I know, I know, I know! This list is way past-due, but it took me so long to rile-up every movie that I watched in 2012, count-down the top 10, and see exactly which ones did it the most for me. I’ve finally been able to get them altogether now, and needless to say: what a freakin’ year, man! 2012 was one of the finer-years of movie-going that I have ever had the pleasure of being apart of and definitely re-affirmed my love for the art of film and the joy of going out to theaters, getting some popcorn, a nice soda, plopping my rotund-butt in the seat, and just allowing the film to take me by surprise. Some movies were greater than others, but nonetheless, it goes without saying that 2012 was a great year for movie-lovers out there and let’s just hope that 2013, kicks as much ass.
Now, on with the list:
A movie that totally bombed-out at the box-office, but didn’t deserve to. It’s like an old-school thriller where the director was more concerned with building-up tension through classy-conversations about life, crime, drugs, guns, money, and most importantly: politics. The political-message was a tad overbearing at times and did take away from the final-product, but when you have a cast chock full of stars like Pitt, Gandolfini (who I think deserved an Oscar nomination), Liotta, Jenkins, McNairy, and Mendelsohn, then you can never, ever go wrong, no matter what type of ideas you may be throwing my way.
Not as masterful (see what I did there?) as PT Anderson’s past flicks, but still pretty mind-boggling and enticing in it’s own right. Anderson always knows how to make any shot a work of beauty; Johnny Greenwood always knows how to make any type of object sound like a piece of music with tense and methodical rhythm and Joaquin Phoenix, Philip Seymour Hoffman, and Amy Adams, always know how to give-off great performances, no matter what the material may be. Whether or not it’s about Scientology and all of it’s crazy, mumbo-jumbo, is entirely up to you. Just be ready to be totally and completely surprised by what you see Anderson swing at you.
Maybe the fact that I just got out of high-school is why I was so taken-away by this movie, but nonetheless: I still loved the hell out of this one. It reminded me of my old days where I would just slum around in the hall-ways, go to class and hope I got a good grade on that test I probably cheated on, walk with my friends to class, gossip about the new couples, see what’s going to happen on-weekends, and just get absolutely trashed in somebody’s basement. Yeah, you know, the finer things in life and if that sounds like a bore to you, then trust me: get ready to be surprised by this movie’s charm. It had me crying by the end, and I’m sure it will have you doing the same, as well.
Being from Philadelphia and currently residing in the Delaware County area; this movie totally resonated with me for many reasons that may seem obvious by that last statement, but still hit me harder than I expected. It’s funny, witty, and very, very quick at-times, but in the center of all the craziness and madness that ensues and surrounds it, is a relatively sweet, and understandable romance between two nut-balls that you cheer for from beginning-to-end. If this doesn’t have you smile at least once, then I think you might just have to trade in your old soul, for a new one.
Although I merely forgot about once the Dark Knight Rises came around town, the Avengers was still the movie that promised everything from about 4-years of build-up, and I still craved more. It’s fun, hilarious, action-packed, beautiful to look-at, well-acted, and filled with all of your favorite superheros that you have spent countless movies just watching, hoping that one day they would all get together for one, glorious cream-fest of nerdiness. Thankfully, that time came and it was freakin’ awesome.
Musicals usually aren’t my flavor-savors, unless they are done right. However: this is what it looks like when a musical is done right. The performances are beautiful and the style in which Tom Hooper allowed his stars to sing, naturally and live, gave the movie a more realistic, if theatrical feeling. I teared-up many-a-times, and already have the soundtrack on my Ipod. But if anybody asks you about that, please: do not tell them the truth. I’m still trying my hardest to hold onto to some sort of my macho-man exterior.
One of the more controversial flicks of the year, but all of that hubbabaloo aside: this movie is freakin’ awesome! Bigelow’s direction takes it’s time with it’s story, where it wants to go, it’s characters, and it’s history, and always allows there to be tension in even the slightest-bit of scenes. Everybody complains about it being too talky, too long, and too much about a bunch of people without any, actual character development, but in all honesty: who gives a shit? It’s a powerful flick that encapsulates an entire decade into a near-3-hours, and leaves you with a sequence where we all know the outcome to, but yet, still takes you for a ride regardless.
One of those documentaries that does everything right in it’s precision, it’s ideas, and it’s delivery, but still left me wanting more. That’s not a bad thing, either, as this flick goes through all of the motions of presenting it’s subject, and giving us a total hammering of why it’s so messed-up and how freakin’ stupid the legal system can be, especially when it comes to the Army. The review I posted was more of a rant, with some critiquing here and there, but regardless of what you may take away from my words, know this: what this movie speaks about and approaches, is still happening and it’s an absolute nightmare to think about. Will there ever be an end? Who the hell knows! But what I do know is that this documentary was a total eye-opener and really had me angry, upset, sad, pissed-off, and determined to do something about what’s wrong with the world we live in.
In the past 7 years, Christopher Nolan’s Batman trilogy has taken what we have come to know and expect with the superhero genre, and absolutely spin it on it’s side. That being said, we all knew this time would eventually come and no matter how many tears were shed (mine included), it was all time for us to say bye-bye to Master Wayne, Alfred, Commissioner Gordon, and all of our other favorite Batman characters we have come to know and love throughout the years. But still, what a way to go out! Even though some will say that it wasn’t as good as it’s predecessor, I think it absolutely accomplished that promise, if not more. It’s just about as epic as you’re going to get with a movie, let alone a superhero movie, and as the final scene rolled-in and the trilogy was about to be over, tears came streaming down my face as we saw Batman ride-away, one last time. One of the more memorable, movie-going experiences I had last year and was definitely numero uno for the longest time, that was until I saw….
Quentin Tarantino has, and will forever be a favorite of mine and his latest, is probably one of his best (if that even means anything, anymore). The look, the feel, the characters, the dialogue, and the story is all original, but the real joy and delight of this movie was watching the cast just absolutely have a freakin’ ball with each, and every one of their roles. Jamie Foxx does a great job as the titular-named Django, where he turns the charm, on-and-off whenever the plot needs him to, and definitely never shines away from being the main character. Christoph Waltz is adorably witty and hilarious as the sympathetic yet brutal bounty hunter, Dr. King Schultz, and shows that there is more to him than just playing an angry Jew-hunter. Samuel L. Jackson plays Stephen and comes-off like the total and complete Uncle Tom-like character we see in all of those old comics and cartoons, but in the end: turns-out to be more of a smart and menacing character that does not deserved to be fucked with and shows Jackson at his loudest, his craziest, and also, his most sinister. And last, but sure as hell not least, is Leonardo DiCaprio as the evil, but charming-as-hell slave owner; Calvin Candie. DiCaprio gives great performances, year-after-year, yet never seems to really get the type of recognition he deserves. Hell, some could ague that maybe his performance here hasn’t gotten him that type of recognition either (mainly because he was terrible snubbed at the Oscar’s this year), but still: the guy is amazing here and is in top-form, unlike anything we have ever seen him do before. He’s funny, bad-ass, cool, slick, smart, but also very, very scary in the way he can just change his look and person in a matter of seconds and the way that DiCaprio toys with your mind, is just another way to show you that Tarantino knows the type of people he chooses for his roles and what makes them so damn fit for his writing-style. Controversy aside, this was my favorite and most enjoyable flick of 2012 and one that I ventured-out to see not once, not twice, not even three times, but four times! And yet, I still have not had enough.
