I thought all snipers had to do was just sit there, hold their breath, and shoot. That’s it.
Marksman Bob Lee Swagger (Mark Wahlberg) leaves the Army after a mission of his goes bad. After he is reluctantly pressed back into service, Swagger is double-crossed once again, but this time: it’s a tad bit more serious. With two bullets in him and the subject of a nationwide manhunt, Swagger begins his revenge, which will take down the most powerful people in the country, even leading him back to that fateful incident where he was initially screwed-over in the first place.
No matter what action movie you venture out or stay inside to see, chances are; you’re going to get nothing but sure, mindless entertainment with a few, but also very little surprises. That’s just the way the movie-world works and as fine with that as I may be, sometimes, there are just some cases where I can’t turn my brain off anymore. Sometimes, I just gotta let loose. Sometimes, I just gotta let a movie have it. Sometimes, is one of those times right now!
Antoine Fuqua may not have the best track-record out there, but still a guy that I have enough faith in when it comes to action, using it right, and using it to his advantage, and for the most part; is actually what kept this film alive and well when it seemed to hit some dead ends. The action starts off fine and kept me on-the-edge-of-my-seat a couple of moments, especially one car-chase scene that went all throughout the “fine” streets of Philadelphia. First of all, being a homeboy of Philly, I was happy to see my town be in a big-budget action pic where the streets were used perfectly and also, it was just a fun little piece of action that this film seemed like it needed to enhance and mostly, keep our minds off of the “plot”. I use that term “plot”, very loosely.
Most action pics are stupid. Duh, we all know that. But this one was a little TOO stupid for me to even have fun and enjoy at points. The whole idea that these dudes would just come up to a guy, have him come out of a life of solitude, and proposition an assassination attempt, without him ever gettin’ the willies from the guys, just really surprises me since I knew if I was in that situation, I would know something was fishy right away. Also, isn’t Marky Mark supposed to be a trained marksman that excels in this type of shit? Just a thought. So there we go, the beginning of this story already had me annoyed but it just continues to get worse and worse as more of these plot twists begin to unravel. I’m all down for plot twists when they make a story more interesting, but there were plot twists within the plot twists happening here and after awhile it became more laughable than actually entertaining. Then again, maybe “laughable” and “entertaining” go hand-in-hand in ways, too. Either way, something just was not clicking with me here and slowly, but surely, the movie started to lose me.
Then, the story continues to get worse as, for some freakin’ odd reason, they decide to get all political with our simple, action movie watching asses. Throughout the whole film, there is this under-lining theme of corrupt politicians that runs throughout and doesn’t come on strong until the very end where it all comes together (I think?). The whole movie plays out like a slight-thriller, with action elements, but then changes into where we’re supposed to feel of this as some sort of morality piece. I mean when I watch my dumb-ass action movies, don’t try to bog me down with a bunch of political themes that could be very present in today’s day and age. Why? Well because, I don’t give much of a shit about all that! That’s why I came here: to see Marky Mark get a sniper and start blowin’ people’s heads off left-and-right, not to understand what our dirty politicians are doing to poorer, foreign countries out there. Maybe for a different flick that may be the topic of the day, but not for this one.
Speaking of Marky Mark Wahlberg, say what you will about him, but the guy does do his best with every piece of material he’s given. The guy is a bona-fide star because he can take these shitty, action scripts and actually give them something more to hold onto because there is just something there with him and his charisma that works. However, I think his role as Bob Lee Swagger was the true point where I see him being a bit too dull for my liking. This guy, Swagger (what a cooooool name!), has a lot going for him that he’s one of the toughest mofos out there and can shoot just about anything that walks from a pretty sexy distance. However, this guy doesn’t really seem like he’s all that tough to begin with. Yeah, he shoots people and yeah, he kills them but what else can he really do? The guy barely has a personality and as much as he tries, Wahlberg can’t seem to really give him one. Wahlberg tries so, so, so hard with this role but in the end, it just comes off as another one of his dull, action-hero performances. Maybe that’s the script’s fault, and maybe it isn’t. Regardless, the two weren’t coming together and making sense.
