Wait till the Gingerbread Man comes around. There gon’ be some hell to pay.
Jeremy Renner and Gemma Arterton play the titular characters, who fifteen years after their gingerbread house incident, have turned into ruthless witch hunters. However, they run into a problem when an evil and powerful witch (played by Famke Janssen), finds her way into the town, taking all of the children, and bring back old memories that the two thought they had stored-away for years. Always count on Jean Grey to throw everybody a curve ball.
The fact that the trailers blew, was barely screened for any critics, and was actually supposed to come-out last year, I knew that there was going to be nothing all that amazing or great for me to watch, but then again, it’s January so what is? However, after seeing the train-wreck that was Movie 43, not too long before this, I thought to myself, “Nothing could be as bad as that. Nothing.” Thankfully, this movie didn’t prove me wrong but at the same time, still didn’t do much for me, either. Once again, just another lame-o day at the movies, people. Thankfully, the month of January is just about over. Woo-wee!
This was one of those films that I saw very recently that left me feeling very, very strange. I remember watching the movie, having an okay time, not hating myself for watching it, and not really caring what was going on with the movie. However, as soon as the credits rolled, I was out of there as quick as a banshee, got right into my car, drove home, jammed-out to some Nas (total white boy stuff), got home, sat-down, got ready to write this review, and yet: I couldn’t think of a single, damn thing I liked about it but also, couldn’t think of a single, damn thing I didn’t like about either. That may all sound very odd and strange to you all, but this movie did nothing to my mind, to my mood, or to my movie-viewing. It was literally there for me to kill time, have a watch at the movies, eat some popcorn (extra butter, too), drink some soda (Sprite to be exact), and enjoy myself, all while doing so. Maybe it’s weird because I feel more like a movie-audience member than I actually did a movie-critic, but the fact of the matter remains: nothing really happened to me while watching this movie.
Despite this strange problem that occurred to me after the movie, I still do recall having a nice-amount of fun with this movie, and not just in the, I’m-trying-to-get-over-a-really-really-bad-movie-I-just-saw-way, either. I actually enjoyed myself with this movie and I think that it’s because of the R-rating that allowed for itself to go the limits that it oh so rightfully needed. Because of the R-rating, we get more action, more gore, more nudity, more language, and more limbs and parts of the body, just flying-around. There’s a real, unadulterated sense-of-joy to this movie that is definitely contagious as you may find yourself paying more and more attention to the action and all of the other crazy shenanigans more than what really matters like plot, direction, characters, and script. The reason why it’s important you don’t pay attention to those elements, is because they sort of suck here in this movie.
Saying that everything in this movie, other than the action, just “sucks”, doesn’t seem right but it also seems suitable. The action may be able to keep you distracted for a little bit of time, but when it all goes away and you have to actually get involved with these characters, their tensions, their traits, and the story that they have to them: then the film starts to lose credibility, or any that it had going for itself in the first-place. The dialogue isn’t even that shitty, it’s just bland and dull, and makes me feel like if I was flashed $5,000 in front-of my face, I could have written it too. I probably wouldn’t have as been as witty to include the several F-bombs here and there, but still, it’s the type of script that features little to nothing new or refreshing you haven’t seen or heard done before. It’s just there to serve the action, the story, and the actors. And oh dear: the poor actors.
By saying, “the poor actors”, I don’t actually mean “poor” in the sense that they don’t have a dime to spend because I’m pretty sure that they are well-off wherever they may be residing now, but more or less that they are “poor”, because as much fun and delight as they may be having; it never fully comes onto us in-return. Gemma Arterton and Jeremy Renner are fine as Hansel and Gretel and definitely seem like they have a nice bro-sis chemistry that shines throughout the whole movie, but also feel like they deserve a whole lot more to their names. Maybe more to Renner, than to Arterton, but none the less, both deserve better scripts and better characters to work with and no matter how much charm they may bring to these characters, Hansel and Gretel still never feel like they have the type of personalities that win you over from the start. Other than some subplot about how their parents really died, we don’t get to know too much about them, what makes them tick, and who they really are, enough for us to feel like we know them and can totally root them on. They’re just the type of superheros that are there to kill witches, walk around from town-to-town, and say the F-word, whenever they feel is necessary. Well, them and the two-bit script.