Hope you all liked what you saw, and let me know what you think about the list! As always, stay cool, peeps.
P.S. That’s not a new slogan I’m trying-out, it’s just what came to me first. Unless you want it to be a new slogan of mine, then we could definitely see that happen more and more from now on. Either way, let me know!
Somebody had to go and piss Tom off. Katie, I’m looking at you.
Jack Reacher (Tom Cruise) is a former Army officer who investigates the killing of five people, murdered by a mysterious sniper for seemingly no reason. But when the suspect is finally nabbed, he remains silent and only says “Get Jack Reacher for me.” Nothing is what it seems and Reacher soon finds himself in the middle of a complex cover-up conspiracy.
After what just occurred in our world on last Friday, I have to say that the first 30 minutes or so of this movie were pretty cringe-worthy. Without giving too much away, there’s a couple of grisly/disturbing killings that happen and reactions to them, that feel like they may hit a bit too close to home. When the Aurora shootings happened back in the Summer, I never really felt like any of the material in the Dark Knight Rises was too hard to watch, but here, I really found myself disturbed and saddened. That’s a terrible thing to feel whenever you go to the movies and try to escape whatever else is happening out there in the real world, but it’s even more terrible to even have to think that still, in the year 2012, something like a shooting would still happen and effect us in our everyday lives. I didn’t really talk much about the shootings and the whole controversy surrounding it, mainly because I knew it was going to be made more about gun-control than the actual killings themselves, but regardless, I still feel for all of those victims and that’s why for the first 30 minutes, this movie was skating on some pretty thin-ice for me, and probably for the rest of the audience. However, once I was able to get out of real-life, and transported into the life of this movie, it all went away and I was finally able to have a damn ball with this freakin’ movie.
How amazing is it that we are allowed to have two awesome, old-school thrillers come out in less than a month away from one another. Although this flick isn’t spouting the cool, retro-vibe of the 70′s thrillers like Killing Them Softly was, there is still an old look and feel to this movie that had me feeling like I was watching a thriller where people beat the piss out of each other with the usual stuff like weapons, guns, and their own bodies. That’s what I want to see more from thrillers in today’s day and age and it’s so cool that Cruise got director Christopher McQuarrie to hop-on top of this material, because as strange of a choice as he may be (the guy hasn’t directed a flick in over 12 years), he still brings the fun and enjoyment-level to a thriller that could have been plain, simple, and boring.
I will admit, this movie can be pretty stupid and for every moment where you are absolutely ”wow’d” by what happens, there’s always a moment of pure-silliness just waiting to sneak right up and catch you off-guard. This definitely isn’t one of those flicks that you watch, keep your brain in, and put your thinking cap on top and look at the logical explanations of what could really happen in the real-world, had this story actually taken place in it, and instead, it’s more like one of those films where you just come to have a good time, see a lot of cool action, and feel on-the-edge-of-your-seat for a good duration of the run-time (with the subtraction of those shaky, first 30 minutes…or so). I know I may bag on a lot of flicks for being just a mindless exercises in fun and action, but this is one of those mindless exercises that’s done the right way. There’s no style that gets in the way of everything that’s happening on-screen, there’s no lame dialogue or characters that are just there to keep the action/plot moving along, and there sure as hell is no sign, whatsoever, of a “Michael Bay explosion”. Yes, thank the High Heavens of Cinema for that.
McQuarrie may not have too much to show, in terms of style or distinct look and feel, but there are still plenty of pleasures to be had in terms of where this story goes, and how original it can be, at times. There’s a car-chase that kept me on-edge the whole time and even though it was obvious that it would never, ever occur in real-life, real-time, or even in the streets of Pittsburgh, it still was a hell of a lot of fun to watch, and one of the better car chases I have seen in quite some time. If there’s been a better one this year, please do let me know because the only one I can recall that was as fun and thrilling as the one here, was the one in the Dark Knight. Anywho, McQuarrie doesn’t bring anything new or original to the table that we haven’t already seen done a hundred times before, but it’s still fun because of how simple it is, yet still, offering us little twists and turns here to really spice the whole story up. Some twists work better than others, but for the most-part, they were fun as hell to have thrown at me. And yes, I am still talking about the twists and turns of the story, not Tom Cruise’s rockin’ six-pack that he probably donned for 5 minutes in his one, shirtless scene.
Speaking of Cruise, a lot of people were pissing off their hats because they felt like Cruise wasn’t the right pick for a character that was about 6″5, whereas Cruise is roughly around 5″7. Seems like a pretty big difference in terms of keeping with the characters look, feel, and style, but it actually works in making Reacher more of a bad-ass and more unpredictable with what the hell he will do next. Cruise fits this role like a glove because he has all of the charm, all of the wit, all of the smarts, and all of the bad-assery to make a tough-as-nails character like this to work, and never have him come off as annoying or plainly unbelievable. Some scenes seem like Reacher really *ahem* reaches for the sky and defeats the purpose of gravity, but it was okay because Cruise seemed like he was having so much fun with the role, that you just can’t hate on him for it. Maybe the power of Scientology was on Cruise’s side this time again, because he seemed perfect for this role and I don’t think there was anybody else I could have thought of replacing him. Actually, maybe there is but as of right now, I don’t really care about it too much to think that hard and in-depth about it. Fact is, Cruise is great and be happy to see him kicking-ass once again.
Rosamund Pike plays the sassy, but smart defense lawyer that helps him out with the info and details of what’s really going on and has a cool, but believable piece of chemistry with him, almost to where I could really see them working together on cases in real-life. Pike is fun to watch and even though she may be a tad goofy when she tries for the whole comedy-routine, she still does a nice-job of not being lame and thankfully, not being another damsel-in-distress that needs help from Reacher, every step of the way. Even though her goofiness is saved by a strong-arch her character features, I can’t say the same about Werner Herzog in a very unusual, but inspired role as the main villain behind this whole case, known as “The Zec”. Herzog seems like he’s a perfect fit for this role and this character, had it been in an extremely campy, B-movie where he was allowed to be weird, strange, and terribly stupid in the ways he acted. But here, he just seems out-of-place and way too cartoonish for a movie that seems so set in reality, despite having a couple of scenes that defy it. Thankfully, one of his henchmen that’s played by Jai Courtney, takes over things and proves to be more of an intimidating force behind-the-scenes and in-front-of-the-scenes as well. Suddenly, I’m not all that worried about a new Die Hard movie and having this kid play John McClane’s son.
Adding some class to this strange bit of a characters, is non other than the likes of Robert Duvall playing a goofy, old man that has a knack for a sniper and made me realize how much I miss this damn guy showing-up in movies, Richard Jenkins as Pike’s daddy that may be on either side-of-the-fence, and David Oyelowo, as a cop that always seems to be at the right-place, at the right-time. Overall, a fine cast that definitely milks this script for all it’s worth, but it’s the action and Cruise who steal the show on this outing.
Consensus: Jack Reacher may be too goofy, too silly, and too stupid for some of the more “demanding” viewers to get through their into their heads and accept, but as for the rest of the of us who like silly, goofy, and stupid movies, then it will definitely entertain, but in a more old-school, 70′s-classic thriller-way that seems to be very reoccurring with most of our thrillers nowadays. Thank the High Heavens of Cinema for that!
