Eat it, Nicholas Sparks! No, literally: eat it.
R (Nicholas Hoult), is a lonely zombie who longs for more in life rather than eating brains of the humans he hunts down. Suddenly, he falls in love with a beautiful human survivor named Julie (Teresa Palmer), who he gains feelings for after he eats the brains of her boy-toy (Dave Franco). As their relationship deepens, he soon begins to act more and more human, but he’s not the only zombie who feels these same feelings and emotions.
Ever since the Walking Dead come onto the air, we’ve been getting this huge explosion of zombies. World War Z is coming out, zombie-costumes have been in high-demand every year for Halloween parties, and finally, George A. Romero seems to be getting the love and praise he’s deserved for so damn long. However, we only knew it was a matter of time until the teens started to latch-on to the latest craze, and give us what is essentially the Twilight film, of the zombie-genre. However, have no fear, as this movie doesn’t feature anybody named Bella, Jacob, or Edward. Score!
The trailer may have you fooled about this movie because it continues to advertise it as a rom-com, mixed with horror and action, but make no means: this is a romantic-comedy at it’s finest. The movie starts off slow and rugged, but not in the bad-way that you might suspect. It actually fits with the way the story is structured in how we follow R throughout his day as he rambles on and on about the inner-day livings of a regular, slowly-moving zombie, and listening to all of his quirky and zany pieces of insight, really work and make this movie stand-out among the rest of the zombie flicks I have seen recently. You have a sense that this movie is going to be more about characters, setting, and story, rather than blood, guts, action, and zombies. You do get some of the latter elements, but the first ones are here in full-effect and that’s all thanks to director Jonathan Levine.
Like nobody in the past decade hasn’t already seen Shaun of the Dead. Come on now!
Levine takes the “indie-approach” here, and has this movie focus more on the relationship between R and Julie (if you haven’t been able to figure this out by now, it’s essentially Romeo & Juliet) which not only builds-up the interaction between these two different people, from two, completely different backgrounds, but also builds-up on what’s yet to come with what these two could possibly form, if the world ever gets back to normal. We get a real sense of the dynamic between the two as they interact through looking at R’s collectibles, jamming out to some choice tunes from Guns N’ Roses, Bruce Springsteen, and John Waite, amongst many others, and most importantly, getting to know one another through where questions of where they came from, how they got to where they are, and where the world could go if everything doesn’t turn to shit right away.
You really root for these two to be together and it almost feels like the movie actually does to, as it may even sound crazy in your head that you want a zombie and a human-being to be together, but it’s different than that. It’s more subdued, and more about building a relationship between two people and it just goes to show you that if you focus on characters, and are able to make their dialogue and development interesting enough to hold your interest, than almost any ridiculous plot can work. It may sound crazy but I think this simple tale of a love brewing between a zombie and a female, may actually be the Valentine’s Gift that you men may want to take your ladies out to see. Don’t expect any hanky-panky by the end of the night, but definitely do expect some sort of heavy-petting, cuddling, or tonsil hockey. I don’t know how exciting or titillating that may sound to you guys, but hey, it’s better than getting nothing on Valentine’s Day. Am I right, men? Huh? Huh?
However, in a cheap and lame-way of trying to make sure that all types of horny teenagers may go out and actually see this movie, they’ve slapped it with a PG-13-rating that is not only pretty soft, but also doesn’t allow it to get any edgier than it could have been. There is action that does happen here, but it’s very sparse and filmed in a way where you don’t see much blood, gore, or brains, but it’s also made in such a way that’s constantly bothersome, as if the movie knew that it had to appeal to a larger-audience so they decided to take it easy on the ketchup packets. I get that all movies try to go for that PG-13-rating so they can hopefully reach that audience where angst-ridden teenagers may hopefully want to venture out and see, in hopes of an easy lay that night, but then again, when you take the subject-matter into mind and realize that this is a ZOMBIE MOVIE where are talking about here: it does seem like an obvious, if not reasonable cash-grab. Hey, I guess Levine’s family has gotta eat, too.
Despite that d-bag problem us movie aficionados may have with the tame-approach, the movie still succeeds in giving us a relationship that is worth watching, believing in, and hoping actually survives by the time the 90-minutes is up. That’s all thanks to the charming leads: played by Nicholas Hoult and Teresa Palmer. Ever since his days of paling around with Hugh Grant, Hoult has been on the verge of breaking-out and letting everybody know that yes, he has grown-up and yes, he is a good-looking lad now, but if A Single Man was his attempt at trying to persuade me, it didn’t quite work. However, Hoult shows me that I’m an idiot and have no clue what I’m talking about with his performance as R, the zombie who wants more than just eating brains and listening to vinyl records: he wants love, he wants a girl, he just wants life. Hoult doesn’t have to do or say much, considering that his character is a zombie and all (just a small-fact), but he still does a nice-job at giving R a loveable personality that’s easy to fall for, almost as much as Teresa Palmer’s character does.
I can bet you donuts-to-dollars that half of the people seeing this, will have no idea what movie that is.
Speaking of Palmer, she is great as Julie, the one-in-a-million, attractive girl that would actually for a thing that eats brains and hasn’t bathed for as long as the apocalypse started, but yet, still makes it all believable. She has a lot to work with in how she sees the world she used to know, where it’s gone, and how she can make herself happier in it, and even though it is a bit obvious that she would try to rebel against her powerful and control-hungry daddy, Palmer is still always a welcome-presence on-screen and the scenes with her and Hoult actually made me jealous, as it actually seemed like they were, in-fact, falling in love. Somebody hold J-Law down, because she may have a bone or two to pick with Ms. Teresa Palmer! Regardless of my jokey side-comments, Palmer and Hoult are great in this movie, whether they are together or not and make this movie work a lot more than it had any right to be. You know, being a zombie, rom-com coming out in the dead of Winter.
Rob Corddry shows-up as M, one of R’s fellow zombie-buddies that he occasionally grunts with, and seems like he’s having a ball with a role that would have and could have been played by anybody. Corddry actually gets a real chance to shine later-on when his character has some more dramatic-heights to jump-over and surprisingly: the guy excels in it. With this and the close-to-being-abysmal Butter, Corddry may have patched a new leaf for himself and hopefully, this shows us finer things to come for the man. Playing the “powerful and control-hungry daddy” that I spoke about earlier, is John Malkovich who, as always, is great at what he does and comes-off as a terrible and despicable man you just do not like, care for, or would never even trust running your society in a post-apocalyptic world, but shows more dimensions than that and has you actually fall for the guy. Yes, people, believe or not: there was a time when John Malkovich played nice characters, who did nice things for all of the rest of humanity and it’s a great thing to see him play that type-of-role, once again. It’s been too long, John. Please do stay.
Consensus: The PG-13-rating that’s supposed to please almost everyone and everybody, is what keeps Warm Bodies reaching the bar set-by other, fellow zombie movies out there, but it is still a pleasant rom-com, that has a twist you believe in, enjoy watching, and can actually, sort of relate to. Well, that is, unless you have never dated a chick in high-school. Hayoo!!
7.5 / 10 = Rental!!
“Hey, you were that kid in About a Boy, weren’t you?”
P.S. Major, and I do mean MAJOR, props go out to Rodney from Fernby Films for the new header up-above. Hope you all like it and while you’re at it, go on over and give the guy a look. He’s got some solid material that is definitely worth a view or two.