Not all celebrities are prudes. Only the ones with Oscars are.
The central story is about how a deranged writer (Dennis Quaid) forces a studio executive (Greg Kinnear) to make his movie. But before any moves actually take place on it, we get to see what the actual-product is as the writer reads it out to us and the executive. Basically, it’s just one dude’s shitty idea, all for us to see and cringe at. Yay!
Sketch-comedies never seem to work, that is, unless you just so happen to be drunk, horny, wild, and ready for a good-time. However, I don’t think it will matter if you’re any of those things: you may never, ever enjoy this movie. Okay, maybe if you’re 12-years-old, and love to hear the word “balls” in almost every sentence then yes, you might just have a freakin’ ball with this thing. But if you are above that age-limit in anyway, shape, or form, this is going to be one cringe-inducing trip for you. Whether you like it or not. I’m going to guess your most likely to side with the latter.
Any movie can tell a ball, poop, or fart joke like it’s nobody’s business, but it’s all how you do it and literally; this film just cannot do it in the right way where you laugh, chuckle, or even get that they just made the joke. Almost every single skit in this movie has at least one use of the word “ball” or “shit” and it gets annoying, probably around the time the first skit kicks-in and you realize that you’re going to be tormented to the core of your stomach, with non-stop raunch jokes that do nothing. Apparently, everybody who ever worked on this movie, all thought that the idea of somebody having a certain bodily-fluid sprayed all-over-their-face was downright, hilarious and it’s a huge-shocker that it never dawned on any of these people that maybe, just maybe, the type of material that they are working with, just isn’t funny enough to suit a 6-to-7-minute sketch, let alone a whole movie full of ‘em.
And also, the idea of having a movie so chock-full of sketches where big-named stars just demean themselves to the lowest, common denominator, almost seems so old-school, it’s not even worth it paying the money to go out and seeing. I mean, you can probably go onto Funny or Die, College Humor, Cracked, or even YouTube for that matter, find big-celebrities, doing some crazy shite for laughs, and actually having there be; ACTUAL LAUGHS. Here, in this movie where it’s just one, long presentation of a bunch, you get probably one-or-two laughs and that is literally all because the jokes that they use in the film that are actually funny, were already used 100-times before in all of the trailers/commercials we have either seen or heard, 100 times before. Going out to see this movie is already a crime, but actually going out to pay for it, is like a freakin’ cardinal sin. Especially when you know that more-quality humor is laying right there for you, at your fingertips.
Even if the delivery is god-awful, at least some of the placement is okay. For instance, some skits actually seem to have some promise like the one where Robin (Justin Long) actually stands up for himself and gets involved with a Superhero speed-dating event, where other, actual superheroes show-up to mingle and hopefully, get laid. This idea seems like it’s planned to be a butt-load of fun, especially if that idea came from Joss Whedon, but sadly, it comes from the makers of this shit-pile and before you could say the word, “kryptonite”, the sketch has already lost itself in saying the word “bush” or “shit”, one way too many times. I mean, when you got Wonder Woman and Batman talking to each other about how they fucked and it never amounted to anything but Batman running-away and never calling again, you would expect non-stop hilarity, right? But nope, instead it’s all about having Robin still be played-out as the softer, gayer-one of the two and if you didn’t think that joke was over-played by now, trust me, just wait for the rest of the movie.
However, without the promise of an interesting-idea, most skits just fall from grace, right from the very start. The skit where Johnny Knoxville and Seann William Scott both find and capture a leprechaun (played by Gerard Butler, in CGI-form), in hopes to get some gold, starts off pretty bad. Apparently the director, Brett Ratner (in case you haven’t been surprised yet), thought that the idea of having a leprechaun spew-out a bunch of dirty words was funny enough to last a whole sketch, especially one where it seemed like it’s main actors would actually sparkle in. Sadly, they just don’t do anything for the sketch, or the movie itself and the way it all ends is so dark and savage-like, that it really left me with a bad-taste in my mouth, which is very shocking since the rest of the film just couldn’t. I want to spoil the ending of that sketch for you so you understand what I’m blabbering all about, but sadly, I am a critic and I have morals, people. But still, don’t see this movie because I won’t spoil it for you.
The idea of having all of these different stars being packed into one movie where all they do is completely raunchy and dirty shit (sometimes literally), may make them seem cool and on-the-edge, but in reality: it’s just a poor-decision. I guess it’s really strange to see heavyweights like Kate Winslet and Hugh Jackman in a skit about a dude with balls on his neck, or a skit with Liev Schreiber and Naomi Watts playing parents of a home-schooled kid that give him the full, high-school experience with sex, drugs, abuse and all, but it’s even stranger to see peeps like them actually stoop themselves so low as to actually make this material work. I don’t know if they knew this right from the initial script-read, but this is terrible-material they are working with here so instead of giving it their all and actually going to town with whatever energy or sense of purpose they can muster-up to make this work, they seem almost as if they forcing it out, almost like a kidney stone (and yes, it is THAT painful to watch). Nobody here really out-shines the other and probably the only person that really made me laugh and surprised the hell out of me from this whole cast was Will Sasso, who shows-up, does his thing, reminds us that he is still alive, and actually made me laugh. I was terribly and utterly surprised, but he was the real spectacle to see for me. Everybody else can suck my nut because I hated this shit, and I hated watching them try to act in it!
Consensus: Do not, I repeat, DO NOT let the star-studded cast fool you, Movie 43 is one hell of a bombshell that begins on a lame-note and ends on an even-worse one that makes you feel like you’ve just been hit over-the-head with somebody’s foreign parts, and not in the fun, or pleasureful way, either. It’s the type of way that disturbs you and scars you for life. That is, until you see an equally as bad movie and that’s, going to be very hard to come by for some time I think.