Owen and Jen could have really used this movie as a tool for the sequel of Marley & Me 2: He Lives!
The story centers on a young boy named Victor Frankenstein (voiced by Charlie Tahan), who loses his beloved dog Sparky and decides to harness the power of science to bring his best friend back to life—with just a few minor, but strange adjustments.
It seems as though every time somebody (including myself) goes into a Tim Burton flick, they are expecting the old, wacky Tim Burton that we all fell in love with in the first-place. When I went to see Dark Shadows earlier this year, that’s exactly what I expected but somehow, I was left down in the dumps and totally forgot that he even had another flick coming up. Thankfully, the return-to-form is back for Burton and this time, with no appearance from Johnny Depp. Wooo-weee!
There’s almost something for anybody in this flick, but for all of those film nerds out there, most will probably find the most amusement in pointing out all of the various, old Hollywood horror movies of yesteryear. Obviously, Frankenweenie is a riff off of Frankenstein, but there’s plenty other references/homages to be had here with tips of the hat to The Mummy, The Wolf Man, Dracula, The Invisible Man, and plenty more that may take you by surprise. Hell, I even feel like I missed some and that’s the whole fun of this movie, keeping a special eye out there to spot something just lingering in the background that may make your film nerd blood boil, and that’s exactly what happened to me.
However, it’s not all about the references and nods that Burton gives that makes this flick so much fun, it’s just the whole wacky atmosphere in general. Every single character in this film, is as colorful and goofy as the last one and just watching every single one come around and play for a little bit, brought a huge smile to my face. Sometimes, I even wanted Victor to just get out of his secret lair and run around town and see what all of the other little bastards he goes to school with do, because they were a hell of a lot more interesting than him and are so over-the-top and ridiculous, it made me feel like they could almost be kids I could have known when I was little. Then again, not many in the school I went to brought dead dogs back to life so obviously we never had to deal with any bullying or straight-up weirdness like these towns-people do.
What’s most surprising about the year of 2012 is not how The Dark Knight Rises and The Avengers both came out in the same year, but how there have been not one, not two, but three stop-motion animated pictures in the whole year. This, to me, comes as a total random slap in the back of the head because I thought that this was practically a dead forsaken animated genre that people barely went out to see, and in ways, they don’t but that doesn’t mean that the films don’t look as every bit as purrty as that junk Ice Age 4, that every kid and their miserable mother went out to go see. Every single little piece of detail is calculated so perfectly in this film, that you can’t help but keep your eyes on the screen, not just because you may miss a funny little riff you weren’t expecting to see in a PG-rated movie, but because of how much time was obviously put into these characters, their surroundings, and the way that every scene looks and feels. There’s a certain line that Victor’s nutty science teacher uses about science and says something along the lines of how, “Science only works, if you put your heart and feeling into it.” That’s exactly what I felt coming from Burton here, not just with his story-telling, but the look and beautiful animation that caught my eye the whole hour and 25 minutes the film was up on-screen. Good job, Tim. You better keep this up, you son a of a bitch.
Where I think this film gets a little skewered with itself, was in it’s story-line and how I was left feeling non surprised the whole time. Now, that’s not to really put the blame on Burton or his crew as they obviously had all of the right ingredients for a great, original story that plays around with the idea of what Burton did in his early days of film-making, because most of the problem came from the trailers that played everywhere and practically spoiled the whole damn story. Seriously, everything you see or hear in the trailer, is literally the whole first hour, and everything else is sort of obvious as to where it goes from there. That bothered the hell out of me since every scene just felt like something I was expecting and something I have already seen before, considering this was an original story from the guy who directed and co-wrote it. Damn you trailers! Damn you!
Then, there’s the message of this flick that kind of left me a little scratchy-headed by the end. If anybody, and I do repeat anybody, has ever had a pet or companion or friend in their life, will probably get the feeling of, “Hmm, I wonder if I could bring them back.” I’ve often said this, as well as you have, and mostly everybody else has too. This is sort of the whole fantasy “what if..”-story take on it and plays out perfectly for the most part, but by the end, never really capitalizes on what it’s trying to say about dying and letting a loved one go. For a kids movie, the idea of dying and saying good-bye is a bit too dark and grim, but when you have a movie that presents itself in that way with those sorts of ideas, you shouldn’t back-down from bringing out any important messages that may go straight to the kids heads. It seems as if Burton missed that whole point, and without giving too much away, ends the film on a really strange-note that kind of left me wondering what kids are going to do when they get home. Most likely, they’ll be digging up old Betsie out of the backyard, prying some metal hangers onto her, and just waiting for the next storm to come on by, just because good old Tim Burton said so. Never mind about the trailers, damn you Tim! Damn you!
Aside from this whole screwed-up message that Burton seemed to have missed the boat on, you can’t help but love Victor and all of his interactions with Sparky because it will most likely have you remembering all of the good times you spent with your beloved pet. Every time Sparky would bark, yelp, lick, and jump on Victor when he came home from school, it had me smiling cause it made me think of two dogs that I’ve ever had in my life (Patton & Pearl, don’t judge), and made me want to go home and just play with the latter one. If you’re a dog lover, this whole aspect of the story will have an effect on you, as it did to me and you should definitely be ready for some tears to stroll right down the face, because that’s exactly what happened to me and I barely ever find myself crying in movies. That’s right, I’m a tough-ass so don’t try and break me.
Victor himself, is voiced by newcomer Charlie Tahan, who does a serviceable job but couldn’t help me forget that Victor was just a tad too dull to really hold my interest. Victor is nice, polite, quiet, and very soft-spoken, but is looked at as “the weird kid” from everybody else around from his own father, to the kids in his science class. Maybe making Victor this type of kid was sort of the point, but it didn’t do much for me and just made me want to see more scenes of him hangin’ out with Sparky or other people. More of Sparky than anybody else because I couldn’t get enough of that little guy.
Seeing that this is so-called “return to form” for Burton, it should be pretty understandable as to see him reunite with some vets of in a very impressive supporting cast. Catherine O’Hara and Martin Short voice Victor’s parents and do a fine job at that, but are finally given the chance to let loose when they are allowed to voice the far more wackier characters and it’s nice to see them back in action, even if it is behind the screen; Martin Landau voices the spooky science teacher Mr. Rzykruski, and has this nice bit where he metaphors about immigration using lightening and even gets a nice scene where he tells all of the parents what’s on his mind, in his perfect Bela Lugosi-voice as well; and then there’s Winona Ryder as Elsa Van Helsing, the weird girl next-door who is fine, but nothing special since she isn’t given that much to do here. Then again, it’s still good to see Ryder back in the saddle again and actually being given big roles in Hollywood productions.
Consensus: Frankenweenie is full of fun, light-hearted, goofy, wacky entertainment that may get a bit skewered with it’s message by the end, but is always a blast because it’s Tim Burton returning to what he used to do best: be weird and embrace it.
The Wettest County in the World would have totally been a lame title. Unless by “Wettest” they mean with blood. Then it’s cool.
Lawless revolves around three brothers (Shia LaBeouf, Tom Hardy, and Jason Clarke) who become bootleggers in the South during the Prohibition. As business is booming, it attracts the attention of the local authorities who soon want a piece of the proverbial pie. One local authority in particular, played by Guy Pearce, doesn’t take all of this success so kindly.