The one who actually showed some real personality with his character was Michael Peña as the field agent that has nothing else really going for him, except for Swagger and finding out what’s getting jiggy with him. No matter what, you got to love Peña for what he is able to do with all of his roles and it’s great to see him have a bunch of fun with a character that is essentially one, big, effin’ cliche. The guy deserves all of the praise he’s been getting for awhile, and I think it’s time he just about broke out of that shell, and into our laps. If that makes any possible sense whatsoever.
Then, on the flip-side of the coin, you got Ned Beatty and Danny Glover as the two, terribly-corrupt government workers that just ooze evil in every scene. Both are good and show that they can work with a shitty script but after awhile, they’re evilness began to get ridiculous and over-played, almost to where it seemed very unbelievable that they would be at all nice or humane to the ones around them, let alone to each other. Oh, and then you got Kate Mara as Swagger’s old-partner’s wife. She definitely had a cute look to her but the way her character just lets Swagger into her life without ever knowing or seeing him ever before, did seem a bit unbelievable. Once again, another part of this story that seemed stupid, but was somehow needed to move the story right on along.
Consensus: Though Shooter is a loud, dumb, and stupid action thriller that makes no apologies for what it does, it somehow still comes off as a terribly-written piece of work that does nothing other than pull out a bunch of incomprehensible plot twists, only to add more confusion on to the final-product, that was already struggling as it was.
4 / 10 = Crapola!!
Apparently Cruise can do it all. Yes, even kung-fu.
American and British IMF teams join forces on the hunt to find a stolen virus. However, one by one the members on the teams start ending up dead. Can Ethan Hunt (Tom Cruise) find out who this assassin is and stop their deadly plans? From the crowded streets of Madrid to the busy harbour of Sydney, the chase is on.
With the first Mission: Impossible movie, I liked it because it was fun but felt like it was a huge disappointment considering that it seemed like the director, Brian De Palma, wasn’t really able to go full-throttle with his direction, and had to ease-in to what Hollywood wanted. Well, if Hollywood has it’s ways, they usually get rid of those types of people and bring in others. John Woo, you’re up next, buddy. Good luck!
Actually, if I was to compare both De Palma and Woo to one another, which is stupid but for the sake of a juicy-review, I would probably have to say De Palma is the better director by-far. However, if I had to compare the two to who is a better-suit for this type of material, I’d have to go with Woo. The guy is known as the go-to-guy when it comes to directing action movies and even if that honor has sort of been passed-down to others over the years, you still can’t deny or forget when this guy was always the person you’d want to direct a loud, stupid, but fun action-movie. That’s why Woo actually makes this film a bit better, however, it doesn’t start-off like that at-first, no sireee.
Where I was really losing my interest with this movie was the first 45 minutes or so, when nothing seemed to be happening. Yeah, the plot was moving-along and setting the grounds for what we would have to know, in order to understand everything more clearly, but it was all so damn boring. People were talking, melodrama was thrown at us, and worst of all, Ethan Hunt was sort of acting like a total-pussy. Like I get it, the guy has fallen for this chick and wants to be with her but can’t because of this high-profile mission, but there is no need to spend literally, 15 minutes on that whole idea. Ethan Hunt is way too cool for that, and doesn’t need his D getting bogged down by some, little sweet who’s off boning another guy. Now, it’s not really her choice but still, stop crying, do your job, and maybe, just maybe in the end, you can have some sweet-old celebration sex for the good of it all. Hey, that’s how I look at things, baby.