1 / 10 = Crapola!!
Hey, cops can have girlfriends too.
Robert De Niro plays Wayne, a timid Chicago cop sarcastically nicknamed “Mad Dog.” He saves a gangster name Frank (Bill Murray)’s life and as payback, Frank “gives” Wayne his beautiful bartender Glory (Uma Thurman). However, when the two fall in love, then Wayne realizes he may have to fight-off Frank from his girl.
Let’s just put it like this: this is a weird-ass movie. From the beginning, you feel like you know how this one is going to play-out but as time goes on, and as the story progresses more and more, it changes up a whole lot and you never know where it’s going to go. That’s a lot of fun whenever you’re sitting-down and watching a movie and it’s that element of film-making that movies had nowadays but somehow, just don’t. Maybe Hollywood gets in the way, maybe stars get in the way, or hell, maybe movies are just running out of any original ideas that are worth showing on-screen. But either way, watching a movie and having no idea where it’s going to go from frame-to-frame is a hell of a lot of fun and it’s even better when you have a cast like this.
The movie’s casting may have it seem like a bit of a stunt where De Niro is playing the meek, sensitive-type that takes random pictures of life, whereas Bill Murray is playing the tough, unpredictable gangster that you don’t whether or not you should trust, or be totally scared-of. It seems like a total switcheroo and believe it or not, De Niro was actually offered the role of Frank, before he even knew about the role of Wayne, but he turned it down, just so he could show the world that he can in-fact, play a nice and sweet guy that doesn’t stomp on people’s heads. De Niro, in an obvious-effort to change the way his career was being viewed upon at during that time, took the role of this simple-minded, nice guy and does a great job with it, mainly because De Niro dials it back insanely.
Usually, when you see an actor/actress trying their hardest to play against-type, they usually go overboard with playing it cheap and subtle, you know, just so people don’t associate them with the other dozen similar roles that they have played in the past. In an effort to not be distracting, it actually ends-up becoming distracting and in full-effect, it’s a bit bothersome when you watch the performance and judge it as a whole. However, De Niro isn’t like that here as Wayne and really just seems to playing himself, but a more simpler, kinder-self of his and it shows that the guy can play these types of roles and make us care about him even more. Wayne is obviously a very small man, in a very, very big world and you kind of feel bad for him after awhile, mainly because you know that he’s going to get his heart ripped-out sooner or later and all you can do is just sit there and wait for it. I loved this small, tiny performance from De Niro and now that it seems like he’s getting his career back on-track with the Silver Linings Playbook, I can only hope to the Movie Gods, that he ends-up going back down this career-path and making some smart-choices. Or, he could just go back and do another Meet the Parents movie. His choice, not mine.
It should almost go without saying that Bill Murray is a freakin’ blast to watch in any movie he does, but that’s especially the case here as Frank, the sadistic and mean gangster that you just can’t help but love. This is a perfect piece of against-type casting not just because Murray has never played a role like this before, but mostly because he absolutely never lets you forget that he hasn’t and is at least having a bunch of fun with it, in the meantime. Murray never loses his sense of humor (Frank is a part-time gangster, part-time comedian) and always allows himself to be on the butt-end of a joke whenever it suits the script. Whenever he gets dangerous, it is actually pretty scary to watch because you never quite know what this guy is going to do next, but that’s the whole fun of watching Murray in this type of role, and just watching Murray in general. He’s always surprising us and always keeping us on-edge. That’s the beautiful thing about Bill Murray and I don’t think it will ever stop.
Uma Thurman does a nice-job as Glory, the gal that Frank hires to keep Wayne some company for a week, but when you put her next to these two actors, she sort of sticks out like a sore-thumb. I mean, that’s not saying that Thurman isn’t good, because she’s very good at playing this sympathetic, and vulnerable girl that just wants to do the right thing, but when you have two stars like Murray and De Niro absolutely knocking homers out of the park with all they can do, then it becomes pretty obvious who the script had in mind when it was first being-developed. It also probably doesn’t help that Glory’s story could have been developed a bit more to have us care more for her, along with Wayne, but in essence, we just end-up caring more for Wayne and a little bit for Glory.
However, that’s where the tone of this movie comes in and ultimately, it’s weirdness as well. What makes this movie so weird is that it continues to change it’s tone and pace every time a scene switches. One second you’ll have a police drama, next second you’ll have a black comedy, then the next second you’ll have a gangster flick, and then the next second, you’ll have a romance movie, and so on, and so forth. Basically, you can never pin-point exactly where the hell this movie is going to end-up, how, and when, but you don’t really care because it’s always fun, it’s always entertaining to watch, and it’s always making you laugh.
The only aspect of this movie that I don’t think was as strong as everything else, was in-fact, the romance between Wayne and Glory. See, we’re supposed to believe that these two random pieces of crap would, by sure chance, fall in-love over this one week together where they do nothing but hang-around, have awkward sit-downs while watching television, and even awkward trips to the bed (if you catch my drift). However, when they’re romance seems to face a bit of a problem with Frank wanting Glory back, you don’t really care all that much, mainly because the movie doesn’t really seem to have you believe that these two opposites, would indeed fall in-love and fight for it no matter what. There even comes a point where I felt like it was all a part of Wayne’s wild-imagination to be some sort of plot contrivance, but in reality, it wasn’t and the movie really was THIS serious about the actual love between the two. Other than a very realistic and honest sex scene the two have, Wayne and Glory’s romance never fully catches fire and the only reason why you want them to continue with one another, is just so Frank can come in and screw everything up for them and add even more enjoyment to our viewing. Hey, what can ya say? We all love Bill Murray!