After all of the big and glamorous Summer blockbusters come and go from the theaters, studios try their hardest to bring out any film between August and October that could be somewhat Oscar-worthy, yet, not enough due to it not being the Holiday season where all of the heavy-hitters. However, if you’re looking for something that may pack a hard-punch like all of the best Summer blockbusters this year, but yet, still have some Oscar qualities to it, then look no farther than John Hillcoat‘s latest. Trust me, it’s not THAT depressing.
If you have seen Hillcoat’s other two flicks (The Proposition and The Road), you’d know that this guy has a real sight for when it comes to making his films feel like they fit the setting, but also do something that helps the mood even-out all of the problems it may have somewhere along the line. This film definitely isn’t as grim and sinister as those other two, but there’s still enough of a tense atmosphere that Hillcoat brings to this material that got me going, even if it did seem take-off a bit too late in the game. There’s nothing new or original that Hillcoat brings to this material but the whole time I was watching, I felt like I was in the 30′s, where boot-legging was a very serious “no-no”, but everybody still went about doing it anyway.
Perhaps that was my only major complaint about this flick is that Hillcoat and Nick Cave (writer for this flick) don’t really bring anything new to this material, other than just an old-fashioned, shoot ‘em up story with drama here and there. This story can be very unpredictable but you also can’t help but think that Cave sort of chickens out on some of the more darker elements to this story that could have been developed more, and actually came together at the end of the flick when all hell breaks loose. Other than Hillcoat’s style, this flick feels like it could have done by anybody else which is a disappointment because after seeing what these guys have been able to do in the past, I was expecting to be totally knocked out of my seat with something cool that I have never seen before in a story like this. This definitely won’t be getting any looks in the writing and directing department, but with a film this fun, I don’t really think it matters.
So yeah, the film does take awhile to get up-and-moving but once it actually does, it’s a whole bunch of unpredictable fun that reminded me a bit of Public Enemies, but without the terrible Southern accents via Christian Bale. It seems to me that the sight of a 30′s-era Tommy Gun in someone’s hands is a lot cooler, than an 21st century AK-47 in someone’s hands and that somewhat of a fact, stands true with this flick as there is a lot of shooting, bleeding, killing, double-crossing, and a whole bunch of violence to really make people squirm right in their seats. Much like The Proposition, this film isn’t as based around it’s violence as you would expect from all of the advertising for it. But whenever the violence does come into play with this story it’s just brutal, bloody, and amped with a whole bunch of sadistic energy that you could only get from a story that gets very bleak, very quick. Even if this is familiar territory Cave and Hillcoat are covering here, the story itself still leaves a whole bunch of surprises for us to see and that’s what really got me in the end because when the shit really starts hitting the fan late in the game, I really felt like the story could have gone anywhere and was just about to do so. Problem is, it sort of does and doesn’t, but I’ll let you figure that out for yourselves.
A lot of people seeing all of the advertising for this flick are seeing some dramatic heavy-hitters like Pearce and Oldman, as well as some fast-rising stars like Hardy and Chastain, will probably be terribly shocked by the casting of Shia LaBeouf leading the whole film, but have no fear people, he’s not all that bad. Maybe that’s not so warm to hear considering in every movie review I do for one of his flicks, I always give him the benefit of the doubt and talk about how good he is (Disturbia: check, Transfomers: check, Transformers 2: OK, I won’t even go there), but here, he actually is as the young and wild-cat, Jack. LaBeouf, out of everybody else here, probably does the best with his Southern-ish accent and can nail a lot of his dramatic parts very well, especially when his character is really pushed to the edge, by the end. Hopefully this flick shows that LaBeouf can be taken seriously as an actor, or if worse comes to worse, it could just show that it’s only a matter of time until we get that Even Stevens reunion we’ve all been waiting so anxiously for. Either way, it’s a win-win for him.
Another great performance comes from none other than Tom Hardy as his older brother, Forrest. Hardy, as we all know and have seen in the past years, is a total bad-ass when it comes to his roles and takes all of his character’s, and gives them this edge to them that not only makes them intimidating as hell but also very lovable in the long-run. Forrest is a great example of that acting skill because we see Hardy go for this no nonsense talk, brooding character that may not say much in his simple way of life, but still gets our appreciation whenever he has to knock someone’s teeth in with one of his lethal brass knuckles. He may not be in the film just as much as LaBeouf, but he still creates enough of a presence to make him feel like a lead in his own right.
The last great performance to high-light is none other than Guy Pearce as the terribly distasteful city cop, Charlie Rakes. Pearce seems like he’s getting more and more juicer roles as of late, and I think Rakes may be his best one so far because this character is just so damn unlikable that you really want him to die or something bad to just happen to him whenever his groomed, eyebrow-less face shows up on-screen. This is a black-as-coal character that makes no mistakes in being the ever-loving shit out of everybody he has a problem with and makes no apologies, either. This is just one sick son of a bitch that doesn’t give a shit what you think of him, he’s just going to do what he wants and I honestly couldn’t get enough of this character (I mean, that is why he gets the pleasure of being my poster for this review). It may be a tad too soon to start talking about some Oscar talk for him, but you never know because this is one of those “evil performances from a character actor” that the Academy usually eats up.
As for everybody else that I failed to mention, they’re all pretty good, too. Jessica Chastain plays a lovely gal named Maggie, who seems to attract the eyes of Forrest and gives a good performance, even if she does seem a little wasted here. Another piece of wasted talent (I think) is Mia Wasikowska as Jack’s little, love-interest. Both of them seem like they were just here for some female appeal for this flick and even though they don’t do much to keep this plot moving, they still do their best with what they’re given. That’s all that really counts. Another performance I was slightly disappointed by was Gary Oldman‘s as a notorious gangster, Floyd Banner. Oldman is great at playing a villain with a conscience, which he does very well here, but he isn’t in the film for more than 8 minutes which is a real surprise since this guy can really hit it out-of-the-park when he chooses to. But something also tells me he allowed those duties to be left to Pearce, and thank him for that. Almost like a passing of the torch for character acting, if you will.
Consensus: There’s nothing new or original about this take on a pair of bootleggers in the 30′s, but Lawless still provides a good story, with some very good performances from the ensemble cast, and plenty of action and violence to satisfy anybody’s late-Summer needs. Just make sure that THIS Tom Hardy doesn’t tell The Dark Knight Rises Tom Hardy you weren’t fully satisfied, then you may be screwed.
Delivery by car is so mainstream.
The movie stars Joseph Gordon-Levitt as Wilee, a bike messenger who sees a routine delivery turn into a life or death situation through the streets of New York City. Michael Shannon also shows up as a crooked cop who is after the content of one of the package Wilee is carrying.
Even though this one has been sitting on the back-burner for over a year now, I was still looking forward to it because it’s a new, clever-take on the whole action genre that seems to get very tired after all of the Summer blockbusters have come and gone. Yeah, urban biking may not be the most exciting thing to watch on the big-screen, but at least it’s somewhat new, and features JGL and crazy-eyed Shannon. What could possibly go wrong? Well, to answer that question, I would have to say a whole lot.
