when it somehow does, it feels almost anti-climactic. Real, real bummer, especially since I can now say that Dougray Scott was probably a better villain than this chump. Does Jon Voight even count? Or Jean Reno for that matter?
Consensus: Mission: Impossible – Ghost Protocol is the best in the series for many reasons, the main one being that it always keeps you excited, always allows you to have a good time, and never loses your interest for a second, and just goes to show you that Tom Cruise can still make any movie he wants, and have it be as successful or as entertaining as his last one. Long live, Tom. Fuck you, Katie!
Come on Ethan, I thought you didn’t need women.
Super-spy Ethan Hunt (Tom Cruise) has retired from active duty to train new IMF agents and start a life as a married man with his new squeeze (Michelle Monaghan). But he is called back into action to confront the toughest villain he’s ever faced, named Owen Davian (Philip Seymour Hoffman), an international weapons and information provider with no remorse and no conscience.
If you have seen the first two Mission: Impossible movies, liked them, had a good time with them, and didn’t get bored watching Cruise play cool, then chances are, you are going to like this one, have a good time with it, and not bother one-bit that Cruise is playing cool, once again. Actually, I could just use that one-sentence to sum-up my whole review and be done with it, but since I am a critic and I just spent 2 hours of my life watching this thing, I’m going to take away 5-7 minutes away from your life, just so you can read what I have to say. It’s a sort of domino effect, but trust me, you don’t really have to read this. I’m probably just going to go on and on about Katie Holmes and how right she was. Seriously, take a drink every time I mention her name. The review will be a lot better.
Anywhoo, after highly-stylish directors like Brian De Palma and John Woo took over the last two installments, J.J. Abrams comes up on-board and gives his first-shot at directing a full-length, feature movie. Before this, Abrams was known for creating Alias, Lost, Felicity, and other popular TV-shows that people loved and fan-boys went oogle over, which makes this movie all the more interesting to watch now, considering this is also the same guy that went on and brought Trekkies back to life almost three years ago. It’s great to see a director that obviously loves these old-school action movies, but yet, doesn’t forget to throw some of the newer-stuff in as well to fully get us going and have us feel like we’ve gotten the best of both worlds.
Thankfully, that is exactly what Abrams brings to the table here and right from the first-sequence where Hunt and his gal get tied-up and interrogated, you know you are in for a real, real action-treat. Actually, after that scene, the movie doesn’t really ever seem to slow down. We get a bunch of non-stop, tense action-sequences that seem to pull out something new each and every time, and a couple of twists and turns that are sure to have you wondering what’s going to happen next, but in the good way that actually makes sense and not confusing like the first-one. Basically, it was a great choice to bring Abrams along for the ride on this one and it’s obvious that the guy knows how to stage a tense, suspenseful action-scene that will have you gripping your seat, even if you do know how it’s going to end. That’s the sign of a good action director, actually, let alone, director none the less.
However, if you do not like these movies chances are, you’re not going to like this even more. It’s not as stupid as the others, that’s for damn sure, but it definitely feels like a plot-line that wasn’t really thought-out well enough for an action movie of this caliber. For instance, it’s never really brought to my attention what was so bad about this Davian guy in the first-place. Yeah, he’s got weapons and materials of mass-destruction, but I never really saw any of that put to test nor did I really see him actually go to work on any of that whatsoever. I just heard that the guy was bad, realized he was a bit of a dick, and I guess, just assumed that he wasn’t a guy that plays on the good-side. There’s a whole bunch of other problems with this plot that didn’t seem to really make all that much sense to me but in the end, I soon realized that it didn’t matter a lick and all that did matter was watching Ethan Hunt be as cool, as he might as well can be.
Once again, Tom Cruise plays Ethan Hunt like he always does: cool, swift, witty, sneaky, and most of all, smart. Cruise plays this role like no other, has no intentions on leaving, and you know what? I don’t really mind it all that much, either. Yeah, the dude’s getting old and a bit funny-looking in terms of botox but the guy still can play this role in his sleep and have us love him, no matter what crazy shit he does or says in his personal life. At the time of the release of this movie, I know that was a bit hard to get by but to me, it doesn’t make much of a difference now and never really did.