Consensus: Mad Dog and Glory is as weird as they come, and if you can handle the non-stop changes in tone and pace, then this one will definitely be a treat for you, but even if you can’t handle that aspect, just sit-back and watch the amazing performances from Bill Murray and Robert De Niro who both play against-type, but quite perfectly, may I add.
All the single, hot-to-trot mothers can never keep those hormones in-tact whenever that Scottish accent comes through. Oh, roar!
A former professional soccer player (Gerard Butler) with a weak past tries to redeem himself by coaching his son’s soccer team, only to find himself unable to resist when in scoring position with his players’ restless and gorgeous moms.
Alright, before all of you get your torches and brooms and come right to my door-step and try to burn the witch that has apparently taken over my movie-viewing control, let me just tell you that the decision to not only watch, but review this movie, was all mine. Yes, nobody other me, myself, and I chose to watch and review Playing for Keeps and because of that, I have come to terms with myself and just realized one thing: I am a fucking idiot. Yes, I am a lot happier now that I’ve realized that about myself. Thanks Gerard Butler!
I have no idea where to begin with this piece of shit other than to just focus on the director, Gabriele Muccino, and just what the hell was going-on throughout his mind during filming. This movie tries to be one-step above the rom-com genre by infusing the thrill and fun of the sport of soccer into it, but really, it’s just the same old shite we have all seen before. Dad tries to pick himself back-up from nothing, does a very good job at doing so for quite awhile, finds himself in a dilemma, finds himself back into nothing, and then, low and behold, he’s back on-top and everybody is happy, running around in fields of daisies and rainbows. Okay, maybe I just gave away the whole movie there and maybe, just maybe, that isn’t exactly what happens but seriously, if you get pissed about how the whole movie was just spoiled in one sentence and you had no idea what was going to happen, then you, my friend, should not even read my site anymore, let alone watch movies.
This movie, is as obvious, predictable, and conventional as they come, but it’s even worse because it’s so damn dull. There’s nothing new here, there’s nothing fun to really watch here, and worst of all, there’s just nothing to stick-around and watch. You watch these characters just do their thang, act like you’d expect them to, and to have absolutely no effect on you, your life, or your thoughts whatsoever. It’s almost like you’ve never seen this movie and coming from a guy who actually did waste his precious time and life seeing it: you’re probably better off that way. In case you couldn’t tell by now, this movie fucking blows and if you want to see more as to why that is, continue to read-on but if you get the point and want to just get on with your life, then leave this site and come back tomorrow when I have another review of another movie coming up. Trust me, I won’t be offended, I’ll actually commend you for doing-so.
The biggest question-mark going-on in my mind throughout this whole flick was: who’s wife did Gerard Butler fuck? Honestly, Butler must have done something terribly inhumane to some higher-up in Hollywood, because it seems like they just place him in these movies, regardless of what it is, tell him what to do, tell him to use no emotion whatsoever, and just act like you don’t really care if you’re there or not, just accept the check and be done with it. I don’t know if he cut a deal with somebody where he has to do shitty-movie-after-shitty-movie to lose the price on his head, but whatever it may be, the guy’s got it bad and what’s even worse, is that he does nothing to help this movie out in the least bit.
Butler is as dull and boring as they come and the whole time I wondered just what the hell made him so much more different from any other male-lead in these rom-coms that come-out once a week? Is it the facial hair? Is it the sexy build that has somehow decreased year-after-year since 300? Or simply, is it the Scottish accent that seems to get every gal’s panties to fly-off into the mist? I think it’s the latter and that’s a shame too, because after seeing a movie like Coriolanus and realizing that this guy kicks total ass when he gets the chance to do so, just makes this movie, his role, and his performance all the more terrible and disappointing to watch. Come on, Hollywood! Give Gerard Butler another chance! I’m sure the guy is sorry for whatever the hell he did.
What’s even worse about this flick is the rest of the impressive cast that this movie has going for it, and how equally dull they all are. Jessica Biel plays Butler’s ex gal-pal that he has a kiddie with and as hot and sexy as she is here, she is also nothing more than just a piece of cardboard here with some dialogue she has to spring-out of her. Biel, just give up on acting and do porn or something and make yourself useful. Make us all happier and stop trying to take your career seriously because honestly, nobody does. Not even, dare I say it, Justin does.
As by-the-numbers Biel is, it isn’t much of a surprise since the girl blows in just about everything but actresses like Catherine Zeta-Jones, Judy Greer, and Uma Thurman!!?!?!? Aww, hell no! In the past decade, these girls have all given some of their best performances in their whole-careers and it’s such a damn shame to see them do a pile of shite like this, try their hardest, but in the end, just come-off as a bunch of obvious, walking cliches of a bunch of women that couldn’t keep their clothes on whenever some sexy, built Scottish man came strolling through their neck of the woods. It makes me very, very sad to see them all do this type of crap and what’s even worse, is that Dennis Quaid is here as well, and I don’t think I need to say anything more about that. Okay, I’m going to go and cry now.
Consensus: Playing for Keeps may have one redeeming factor to it: it’s fun to watch and make fun of if you’re reviewer like yours truly. However, if you aren’t, then you’ll probably find yourself cringing, upset, pissed-off, confused, and just plain and simply, bored with everything that occurs on-screen and wonder just when exactly you can begin to move on with your life and act as if you have never, ever seen this piece of shit. I already have, and I’m about to finish my last sentence of this review, right….about…..now! Yes!