I will say, that after those excruciatingly boring, first 45 minutes, the movie does pick-up a little and that’s where I think Woo’s fun-direction really starts to kick-in. What makes this movie so much fun is the fact that Woo knows the type of material he’s working with, and makes no excuses for making it as idiotic and dumb as you can get with an action movie. A lot of stunts and sequences will have you scoffing your asses off at the implausibility of all that’s going on, but to be honest, that’s whats to be expected of these movies by now and it’s just so much fun to watch because Woo adds in his own, little trinkets of style in there every once and awhile. You get a lot of slo-mo, you get a lot of explosions, you get a lot of kung-fu, and most of all, you get a lot of random pigeons flying around certain scenes for more of a dramatic-effect. It’s pretty neat how Woo is able to make a Mission: Impossible movie, but still, not without putting his own stamp on the movie and showing everybody that it’s his own work, and if you don’t like it, then don’t go and give him or Cruise your money. Trust me, everybody did anyway.
And speaking of Tom Cruise, the guy still owns it as Ethan Hunt, which is something that probably comes to nobody’s surprise whatsoever. Hunt is cool, swift, and smart here, and even though I didn’t like the fact of how much time they spent on him and his heart going through a lot of pain, I still couldn’t help but think that the guy was going to pull-it-all together in the end, and come out on-top at the end of the day. Still, Ethan Hunt doesn’t need women, so stay the hell away, gals.
The gal who I keep on ranting and raving about is played by Thandie Newton, and even though she isn’t anything all that special to watch and fall in love with on-screen, she’s still okay and whatnot. I wish that the film made her more of a sly bad-ass in her own right and focused on that element of her character, but too much of that time was just spent-on her being all sad and acting like the damsel in distress that Hunt didn’t need around to get in the way of his shit. Once again, Ethan Hunt doesn’t need women.
What Ethan Hunt does need, however, is a pretty kick-ass villain and that is what he does not get here with Dougray Scott. To be honest, I’ve never seen this guy in anything else before, but I don’t really look forward to seeing that stuff either because the guy’s pretty lame here. I don’t know if it was the crappy-writing, the evil-plan he had in his head (basically, it’s just a bad-guy that has a deadly-virus he’s going to unleash on the rest of humanity, because you know, bad-guys hate everything), or his acting plain and simple, but something was not gelling well with this character at all and I just wanted Hunt to kill him as soon as possible. Actually, maybe that’s a good thing to feel for a villain, but then again, I still feel like some of that hate should be directed towards the actor and what he’s able to do with that role and that is something that Scott didn’t seem like he was all that capable of. Oh well, Ethan Hunt still kicked his ass.
Consensus: Even though it’s just a tad better than it’s predecessor, Mission: Impossible 2 is still stupid, loud, and occasionally boring, but still features some slick style-points from Woo, and the always welcome, return-to-form for Tom Cruise as Ethan Hunt, once again proving that this guy can kick anybody’s ass. Katie Holmes’ next hubby, you best look-out mofo.
Dude, just stay away from foreign countries.
He came, he saw, he kicked-ass, and took his daughter back (Maggie Grace), and basically lived a life he thought was all fine and dandy, until now. That’s right, this time around, it’s Neeson’s wife (Famke Janssen) who is kidnapped and instead of Paris, it’s going to be Istanbul, and it’s all by the man (Rade Sherbedgia) who wants revenge on Neeson for what he did to his family.
In all honesty, I was very surprised by how much of a success Taken was when it was released way back when in 2009. It did feature a pretty cool trailer, but for what was essentially a pretty lame thriller idea, with a big-name that hasn’t really been big since the first Star Wars prequel, and to top it all off, a film that was released in the dead-heart of January, aka a time nobody goes to see movies cause they’re all pooped-out from seeing the same crap, drunk on egg nog for the past 2 weeks. So, that’s basically why I never understood how the hell it was numero uno at the box-office for about 3 weeks, boosted Qui-Gon Jinn’s career back-up to “action hero” stardom, and made itself destine for a sequel, and possibly more. However, despite all my angry ranting and rambling, I can’t say I hate the idea of a sequel to that film, especially when this is the type of stuff we get.
