‘The Truman Show’ chronicles the life of a man named Truman Burbank (Jim Carrey) who is initially unaware that he is living in a constructed reality television show, broadcast around the clock to billions of people across the globe. Truman becomes suspicious of his perceived reality and embarks on a quest to discover the truth about his life.
In today’s day and age where everybody is constantly on Twitter tweeting about what they had for din-din, on Facebook posting pictures of them and their bong sesh the night before, or on YouTube uploading videos on themselves singing R&B songs by Mariah Carey, it’s easy to see why you would sometimes feel like you’re life is all one big TV show. However, life isn’t that cool and unique after all.
High Concept movies are usually hit-and-miss and rarely ever do they hit as well as the concept here. Writer Andrew Niccol takes gives everything he can into this concept where Truman in his own little world, and where everything is one big show, one big block of advertising, and most of all, one big piece of reality TV. There’s obviously a lot of satire to be had here where Niccol brings up the point about how our nation, is a nation that is consumed by watching other people’s live and needing to know everything that goes on in his/her private lives. It’s definitely a theme that gets better and better as the years go on by considering we have so many things in today’s world that take more and more away from our privacy. But it’s not all about the obvious satire, and that’s where the real beauty of this film lies.
Director Peter Weir did a perfect job here as a director because he immerses us into this world where Truman lives. We see everything that goes on in his “fake” world, then to the people who make this world for him, and then to what’s going on behind closed doors and how they are all filming everything the way they are. It definitely seems like a concept that would be a little too far-fetched but somehow Weir was able to pack all of these things in here that gets you more and more involved with this story as if you are, hey, watching a life play out in front of your own eyes. That’s right people, I’m talking about something that sounds exactly reality TV. Oh em gee! As you see Truman start to peel away the layers of his life to realize that something eerie is going on, you start to root for him and can only hope that he eventually does find out that it’s all one big show, and that he was the main star. This plot may have never been able to work, had it taken place in real life, but the way he realizes everything, hint by hint, not only makes the film seem plausible but feel like it’s actually happening right then and there.
It’s a real surprise how a plot like this actually came together so damn well in the end, but I guess when you put two heads like Niccol and Weir together, miracles can happen.
My only problem with this flick was that I sort of felt like the ending was a bit too abrupt. All of this build-up is leading and leading up to the finale of where Truman finally finds out about the world outside of his own, but even when it does happen, it’s sort of a let-down. Actually, I don’t want to say that it’s a let-down because I think it was actually handled very well in fact, it was just that it all happens so quick and I would have liked to see more of what actually happened after the ending went down. I know I sound very vague but that’s because, believe it or not, I don’t really want to give too much away here.
Ever since Eternal Sunshine of the Spotless Mind came out, people really started to take notice that Jim Carrey could play a more serious role than we usually see, but this was the real film that let us know that this guy had more than just a bunch of goofy faces. Carrey is amazing as Burbank because he makes this character so damn likable and believable that it’s easy to see why someone would want to center a TV show around him in the first place. In front of everybody, he’s hamming it up to the neighbors and going through the same routines day-in and day-out, but behind the closed doors, he continues to lose his shit as he realizes that something is a little too freaky underneath it all and you really do want him to find out everything at once and just get the hell out of there. Carrey totally throws himself into this role showing a lot of dramatic range as an actor, but also showing the things that make him funny in the first place as a comedian and giving us a new look at someone that we thought would end up being his own biggest fan.
Even though I’m not as fond of her as everybody else seems to be, Laura Linney is pretty good as Truman’s wife and it makes me wonder just how much money would a lady take if they had to act like Carrey’s wife and sometimes, get it on with him? Yeesh. Ed Harris is also good as the show’s director, Christof, and gives off this God-like nature to him that makes it seem like he was the one who actually gave life to Truman after all. Also, be on the look out for a nice little side spot from Paul Giamatti. Damn, this guy was everywhere back in the 90′s!
Consensus: The Truman Show works as well today, as it did way back when in 1998 with it’s very realistic satire but also works because of an amazingly original premise that seems to get better and better as more and more is revealed, and also features some great performances from the cast, especially a very good and very different Jim Carrey.
A pedophile and a red-hot affair don’t really mix.
Two stay-at-home parents (Patrick Wilson and Kate Winslet) both end up striking affair after they both realize how bored they are with their own actual lives at home. Then another story happens where a convicted sex offender (Jackie Earle Haley) moves back into his house and is soon harassed by almost every person he sees.
This is the sophomore effort from writer/director Todd Field, who some will remember from the big-smash he made back in 2001 with ‘In the Bedroom’. Somehow, he took that similar story mixed it with some ‘American Beauty’ satire and divided it with a hint of ‘The Woodsman’, then he got this crazy flick.