Writer/director David Koepp seems like he has his head on-straight when it comes to the whole action element of this film, but with everything else, it seems like he loses it. The biggest problem with this film is the plot. At first, the film starts off with a bit of a mystery angle where you have no idea why this one crazy asshole is chasing after this biker for one little piece of info but after awhile, we start to find out and that’s where this film really goes down the tubes. Apparently, the Chinese mob gets involved, an illegal deportation shows up, a character’s gambling problem comes out of nowhere, and then of course we have the romantic-love angle that seems more forced than ever before, and it just adds another unneeded piece of a plot for this already stacked story. Without giving too much away, certain things in the story just don’t add up and I think Koepp’s intentions were to just have us forget about it and focus on the cool action. Sadly to say, it doesn’t happen.
Then of course, there’s the parts of this movie when the characters actually talk. Woah nelly! Holy shit have I never laughed so hard like I did here before in a long, long time. The problem with this script is that every line is a total cliché and doesn’t do anything, but make this film seem more like a laughing mess than it already was. This one scene in particular where JGL is chasing after his “biking buddy” in order to get a package from him, and even though it is a thrilling scene that takes place all throughout NYC, all of the cheesy-ass lines these guys exchange with one another was enough for me to just start laughing and focus on what these guys were saying, rather than what they were doing. This isn’t the only time it happens, but this is the one time where it was freakin’ unbearable to watch or listen to and it just gets worse and worse as the story continues to develop (and make less sense).
But, what really saved this film from being a total piece of crap after all, was the action Koepp brought here. Urban biking seems like a pretty exciting activity to do, especially when you’re in the busy-ass city of New York and that’s why I like how they captured all of that into this film. There’s plenty of scenes where we follow JGL going down the streets at crazy speeds, where it almost seems like he’s going to lose his head any second, but somehow, pulls out at the last time. A lot of these scenes have tension to them, but Koepp gives them a playful style whenever he shows JGL’s mind making up what move he should pull next. It’s a pretty neat trick they pull with this film, and what’s even better is that all of the action and bike-riding throughout the streets is mostly stunt-work, which means less CGI. Such a relief to see a film focus on that aspect of an action film, without feeling the need to try and enhance the shit out of it with a computer.
Another part of this movie that sort of this saved this movie was the two fast-rising stars in the leads. After a white-hot role in The Dark Knight Rises, Joseph Gordon-Levitt gets to show off his skills as an action star more, with his charm still deep in-tact. JGL definitely isn’t wasted here because he’s in plenty of shots and gets to use his likability to his advantage, but you also can’t help but feel that this flick was made a very long time before anybody thought he was going to be as big of a star as he is now, and this sort of comes off like a lame role for a guy who can’t really afford them as of right now.
The same could almost be said for Michael Shannon who has been kicking asses for the 5 years in smaller, indie-roles but now is finally getting the chance to break-through in the mainstream crowd. Sadly, this is probably not the movie to do it since the whole time, he just continued to make me laugh. The script here is so atrocious that every line of dialogue that comes out of Shannon’s mouth, just makes him seem more and more like a cartoon villain, rather than a real-guy, who could literally make your life a living hell. It’s weird too, because the guy starts out as this calm, collective villain that says things very slowly, but then changes out of nowhere and just goes haywire with his act, almost like Shannon flipped a switch off in his back right in the middle of the movie. Some may call this a fun performance where he just chews up scenery like nobody’s business, but I call it a role that starts to get way too over-the-top, way too quick and it’s hard to watch or listen to after awhile.
Basically, if this film came out about 2 years ago, which I think it was going to do, then it would have been fine because these guys weren’t as huge of names then as they are now, but since it is out when these guys are somewhat large stars, it’s a huge disappointment and shows that these guys may have to watch the next script they read. But, something does tell me that this may not happen again and it was only a coincidence that this piece of shit had to come out now.
Consensus: Premium Rush gives the audience the type of escapism fun that they need around the dog days of August, but almost ruins itself with a convoluted plot, over-the-top acting from Shannon, and a terrible script that just gets worse and worse as it goes along, almost until the point of where you just want these people to just ride their freakin’ bikes and shut the hell up!
I’d run away from Dax Shepard the first chance I’d get.
Former getaway driver Charlie Bronson (Dax Shepard) jeopardizes his Witness Protection Plan identity in order to help his girlfriend (Kristen Bell) get to Los Angeles. The feds and Charlie’s former gang (led by Bradley Cooper) chase them on the road.
Anytime, within the past month or so that I’ve wanted to watch a video on YouTube, I couldn’t help but just get pissed off by seeing an ad for this movie come out right before it. Worst part was that you couldn’t even click away to skip the ad, you had to watch it, in it’s 15 second entirety, which isn’t a huge problem if it wasn’t the same damn clips.
However, being pissed at this movie going in just wasn’t the right way to feel as I couldn’t help but be surprised in the death days of Summer. That’s right people, August is almost over which means all kids go back to school and nobody goes to the movies anymore because they spent too much on The Avengers and The Dark Knight Rises.
Anyway, I’m pretty sure I went into a huge rant that nobody wanted to read so I’m just going to dive into what I really wanted to say. For the first 30 minutes or so, nothing was really catching my eye and getting me involved as much as I would have liked. They start off with an ultra-sappy and contrived emotional scene where Shepard is telling his gal-pal to “close her eyes and think about the moment, nothing else”. Then after that, they suddenly go right into a scene with Tom Arnold chasing after his minivan and blowing holes everywhere, while screaming “fuck” at the top of his lungs. And to top that off, it just wasn’t funny no matter how hard they were trying and trust me, they were trying. It seemed like this was going to be one of those flicks that just wanted to be so wacky and funny, but also have an emotional story in the middle to even it all out but it wasn’t working and really got me worried of what I got myself into. Thankfully, it was only for those 30 minutes where I nearly lost my mind.
After the first 30 minutes or so, the film all of a sudden kicks its story into high gear and becomes a fun ride that delivers on the cool look, the cool thrills, and the funny laughs that sometimes came out of nowhere. It’s obvious that Dax Shepard (who just so happened to also co-write and direct this, and do his own stunts) loved Smokey and the Bandit as a kid growing up, because that’s the same exact kind of style and feel he gives this movie that automatically makes it a wild ride that doesn’t have to try too hard to charm us. So, if there is any credit going to towards this film and making it fun, it’s Shepard who deserves the most because he was able to somehow get this filmed in only 10 weeks, and used a very low-budget that will probably make a lot of the other big-budget action picks a whole lot more jealous by how polished the action scenes look here.
As you could probably tell by now, this film was pretty exciting when the action scenes came up and even if there is only about 3 in whole movie, you still get a great feel of energy and adrenaline every time they pop-up. But what really works with this film is that it hits its funny-marks very consistently in the last hour, which surprised me because they seem to be going all-over-the-place with its comedy. Sometimes it was trying to go for the wacky, rom-com aspect, others it was going for edgy and raunchy (that one scene with the naked old people will really shock some people), and other times it was your typical, conversational humor that can either make, or break a film depending on how well they use that aspect of comedy. Well, to say the least, the film’s comedy works and you’ll find a couple of gags that continue to show up every now and then that really catch you by surprise.
What really makes this film work out in the end is the cast that Shepard was able to assemble, obviously by just calling up a couple of pals for a little favor, which all work to his advantage. As for Sheperd in the lead role, he’s actually very charming and has the everyday likability to him that makes us forget about any dumb-ass role he has chosen in the past decade or so. The guy has a great comedic timing and can be sweet and enduring when he wants to be. If this guy can get his ass in the right rom-com and role, he may be destined for leading man material, which he sort of is here, but I mean on his own when he isn’t the co-writer/director. Tom Arnold plays his federal marshal buddy that just never seems to be able to do anything, without effin’ it up one way or another and the scenes where it’s just him being a goof-ball, sometimes left me in stitches. It’s been awhile since I last saw Tom Arnold in a big-budget, Hollywood movie like this (if you want to call it that) and it’s great to see that he can still deliver on being wacky and funny.