Even though I wasn’t a huge fan of the original, Taken still had it’s moments of fun that made the final-product all the more enjoyable. The problem I had with that story was how it would always start-and-stop and always kill the momentum it had going for itself, by focusing too much on the whole internal-crisis that was going on with Neeson and the thought of his daughter going out there and bangin’ dudes under the influence of drugs. I’m not saying he’s wrong to be upset about that, but come on man, go out there and start shootin’ some fuckers and get revenge. That’s exactly what this film is from the 25-minute mark to the end of the whole movie. Need I remind you, that the whole movie itself runs a steady and swift 91 minutes, so that’s basically about an hour of pure mayhem, fun, action, and Oskar Schindler looking as bad-ass as he can look.
Director Olivier Megaton obviously knows the type of movie he’s making here, and you know what? He doesn’t care what you think about it or how you want to look at, he’s having fun and that’s all that matters to him, as it should because it had an extremely positive effect on a group of a d-bags like my friend and I who went to go see this. What’s so exciting and fun about this action is that there is never a dull moment in it to where you think, “Oh great, they’re slowing things down to focus on character-development.” Nope, there’s none of that at all here because we already know who these characters are, what purpose they serve to the story, and why they are motivated to save each other’s lives. We don’t need any freakin’ back-story, we need some freakin’ action and that’s exactly what Megaton delivers on.
However, this is obviously the case where you may have to not only leave your brain at the door, but also have it delivered to you when you’re sleeping in the middle of the night so you sure as hell don’t remember half of the crap you see here because the more you think of it, the more you’re going to ask yourself, “What in the fuck did I just watch?”. Seriously, this movie is one of the dumber ones I have seen the whole year so far and in ways, that’s a compliment, and in others, it’s too distracting to even be considered anything. It’s just there and never seems to go away.
For instance, one of the only subplots that make a difference in this “story” is how Neeson’s daughter is finally learning how to drive with a permit. Now, anybody that ever remembers having a permit, sure as hell remembers how hard it was to go 5 mph down a long-road without falling to the side of the road at least once. I sure as hell do, and if that’s not the exact type of example that has happened to you, something along those lines definitely have and it just goes to show you that when you’re driving a car with your permit, shit is pretty stressful. That’s what really took me by surprise here as the daughter not only goes over 80 mph in very tight and narrow side-streets, but does it all without barely hitting anything, and/or crashing it in the first five-seconds of being behind the wheel. Honestly, it wouldn’t have been so bad either, if it hadn’t been going on for 5 minutes where it was just her driving as if she was taking over Ryan Gosling’s job from Drive, when in reality, the girl still doesn’t know how to master the art of parallel parking, if there ever was one (you city people know what I’m talking about). This example is just one of the many, I do repeat, many of times that this movie just comes off as downright stupid and if you don’t like that with you’re action movies, then stay the hell away and go off and wait for The Avengers 2 to come out in 2014, or whenever the hell Joss Whedon has that planned.
Once again, much to my douchy surprise, Liam Neeson is the big-draw with this flick and as so he should be, the guy still has the talent to pull a character like Bryan Mills, off perfectly. Neeson just has this certain amount of likability and warmth to him that makes you sympathize with his over-protective ways and also make you believe that he’s got everything under-control, when half of the time he’s got a gun pointing straight at his dome. But Neeson is also able to totally switch that off in a heartbeat and make him, your worst nightmare by pulling out all of the stops to succeed in the end and do everything in his power, to kick the ever-loving shit out of you. Neeson does that so well here, but I think it’s his time to eventually hang-it up after this, at least with action anyway. It’s not that Neeson isn’t good nor believable with these roles, because he surprisingly is, it’s just that he seems to old (60) for a role that has the guy moving around, shooting guns, beating the tar out of dudes half his age, and still not be able to break a bone of get a hernia. I love you and all, Liam, but maybe it’s time to go back to drama and see if you got one, last Oscar-push left in ya. That’s all I’m saying, though.