The film starts off very strong with these two immature parents who obviously don’t know what to do with their lives except just nag each other and hope that all their depression and angst goes away. I dug this beginning because the film showed these characters in a very interesting light while also focusing on the fact that it’s telling us that these adults are just like kids in some ways, they both forget the responsibilities they have in the world and they go with their gut-feeling rather than just using their heads.
A lot of people complained about the whole narrator from PBS thing so much that when I heard it in this film, I couldn’t say that I was too bothered. Yeah, he does spell out everything a little too much but there are times when his narration actually makes a lot of this moments in this film a lot more entertaining then they have any right to be. It seems as if he is reading a children’s story to us, like one of those audio-tapes you would get for a book if you didn’t know how to read, and it really divides the line between what’s funny and what’s sad in this film. I found myself laughing at some of the things that the narrator was saying, while others, I didn’t know how to feel.
The main problem that lies within this film is that it is very very messy because it constantly shifts back-and-forth between these two stories and they shouldn’t be in the same film together either really. There would be moments where the film would just focus on the suburbanites and their affair for a very long period of time, and then randomly go to the peddy without any real reason other than to show this dude who has obvious problems. Both stories are pretty interesting in their own rights but together, they can’t really share the same screen considering that after awhile the “affair story” becomes the same thing over-and-over again whereas the “pedophile story” becomes a lot more interesting as the time goes on. I think I would have rather watched two different films of these stories rather than just one because it wouldn’t have been so messy.
I do think Field as a writer is very talented but there are times where I think he loses himself with trying to be too smart, which I know is a weird thing to say but just bare with me peeps.. There are moments here when Wilson and Winslet are getting it on and Winslet will constantly ask him, “Is she pretty?”, she meaning his wife. She doesn’t only just ask this once but also many other times during whoopie and this to me seemed very unbelievable as some chick would just constantly ask the dude who’s mounting her about his own wife. There are also plenty of other moments where this film doesn’t feel all that realistic but not worth mentioning.
Everything with this film is all pretty messy until the last act, where the film really loses itself with the shock-o-riffic ending that seems more put-on than anything. I don’t want to give anything away really but I think Field tried a little too hard to convey these certain types of emotions for these characters to the point of where this ending came up, and it probably looked good on paper, but when it came to actually filming it up on the screen, it seemed very dumb.
The cast is very good though despite all of these other problems with the film. Kate Winslet is great as the conflicted house-wife, Sarah, and Patrick Wilson has never been more charming or conflicted as Brad. Jennifer Connelly is good as Brad’s wife, Kathy, but I wish there was more of her that gave more of her side on things. Granted, we get a scene here and there but I really did feel like her character could have done a lot more for this film if they included her just a little bit more considering Connelly is such a good actress as well.
The best out of the bunch though is probably Jackie Earle Haley as the pedophile who plays up that man-child act so well that it’s almost too hard to hate this guy when he’s being such a dirt-ball. I mean yeah, he’s a dirty dude that I would never have over for dinner around my kids but he’s also a very troubled soul that wants nothing more but to be accepted once again and feels the need to fit in, mainly because his mommy says so. Haley is great here and just by looking at him, you get the sense that this is a sad and tormented soul.
Consensus: Little Children has some good elements, such as its good acting and very strong beginning, but then starts to fall apart with being too repetitive, too unbelievable, and just by having two different stories that don’t really mesh all that well in the same film.
It’s official, my kids are never going to have any communication devices whatsoever.
After curious and vulnerable teenager Annie (Liana Liberato) falls into a trap set by an online sexual predator named Charlie, her family begins to disintegrate, uncertain how to cope with such a devastating tragedy. Utterly consumed by rage, her father (Clive Owen) sets out seeking vengeance.
This is the sophomore directorial effort from David Schwimmer, aka Ross Geller, and it’s pretty strange to see him go from a comedy like Run, Fatboy, Run to a film with little or no comedy at all. However, I don’t think you could have said the same about Run, Fatboy, Run.
Schwimmer doesn’t really bring anything new to this subject material other than the IM’s between Annie and Charlie popping up in the corners of the screen. It also shows how such devices like Smart phones, internet, and blackberries have made teenage crushes constant and almost all time consuming. My problem with his direction is that the cinematography seems like it was done by someone who just got out of film school, and looks like a TV-movie almost.
Now the problem with this film that I had was the script where it became very frustrating at points because so many times it won me over and other times where it just had me roll my eyes. The goods about this script is that the scenario is believable thanks to To Catch a Predator and how Charlie reels Annie in completley making her seem incredibly vulnerable and totally clueless to everything seems realistic since a lot of kids don’t know what to do with their first “love” and just go along with what the other person says.
However, my problem lied within the fact that the actual “rape” itself could have been avoided as soon as Annie figured out that this dude was a little creepy in the beginning. Take it for granted, there are girls out there who don’t actually think that every guy they talk to on the internet is a total creep but it seemed so obvious here when the dude started changing his age from 17 to 23 to 28 and then till she found out he was 35. When they actually meet up too, and she sees him for what he is, she could have easily just ran the fuck out of there, called daddy, and Mr. sex offender would have had a nice little meeting from a certain Mr. Chris Hanson.
