Crews of explorers should just not go into space unless they are with a freakin’ army.
Prometheus centers around a team of explorers who discover a clue to the origins of mankind on Earth, leading them on a thrilling journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race.
Let me just start off by saying that after watching Alien and realizing it to be the true sci-fi/horror classic that everybody has ranted about, I was very pumped for this quasi-prequel of sorts. Problem is, when you watch Alien, there isn’t really any need to see this flick.
What makes this “prequel” so different from many others out there, is that it’s directed by Ridley Scott himself. The thing with Scott, is that he won’t just go for a quick and easy job where he’ll just make some moolah. No, instead he’ll put his heart and soul into production that quite frankly, deserves it and that’s what makes this film better than plenty of the other prequels we see out there. Scott brings us back to the universe he made famous and expands it, answering more questions for us that we already had. But even though this film’s big selling point is it’s tie-in to Alien, it’s a real beautiful film to just gaze at.
Scott always has a great attention to detail and his production design for Prometheus just totally backs that up. There’s some cool, futuristic stuff here like space suits, vehicles, holographic displays, medical devices composed solely of robots, and plenty of other impressive treats to see here as well. Everything looks so dazzling, especially if you see it in 3D, where a couple of scenes may just take you by surprise by how you feel like you can just reach-out and touch whatever it is that’s on the screen. Some real beautiful stuff here, mainly because Scott feels something for this universe that he’s created and has given all of his might to make it work.
The problem with this flick isn’t really Scott’s fault, it’s more of the story itself. The core of this story is basically Alien done all over again. Crew wakes up out of deep sleep, spaceship lands on mysterious alien planet for some strange reason, crew discovers some ancient alien crap, alien force is awakened by them, people get others infected, and then they are all picked off one by one. It’s pretty obvious where this story is headed, because it’s pretty much the same thing around and that took away from the surprise factor for me. I knew that only a few were coming out alive and the only sense of guessing with this film, was who was it going to be. Sadly, I guessed right.
Even though this film is about 2 hours long, for some odd reason, a lot of it feels like there were some actual big scenes cut-out from the final product. The main reason for me saying this is because there’s a lot that goes down here, that makes no sense and seems somewhat random. One example is how Captain Janek is able to explain the purpose of aliens and what was inside of them so damn quickly. It almost comes out of nowhere, without any clues or signs to how Janek must have known this and comes off like a way to make the finale hit harder. Another example is how David knows how to work the Space Jockey devices without any faults whatsoever. How did he know how to do all of this? What, did he just learn it all by reading a bunch pictographs from Earth or is it just that he’s so totally uber smart cause he’s a robot and all? Not explained at all and it gets even worse when he can apparently speak the alien language fluently, as if he has been doing it his whole life. Yup, didn’t make any sense.
Scott does do a pretty good job with the pace of this film and I can easily see that he put a lot of effort into making this film thrilling, just like he did with Alien. However, there is a huge difference between both of those films and it’s pretty obvious considering the whole hour and 50 minutes of that movie was filled with tension out the wahzoo, whereas this one, had about 4 to 5 scenes of actual tension in it’s whole 2 hour run-time. I don’t know what it was about this flick that made it so different but for some reason, I wasn’t really on-the-edge of my seat wondering what was going to happen next to these characters. I just sort of sat there and kept on waiting for Scott to really knock me out of my seat. Which was a shame too, because there seemed to be plenty of opportunities for Scott to do this but just ended up, well, keeping me somewhat satisfied. Somewhat satisfied is not something I want to feel with a product like this, especially when it’s coming from Ridley Scott.
As for the performances, everybody is good but nothing out-standing by any means. Noomi Rapace is fine as our leading lady, Elizabeth Shaw, but feels too much like Ripley and definitely isn’t as strong as her considering we never fully see her lash-out and get “tough”. She just runs away and screams, except for one scene that feels too much like the infamous “chest bursting” scene from Alien. Logan Marshall-Green looks like Tom Hardy, but is fine as Charlie Holloway even though the character comes off extremely dicky at times, to the point of where you don’t care if he lives or dies. Charlize Theron plays a villain for the second week in a row, but is more subtle and stoic this time as Meredith Vickers and does a good job with her, even though I think they could have done more with her. Idris Elba is good as Captain Janek and probably has the most likable personality on the whole spaceship.
Probably the stand-out performance from this cast would have to be Michael Fassbender as the robot David. David is a pretty unsettling character the whole way through this flick as you have no idea whether or not he’s going to be good or going to be bad. He’s also a character that sort of just goes his own way the whole movie and doesn’t really care about the others, but you still can’t let that get in the way of what you may think of him since we all know that robots in sci-fi movies usually aren’t the nicest “things” around. Thankfully, those results are told to us by the end but for some very brief moments, he kept me guessing and I think a lot of that is credit to Fassbender’s skills as an actor. Wish I had more to say about him considering he was the best but it’s just one of those good performances that are notable once you see the movie.
I usually love Guy Pearce in everything he does, but his casting here as Peter Weyland just didn’t seem like it belonged in this movie at all. Peter Weyland is an elderly character, so why did Scott feel it was necessary to cast a younger dude as him and just keep on stuffing his face with make-up and effects. First of all, it looks stupid and fake, and secondly, it just seems like such a waste of a talent like Guy Pearce.
Consensus: Prometheus has some great moments that dazzle and excite, but still has plenty of pot-holes that make this story more confusing, makes the characters seem very one-dimensional, and also make a lot of the genius opportunities Ridley Scott had here, seem to go right out the window.