Maggie Grace, despite her out-of-nowhere expertise of driving, does a nice job as the sweet but determined daughter of Bryan, but also seems a bit hard to believe as a girl that is still 17 and going for her learner’s permit. It also surprised me that the first-shot of her that we get is her getting groped by her boy-toy, when in reality, I would think that someone who just got drugged-up and raped by a bunch of Russian mobsters, would still feel a little dramatized and not allow anyone to touch her in that way and to just take it slow. Basically, any girl that’s like that with me would be tossed-out as quick as 1-week old pie, but since it’s Maggie Grace, ehh, I think can withstand the wait. Rade Sherbedgia is here in his 100,000th anniversary appearance as playing the stereotypical, Russian villain that never seems to do a nice thing throughout the whole movie, and is still pretty good at it, even if his character does seem a bit overly-dicky with what he’s doing. I mean honestly, if this guy was a real Russian mobster, wouldn’t he at least understand that family-values are family-values and shouldn’t really blame Bryan for going out there and killing his son, considering his son attacked, drugged-up, and captured Bryan’s daughter? I don’t know, maybe I’m thinking about it too much but doesn’t sound like a real mobster to me. Where’s Don Corleone when you need him?
Consensus: Taken 2 is your typical unneeded, stupid, and unintentionally sequel that seems to get pushed-out every couple of times a year, but for this time, it’s actually fun and keeps your eyes moving along with the quick-fire pace at 91 minutes of pure adrenaline fun, and Liam Neeson bad-assery.
Fear the Batman and his raspy voice!
As a boy a young Bruce Wayne watched in horror as his millionaire parents were slain in front of his eyes, a trauma which led him to become obsessed with revenge but his chance is cruelly taken away from him by fate. The discovery of a cave under his mansion, and a prototype armoured suit leads him to take on a new persona, one which will strike fear into the hearts of men who do wrong, he becomes Batman (Christian Bale).
Since everybody and their mothers have been hyping up the release of the epic conclusion of the Christopher Nolan Batman Saga, I thought it would be a good time to go back and check out what these other two did to have all of this excitement. However, it only got me more and more excited for what’s bound to come July 20th.
What Nolan does here with this Batman flick is give it a whole new look, edge, and feel to it. Instead of going for the slap-happy, goofy type of Batman we usually see from Adam West and the terrible Joel Schumacher, we get a real serious Batman that works a lot better. That’s right, no Prince jams, no Bat nipples, and no hammy villains: everything is played straight to the core and that is one of the main things that Nolan does here perfectly. Nolan actually gets into the character of Bruce Wayne more and find out how, why, and for what reasons he goes off from being this million dollhair playboy, to all of a sudden becoming a kick-ass dude dressed in a Bat suit. Of course being dressed as a Bat when you’re laying down the law on somebody is a little kooky in its own right, but they actually bring that up amongst other topics, and it all comes together perfectly.
Nolan also knows how to make this film look great with some perfect shots coming from the cinematography, but also with the sleek and dark look this film had the whole time, especially when it came to Gotham City itself. Gotham City here, actually looked like a metropolis rather than just a set with some fancy designs on it and it got me into this setting where every one and everything is just dirty as hell, everybody and their mothers are all corrupted, and there is no law being brought down on anything bad happening. Gotham City has never looked better and it only gets cooler and cooler to look at once Nolan begins to bring in some of Batman’s cool gadgets and whatnot, all of which, are going to make you want to head on back down to the local Toys R Us and play around a little bit. I’m probably alone on that one but it’s just another excuse to go and play with my toys.