The rest of the cast is pretty solid too, but the one I was really impressed by most of all was Philip Seymour Hoffman as Owen Davian, the main-villain that Hunt is forced to mess with. What makes Davian so different from the others, is the fact that the guy holds no remorse for the things he’s done or is about to do, and plain and simply looks at you in the face, tells you he’s going to put a bullet through it, and says so with no emotion or expressions whatsoever. You really feel like this guy will hold you up on his promise when he’s going to get right down to business and kill you, and that’s why this guy was so freaky to watch and most of all, actually seemed like a legitimate threat to Hunt after all. I will say that his character doesn’t meet the smartest demise of all, but before all of that, Hoffman is electric, fun, and very sinister to watch, in a way that makes me wish he played more villainous-type roles. In a way, I guess he does but oh well, doesn’t matter because the guy can act.
The only one in this cast who really stuck-out like a sore-thumb and seemed to bring everything down was Michelle Monaghan as Hunt’s new lady-friend, Julia. I don’t know if it was Monaghan’s acting, her writing, or just the shoddy-development for her character, but I didn’t give a crap that she was there, why she was there, or what really even was going to happen to her in the end. Abrams tries very hard to throw at us that Hunt is not only doing this mission for the safety of country, but the safety of his heart as well and as appealing and relateable as that may be for some audience-members watching, I for one, didn’t really buy it and give a single-crap whatsoever. If you want to know why, just go on back to my M:I-2 review and you’ll see why I don’t think Hunt should play around with gals. That is it.
Consensus: Mission: Impossible III is probably the best of the whole series because of it’s electric-direction from Abrams, tense action-sequences that never seem to end, and fun-loving spirit for both old, and new action-movies of the world and makes you feel like this is a series that will never run out of a steam, just as long as they stay fresh with new-directors coming on-board and keep Cruise in-line. Oh yeah, by the way, Katie Holmes. Drink up, people!
Never leave a spy alive, especially if that spy happens to be Will Hunting.
This sequel re-enters the shadowy world of expert assassin Jason Bourne (Matt Damon), who continues to find himself plagued by splintered nightmares from his former life. Except this time, he has a bigger threat in CIA agent Pamela Landy (Joan Allen).
I think it’s pretty safe to say that if you liked The Bourne Identity, you’re liking this one. As simple as that.
Director Paul Greengrass does a great job here with this material because instead of doing exactly what Doug Liman did with the first flick, he molds it himself. The first one without a houbt had action but focused way too much on its plot, which in turn took away from the little action there was. So what Greengrass does is just match the plot development it but tops it off with more action. And when I mean action, I mean action, baby! Yeah!
Greengrass films more than a few of the action scenes with his infamous “shaky cam” method, but it didn’t bother me as much here as I thought it would have; actually, it tweaked the film in just the right way. All of the fights that go down here feel like they were filmed by a drunken sports fan who just wanted to see some mono-e-mono brawls and happened to fumble in the right places for his camera. Maybe that doesn’t sound (look) so awesome right now but it really makes you feel like you’re there watching Bourne layeth the Smackedowneth on all of these CIA agents’ candy-asses. You can feel the action no matter how far away from the screen you are. The frenetic editing Greengrass did here may not be for everybody, especially the ones that were huge fans of the original, but most will appreciate the gritty vibe he brings to the film and if nothing else how good he is at filming a car chase.
This film isn’t all about its action though, because a lot of it actually is dedicated to its plot which keeps on moving and moving the plot along. If you saw the original, you will probably know everything that’s going on here in the first place, so therefore when all of these mysteries start to be brought up, solved, and twisted around like a curly fry, you can’t help but feel like you don’t know what’s going to go down next. So many things are being brought up here but somehow, it all works itself out and doesn’t become over-bearing.
However, as interesting as the story may have gotten to become, it was still pretty predictable in the end which bothered me. Yes, I know that this is all used for entertainment values and anybody going into these types of films expecting anything else but just pure, adrenaline-junkie action is a total dumb-ass, but I couldn’t get past the fact that almost every action sequence would pretty much end in Jason Bourne coming out on top no matter what the odds stacked against him were. Maybe the fact that I also know that there’s another sequel to this one is what had me thinking this too. Actually, that’s exactly what it is. Damn, I just wish I saw this when it first came out!
Other parts of this film I didn’t like was when the film tried to get a little sentimental with some subplot about Boune’s first “job”. I don’t mind an action/thriller flick trying to be more than just that but the film tries to edge Bourne out more by giving him this plot to show that he really is a human and humans make mistakes. It comes up just about every 30 minutes when something strange goes down and when it’s all over, you feel like they totally dropped the ball on it. I don’t want to say how this whole subplot eventually plays out, bu the scene it ended with seemed to have left me a bit of a sour taste in my mouth. Don’t know what it was but definitely didn’t feel too right.