Now people understand why we don’t send more humans into outer-space.
In deep space, the crew of the commercial starship Nostromo is awakened from their cryo-sleep capsules halfway through their journey home to investigate a distress call from an alien vessel. After landing on a barren planet, Warrant Officer Ripley (Sigourney Weaver) works to decipher the transmission and discovers that the signal is actually a warning, not an SOS. But it is too late to turn back as three members of the crew have already left to investigate the derelict ship.
Movies like this are hard as hell to review because they are just loved by so many people, that it’s almost like a death sentence if you say one bad thing about it. So by the time this review is over, I’ll have to be looking over my shoulder at every corner now.
All of the credit for how awesome this film is, probably has to go to director Ridley Scott. First off, the film starts with all of these slow-moving shots of the space shuttle, where there’s nothing really going on except for there being an eerie feeling the whole way through. This was a great way to start off this flick in my opinion as it showed that the horror film that I was about to see, wasn’t just your ordinary, jump-scare horror flick, it was actually going to be more of a slow-burner that would take its time to build up its scares. Scott uses a lot of slow pans here to fully capture the set designs and spooky atmosphere but also depends on a lot of sounds (or lack thereof) to gain some spookiness too. So many horror films nowadays, feel the need to bring in this huge, grandiose score that makes you feel like you should be scared but somehow doesn’t. Here, Scott depends on a lot of moments of silence in certain scenes where we don’t have some soundtrack telling us what to feel at a certain moment and the noises that Scott usually replaces them with (the computer sounds still give me a chill till this day), actually take you more into this atmosphere than you expected.
Scott also did a pretty awesome job at making this spaceship, and just space itself, look absolutely beautiful with it’s amazing production that is still some of the most inventive in sci-fi movie history. The inside of that spaceship, is pretty freakin’ scary because you never know how big it truly is, what places are safe and what aren’t, and also, top all of that with a whole bunch of darkness that Scott adds in to truly mess with your heads. Hell, even the way those ventilation shaft doors shut gave me the chills! The film also ventures out to an unknown planet that also looks very beautiful, with it’s long, sweeping terrain to give the Alien egg farm some more creepiness to it than it already needed. I don’t know if I’m doing this flick any justice by the way I’m talking about it, but I can say that Scott did a perfect job of filming it all and gave it a very stylized look, even though it mostly takes inside a spaceship.
But it wasn’t just his art direction that kept me involved with this flick, it was mostly the fact that I knew some crazy shit was going to go down and Scott continued to build that idea up and up and up until, the whole film starts to go crazy (along with everybody on the ship). There’s always a sense of eerie dread in the air, something that Scott builds on and lets it get inside of our head the whole way through. You never know what’s going to happen next, but you know it’s not going to be good and whenever something bad does happen, it’s injected with so much frenetic energy, that almost don’t realize that they only last for a couple of seconds. We also never get to see the Alien quite as much you would think (the movie is named Alien for Christ’s sakes!) but every time it did show-up, wooooooo-weeee, did it create a lot of tension!!
The one problem that I did keep on finding myself running into was probably one of the dumbest details, but it was also one of the biggest of the whole movie: the cat. I had no idea what this cat was even doing here in the first place, which was fine with me, but the film started to bring it into some key moments like where a person would have to go look for it, only to get killed off the next second, or to have people at the end of the movie trying to save it, while the Alien is ready to kill and all-over-the-place. This just seemed like a cheat to have some characters die and give the characters a reason to go back on the ship, even though it’s about to self-destruct and strapped with a killer Alien on-board. Seemed really dumb, for a movie that was doing so many smart things with itself.
What I loved the most about this film, was how each and every character in this flick got the same amount of screen-time, which also meant that you cared for them a lot more rather than just being a bunch of walking cliches you would normally expect from a horror movie about a crew entrapped on a spaceship with large monster. Tom Skerritt is pretty manly and tough as Dallas, and it’s pretty easy to see why this dude was the head-honcho of the crew. Sigourney Weaver, as we all know, is pretty bad-ass as Ripley and gives her this smart and sassy edge, that really comes out of her by the end when it comes down to nut-up or shut-up time with the big Alien. Don’t know why she had to get half-naked at the end, but hey, she looks pretty good, don’t she?? Veronica Cartwright is a cutie-patootie but isn’t given much to do here, and even when she does do something, it seems like she’s just yelling, screaming, and worried about whether or not she’s going to die. Probably the lamest character out of the bunch, which is saying much. Harry Dean Stanton was a lot of fun as Brett, who brought a lot of humor with his usual, dead-pan delivery. Still can’t believe that dude is 85 now! Sheeesh! John Hurt is good as Kane but I do wish we could have seen more of him because we all do know what eventually happens to that dude. Ian Holm is creepy as balls, playing the freaky scientist, Ash, and just plays up that whole weird, off-kilter dude perfectly. Oh, and Yaphet Kotto is a lot of fun as the token black guy you always need to have in a sci-fi/horror movie. Not saying it’s a bad thing, it’s just something you usually need to have to round it all out.
Consensus: Alien is definitely a sci-fi movie amongst sci-fi movies because it features a highly-stylized direction from one of the greats, Ridley Scott, who gives this film a very tense, dreary, and gloomy feeling the whole way through, and also keeps you guessing until the very end with scenes that are so iconic, I don’t even need to mention here. Just get out and go see it before you see Prometheus, because something tells me you’re going to have to do your homework for this one.