There was plenty of action that worked, especially the finale which kept the energy flowing, but it start to bother me after awhile. Yeah, Nolan gives us the action we want but whenever he does, the camera is constantly up each person’s asses and you can’t see anything else other than a couple of figures throwing punches and kicks at one another. With all of these “hand to hand” combat fight sequences being edited so tightly, it was really hard for me to even get a feel for who was hitting who and who was doing what to whom, and I guess I just also wanted that “awww shittt he just broke that bulls….” moment that I usually get whenever I watch a superhero/action movie. Instead, I just guessed who was winning and who ended up winning and 9 times out of 10, I was right.
Christian Bale was a great choice for Bruce Wayne/Batman because the guy can look and act the part no matter what it is that he does, and he is no different here. I like how Bale gave off this dark but cocky attitude about him that made his character seem more like Patrick Bateman, which isn’t such a bad thing considering that is by-far one of his best performances of all-time and it’s definitely a lot easier to cheer on this guy when it comes to the beat-downs. Katie Holmes was pretty damn flat as Rachel and I think that’s mainly because the writing didn’t give her much to do, other than constantly bitch at every one around her, especially at Bruce and then act like they’re in love at the end. Yeah, didn’t really believe that after all of the hissy-fighting but maybe she was just tense. Then again, that’s always an excuse for ladies.
As for the villain(s) of this flick, each and every single one of them do fine-ass jobs and give a lot more to this story, even if it is without any real iconic villain that we all know and love from the Batman series. Liam Neeson is sinister as Henri and seems like the type of dude you really don’t want to mess with, even if it is Oskar Schindler; Tom Wilkinson was freakin’ funny (in a good way) as the last mobster in Gotham City; and Cillian Murphy does a great job playing up that whole crazy-persona here as Dr. Crane, and thankfully, he doesn’t overdo it one bit. Oh yeah, another surprise is that The Scarecrow is actually scary this time around. Never going into the corn fields ever again.
Consensus: Batman Begins is not perfect but it’s a very dark, bleak, and serious type of superhero film that works due to it’s inspired direction from Christopher Nolan, and some awesome performances that all of the cast gives out, with the exception of Katie Holmes which was pretty predictable.
Grumpy Old Astronauts.
When one of the satellites launched in the 1960s malfunctions, threatening the earth with disaster if it crashes, an astronaut in his sixties (Clint Eastwood) is asked to go up to fix it, as he’s the only one familiar enough with the old technology. He agrees under one condition that three of his pilot buddies from the old days (Tommy Lee Jones, Donald Sutherland, and James Garner) who were overlooked by the astronaut training program get to come along for this one last flight.
Right from the beginning, this film already had problems showing with its terrible black-and-white opening prologue in which four young men all speak with these old actor’s voices, that are apparently so obvious. So as you can see, a man who is in a very peak physical condition sounds like a 70-year old who’s been dipping, chewing, and smoking his whole life. However, it got better after this.
Clint Eastwood does a good job here of keeping this film moving at a slow enough pace to have us actually see all of the obstacles you have to go through for such a high-profile mission like this one, and also enough time to have us build characters to where we can actually feel something for these dudes. It’s a relatively slow film, but coming from Eastwood, I’ve seen a lot worse.
Let me also not to forget about how beautiful and amazing the special effects look as well. Thinking that this is an Eastwood film, who is very old at this time and doesn’t seem like the kind of guy to go for a sci-fi film with great special effects, but somehow he ends up making this film look like these guys are actually in space after all. From the stars, to the moon, to the other planets, and even to the spaceship itself, everything looks real and beautiful and makes space this piece of art that you always imagine about but barely ever see in most films.
The problem with this film though is the fact that it’s script is pretty lame. Everything that happens here is all pretty cliche and you know exactly how its going to pan-out, even with the last act. Sometimes this doesn’t matter, as long as the film makes you enjoy yourself and take you away from the cliches, but here, too much of my enjoyment was centered on whether or not I could tell what was going to happen next and judging by the way this film was going, I knew exactly what was to happen. I couldn’t get into this film too much especially the last act where the whole film relies on the suspense element, even though we all know how it’s going to end anyway.