Perhaps the easiest favor that Shepard had to call up from anyone in this entire cast was in fact, his girlfriend in this movie and in real-life, Kristen Bell. I bet you are all pretty surprised to see that this gorgeous woman has been going out with this weirdo for the past 5 years, and you honestly have to be thinking to yourself, “Why?”. Well, after seeing this movie I have to say, “Ohhh, now I see why!”. It’s pretty obvious that these two have a genuine chemistry and love in real-life, because it spills out so well in this film whenever they are together just being themselves, or discussing what it takes to be in a relationship with another person which may seem really strange since it’s in a movie like this, but still works because these two have an emotional honesty between that feels real, as if you’re almost watching a real-life couple right in front of your eyes. In a way, you are, but this film offers them a lot more challenges in their respective acting departments that anybody has ever seen from either of them. As for Bell herself, she’s lovely as usual and it makes it better that she seems to be having a whole lot of fun playing chase with her boyfriend and pals.
The one that really steals the show in this whole cast is probably Bradley Cooper who seems to really lovin’ life playing an against-type role as the murderous thug, with really bad dreadlocks that makes him look more like the wrestler Raven from his WWF days, than actually intimidating. We’ve all seen Cooper do the villainous act before, but never quite like this to where the guy seems to really be having a ball just being mean, brutal, and a little weird as well. Cooper always has some great comedic timing with everything he does but I think his best showing of that is his one scene where he admits to why he’s come after Shepard after all of this time. To top it all off, he’s a fellow Philadelphian and that makes me feel a whole lot prouder to show him my love and support. Go Bradley!
Consensus: Definitely does not start off on the right foot and can be a bit uneven throughout, but when Hit & Run does gets itself moving, it’s a wild, cool, funny, and entertaining ride that seems like everybody had a ball making regardless of how much money they spent, and/or thought that they were going to make back. They’re simply making movies, to make movies. What’s so wrong with that?!?
OK Batty, you had your fun, you had your box-office records, and you had your hype. Now, it’s time to get the hell out of here!
It’s been 8 years since Harvey Dent was killed by Batman and Gotham City is pretty much going to hell. It’s turning for the worse, there’s no central peace or order to be found, and Bane (Tom Hardy), has a huge gang of thugs basically taking over the city. However, little does he know that there’s a certain someone who’s always there to stop evil at once: Batman (Christian Bale).
Honestly, who the hell has not been waiting for this freakin’ movie!?! Ever since The Dark Knight came, stayed for a long-ass time, and went back in 2008, people have been waiting day-after-day just to see what Nolan was going to pull off for his last hurrah. Thankfully, this is his last hurrah, and what a perfect hurrah it is.
Director Christopher Nolan proves, once again, why he is in-fact one of the greatest story-tellers working in film today. I know the same exact thing in The Dark Knight review, but this guy really proves that he has some insane skill with this flick because from start-to-finish, I was basically on-the-edge of my seat, wondering what the hell he was going to do with this story, these characters, and everything else in between. I’ve never been a huge comic-book fan and to be honest I’ve never really read much of Batman comics, but from what I see here, this guy takes the story of Batman that we all know and love, gives it a dark edge, and makes you feel like it can and will go anywhere he wants it to. There were certain parts of this flick where I really felt like some major characters were in danger of being killed off right away and even though that danger comes and goes, much like normal superhero movies, you still feel like the danger is not over. Just when you think that things are going to get better for these characters and Gotham City itself, it doesn’t and throughout the whole film, I was constantly thinking who will I be seeing for the last time and who will I be seeing again to fight the baddies. Sounds lame, I know, but this story really feels like it will go somewhere where no other superhero film has ever dared to do so far before, and sometimes it does, but it’s all I could ask for in an entertaining, superhero movie. A lot of this story harks back to Batman Begins, so be ready for that, but this is it’s own story, through and through.
Nolan is a daring film-maker, well all know and love that, but it’s not just because of how epic and twisty the story can be, it’s all because of what that guy brings to the table that makes this film all of the more enjoyable. There’s a certain type of suspense in this film the whole time that not only made me feel the energy going throughout my veins, but kept my eyes locked on the screen at all times. Every single action scene feels like it’s going to be even better than the last one, which they usually are, but there’s just something so much more epic about the action scenes here that made me want to get up and join in the action, whatever that may have been at the time. You can just feel the energy of this movie escalating into something bigger and bigger as the run-time goes on, and once it gets to that breaking-point, all hell breaks loose and there’s just so much action and excitement going on that you cannot help but feel it come off the screen as well. But, however, as good as a lot of this action may be, it’s still feels very epic and I think a lot of that has to do with Mr. Nolan and what he does behind-the-camera.
This is definitely one of those films to see in IMAX, even though it’s not always shot in that format the whole way through. The shots Nolan grabs here are great, whether it’s these sweeping action set-pieces or just beautiful over-head shots of Gotham City, either way, the IMAX looks great and if you do pay extra for that ticket, you will not be disappointed with what you see, or hear. The sound is just so loud and clear, that whenever an action scene happens, you can almost hear and feel the hits with the loud-ass booms of the speakers, and it gets even better with the score that Hans Zimmer has made up here. As soon as you hear it come up, it hits you and you can just feel like shit is about to go down, one way or another, and sometimes it does, and sometimes it definitely freakin’ does! Didn’t make much sense, but I don’t care! I know I don’t mention scores a lot, but with a film like this, you need an epic score just to give you the feeling of how epic this film truly is. Yeah, I know I said the word “epic” again, but it’s the truth, everything from the score, to the cinematography, to the story, to the action, makes it that from beginning to end. Yeah, there may have been a couple of problems with it’s story here and there, but I was able to let that all go by me and realize that this story just totally grabbed me and never let go. And thank the lord for that.
For every single person who has ever talked ish on Christian Bale and what he does with Batman and that “growl” of his (trust me I’m one of them), be ready to feel ultra sad knowing that this will probably be the last time you ever see this guy do that ever again and what a way to go out with it. This is probably the best performance Bale has given as Wayne out of the whole trilogy because he brings out that warrior-like darkness that arose in him from the second flick, but also goes back to when he was just learning the ways of his anger from the first one, as well. It’s a pretty cool mish-mash of character ideas going on with him in this flick and Bale handles it perfectly, just like I expected him to.
After having such an iconic villain like The Joker, played by the late, great Heath Ledger, it feels very obvious that Nolan would try his hardest to make Bane out, almost the same exact way, if not more, but he doesn’t go down that route which I liked. Bane seems like a strange choice of a villain to be in this dark trilogy, but he’s given a lot more development here that gives him a pretty bad-ass origin story to start off with, a bunch of intellectual skills that match his fighting skills, and a pretty intimidating physique, courtesy of rising-star Tom Hardy. Hardy is great with this role and proves to be more intimidating and dangerous than The Joker in more ways than I expected because whenever he’s on-screen, you can just feel that tension whenever he is, but when he isn’t, you can still feel it as if he’s just planning what he’s going to do next in the background somewhere. There’s this great use of his eyes that Hardy uses to convey all of these evil and mean thoughts that are going through his head, and you almost feel happy that you don’t see what else is going with his face. Definitely a great threat for Batty, and another reason why Nolan should have been trusted with this character from the first place. Oh yeah, and that “voice” of his? Easy to understand most of the times, other times, you can’t really hear it fully, but you pretty much get the gist of what he’s talking about. Evil shit, and that’s all you need to know.