Matt Damon once again proves himself to be a good action star, and an even better action star as Jason Bourne. He is able to handle this “plain-looking” guy style but also be able to come off as a ruthless bad-ass whenever it comes down to him taking on other spies and the CIA. Bourne is also a bit more interesting this time around because we see him go from a defensive position to an offensive one, which allows us to root him on some more as he battles these CIA punks. Go get ‘em Bourne!
Damon is also backed up by a pretty solid cast. Joan Allen is pretty awesome as Pamela Landy because she’s a strong character that doesn’t have to use her muscles to prove her ruthlessness, instead, she uses her brain and that’s a real tough brain to go against. Let’s also not forget to mention that she’s very sexy and a chick I wouldn’t mind going up against myself, if you know what I mean..? Rawr! If you have ever seen Brian Cox play a bad guy before, (which is almost every flick with the exception of Super Troopers) then his performance here as Ward Abbott will just be another example as to know what this dude is capable of and Karl Ubran gets some pretty bad-ass scenes where it’s just him looking all tough and ready to fight Bourne. Yet, none of them ever really stand a chance.
Consensus: Though it misses a couple of beats here and there, The Bourne Supremacy is still a solid action flick because it keeps the adrenaline moving at such a solid pace, that you rarely ever forget what you’re watching and you get more and more involved with the story as it goes along.
So does any of this explain as to why gas is up to 4 bucks?!?
This is the story that tells the oil industry from different perspectives such as a CIA operative (George Clooney), an energy analyst (Matt Damon), a Washington attorney (Jeffrey Wright), and a young unemployed Pakistani migrant worker (Mazhar Munir) in an Arab country in the Persian Gulf.
Damn, I wish I was smarter when it came to watching movies because this film pretty much killed me. However, coming from the dude who wrote Traffic, I wasn’t expecting anything less.
Writer/director Stephen Gaghan does the same thing he did with that film and give it the inter-connecting story-lines, with plenty of characters, and all centering around one central topic. This time around, it’s not as good but he still has his moments as writer and director, mostly the latter though. I liked the look Gaghan gave this film: gritty, dirty, and very realistic looking as I actually felt like I was there going from Pakistan to Texas, then to Maryland and back to Pakistan again. Gaghan also some nice moments of suspense and tension here with the script as you know something crazy is going to go down and you can feel the heat in the air rising. However, the problem with all of that is that I didn’t know exactly what or why that heat was rising in the first place.
My main problem with this flick was that I don’t think that this film really was for me. I like to watch a movie to be enjoyed, to see good performances, nice writing, and maybe learn a thing or two in the process, but the problem here is that I didn’t learn anything probably because I didn’t know anything about this topic to begin with. Gaghan knows what he’s talking about when it comes to all of this political mumbo-jumbo about the oil and foreign relations, but I honestly didn’t. Instead of trying to make it work for the audience in anyway, Gaghan doesn’t seem to really give a shit whether or not anybody understands what the hell everybody’s talking about because he’s got some knowledge to drop on us. Gaghan constantly keeps on bringing out information left and right and it was so frustrating after awhile because even though I tried to fill in the blanks myself as to who was doing what to who, I still couldn’t come up with anything and realized that I was missing out on some key plot elements to this film, not like I was going to even know what was going on in the first place anyway.
I guess the blame could be put down on me since I barely knew anything about this main topic, or anything else they talked about here but I honestly think that Gaghan could have at least dumbed it down just a bit. That’s right people, I said dumb it down and I will stand by that statement only for this flick. Hell, maybe dumb it down isn’t the right thing to say, maybe it just needed to be more coherent for an average folk such as myself. Yeah, coherency is what I really meant.
The key audience for this flick who will understand just about everything that’s going on are probably dilettantes, politicians, pundits, and all of the other people that are involved with the government, but for your regular movie goer, it’s hard to understand anything really and I think that Gaghan could have really benefited from some explanation or more time to keep this flick going and making a lot more sense to the wider audience. Maybe this film is too smart or maybe I’m just too dumb, either way, I can’t say that I was on the edge of my seat nor did I have any real clue as to what was going on.
