Apparently the English had it way worse than the rest of Thailand. Apparently.
Based on a real story, Naomi Watts and Ewan McGregor star as the parents of three sons as they are all caught in the aftermath of the humongous tsunami that struck Southeast Asia in 2004. They get split-up, with the oldest-boy (Tom Holland) and his mother on one side, whereas the father and the younger-boys are on the other. However, among all of the pain, destruction, and disaster both sides set out to find one another and do, simply, THE IMPOSSIBLE. Come on, you had to know that was coming up.
The 2004 Tsunami is a disaster that is still fresh and clear in many people’s minds and in ways, still has people feeling the effects, even after all of these years. That’s why making a flick about this monster-Tsuanmi would still seem a little too soon for some, but it’s a lot more tastefully done than the advertising would have you think. To be honest, it’s probably a better use of the Tsunami than that piece of crapola Hereafter was. Hey, if you’re going to cash-in on a real-life disaster, do it the right way, not the Clint Eastwood way. And that’s why director J.A Bayona is suited so well for this material because not only does he handle the subject and topic with a real sense of class and decency, but he also shows it in the way that makes me feel as if I was right then and there while it was happening.
After seeing a whole Summer chock-full of the world being blown-up and countless other areas being turned to shit, I was very, very surprised to see that the very best use of any type of destruction for a movie in 2012 (no, not that Roland Emmerich piece of shite) came from a movie that uses only 10 minutes or so of it, and then it’s practically gone. We only get 10 minutes or so until the actual Tsunami comes and concurs, and it’s just one of those moments that occurred this year where I was grounded to the floor from start-to-finish. The reason that is, is mainly because everything I saw seemed so real with the waves coming in at a very realistic look and pace, and the scariest use of water I have seen in quite some time. You seriously feel as if you are right there with these people as they get hit by the Tsunami and I have to give Bayona a crap-ton of credit for putting me on the edge of my seat and having me feel like I was in for a wild ride of drama, sadness, destruction, and family-matters. I got all of them, but sadly, not the way I wanted.
After the Tsunami hits and we get to see the shitty situations these characters have found themselves in, everything, slowly but surely, starts to fall-apart. Maybe that isn’t the right thing to say because I was very involved with these characters, this real-life disaster, and the aftermath of it all, but then it almost seems to lose it’s focus. The story that we become first accustomed to is with Watts and Holland as he has to practically be the parent in this situation, because she can barely even walk and practically falling apart. This story-line was interesting as hell because you rarely get to see the kid parenting the parent in movies, unless it’s some teenage daughter teaching her dad all of the cool lingo that the Y-Generation, cool kids use. We see how a parent can put themselves below a child, be tended to, and how a child can actually do that while being successful, and yet, still be a child. It was interesting to see and I could tell that if this was how the whole film was going to play-out, then I was probably going to need to borrow the extra bag of Kleenex’s from the person next to me.
However, I soon forgot about a very key, important-factor to this flick: there’s a whole other side to the family! When McGregor shows up with the two, younger boys, then the flick becomes a bit conventional and melodramatic, almost to the point of where it’s off-putting. With Watts and Holland, it was rich, raw, and gritty, almost to the point of where you were cringing because somebody needed to throw water and soap on them, but when you get McGregor and his story of looking for his family, it takes everything down to something that feels as if it would be from a Lifetime movie or something. The eternal conflict that McGregor has to go through, is that he has to choose on whether or not to abandon his own children, to look for his wife and other child, and that’s it. He has to find them and if he doesn’t, chances are, they’ll be dead. I get that it’s a very real and true depiction of events that probably occurred to a plethora of families around this time, but still, it doesn’t make it the least-bit intriguing or surprising to watch, especially when all that I’m watching is a guy, walking around with a piece of paper in his head and asking people certain names. Yeah, should have just stayed with Watts. She probably would have gotten naked more, too.
The fact that this is a real depiction of something that real people had to go through, just makes this final-product a bit more distasteful in it’s own way. For instance, I find it relatively strange that the flick’s real-life story, concerns a family that was Mexican. Here, they are English and even worse, the rest of the film acts like it was hardest on them the most. Over a million people died that fateful day and some families are still reeling from the effects of that, so to sit-there and make a movie about a little, mighty family of mates that went searching for one another, does seem a bit rude to the rest of the people out there who died and were sometimes under the same circumstance as this very same family. I do have to come and realize that yes, this is a Hollywood production and yes, this is a real-life story about a real-life family, not the real-life event that actually occurred, but still, if I were one of the families who suffered from this Tsunami and saw this movie, I’d be a little ticked-off, quite frankly.