Another big worry that people had with this film’s cast of characters was Anne Hathaway as Catwoman/Selina Kyle. It’s not that people didn’t trust Hathaway and her skills as an actress, it’s more or less that fans didn’t know what to expect from this character that seemed so weak whenever she was adapted onto film the other times, but somehow, they pull it off perfectly here, mostly Hathaway. Right from the get-go when you see this girl, she is just bad-ass, smart, witty, sly, evil, and sexy, but you never know what’s on her mind, what she’s going to do next, or who’s side she was going to end up being on in the end of it all. That mystery about her, made her character so much more awesome and bad-ass than anybody ever expected and she totally seems like the type of chick-character that could hold her own with the best of them. Don’t hold me to this, but I sort of do see an Oscar nomination for Hathaway here, but if it doesn’t happen, I won’t surprised, either. Just one of those things I could see happening in the future, and with good reason, too.
As for everybody else in this flick, they’re all pretty good, too. Joseph Gordon-Levitt, aka the effin’ man, does a great job with a character that comes out of nowhere, we know nothing about, and just seems like one of those cookie-cutting good guys that every superhero story needs. However, JGL makes this character so much more bad-ass than anybody, even myself, first thought and he makes a great supporting character that you know you can trust every time he shows up on-screen. JGL is getting bigger and bigger with each and every role he takes, and it’s not for long until this guy finally nabs an Oscar. Maybe even two, hell, maybe even three! I don’t know! The sky is the freakin’ limit with this dude! Marion Cotillard is also new to this story as Miranda Tate, and does a splendid job, as usual, even if her character does seem a little bit forced with the hum-hum romance between her and Bruce Wayne, but it’s easily forgivable since she’s so good in everything she does. As with out returning veterans of the series, Gary Oldman, Morgan Freeman, and Michael Caine, they all do their parts and show why exactly their characters have stayed so strong throughout the whole time of these movies.
I know that throughout this whole review, I kept mentioning and bringing up the word “epic”, but if I had to sum this flick up in one word, it would be exactly just that: epic. You can just feel like this film is going to culminate into something big, something extravagant, and overall, something that will stay in your mind forever because of what Nolan has done with this series, and does with this goodbye to the series and stories that he has made so damn popular once again. Now that he’s done with these flicks, Nolan will go off and do the film he’s always been wanting to do and probably kick as much ass with them as he has with these three, but I will never forget this amazing trilogy and as sad as it may be to see the last time for all of these characters happen right in front of our eyes, I know that I had a great time with all three flicks and I couldn’t have asked for anything better. I’m getting a little teary-eyed here right now just writing this and when you see this flick, trust me, you won’t be able to blame me. Thank you Christopher Nolan. You truly can do no wrong.
Consensus: Though it may be very long, The Dark Knight Rises delivers on every spectrum: acting, writing, directing, cinematography, score, etc. It’s exactly what you could want in a summer blockbuster, and superhero movie, but it’s also exactly what you could want in a film that’s saying “adios” to all of its characters that it’s introduced to us for the past 7 years and it’s a legacy that I won’t forget. That’s for damn sure.
9.5/10=Full Effin’ Price!!
Damn, when they say “Dark”, they freakin’ meant it!
Batman (Christian Bale) raises the stakes in his war on crime. With the help of Lieutenant Jim Gordon (Gary Oldman) and District Attorney Harvey Dent (Aaron Eckhart), Batman sets out to dismantle the remaining criminal organisations that plague the city streets. The partnership proves to be effective, but they soon find themselves prey to a reign of chaos unleashed by a rising criminal mastermind known to the terrified citizens of Gotham as The Joker (Heath Ledger).
Come on now! You can’t honestly sit there and try to tell me that you didn’t see this one coming. I mean with The Dark Knight Rises only about a few short days away, I had to realize again why I’m so juiced up in the first place and thank God for that, cause this movie still kicks ass no matter how many times you see it. And to answer any of your suspicions, I saw this more than 10 times. In it’s entirety, as well.
Let me just get this out of the bag and go off by stating the obvious when I say that this is one of the, if not, the best superhero movie of all-time, and all of that can be attributed to one of the best storytellers working today, Mr. Christopher Nolan. Batman Begins was a pretty damn dark origin story to how Batman became who he is, but this film goes even farther in the dark departments where almost everything here is complex, gloomy, depressing, scary, sad, and most of all, tense. Holy shit is this movie ever so tense! Nolan lets the story be told the way that it should, which works in its own right, but what really got me every time was whenever he would pack this film with another insane action sequence that would last over 10 minutes and just keep my attention up on the screen the whole time. The sounds are loud, the shots are booming, and the whole time, you feel like you’re there and you have no idea what’s going to happen next.
That’s also another aspect I loved about this movie, you never knew what was really going to happen next. Too much in today’s world whenever we get a superhero movie, it’s pretty much the same song and dance but there’s just something different that Nolan brings to this story here and he makes it all the more unpredictable. I mean there is obvious, generic plot points that this film follows through on, but not everything is exactly as you would expect it to be. And honestly, even when things are even remotely up-lifting or happy, they aren’t as sunny shine as you would want. Instead, the daaaaaaarknessss taaakesss overrrrr!!!
So when you do have a story that’s somewhat unpredictable and plenty of hardcore action scenes that kick your ass right into shape, you pretty much have a movie that keeps you on the edge of your seat the whole way through, which is in fact what this film does if not more. Every single scene feel like it matters to this story, only to build it up more and give it more layers, and every time a piece of action would come out on screen, it not only made the film feel that much more intense but also added to the ruthless mood that Nolan gave this film in the first place. You almost feel like this director will do anything and everything to entertain us and keep us watching, but he also doesn’t allow for it to be just his story to tell, we all know and love it the way we do and there’s a spirit underneath it all that really makes it fly (pun intended). It’s not everyday that you get to see a story like this that’s so damn complex and fun, but also one that doesn’t seem like it’s going to be pulling any punches and could literally go anywhere with itself. That’s the type of director Christopher Nolan is and if you don’t believe me, go on and check out his résumé, and see what the eff I’m talking about. This guy means business and it shows through every single film he makes, and that’s why I have total and complete faith in him handling this last one.
If there is any complaint I have to give to this film is that it is almost too tense to the point of where I feel like I was getting tired by the end. I know, I know, I’m going to get attacked in the comments by how lame of a complaint this is but the film does run on a little too long and you feel like there should have almost been an intermission for people to go out and stretch their legs and get some over-priced goodies at the concessions stand. Then again, it’s just another sign of Mr. Nolan not taking any prisoners when it comes to watching his movies and being there for the end, with every body part still in-tact.
