Getting knocked up sucks but I guess the sex is fun, right?
This is a look at love through the eyes of five interconnected couples experiencing the thrills and surprises of having a baby, and ultimately coming to understand the universal truth that no matter what you plan for, life doesn’t always deliver what’s expected.
Once again, Hollywood has decided to give us a whole slew of stars and jam them into one rom-com. However, it’s not as bad as New Year’s Eve or Valentine’s Day and Gary Marshall isn’t direction so that’s good, right?
Going into this flick, I wasn’t expecting much (pun), probably because I’m a dude and dudes don’t care about all of that pregnant ish except for if the baby is theirs or not. Hate to say it, but it’s true fellas. But I was pleasantly surprised by this flick and I think a lot of that has to do with director Kirk Jones‘ way of giving every story a purpose of their own. I’m glad that this flick focused more on one certain issue to connect all of these characters with, rather than just one day or some stupid holiday, but I’m also glad that the flick didn’t really fall into the pit-falls of absolute cheese that most of Marshall’s did. Each story has their own bits and pieces of humor, but they also have some heart to it that sometimes feels fake, and other times doesn’t. It’s definitely a mixed bag here but I think I’m just going to go off and talk about each of the stories individually, rather than focusing on all of them at the same time. Let’s see what I can do here.
1) The one story between Anna Kendrick and Chace Crawford, was a story that was interesting at first, then continued to lose more and more steam as it went along. The whole idea of these two having a one-night stand and wondering whether or not they’re a good fit for the other, is a pretty interesting story in and of itself, but whenever the flick focuses on it, it starts to become a major downer and just took my mind off of it more and more. It’s the one story that doesn’t go the obvious route, but that wasn’t really a good thing considering how the film handled it. Crawford doesn’t seem like he’s better than this material, but Kendrick does and that’s what really sucks to see because this damn chick was nominated for an Oscar about 3 years ago! Come on Anna!
2) The other story about Cameron Diaz hooking up with her reality show dance partner, played by Matthew Morrison, is not necessarily a downer as it’s more just bland and uninteresting every time it’s up on-screen. Diaz is a reliable actress when it comes to comedy, but Morrison seems so damn stiff with her on-screen that he makes it seem like he’s scared to be around her. Then again, I would be too, considering all they do throughout this flick is bicker and fight about stupid shit. Maybe this is how real-life couples act whenever one in the relationship is pregnant, but here, they almost never seem stop and it’s a real wonder as to how the hell these two will do when they have to worry and care about another life. Glad they weren’t my parents and it would suck even more considering I still have a chance with Diaz. I know it. She knows it. We all know it. The chick just has to come to her senses, that’s all.
3) Another story that was pretty lame was between Jennifer Lopez and Rodrigo Santoro, who both play a couple that can’t have a baby, so they decide to adopt one from Ethiopia. Lopez is good, but seems like she was trying too hard to gain some laughs and Santoro also seemed very stiff every time he was around. Actually, I think the problem with his performance is that I couldn’t really understand him all that much with his Spanish accent that makes him sound like he is just learning English. Then again, maybe he is and maybe I’m just a dick. This story is also a downer and one I didn’t really care about but got so much better whenever they focused on Santoro hanging out with the “Dudes Group” with Rob Huebel, Thomas Lennon, Amir Talai, and Chris Rock as the leader of the park. Every time these guys were on-screen, I always laughed and that’s mainly because of Chris Rock. This guy always, no matter what flick he’s in, shows that he can get at least one laugh out of the crowd before the camera goes black (another pun intended), and even though he’s confined in PG-13 territory here, he still delivers on all of the laughs. Funny stuff with these guys but I just wish they did more of that and eliminated the whole J-Lo story altogether.
4) Probably my favorite story out of the whole flick, and maybe even the one that’s worth the price of admission alone, was the one with Elizabeth Banks and Ben Falcone, who play a couple that seems to be really struggling with pregnancy because of Banks’ hormones going up-and-down all of the damn time. Both of these stars are hilarious throughout this whole flick and made me laugh with everything they did, whereas about 5 other stars from this cast probably would have made me jump off of a bridge by how hard they tried. Banks is always reliable when it comes to comedy, but it’s Falcone who really surprised me as he showed he had great comedic timing (something else that I saw from him in Bridesmaids) and could make you care for his character just by being the sweet guy. These two have great chemistry together and easily won my heart over. Whenever they introduced the story-line between Falcone’s dad, played by Dennis Quaid, and his much-younger wife (Brooklyn Decker), I also laughed even though I think they forced the whole “dad and son are constantly in competition” thing a little too much but it still worked because Quaid and Decker both have fine comedic timing. This story was the best and even when it gets into dramatic territory by the end, it surprisingly worked which was something I wasn’t expecting from a movie like this at all.