What if the one that got away still stayed hot and you looked really creepy?
Nine years after spending a night together in Vienna, Jesse Wallace (Ethan Hawke) is reunited with Celine (Julie Delpy) while on a book signing tour in Paris. There’s an obvious attraction still between the two but Jesse only has a short amount of time until his plane leaves which means that their meeting may be brief.
Before Sunrise was just about a near-perfect film for me. It had all the ingredients you could ever need for a great romance and I honestly do believe it’s one of the greatest romantic films of all-time, and that really is saying something. So for there to be a sequel to see what happened between the couple that graced that flick, made me anticipate just what the hell happened. Thankfully, I was not let down.
The whole film is about 80 minutes of these two people walking around Paris, talking, going into a coffee shop, then going onto a boat, and then talking some more but the film is never boring. Every single word that these characters let out had me on edge the whole time and I never felt bored by these two talking because even though they talk about generally nothing again, they still do talk about something, if that even makes sense.
What really works with this screenplay is that co-writer/director Richard Linklater, Hawke, and Delpy all came together on this script which gives it this realistic and almost heart-breaking truth to it all. In the first flick you see how these two have this sort of fantasy look at love and the world but now that they are older, everything is a lot more sad and angry around them. These two see the world in a different way like when it comes to relationships and they soon realize that the word “love” isn’t exactly what they thought it meant considering you had to worry about all of the non-nonsensical crap that comes along with it. It’s sad but at the same time realistic because you see how two people grow up and realize that the world isn’t what they once thought it was but still keep a grasp onto what made them happy in the first place. This also leads me into another idea that the film brings up: memory.
The conversation these two have constantly bringing up the miraculous one day they had together and most of the memories they have are very clear and feel as if it was just yesterday. These two are always reminded of that one day that they shared together not just through the way they speak to each other but also through their lives as both constantly could not escape or forget that faithful day that made them realize they really have something special together. The film is basically infused with the idea that as long as you and the other person are alive, the memory will never ever go away and no matter how much you try to run away from that fact it will always come right back to you.
Without Linklater behind the director’s chair though, I don’t think that this film would have even felt the same. Linklater is perfect at just letting the story and characters speak for themselves but that still allows him to do some cool tricks such as these long tracking shots that last almost 10 minutes every time. I love tracking shots and it’s just so great how Linklater can use them to create a certain amount of tension of realistic feel even if it’s just by focusing on one shot the entire time. Also, even though our minds are on the two characters the whole film, Linklater still allows for some beautiful imagery of Paris come into play and give us this view of the lovely place we knew in the first flick.
Where the real brilliance of this film lies is within the performances of Julie Delpy and Ethan Hawke, who feel real together. Even though these two never worked again after the first until this flick, their chemistry is still there if not better because as I have said before, they are a lot older now and a lot more sad and angry emotions come out of each other. Right from the get-go, their chemistry feels natural and everything they say all seem improvised even though that is not the case. They are playful with each other and you know that there is just something special between them even if they don’t want to come clear with it themselves and watching them just exchange little glances at one another giving each other little smirks, made me feel like there was more sex in this film than there was in Shame. Both of them start to break-down in front of one another where they both not only show regret but also anger towards the whole situation of how they could have been together, but just missed out somehow. These two are just perfect together and I think the fact that Linklater allowed them to shed some personal issues into their script as well. Delpy was on the rise as an actress, finding roles that she liked and being happy with them, while Hawke was sort of going through a lot of personal problems with his wife at the time, Uma Thurman, and a lot of that shows through by the way his character talks in this flick as well. It’s great to see two stars working together not only on-screen, but on the script as well and shed some real human emotions that come from their own lives as well.
Consensus: Before Sunset is just as great as the first one with a perfect chemistry between Delpy and Hawke, a screenplay that feels natural and realistic, and the real human emotion of watching these two meet up after all of this time. Hopefully, there’s one last one to close out the series but in the mean-time let’s just get ready for Still Dazed and Confused: the 20 year reunion.
Blake Lively stars as Ophelia, the girlfriend to two Laguna Beach entrepreneurs, one an ex-mercenary (Taylor Kitsch) and the other a principled environmentalist (Aaron Johnson), who’ve built a thriving homegrown industry on the best marijuana ever developed. When they refuse to sell their business to a brutal Mexican drug cartel (lead by Salma Hayek and Benicio Del Toro), Ophelia is kidnapped, and so begins an escalating series of ploys with savage consequences.
It’s been a very long time since director Oliver Stone has made a good movie, or at least, made a movie that’s more entertaining than it is preachy. So for his return to form, it seems like Stone is back to making stories about hot people, hot guns, hot money, and most of all, hot Mexican drug dealers.
What I liked most about this flick is that it seems like Stone is really having a fun time with this material. Take it for granted, I never read the Don Winslow novel that this adapted from, but from what I hear, it’s a freakin’ cult-classic that keeps you on the edge of your seat the whole time you’re reading it, which is very surprising to hear considering my only way of actually reading nowadays is watching a foreign flick. But anywho, Stone starts this story off well by giving us a setting, the characters, and an under-lining sense of impending doom that sooner or later, bad shit is going to happen and going to happen badly, too. Things never get to the full-on extremist-level that I feel like it could have gone towards, but any time it even tries to dance with that idea, it works and brings a whole bunch of fun and kinetic energy to it.