Christian Bale, once again, does a pretty solid job as Batman/Bruce Wayne and shows that he definitely has the skills and charm to pull of a complex character like Batman where we see him as this happy and rich playboy, that has to stand up for what is right, put on the cape, belt, suit, and everything, just to show what he believes in. Maybe that was a little too corny for Batman, and hell, even this movie, but you know what I mean. Bale is always awesome and regardless of what he does with his voice, you know this guy always kicks ass. It was also awesome to see everybody else return here and give their characters more development this time around with Gary Oldman as Lt. James Gordon, Morgan Freeman as Lucius Fox, and of course, Michael Caine as Alfred Pennyworth. Also, people will probably notice that Katie Holmes didn’t return to her character of Rachel Dawes (for Mad Money, great decision honey!), so they put Maggie Gyllenhaal in for her and she does pretty awesome. She isn’t necessarily a damsel in distress character as she can stick up for herself but also makes it clear why two dudes like Wayne and Dent would be fighting over here.
But when it all comes right down to it, you cannot talk about this film without going over it’s two main villains: Harvey Dent/Two-Face and The Joker. I feel bad for Aaron Eckhart here because this guy totally gets over-shadowed by all of the hype with his character, as it’s obviously always more focused on The Joker, which isn’t fair because the guy kicks some sweet ass in this role. Eckhart definitely seems like a great choice for Dent because he’s always been able to play these somewhat slimy characters, that you know you can’t hate because deep-down inside, there’s something good in them. Take this role for instance, as it is a lot harder to portray a dude that is pretty much a romantic rival to our main hero, and also goes from good guy to bad guy pretty quickly and dramatically. But somehow, Eckhart pulls it all off and I’m glad to see that he finally got his chance to be apart of the A-list because this guy has something about him that just really clicks.
However, you can’t talk about this film without not talking about it’s main attraction in the first place, and with good reason: Heath Ledger as The Joker. This is one of those rare, inspired bits of casting that comes around almost once a decade where a random actor gets put in this role where it doesn’t seem like it fits that person one bit, but somehow, they pull it all off perfectly to the point where you almost don’t feel like you’re not watching that same actor do their own thing. That’s this rare role where Ledger just got to do anything he wanted with this iconic villain. Does he have the same wit and charm as Nicholson’s? Of course, but it’s a lot more darker now and goes along with the tone so perfectly because Ledger isn’t a Joker that’s all about fun and games, this ‘effer will kill you when he has the chance to do so and he’ll laugh and smile about it. Don’t believe me? Just try and remember that magic trick. Thank you, I rest my case. But honestly, this is one of Ledger’s best performances ever, which is obvious because he won the Oscar that year anyway but it should not be all about because he died and the Academy felt bad. No, this guy commands the screen every time he is up there and you get the perfect feel for what this actor really would have done, had he lived on and saw what this iconic role done to his career. Really is a sad thing to see when you have somebody with such a bright future right ahead of them, just fall short because of some stupid drugs, but we will always have the movies and that’s what matters.
Consensus: The Dark Knight is exactly what you would expect from a superhero flick, especially one that is considered the greatest of all-time: awesome action sequences, tense storytelling, unpredictable story, great acting, easy-to-root for hero that has more problems at stake than just a bunch of baddies, baddies that are as menacing and evil as you can get, and a direction that just reminds you that Christopher Nolan is a man amongst men when and when it comes right down to it, this guy can do it all if he wanted to! The Dark Knight Rises, here I come baby!!
Fear the Batman and his raspy voice!
As a boy a young Bruce Wayne watched in horror as his millionaire parents were slain in front of his eyes, a trauma which led him to become obsessed with revenge but his chance is cruelly taken away from him by fate. The discovery of a cave under his mansion, and a prototype armoured suit leads him to take on a new persona, one which will strike fear into the hearts of men who do wrong, he becomes Batman (Christian Bale).
Since everybody and their mothers have been hyping up the release of the epic conclusion of the Christopher Nolan Batman Saga, I thought it would be a good time to go back and check out what these other two did to have all of this excitement. However, it only got me more and more excited for what’s bound to come July 20th.
What Nolan does here with this Batman flick is give it a whole new look, edge, and feel to it. Instead of going for the slap-happy, goofy type of Batman we usually see from Adam West and the terrible Joel Schumacher, we get a real serious Batman that works a lot better. That’s right, no Prince jams, no Bat nipples, and no hammy villains: everything is played straight to the core and that is one of the main things that Nolan does here perfectly. Nolan actually gets into the character of Bruce Wayne more and find out how, why, and for what reasons he goes off from being this million dollhair playboy, to all of a sudden becoming a kick-ass dude dressed in a Bat suit. Of course being dressed as a Bat when you’re laying down the law on somebody is a little kooky in its own right, but they actually bring that up amongst other topics, and it all comes together perfectly.
Nolan also knows how to make this film look great with some perfect shots coming from the cinematography, but also with the sleek and dark look this film had the whole time, especially when it came to Gotham City itself. Gotham City here, actually looked like a metropolis rather than just a set with some fancy designs on it and it got me into this setting where every one and everything is just dirty as hell, everybody and their mothers are all corrupted, and there is no law being brought down on anything bad happening. Gotham City has never looked better and it only gets cooler and cooler to look at once Nolan begins to bring in some of Batman’s cool gadgets and whatnot, all of which, are going to make you want to head on back down to the local Toys R Us and play around a little bit. I’m probably alone on that one but it’s just another excuse to go and play with my toys.
There was plenty of action that worked, especially the finale which kept the energy flowing, but it start to bother me after awhile. Yeah, Nolan gives us the action we want but whenever he does, the camera is constantly up each person’s asses and you can’t see anything else other than a couple of figures throwing punches and kicks at one another. With all of these “hand to hand” combat fight sequences being edited so tightly, it was really hard for me to even get a feel for who was hitting who and who was doing what to whom, and I guess I just also wanted that “awww shittt he just broke that bulls….” moment that I usually get whenever I watch a superhero/action movie. Instead, I just guessed who was winning and who ended up winning and 9 times out of 10, I was right.
Christian Bale was a great choice for Bruce Wayne/Batman because the guy can look and act the part no matter what it is that he does, and he is no different here. I like how Bale gave off this dark but cocky attitude about him that made his character seem more like Patrick Bateman, which isn’t such a bad thing considering that is by-far one of his best performances of all-time and it’s definitely a lot easier to cheer on this guy when it comes to the beat-downs. Katie Holmes was pretty damn flat as Rachel and I think that’s mainly because the writing didn’t give her much to do, other than constantly bitch at every one around her, especially at Bruce and then act like they’re in love at the end. Yeah, didn’t really believe that after all of the hissy-fighting but maybe she was just tense. Then again, that’s always an excuse for ladies.
As for the villain(s) of this flick, each and every single one of them do fine-ass jobs and give a lot more to this story, even if it is without any real iconic villain that we all know and love from the Batman series. Liam Neeson is sinister as Henri and seems like the type of dude you really don’t want to mess with, even if it is Oskar Schindler; Tom Wilkinson was freakin’ funny (in a good way) as the last mobster in Gotham City; and Cillian Murphy does a great job playing up that whole crazy-persona here as Dr. Crane, and thankfully, he doesn’t overdo it one bit. Oh yeah, another surprise is that The Scarecrow is actually scary this time around. Never going into the corn fields ever again.
Consensus: Batman Begins is not perfect but it’s a very dark, bleak, and serious type of superhero film that works due to it’s inspired direction from Christopher Nolan, and some awesome performances that all of the cast gives out, with the exception of Katie Holmes which was pretty predictable.