I also feel like the film never knew how to play with this silly plot. The twist of the premise here is that these guys are all old cooks, which could be a lot of fun in a not-so serious way, but the film can’t decide whether or not it wants to take this path or just play the plot straight. The gags were pretty funny but none of it ever seemed like it was genuine enough for the plot, and just used as a way to show us how cooky and goofy these old dudes actually were.
As for Eastwood the actor, he’s pretty good here as Frank Corvin; Tommy Lee Jones is also great at his usual miserable-like character, Hawk Hawkins (what a name); James Garner and Donald Sutherland are both very fun to watch as the other two old dudes as well. The performances aren’t bad and you can tell that they’re all having a lot of fun with these roles but Sutherland and Garner never really get that much attention when it comes to character development, which kind of bothered me. I would have liked to see all of these characters for who they are, so that when it came to a life-or-death situation, I could really root for them except just the two.
Consensus: Space Cowboys has some beautiful special effects, and a cast that looks like their obviously having a whole lot of fun, but there are moments where this film sort of just falls apart due to the predictable plot, and the way the film doesn’t know how to actually approach this plot.
Michael Caine is still a pimp.
A British reporter, Fowler (Michael Caine, in an Oscar-nominated performance), falls in love with a young Vietnamese woman, Phuong (Do Thi Hai Yen), and is dismayed when an American, Pyle (Brendan Fraser), also begins vying for her attention.
The nice thing about The Quiet American is that it looks very very pretty and gives us a great image and view of Vietnam before everything started getting a little hay-wire. This was actually filmed in Vietnam so it gave me that real time and feeling that served this material very well, and when you look at a big ocean with little boats with lights, it’s nothing more than a just a very pretty screen saver pic for your computer.
However, if only the actual story and writing did the looks some justice. First off, the film totally ruins itself within the first 10 minutes because it shows Pyle dead and it’s basically assumed that there was some sort of love triangle going on with these three. So basically for the next hour-and-a-half we are left wondering just how big of a role Fowler actually played in Pyle’s death and what lead to everything. In some movies, this actually works well, but here, not at all.
Another problem with this film is that the writing is pretty crappy with the script sometimes going from this love-triangle to the problems in Vietnam with France. This constant going back-and-forth between stories and themes bothered me as I didn’t know what the film was trying to get across other than the metaphor of Phuong actually representing Vietnam, that the film was bashing me over the head with.
Speaking of Phuong, what the hell was so amazing about this girl that made these two practically fall in love, fight, and almost die for? The whole film she is just there to sit and look pretty, spouting out incomplete sentences and being a face that looks pretty familiar honestly. I mean these guys could have gotten a million girls in Vietnam, but what was so special about this chick? That was never really answered and then the film went so low as to try and get me to root on Fowler as he was trying to divorce his wife. When the hell has divorce for the sake of being with some Vietnamese mistress been alright? I guess in some cases it is, but this one threw me off a bit.
Michael Caine is actually very powerful as Fowler, and is probably what makes this film watchable in a way. He got nominated for an Oscar here, and with good reason because his character isn’t likable or even morally attracting at all, but something about Caine just draws you into him the whole film. Caine’s character goes through many transitions and he makes them all seem believable and draw you into Fowler.
Brendan Fraser also stepped away from his usual goofy roles to play Pyle here and is actually pretty good. We never know what his full intention’s are but the whole time we wonder just what will Pyle end up being at the end of the film and that mystery is what kind of drew me into his character. Fraser plays a pretty nerdy guy and then gets dark real quick, but still makes it seem very believable and it’s a good thing that he doesn’t get blown away from Caine in the end.
Consensus: Caine and Fraser are very good in The Quiet American but this pretty film suffers from some bad writing, metaphors that are too obvious, and film that is practically spoiled within it’s first 10 minutes and takes you out of the whole film.