Another aspect of this movie was how I didn’t quite know what was going to happen next, after Ophelia eventually ends up getting captured. To me, I felt like I knew what was going to happen to these characters, how, when, and where, but for some odd reason, Stone totally changed things up on me. Stone starts to focus his attention towards different details, characters, and plot devices that made me wonder just what this guy really was going to pull out of his hat by the end of it all. But this film wouldn’t be a Stone film without any of the trade-mark changing of colors throughout the film, which we do get, but not enough in my opinion. Honestly, when you have a Stone flick, you can never go wrong with too many changes of color in one movie.
Problem with this film, is that whenever you think that this film is going to deliver the goods on when it showed to be Stone’s “most ruthless film since Natural Born Killers“, I didn’t see it. Yeah, there’s a couple of grisly kills here and there but when I go into a Stone film that promises me the type of blood-shed like his 1994 classic, I expect freakin’ blood and guts everywhere, not just two torture scenes out of a whole 2 hour and 10 minute movie. Even when the tension builds up in some scenes and we get a taste of Stone’s frenetic feel, it’s awesome and brings you right back into the story, but whenever it leaves, you feel disappointed like Stone had all of this crazy shit planned but didn’t decide to go with it because he seems to have a better appreciation for life in his older years. Boo old Oliver Stone!
What interested me about this flick right from the start of production, was the ensemble cast that Stone was able to assemble here that are all pretty good. First off, the young blood. Taylor Kitsch has had a pretty rough year so far and it only seems to get a lot worse considering he doesn’t really do much in this flick, other than just stand around, look tough, and call up his Army boys to save him when he feels like shit is about to go down. Maybe that’s how his character was written in the book, but it makes for a very boring and dull character, especially when you have him uttering out lines like, “life does not change, life changes you”. Give me a break dude. Blake Lively also doesn’t do much as O, even though the story is all surrounded her. The problem with Lively here is that even though some of her scenes can be good, her narration that carries on throughout the whole film just made me want to not only hope that she got killed, but whoever was taping her voice for the narration was as well. Her lines are terribly cheesy like one where she goes, “I had orgasms, he had Wargasms”. Really? Is that what we consider clever when we make jokes about sex?
The actual stand-out from these youngsters is probably Aaron Johnson, who shows that he is fresh face that deserves to be watched in the upcoming years. He’s pretty solid here as the hippie-like dude, Ben, and gives this character a total transformation from soft, peace-loving guy who loves the weed he grows and smokes from violent, hell-breaker that just wants his girl and his business back. Johnson definitely makes this character a lot more interesting than what was already written for him and it’s cool to see that this is pretty much the same kid from Kick-Ass, who is still doing the same things 2 years later, only this time, with weed added to the ass-kicking. My man.
Now, it’s time for the old-heads in our cast. Benicio Del Toro is pretty cartoonish as Lado, a vicious enforcer who wants to be his own man, but also can’t because of the orders he has to take. Saying that “he is cartoonish” isn’t necessarily a bad thing, because this guy can be pretty scary whenever he’s on-screen. Del Toro has a lot of scenes where you can just tell that this guy is up to no good and I guess when you have a Mexican drug dealer villain in any film, that’s always good, if a tad racist. Salma Hayek plays his boss, Elena, who shows off a new side to her where she’s chewing the scenery like no other with all of her yelling and screaming, but still has chances to settle it all down and be a real person. Definitely could have replaced Julia Roberts in Mirror Mirror. Then again, would have been a whole different film entirely. It was also a surprise to see John Travolta in a meaty role that shows him off as being sort of a dickhead of sorts. Travolta plays this crooked-ass DEA agent that’s on everybody’s pay-roll and you, just like the characters in the movie, don’t know whether or not to trust him. This is a great role for Travolta, because it reminds everybody that he actually does have some good acting chops still left in him, even if some can’t get past the fact that he may be playing for the same team. But hey, that’s OK in my book, just keep on bringing out some good roles.
Consensus: Though it is a tad messy and never goes to the full extremes of violence that it seemed like it promised, Savages is still a fun return to form for Oliver Stone, who shows that he still has the knack for choosing a great ensemble cast, and giving them good material to work with, even if some of them aren’t as good as others. I’m talking about you Blake Lively and Taylor Kitsch.
Why isn’t there blood spewing out of these people?!? Better yet, why isn’t there that many people getting hacked off?!?
After having killed the first two on her death list, The Bride (Uma Thurman) continues in her journey of vengeance to hunt down and kill the remaining victims, Elle Driver (Daryl Hannah), Budd (Michael Madsen) and ultimately, Bill (David Carradine).
Basically in a nut-shell, Kill Bill: Vol. 1 kicked ass and I was so hyped up to see this one after that. However, if you go into this one expecting that one all over again, check again bitches. Hell, I wish I actually checked again.
Without a doubt, you have to see the first one before seeing this because it will make you understand the story so much better and even the little things that popped up in the first one, will still somehow find their way back into this one so just be ready for that. What sets this film apart from the first flick though is that it’s not an insane, fast-paced action flick with people getting chopped up by samurai swords everywhere. Instead, this is a lot more of a character/plot-driven flick that depends a lot on Quentin Tarantino’s writing to create a mood and a certain amount of suspense. This guy is perfect for that and he does a great job with that here because the scenes of dialogue may go on longer than you may expect at first, they still feel relevant to the story and it’s just so damn hard to be bored of a Tarantino flick, especially when somebody in one of his films are talking.