Where the film really did start to pick up though was about the last 30-45 minutes when everything started making sense after awhile. All of the stories start to come together and even though I didn’t really know what the hell was going on in the first place, I could say that the ending was definitely a satisfying ending because I did pay enough close attention to it the whole time. I know it’s a cheat saying that I almost forgave the film for it’s last act, but I still think Gaghan handled it well. Wish I could say the same for the rest of his flick.
The ensemble Gaghan was also able to get here worked very well even though it really comes down to three people: George Clooney, Matt Damon, and the criminally underrated Jeffrey Wright, who are all great and perfect choices to be the anchors for this flick. They are all very good with their roles as is everybody else in this big-ass ensemble too but really, it’s Clooney who shines the most. Clooney got his Oscar with this performance as Robert Barnes, and as good and strong as it may be, I don’t quite think it was pure Oscar material but this guy is going to get a big win in the future so it’s all fine and dandy for now.
Consensus: Gaghan’s direction is well-done, and his work with this big ensemble is also very impressive, but the problem with his script is that it’s way too confusing with all of it’s jargon that will only make sense to people who actually pay attention to this stuff in the first place. I don’t know if it was just me or the flick itself, but something wasn’t going too well here and that’s why I can’t say it’s as great as everybody says it is.
Batman and Iron Man together at last! Except this time, Batman actually is gay.
Harry Lockhart (Robert Downey Junior) is a thief posing as an actor who teams up with tough-guy private eye Perry Van Shrike (Val Kilmer) and frustrated actress Harmony Faith Lane (Michelle Monaghan). They stumble upon a murder, which is when the comedy starts to ensue.
When you take elements of a noir, mix it together with dark comedy, action, a little bit of love, and a whole lot of satire and put in one flick, it seems like it would just be another jumbled up piece that would turn out to be just another lame rip-off of ‘Pulp Fiction’. However, c0-writer/director Shane Black is definitely a guy you can depend on for originality.
The film starts off with this very self-aware narrative that shows us all of the things we should know about this story, and makes it a point to point out all of the obvious stuff that pop-up later on in the flick. This was a hilarious way to start the flick off because it got me in the right mind-set of how the comedy was going to be, how frequent it was, and that I also wasn’t going to see something I’ve seen before. Black is a writer that I hear so much about and I can really tell that he has some real talent because with each and every single frame, he keeps on bringing more and more fresh ideas to this story to the point where you think anything can happen, and it actually does.
Despite bringing some fresh and new air to this type of flick, there is also a huge amount to laugh-out-loud here, which is exactly what I did. There’s a lot of gay jokes here to be heard but they work incredibly well, the tongue-in-cheek humor that shows these characters basically talking like they are in another crime-action flick works and doesn’t seem overly used at all, the one-liners just come out like crazy, and you can’t laugh at how funny Black is when he’s poking fun at Hollywood. We always get those flicks that make it abundantly clear that Hollywood is just a huge scam but this flick tells it in a very funny and different way where Black brought up funny statements such as the fact that every girl from a little farm-town makes it “big” or that everyone in these bars look like celebrity impersonators, just felt like the best kind of satire that actually had me laughing. It’s also one of those flicks that pokes fun at people getting shot and killed but that still made me laugh. I don’t know what it is with this guy, but Shane Black is really earning points from me.
My only gripe with this flick is that I do feel like the film tries a little too hard to give us a complicated plot so it doesn’t become one of those stories it’s making fun of. Yes, the plot is a mystery but it gets way too complicated to the point of where I had no idea who the hell this chick was that they were searching for, let alone, if she was alive or dead. All I wanted to see was what would happen to our three main characters and I guess that’s where my favorite parts of this flick came from.
Robert Downey Jr. is absolutely awesome as Harry Lockhart because he plays Downey the way we want to see him played. The character, Harry himself is pretty interesting but it’s not his character arch that made him interesting, it was the charisma and charm that Downey gives off in his performance that gets you behind this guy right from the start. Once again, it’s one of those mile-a-minute/tweeker talks that we usually get from him but it works well for his character and it’s just so much fun to see Downey having a ball with a character like this.