Two, other actors that are here as villains that seem to be having fun are Peter Stormare and Famke Janssen, who are both character-actors that know what to do, how to do it, and make it look good. They both seem like they are having just as much fun as Arterton and Renner are, on the opposite-sides of the spectrum, but still never really pop-off the screen. Instead, they are just there to serve the plot, to show how bad and evil certain characters can be, and most of all, just chew scenery like nobody’s business. If that’s all they were called on for to do, then hey; good for them. But when it comes to giving me villains/characters I’m going to remember next month, or hell, in the next 10 minutes; nope, can’t say I’ll recall much. I guess that last statement could sort of be used to described this whole, damn movie. Oh well. It’s January.
Consensus: For an-hour-and-a-half movie, Hansel and Gretel: Witch Hunters never seems to slow-down, nor does it ever really seem to bore the piss out of a person, but it doesn’t offer anything new, flashy, or memorable to the action-genre and will probably leave your brain, as quickly as the extra large soda of Coke (or in my case, Sprite) leaves your body.
5 / 10 = Rental!!
Have a genre? Don’t worry, Joss Whedon will eventually eff with it.
The story centers around a group of five friends going on a quiet cabin retreat, only to scratch the surface of something so massive and horrific that they can only begin to fathom what might possibly be going on just as time quickly runs out.
In the past couple of years, the horror genre has sort of gone down the tubes with just about every other film being a carb0n-copy of another one. It can all get pretty damn annoying but that is unless you have Joss Whedon signed on to write, then you got yourselves something totally different in all of the right ways.
This is the same old stupid teenager story where a bunch of dumb, horny teenagers go out into the woods and stay in a cabin, when crazy shit starts to go d0wn and they all get knocked off one by one. That’s the generic premise we are used to getting with these films, which is what you get here in a way, but then the twists and turns come out like crazy. I don’t want to give anything away but what I will say is that certain things pop-up in the middle of the flick that changes this the way you look at this film forever. You get curve ball after curve ball here and things you wouldn’t expect to happen in a movie like this, happen and it’s all thanks to the crazy mind of Joss Whedon. It’s definitely more of a “fun” horror movie then anything else and you’ll probably be spending most of the time watching this flick, just wondering what’s going to happen next to these characters and this story itself. Basically, this plot goes anywhere and everywhere it wants to at it’s own pace and that is no problemo with me. I know all of this sounds very vague, but trust me it’s for your own safety.
What I liked most about this horror flick was not just how it’s got constant twists to it but it was also that I had a hell of a time with the whole film in general. The movie makes a lot of jokes towards itself, other horror movies, and the same old plot conventions we usually see but it’s not winking at the camera constantly, it’s actually a bit more wittier than the first 10 minutes may have you think. Essentially, it’s a horror movie that is about horror movies but doesn’t feel tired in the least bit like we have seen other spoofs start to become after the first 20 minutes. The jokes work and they actually had me laughing, which I haven’t gotten with a spoof-horror movie since ‘Scary Movie’ and maybe that’s even pushing it. I also have to say that as funny as this film may actually be, I still find plenty of other times where I really got scared by certain stuff, especially by the end. Once again giving too much away, the last act basically lets loose on everything that’s scary in the world and throws it right at your face to see which may start to surprise you by how freaky it may actually look. Now I mean I wasn’t petrified but there was definitely some moments that had me shaking up a bit in my boots in a more disturbed way really.
Maybe my biggest complaint with this whole film was how the film started to turn into this big-ass CGI bonanza that wouldn’t have been so bad if it were that the special effects were good, but instead they looked a little cheesy. This may sound like a small complaint but the film heavily relies on its CGI and special effects to get some of the creepiest and scariest stuff out there on-screen and it seems more like a B-movie than anything else. I don’t know where the budget for this one went, but it definitely was not it’s special effects.
The young cast here is all pretty good and features a couple of faces that may get very big after this, if aren’t all ready as it is. Chris Hemsworth has some likability to him as the school jock but is a lot cooler as Thor; Kristen Connolly is a nice, little cutie-eyed chick that obviously seems like she could be a lot better if here role weren’t written in such a jokey way; and Fran Kranz ends up stealing the whole show here as the stoner buddy that always has something smart and witty to say but in an annoying way either. The young cast is good, but aside from Kanz, aren’t really anything special. The other two juiciest roles here are given here to great character actors Richard Jenkins and Bradley Whitford as….well…you’ll just have to wait and see.
Consensus: The Cabin in the Woods is definitely one of the funnest horror movies to come out in some time with it’s twisty and unpredictable writing, tongue-in-cheek humor that works, and a whole fun feel to it that will definitely not disappoint anyone whether or not you like horror movies.