Another element that separates this flick from the first is that there isn’t many homages to a lot of what Tarantino loves as much as there was in the last one. I liked how he was able to incorporate everything he knew, saw, and loved about movies and could put them all up into one flick but barely any of that is here, which sort of relies on him to use his also perfect directing skills. Tarantino doesn’t disappoint and there are of course some funny little nods to the kung-fu movies and spaghetti westerns but I was kind of disappointed by the lack of homages and tributes from Tarantino’s fan boy self.
The main complaint that I had mostly with this flick was that I honestly was just totally bummed by how much action there wasn’t, which may sound dumb but they honestly feel like two different movies, which I know they are, but I was just let down totally. I was expecting crazy action left-and-right like the first but what I got was just a bunch of slow and tense conversations which did work but I honestly couldn’t go from one to the other in such a different style. It may sound like a bit of a dumb complaint but I just was expecting something a hell of a lot more insane, which I think is to expected coming from Tarantino.
Don’t get me wrong though peeps, there is action here and when it does go down, it’s pretty freakin’ awesome. There’s also plenty of times where Tarantino plays with our natural fears such as being buried alive, being bitten by a snake, getting our eyeballs taken out, getting shot with a dart, and plenty of other crazy and effed up shit that will make you squirm but also feel cool about because Tarantino does it in such a creative way that it’s hard not to feel a little smile on your face about. That damn Tarantino always gets me right when I think I’m lost.
The acting is definitely a lot better this time around since we get to see these characters a lot more than we did in the first. Uma Thurman is great once again as “The Bride”, but this time she gets to show a lot more to her character rather than just slashing Japanese effers up. There’s a lot of emotions she has to show here such as anger, terror, happiness, sadness, and enterprisingly even love. Thurman does a perfect job with this role here where she actually feels like a real human with emotions even though she could kick my ass in any second.
As for the other two villains in this flick, they are pretty fine too. Michael Madsen plays Budd, Bill’s washed up brother, and brings that charming evilness to his character that he always seems to do so well and his scenes are all pretty good. Daryl Hannah is pretty bizarre again as Elle Driver, and gets to use a lot of her key bitchiness to her aide this time because her character is just a chick that you want dead right away but she always seems to be one step ahead.
Oh shit, I almost forgot to mention the man villain of them all, Bill himself. David Carradine is great as Bill because he is everything that a great villain needs: he’s charming, funny, likable, creepy, and always scary with every scene he has. There’s just this certain atmosphere Carradine brings out every time he is on-screen like I felt like this guy would just snap crazy in one second and wouldn’t give a single shit who he killed. It also helps that he has some of the best lines in this flick as well and the one that always sit in my mind at the end is the one he makes about Superman. I won’t spoil it here but it’s pretty smart and may actually think a little bit, which is definitely a total surprise considering it’s a Tarantino flick where it doesn’t matter what themes or morals he may be throwing out there, it’s still a flick about bad people doing bad things. Get used to it peeps.
Consensus: Kill Bill: Vol. 2 is not exactly like the first installment but that’s not all of a bad thing: there’s plenty of action, well-written scenes of tension done by the master himself, and it’s definitely a great way to close off this two-parter even though I don’t think Quentin is all that done here.
Don’t eff with a chick that dresses like Bruce Lee. Especially if shes waving around a sword.
The Bride (Uma Thurman) was once part of a group of world-class female assassins until her employer, Bill (David Carradine), and other members of the group turn against her and have her shot. Five years later, she awakens from her coma. She heads off around the world seeking revenge with plans to kill each person involved, saving Bill for the grand finale.
Take it from Quentin Tarantino to take what is essentially a simple, and pretty standard revenge story and give it the style that harks back to the good old days of 70′s kung-fu action movies, spiced up with many other random styles that Quentin just feels like throwing in there.
What I loved most about this flick was how the fighting, action, and blood were filled with so much energy and were better than half of the shit I’ve seen in the past 10 years, that I wanted more of it. Right from the beginning we get a nice little fight between The Bride and her second target on her list and it seems goofy because of all of the swooshing you hear when they move, but it’s so vicious and so brutal that it’s hard to laugh especially when these chicks are very close to just gutting the other person out. It’s a very minor scene but it’s one that starts the film off on the right foot and the action just keeps getting better by getting more vicious, more violent, and a hell of a lot more bloody. The blood is insane in this flick and it may be a bit ridiculous how Tarantino just makes every single kill have blood shoot out from these people, but it still gives this film this cool and deadly look that could only be achieved with an R-rating. Actually, it’s more of a very hard R-rating, one that only Tarantino can get because he’s the freakin’ man.
As we always get with Tarantino flicks, there are plenty of homages and influences seen here and they all work perfectly. The whole film is basically one big kung-fu movie that reminded me of the days when I would just sit home and watch all of these Bruce Lee flicks where he would be either taking on 50 dudes at once (no homo), or he would be getting kicked in the chest by one of Lew Alcindor’s big feet. I can definitely tell that Tarantino did the same thing when he was a little kiddy and his inspiration just runs throughout this whole flick with a giddy and original feel to it. However, it’s not just kung-fu movies that this flick seems to be harking back to, you get a bunch of blaxploitation homages, spaghetti western moments where the score is just over-powering, a random ass anime scene that may seem weird but is just as brutal as the rest of the flick, and even a little bit of nods to his own previous work such as Reservoir Dogs and Pulp Fiction. I don’t know how he does it but Tarantino is the master at taking everything he knows and loves about movies, and putting them all into one crazy and madly original flick.