However, what really surprised me was how he actually took the back-burner from a dude none as, Val Kilmer. Yes, The Val Kilmer takes this film from Downey and practically makes it his own with his hilarious performance as Gay Perry (yes that is his name). Kilmer is an actor that is known for choosing some really good roles but then at the same time, known for choosing some real shit roles but I think he found his niche here as the sarcastic-as-hell, gay cop that just elevates this film beyond belief, every time he shows up on-screen. Don’t let me take any credit away from Downey because I think he was awesome here equally, but it was Kilmer who just brought so much energy, so much fun, and so much humor to this whole flick that it really made me crack-up at just about everything he said, even when he was being serious. The chemistry is also a lot of fun to watch too considering that they are supposed to be hating each other for a good part of the flick but they still end up having that buddy chemistry that worked so well for Black in the past.
Michelle Monaghan is surprisingly awesome as Harmony Faith Lane, Harry’s love-interest. I was very surprised when I actually found myself laughing at Monaghan’s character here because not only is she fine as hell but she’s got some great comedic timing to her as well and makes her character seem more than just another one-note, action flick love-interest that starts off strong but then starts to fade away from the picture slowly. I also couldn’t stop thinking about how much Emma Stone actually looks and sounds like her but I hope that Stone stays on the path she’s on, considering Monaghan hasn’t really had a good flick in awhile.
Consensus: Kiss Kiss Bang Bang is an original piece of work that combines mystery, crime, action, romance, and tongue-in-cheek comedy that works on almost every level especially with its great lead performances and gets me more and more excited to see what Black and Downey Jr. are going to do with ‘Iron Man 3′.
People staring into space doesn’t do anything. Unless it’s Bill Murray.
‘Somewhere’ follows Johnny Marco, a newly famous actor, as he recuperates from a minor injury at the Chateau Marmont, a well-known Hollywood retreat. Despite money, fame and professional success, Marco is trapped in an existential crisis and feels little emotion during his daily life. When his ex-wife suffers an unexplained breakdown and goes away, she leaves Cleo, their 11-year-old daughter, with him.
Writer/director Sofia Coppola knows an awful lot about having a very famous daddy and barely being able to see him, which is sort of the reason why this is an even bigger disappointment then I imagined.
Coppola does here what she’s done in practically all of her films but instead it feels like a cheap rip-off this time. She tries to, once again, shed a light on the whole art of “celebrity” and give us a glimpse into the life of a celebrity that I can’t really say that I felt connected to this let alone feeling like I was going to have much interest anyway. For this flick I wanted something new and instead I kind of felt a little bit cheated considering that Coppola does know what she’s doing behind the camera, it’s just the fact that she doesn’t know how to do a film where she isn’t focusing on a very rich and famous person being put through a whole bunch of depression.
Once again too, Coppola feels the need to give us these long, boring shots of barely anything happening such as Dorff just sitting in his room smoking and drinking beer, then another goes to him watching two twins pole-dancing to the Foo Fighters, and then to watching his daughter do some really cool ice skating routine. All of these shots come and go but stay for a very long time without any real emotion to what the story actually is.
There were times though where I felt like Coppola did a pretty good job with what she was trying to convey, especially when it came to this father-daughter relationship. These two obviously don’t have any real connection with each other but when they are both forced to be together, you realize that they both have fun together and treat each other nicely, which is what Dorff’s character needs considering all of the crazy shit that happens to him when his daughter isn’t around. There were a couple of scenes where I think Coppola hit the right note with trying to convey an emotion with this story but too many times did it sort of get lost in moments of random silence, and scenes where it just went on and on for no apparent reason.
Coppola also knows how to make a beautiful film here as well. Even though she is essentially poking a bit of fun at the whole “celebrity” high-life in LA, she still knows how to make this film look very vivid with colors that just pop-out and a surprising amount of cool cinematography. The hipster band Phoenix also provided the score for this film but they are barely ever even in it, which kind of disappointed me considering I think they would have made some cool background music for a lot of the scenes.
Stephen Dorff got his big “come-back” with this flick playing Johnny Marco because the guy has always had talent, he’s just never been in the right film to show it off. Dorff’s character is not a very likable guy. He takes advantage of everything he has practically been given, parties to the point of where he breaks his own arm, and has very little to offer his daughter when she comes around but somehow I liked this guy. I just had a feeling that he was a good guy and wanted to just make his daughter happy with him, even though he is not very skilled at doing so. Dorff is great with this performance because even though he barely says anything, you can see the sadness on his face the whole film and he just has this look to him that makes you want to empathize with him, even though you know he does all of this dumb shit.