Even though the actual, real-life family this story is based-off of is in fact, Mexican, the English cast that actually does take over this story still make it worth the while to watch and are easily the best elements to this flick. Naomi Watts is getting all sorts of hollers and praise for her role here as Maria, the wife/mother who can’t fend for herself due to a terrible disability, and it’s well-deserved hollers and praise, in my mind. Watts is always knocking roles like this out of the park, each and every single year, but here, she sort of shows the vulnerable-side to her character that can’t be the leader and owner anymore, and instead, has to sit on the back burner and try to stay alive, while her son cares and tends for her. Maybe it’s not as traumatizing of a performance as the one she gave in 21 Grams, but it’s still the cleaner, more mainstream-version of that same performance.
Ewan McGregor is an actor that has been very so-so over the last decade or so, but I think he’s gotten his career back on-track and is a great actor to watch, especially when he’s in such an act of desperation as his character is here. McGregor definitely still has the lovable sensibility to him that not only makes you feel like he’s a great father that loves his family for what they are, but will ultimately, end-up doing the right thing for every one in the end. There’s a scene with McGregor on the phone and without giving too much away and spoiling it for all of you cats out there, it’s probably his most powerful piece of acting he’s given ever since the days of Moulin Rogue. Maybe to some, that’s not saying much, but to me, it means the whole world. Good job, Ewan! Now stay away from the new Star Wars movies!
As compelling as McGregor and Watts are (and trust me, they are something to watch and behold here), the one who really stands-out the most is probably Tom Holland as the oldest-son. The kid starts off as a bit of a brat that can’t help but being a piece of crap to his parents and to his brothers, but has to change all that up once everything goes from bad, to worse, to absolutely dreadful. Not many kid actors working today could pull-off that transition from spoiled-brat, to powerful, adult-like child, but Holland does it and does it so perfectly that you really believe in whatever this kid does next. He’s a wonderfully kind specimen the way he cares for his mother and looks out for her, especially when she needs him the most, but is even kinder when it comes to helping others out in looking for their families, friends, and loved ones. Holland may, or may not slide-by with an Oscar nomination this year but if he does get one, I will not be mad in the least-bit because he’s never annoying, and he’s always real. Or at least that’s what it felt like.
Consensus: Focusing on one, English-family throughout this terrible disaster that occurred in 2004, does seem a bit insensitive to the ones who were effected the most by it, but The Impossible still provides plenty of rich, character-moments that are made even better by the cast and crew that make this flick, one step above your typical, soapy-drama.
Good film, but to beat out Moulin Rogue! and Lord of the Rings for Best Picture, ehh, not so much.
John Forbes Nash Jr. (Russell Crowe) was a brilliant economist — when his mind was clear. But life changed forever with the revelation that he was schizophrenic, although his brilliance persisted amidst the anguish his mental illness caused for him and his wife (Jennifer Connelly).
The one thing that caught my eye of this film, was that it one Best Picture in 2001, when other great films such as Gosford Park, Lord of the Rings, In the Bedroom, and Moulin Rogue!, were all nominated. That is why some people hate the Oscars.
I can’t lie but this is a very good film, mostly cause of the direction from Ron Howard. It isn’t a biopic, its an original story mixed with some key elements of Nashs’ life. The way the film shows how he suffers from schizophrenia is neat in a way cause you sense a level of paranoia within yourself, and always wondering what is real or what isn’t real as did this film.
But not only did the film focus on the trauma he was having from this disease, the film also shows how his friends, and his family are all effected by it, and that’s where I think this film works the best at. Because you see how people interact with him before and after the schizophrenia, and you sense a total change by it. The film doesn’t go for the flim-famming of the illness, instead gets right inside this guys head.
However, these are the reasons why I think its a good film but not great. The chemistry between him and the character Jennifer Connelly played as his wife was non-existent, which I cannot buy: A woman would not stand by so selflessly with a paranoid schizophrenic without a deep rooted love and commitment to that love. The climax also features nothing new added to the story, and comes off as just anti-climactic, why?, I don’t even know myself. Finally, the film is focused largely around John Nash’s beautiful mind, and his remarkable accomplishments (which eventually won him the Nobel Prize), but the film does little to attempt to explore the ideas that John Nash developed, and that is perhaps the films biggest short-coming.
I do believe that the performances from Crowe and Connelly are good despite the story’s problem to make it any better. Crowe plays this character with such realism, and doesn’t depict him as being a total nut ball or anything, like we normally see, but instead he plays this character with his signature simplicity, and becomes John Nash. Also, Connelly does a very good job as well, and the scenes she has with Crowe, actually come off as almost better. I just wish she did more roles like this instead of movies like Dark Water.
Consensus: A Beautiful Mind is a good film, but not Best Picture good. Though it has great performances, and great direction from Howard, that balances the illness, and the family Nash was with.