There was only problem I had with this flick and it was one semi-cheap scene where we see Bill in the classic villain mold which is a bit unnecessary. I don’t really think I’m giving too much away talking about this scene but it shows one of Bill’s associates, Elle Driver (Daryl Hannah), sneaking into The Bride’s hospital room about ready to poison her while she’s sleeping. However, at the last second Bill calls it all off, saying that she “deserves better than that”. I thought that this was kind of a cheat way just for the story to continue and to show the reason why The Bride continued to live on and basically cause havoc to everybody on the planet. Also, wouldn’t a real assassin know how ruthless she is? So why wouldn’t he just off her right then and there? Regardless though, it’s only one scene but it still was at least the only negative I could come up with.
Uma Thurman is the perfect choice as The Bride because she just fits that deadly and sexy look so well. Uma is tall, sexy, blond, sweet, great to look at, but she can also be very scary and look like she’ll be hugging you one second like a sweetheart and then chopping your head off the next like the vicious killer she actually is. It also helps that her story is very easy to get behind because the chick was practically left for dead by all of these people and who wouldn’t want to get some good old revenge? Tarantino knows how to make great characters for leading ladies and it’s definitely one of the rare occasions where I actually found myself scared of a female character in quite some time.
The film really only focuses on two villains here (Vivica A. Fox and Lucy Liu) and they are both very good at playing these evil roles, especially Liu who I think had her best performance ever in this flick. She plays O-Ren Ishii and is one of those samurai sword waving villains that you always see in the kung-fu movies and seem cheesy as hell but never do you take them as seriously as you take this chick. Liu plays this character very well because she’s very quiet a lot of the times and more or less let’s her killing do the speaking for her. It’s a shame that Liu hasn’t really gotten the right roles after this but I guess that’s what usually happens to you when your biggest blockbuster hit was Charlie’s Angels.
Consensus: Kill Bill: Volume 1 shows Tarantino in top-form with a style that is bloody, violent, vicious, and shows every single one of his influences in a way that not only shows what he loves but also creates a wholly original flick on its own. Definitely can’t wait to see Volume 2.
Being snowed in makes me all warm and fuzzy, except I wouldn’t want that feeling all year round.
Willie Conway (Timothy Hutton) returns to the small town he left behind as erstwhile friends, lovers and the scary thought of settling down swirl around him. A friend’s unapproachable cousin (Uma Thurman) and the winsome teenager next door (Natalie Portman) couldn’t be more different, but they afford glimpses of two possible futures.
Those “small-town” films have always been a favorite of mine since I like to feel like I’m right there with the story, and this one did not disappoint.
The script here by Scott Rosenberg is what really has this film clickin’. Rosenberg does a great job of expressing the insecurity’s that men have, and the sexual politics between men and women. Us men, we can sometimes be horny mofo’s and not always do the brightest things, and this film shows that it’s alright because that’s how life is. There is also plenty of comedy to go along here that won’t have you laughing-out-loud, but it will at least give you this breezy feeling throughout the whole film.
Most of the problem with this film that people will actually have is that not much happens here. The whole film is basically conversational, and nothing eventful really goes down and some will be bored by this, but I actually didn’t mind it because they gave us things interesting and witty to talk about.
However, my problem with this film is that it does get schmaltzy at times which sort of took away from the whole cool feel that this film gave me. I didn’t mind the little emotional scenes they had, but I think they were unnecessary especially with that cheesy score they had pop in every once and awhile. Also, I wish there was more viewpoints from the gals here too, but I can’t lie, I still liked what I heard from both sides.
The ensemble cast is good-looking, but don’t let that actually fool you because their all so good. Timothy Hutton is good as Willie and handles the film really well bringing in that coolio charm, and actual “realistic-guy” feel to him. I don’t know if that made any sense but the point I’m trying to make is that he’s a cool dude. Matt Dillon, Noah Emmerich, and my favorite no matter what he does, Michael Rapaport, all do great jobs as the other dudes here. Martha Plimpton, Mira Sorvino, and Lauren Holly are good too. But my favorites out of this cast are from three gals actually. Rosie O’Donnell has a totally hilarious scene here where she talk’s about dudes and our sexual fantasies, and it’s all so true, but the way she puts everything just made me crack up the whole time. Uma Thurman is also awesome as the really cool chick named Andera, who really made me wish I had here as a “fake date” when I needed one the most. But the best performance from the whole cast is Natalie Portman, who at 13, took this little role, and made it so memorable. Her character, Marty, is really quirky and Portman does a great job at bringing out that quirkiness within her character, and make almost every scene she has hilarious but also very interesting. This was a star-making role for her, and with good reason because she’s awesome in this role.
Consensus: Nothing much really happens here other than a bunch of conversations, but Beautiful Girls’ script is so good, that it kind of makes up for that, with it’s themes about men and women, and performances from a great cast, especially Natalie Portman.
3 friends meet to what becomes the most awkward conversation ever.
After 10 years apart, three friends (Ethan Hawke, Robert Sean Leonard and Uma Thurman) reunite in a motel room to play out the unresolved drama of their final high school days. As layers of denial are peeled away, each character is provoked into revealing his or her true nature and motivation.
Tape is based on a play, that is filmed on a real digital camera, giving it that authentic feel, and shot in real-time. I liked these two ideas that director Richard Linklater does because it feels thought the 86 minutes your watching this film, your right there with them.
The film is written so well, as it feels as though its actually real-life. The dialogue after awhile, gets really harsh and terribly true, to a point of where it almost feels like your watching a documentary before your very own eyes. I liked the screenplay so much, cause it shows how people can obtain something differently, and how after 10 years of one little incident not much has changed. The film builds, and builds, and builds right up to the point of where you think what’s going to happen, doesn’t happen, and your overall, terribly shocked.