This may all sound a bit biased since I’m not a very well-known on the subject of girls going through puberty and everything but there were so many red flags here that just seemed completely obvious and I thought she had a bigger head on her shoulder, other than just showing me complete stupidity when she was talking to this Charlie dude in the first place.
Although this is a big problem, the film kept winning me back when there were just completley dramatic and moving scenes that really kept me glued to the screen. Sometimes family dramas can be totally cliche, corny, and predictable but Trust has scenes where the family just lets it all out on one another, whether it be a hissy fit, a cry-fest, or a screaming match, grief is shown very well here from all of the family members, including the parents. Parents coping with grief isn’t something that’s shown very often, except for in maybe films like In the Bedroom, but the way the film plays out a lot of the scenes actually worked for me and made this more than just another touchy subject film gone wrong.
Schwimmer does know how to direct actors though, and very well I may add. Annie is played by new-comer Liana Liberato, who’s very good and I’m pretty sure we will be hearing her name a lot more due to this performance. She’s very good here because she channels all the emotions that a teen going through a crisis like this would and she does is believably rather than just soaking up the cheesiness. Although her character made a lot of dumb choices throughout the film, Liberato made me believe her more as this teen and never let’s anybody from the rest of the cast steal her spotlight.
Clive Owen and Catherine Keener are amazing as Annie’s parents and make so many of the scenes these two have together, alone, or with Annie, just perfect. Owen has always had that sense of rage and misery within all of his characters, but he does it so well here and Keener just does what she always does in every film but it never loses it’s flavor. Another good performance is from Viola Davis as Gail, Annie’s therapist and although I would have liked to see more scenes with her, Davis still owns.
Consensus: Director David Schwimmer makes Trust a very well-acted and at times emotionally honest film about coping with grief, comforting one another, and getting past a terrible happening within a family, but the problems here lie within the script as too many moments feel too obvious to believe and just seems like with a lot more better touches, could have had so much more tension.
Being snowed in makes me all warm and fuzzy, except I wouldn’t want that feeling all year round.
Willie Conway (Timothy Hutton) returns to the small town he left behind as erstwhile friends, lovers and the scary thought of settling down swirl around him. A friend’s unapproachable cousin (Uma Thurman) and the winsome teenager next door (Natalie Portman) couldn’t be more different, but they afford glimpses of two possible futures.
Those “small-town” films have always been a favorite of mine since I like to feel like I’m right there with the story, and this one did not disappoint.
The script here by Scott Rosenberg is what really has this film clickin’. Rosenberg does a great job of expressing the insecurity’s that men have, and the sexual politics between men and women. Us men, we can sometimes be horny mofo’s and not always do the brightest things, and this film shows that it’s alright because that’s how life is. There is also plenty of comedy to go along here that won’t have you laughing-out-loud, but it will at least give you this breezy feeling throughout the whole film.
Most of the problem with this film that people will actually have is that not much happens here. The whole film is basically conversational, and nothing eventful really goes down and some will be bored by this, but I actually didn’t mind it because they gave us things interesting and witty to talk about.
However, my problem with this film is that it does get schmaltzy at times which sort of took away from the whole cool feel that this film gave me. I didn’t mind the little emotional scenes they had, but I think they were unnecessary especially with that cheesy score they had pop in every once and awhile. Also, I wish there was more viewpoints from the gals here too, but I can’t lie, I still liked what I heard from both sides.
The ensemble cast is good-looking, but don’t let that actually fool you because their all so good. Timothy Hutton is good as Willie and handles the film really well bringing in that coolio charm, and actual “realistic-guy” feel to him. I don’t know if that made any sense but the point I’m trying to make is that he’s a cool dude. Matt Dillon, Noah Emmerich, and my favorite no matter what he does, Michael Rapaport, all do great jobs as the other dudes here. Martha Plimpton, Mira Sorvino, and Lauren Holly are good too. But my favorites out of this cast are from three gals actually. Rosie O’Donnell has a totally hilarious scene here where she talk’s about dudes and our sexual fantasies, and it’s all so true, but the way she puts everything just made me crack up the whole time. Uma Thurman is also awesome as the really cool chick named Andera, who really made me wish I had here as a “fake date” when I needed one the most. But the best performance from the whole cast is Natalie Portman, who at 13, took this little role, and made it so memorable. Her character, Marty, is really quirky and Portman does a great job at bringing out that quirkiness within her character, and make almost every scene she has hilarious but also very interesting. This was a star-making role for her, and with good reason because she’s awesome in this role.
Consensus: Nothing much really happens here other than a bunch of conversations, but Beautiful Girls’ script is so good, that it kind of makes up for that, with it’s themes about men and women, and performances from a great cast, especially Natalie Portman.