Elle Fanning is even more impressive as the daughter Cleo because she plays up that “too wise for her age” role very well here to where everything she says seems very natural, rather than just being too cutesy or annoying. Her and Dorff have very good chemistry together and you can tell that through it, that these two love each other but don’t know how to inter-act and it’s really sad to watch but at the same time nice to watch, because they find ways to connect through some funky things such as Guitar Hero, playing ping-pong, or eating some delicious gelatos. It was also pretty awesome to seem some nice little cameos from the likes of Chris Pontius, Benicio Del Toro, and Michelle Monaghan.
Consensus: Somewhere has two great performances from Dorff and Fanning and features a nice little father-daughter story at the heart, but Sofia Coppola doesn’t do much here that she hasn’t done in all of her other flicks and packs way too many shots and scenes that don’t add anything to the real story.
Why does all-of-a-sudden every dude just get horny when they automatically see a chick here?
Based on an inspiring real-life event that took place in the 1970s, North Country stars Charlize Theron in another low-glamour but high-impact role as Josey Aimes, one of only a handful of women working in the Minnesota iron mines. Forced to labor under sexist conditions, she and her female colleagues decide to stand up against the unrelenting harassment from their male counterparts.
You’re probably sitting there now, wondering to yourself after you just read the premise and thought, “Haven’t I seen this before?’. And the truth is yes have, almost every two hours on Lifetime channel.
The film actually does have some moments where it was actually a bit up-lifting, which is probably because the way they depict the way these chicks are treated, was just absolutely terrible and I really wouldn’t wish it on anyone else at all. It’s also kind of sad that these events are actually true and it kind of makes me ashamed of the ways dude treat their women. But other than that, that’s all I felt from this film.
The main problem with this film is that director Niki Caro lets all of this just seem totally over-dramatized and so unbearably obvious that it makes the film almost seem like a really crappy soap-opera rather than an actual inspiration tale that changed the way women work with men forever. I didn’t really get a reason as to why these dudes acted like complete and such little boys with these girls, and the reason we’re actually given, is totally unbelievable and just forced.
I also never understood why any of these guys actually stood up for these chicks, instead of just sitting back and letting it happen. I mean, can every single guy in Minnesota not think for themselves and actually stand up for other human-beings when their being treated like pieces of shit? It’s also kind of weird in a film that basically preaches respecting humanity, it sure does have a lot of pain inflicted on its characters.
Charlize Theron is good as Josey Aimes and shows how her bitterness increases into something that makes her stronger as a woman, and gives her the power to fight back against these d-bags. The only thing is that we don’t see any other side of Josey other than this, and even though Theron plays her very well it’s kind of a disappointment to see what could have been a really complex and great lead, sort of one-note.
Frances McDormand is fine as Glory in her little feisty role that always works so well for her but isn’t in the film as much really; Sean Bean and Woody Harrelson are good as the only two men in all of Minnesota that seem like they actually have a soul; and Richard Jenkins and Sissy Spacek are both good as Theron’s parents. However, the best performance out of the whole cast is Jeremy Renner as this uber d-bag named Bobby Sharp, who Theron’s character went out with when she was younger and almost every scene he had, sort of started to give me the chills. Renner scores emotional depth in a character that would just seem like a total cliche and when the film was over, I remembered his character more than Theron’s actually.
Consensus: What could have been up-lifting and inspirational, gets totally bogged down by hokey, predictable, and sappy cliches that takes a lot away from what’s being talked about in North Country, which could actually seem very important had it been given better direction.
If I had about 8 minutes to relive again and again, I think I’d choose….well….that’s a story for another day folks.
Jake Gyllenhaal portrays a soldier recruited for a time-bending government investigation that places him in another man’s mind and body, reliving the same traumatic event repeatedly in an effort to identify the perpetrators of a terrorist bombing. Vera Farmiga plays a communications specialist who provides the vital link to the soldier’s primary reality as he searches for critical clues within a recurring nightmare.
This is the sophomore effort by Duncan Jones, who some may know him as the director of the 2009 sleeper hit Moon, and others may know him as David Bowie’s son. But look out Bowie, your son is starting to pick up some steam now.
Probably the best thing about this film is the premise that is sort of a combination of Groundhog Day, Memento, and a slash of Inception that seems to work out so well. Duncan Jones is able to grab you into the film and direct it in a way that feels original enough that I didn’t think about its similarities to other films until it was over. The editing is also very solid, and you can’t stop but wonder what exactly is going to happen next, and the suspense works out very well. The movie never feels repetitive even though the same events happen over and over again because they’re each constructed differently enough to feel fresh.