Consensus: What to Expect When You’re Expecting is a very passable flick with some moments of genuine comedy and heart, but also isn’t very original in the way it offers a look at pregnancy and all of the problems that come along with it. My idea: get rid of every story, except for Banks and Falcone’s story, combine that with the “Dudes Group”, and keep the father angle with Quaid and Decker, and you got comedy gold. Or at least something that’s ten times better than those Gary Marshall flicks.
Just another excuse for people to go, “oooh look who it is!”.
‘New Year’s Eve’ celebrates love, hope, forgiveness, second chances and fresh starts, in the intertwining stories of couples and singles, told amidst the pulse and promise of New York City on the most dazzling night of the year.
Oh once again, another holiday, another holiday, and yes, another time for Garry Marshall to make Robert Altman turn around in his grave. This is basically the same exact thing as Marshall’s same ensemble-filled film, ‘Valentine’s Day’, and even though this one is only just a tad better, that really is not saying much at all.
What these types of films always have problems with is that all of these types of films have so many stars passing in-and-out of the flick as if it was I95 but they are sometimes not really given much to do, instead of just to be there and look pretty. This is the case with this flick and I felt like Marshall really rushed things here to the point of where he wasn’t really concerned with the stories as much as he was more concerned with just getting as much stars up on the screen before they had to go leave and shoot a better film. When I say this, I’m not talking about Sarah Jessica Parker. She loves this kind of stuff and I think she may be the only one who does too.
Another problem with all of these films is the fact that almost everything everybody says here either seem like cliches, something taken out of another flick, or just plain schmaltz. The film always goes for being sweet, cute, and loving but it more or less just comes off as being the same old crap that I’ve seen time and time again, except this time with Jon Bon Jovi spouting out corny love songs. But then again, the guy owned The Philadelphia Soul, so it’s not as bad if say someone like Nick Jonas was doing it. Yeah, that kids lame.
I knew I was going to get this kind of stuff before I went into this flick but I honestly think that these films try way too hard to give more meaning about a holiday that is basically all about getting plastered with your buddies, yelling random shit at people you’ve never met in your life, freezing your ass off, counting down till a big-ass glow ball hits the bottom in 10 seconds, ending up making out with a person that chick that looks like your sister, and waking up the next morning in somebody else’s bath tub with a splitting headache. I’m not at all speaking from experience but let me just tell you that when it comes to this holiday, not many people are reflecting on the past year and what they are thankful for and what they aren’t thankful for. So stop trying to give it more meaning than it already needs Garry!
However, as much as I wanted to diss on this film for what it obviously fails in, there were moments here where I was enjoying myself probably because New Year’s is such a fun holiday and that’s something that I don’t think Marshall took away from. There are moments where this film actually seems funny and had me chuckling here and there, mainly because of the cast and probably just because this film sort of put me in a good mood. It’s also one of the rare cases where the “bloopers” during the end credits had me laughing a lot more throughout them, instead if the whole film itself.
The whole cast here is star-studded everywhere you look and made this film a little bit better. Instead of naming the whole cast like I normally do with these ensemble-like films, I’ll just run down the people who were probably the most enjoyable. Zac Efron was probably the one dude I had the most fun watching up on screen; Hilary Swank is actually quite convincing as a Times Square vice president; and Sofia Vergara is not only stunningly gorgeous but fun as hell to watch here as the sex-pot chef. There are others that were somewhat fun but too many times were there just these big-named stars just sitting around doing nothing. I’m talking to you, Ludacris. And no, I will still not call you by your “real name”.
I mean to be brutally honest, Valentine’s Day is not a very joyous and fun holiday probably because it’s too centered on having a love on this one special day. However, New Year’s Day where you can just do whatever the hell you want basically and have a blast the whole time no matter how old, young, or if you’re single or not. This film may have it’s obviously problems with plot, writing, and overall construction, but keeping to the fun and reckless spirit that is New Year’s, is what made my enjoyment level of this flick higher than I ever expected it to be in the first place.
Consensus: There is plenty of schmaltz, corniness, and moments that will more or less make you want to punch the writers in the face, but when it comes to keeping the actual fun and unpredictable atmosphere/spirit of it’s holiday, New Year’s Eve is a fun flick for anybody that wants to see stars coming-and-going non-stop for a whole 118 minutes.
If you have just read this review and cannot believe I just did what I did, please do not have any lost hope for me. I will once again get back to reviewing shit and calling it exactly what it is. I promise people.