My main problem with this film is that the script is kind of lackluster. Source Code is written by Ben Ripley, who previously wrote two straight-to-DVD Species sequels and one made-for-TV movie. The script has plenty of problems, mainly it being just a combination of ideas from other films without too much originality to it. There’s also a nice little amount of human depth to this story which I actually did like, but the ending here doesn’t do much to support that nice attribute.
While Jones does an excellent job giving the film humanity and life for most of the movie, the conclusion just feels forced and unauthentic. I don’t want to give away too much, but it feels like it should have ended on a much darker note than it does because either the writer or the studio didn’t want to scare away too many moviegoers. While I don’t mind happy endings when they happen in films like these, it’s just odd that this film seemed like it was going to go in another direction, but instead ended on a bad note.
The saving element to this film that really elevated was the performances from the cast, mainly Jake Gyllenhaal, who I think really needed this movie. Jake plays Colter Stevens, and right from the get-go you have no idea who this guy is, and how he’s going to act, but after awhile you really start to see the situation he’s in, and you can actually believe the steps he makes. His charm works here, and by the end you really do find yourself cheering him on, hoping that in the end it all works out. I think this film will really remind people as to why he is such a good leading man. Michelle Monaghan is cute and likable as Christina, and provides a good romantic interest for Gyllenhaal’s character. Vera Farmiga plays Goodwin, who is basically a head in a box, but she somehow elevates her character into a more developed persona and seems more human than I would have expected. The painfully underrated Jeffrey Wright is good here as Dr. Rutledge and makes the best of his villainous-like character.
Consensus: The ending and writing may be a bit of a bummer, but Source Code is uplifted by Duncan Jones’s fearless direction, and good performances from the cast, especially Jake Gyllenhaal, will keep viewers on the edge of their seat throughout the whole ride.
I know I’ll catch a lot of heat for this, but this film isn’t as bad as everybody says.
Returning home to grieve after the shocking death of his overachieving twin brother, an aimless slacker named Jerry (Shia LaBeouf) finds himself inexplicably linked to a notorious terrorist cell and hotly pursued by federal authorities. With the nation’s law enforcement agencies hunting them down, Jerry and single mother Rachel (Michelle Monaghan) — who’s also been framed — must work around the clock to clear their names.
First of all let me focus on the negatives here. The plot is one of those big question raisers as to “can this actually happen?”. And the question to this is no, but that’s why we go to see films like this. But there are a lot of problems with this plot mostly cause it gets more insane by the second as it goes on. There is literally one scene where LaBeouf falls from a third story window, only to crash and fall on a subway railroad track, but have the strength to get up out of the trains way. Yeah, it’s very hard to believe anybody could actually do this in real-life.
Throughout the whole beginning and first hour of the film your wondering, who is actually doing all of this, and when they actually show you, you are still scratching your head. Like honestly, you could have put a dog in a high-chair and it would have been more plausible than what they had. The fact that this computer mind thingy, that actually quite resembles Hal 9000, just saying. The stuff that has to do with this computer doesn’t really entertain as much mostly due to the fact that the film doesn’t know what to say about it either. There is also a little political message like there is a “big brother” and their always watching you, didn’t really ring a huge bell for me since it just came off as stupid and unintelligent.
However, despite those negatives I still thoroughly enjoyed many other elements of the film. Director D.J. Caruso uses a lot of action to keep this story moving forward but it doesn’t feel like a Michael Bay film as its used by CGI or a computer, but it actually feels real, especially when the car crashes x6 happen. Even despite the action, the best scenes I think, are just the quiet, smooth scenes between LaBeouf and Monaghan, and actually bring a lot to the film.
I don’t care what people say about Shia LaBeouf being a pretty boy, but this boy can totally act. He’s got a lot of skill to bring out all the emotions necessary to keep his character believable. Michelle Monaghan is also great, and actually has a lot of great scenes where she is showing emotion for her son that she is trying to find. The two despite the general appeal they have, create this great chemistry together, and put a lot of heart into their scenes, as well as making you believe what is happening, is real.
Consensus: It may not be the smartest film out there, and has some very unbelievable occurrences, but Eagle Eye still entertains with its great knack for fast action, and great performances from the cast that add on a lot of heart to the story.