I had a problem with the film by the way it ended, and that was how not everything added up like it could have. I was sort of let down, by what actually happened to these three 10 years ago, and I think through watching this whole film, I sort of deserved to know the real answer.
I loved how the film was just a great way to show that these three actors, can sure as hell, act. Ethan Hawke is such a dick in this movie, that you want to kill him, but in some ways, he is very funny and you actually kind of enjoy him. Robert Sean Leonard is also very good here, showing a great deal of consent for his actions as the movie moves along, giving off a very believable performance. The most memorable performance here in this film has to be Uma Thurman, her transitions from flippy manipulation, to steering honesty represents some of the best of her versicle career.
Consensus: Tape doesn’t deliver what you want, but features a realistic, well-written dialogue, that in ways is terribly true, and backed up by the three strong performances.
One of those sci-fi thrillers that actually mean something in today’s world.
With one eye on his lifelong dream of working in outer space, a genetically flawed but determined “In-Valid” (Ethan Hawke) hires a DNA broker (Tony Shalhoub) to help him obtain more desirable genetic material from a paralyzed man (Jude Law). In the process, he meets and falls in love with a beautiful “Valid” (Uma Thurman) with a heart defect.
One of the things about this film that may throw a lot of people at first sight, is that it does have an odd premise, and weird future of the world. But I can tell you one thing, do not let that spoil you, its something completely different.
I’m always against these odd sci-fi films cause quite frankly I feel like their all the same formula. But Gattaca here is an exception cause it poses the same question about idenities but in a slightly less harmful way. We get the story front up about this person and what he wants to do, and we see his whole story through his eyes and we get the sense of this person’s tragic life.
I liked the film most importantly for its message that it shows very well. It shows what our world is fast becoming and the lack of privacy we will have roughly 20 years from now. I like this movie however, because of the point it gets across so well: Where there’s a will, there’s a way. It shows us that even with all the up-and-coming technology, intelligence and security improvements, one who is strong enough willed can still “beat the system”. I think the tag line for this movie says it all “There’s no gene for the human spirit”.
I think the film would have worked better as just a character study drama than the little thriller pieces it added on. Randomly by the end we had these slight bolts of tension that I don’t think quite worked, mostly cause the whole film was just based on watching these characters. Also, the film does get a bit slow in points, mostly just about them talking all this futuristic junk, but this did kind of break down my attention span.
The most engaging part of this movie here is the strong characters, along with the performances that inhabit them. Ethan Hawke does good job as playing our main protagonist, who in every way beats the system and tries to achieve his ultimate goal, and that comes out very well in this performance. The real shining star in the film is a younger Jude Law, who adds a lot of pizazz to his flat character, and makes him a lot more interesting that you want to see more of him. The only thing I wondered about him was if science was so intelligent why couldn’t he walk and still in a wheelchair? Just a question.
Consensus: With obvious little plot holes, Gattaca does a superb job at creating engaging and interesting characters that make this sci-fi trip a lot more believable, with a future that we may not be able to overcome, mostly due to the direction we are heading.
Now I have seen this film about 4 times but only on TV so everything was censored. Then I got the director’s cut and oh god did I miss a lot.
An inside look at a memorable community of criminals. Prizefighter Butch Coolidge has decided to stop payment on a deal he’s made with the devil. Honey Bunny and Pumpkin are a couple of young lovers and small time thieves who decide they need a change of venue. Meanwhile, two career criminals, Vincent Vega and Jules, go about their daily business of shooting up other crooks who are late on payments to their boss. While one is asked to babysit their boss’ dangerously pretty young wife, the other suddenly realizes that he must give up his life of crime.
OK let me just say this about the film it is great!!! Tarantino makes one of the greatest films of all-time right here. This is film making of an high order. This is a narrative movie that walks a long rope so complicated that if you don’t stop to think about the movie it starts to kinda double-back itself.
This is surely one of the greatest and probably on of the first that mix humor and crime together in one movie. Tarantino has made some of the most original material in the whole world of film. The stuff these characters talk about are hilarious but also very true. The topics of conversation range from foot massages, pot belly’s, double cheeseburgers, and of course crime. But all conversations are equally as funny as the last, and you don’t want these people to stop talking. Another great film from Tarantino is that he prepares us for one thing and gives us something else we weren’t expecting. The pop culture insight is surely a life of its own during this film.
The humor gets blind sided by some violence and pretty graphic violence but it’s not the violence that will make you turn away. Each story is not shown in chronological order but its still shown and well told through the stories that you don’t become confused. This is a movie you have to think about and when you do, you will love this movie even more by its cleverness.
The ensemble cast is purely amazing. There are many big name stars who don’t have huge parts but still do amazing and make their presence known on camera. The one thing I mostly loved about some of these big names is that they were sort of poking little jokes at themselves if you watch carefully. Travolta does the same walk at the end of the story that he did in Saturday Night Fever and Bruce Willis pokes fun at his character from Die Hard with the tough-nosed character that has a soft side. Travolta and Samuel L. Jackson’s story is probably the most entertaining and best well-acted where in which every scene with them the always steal the scene. This was a movie that made a lot of careers such as Uma Thurman, Ving Rhames, and Tim Roth. Also be on the lookout for a cameo from the great Christopher Walken who is actually pretty funny in his 5 min. scene.
There basically is nothing bad about this film other than I wish there was more. I know 154 minutes is a long time but this film could’ve added so much more and been even better. But still I loved it no matter how long it was.
The greatest movie ever, ummm…maybe. But it’s clever, funny, violent, well-told, greatly acted, and surely an amazing classic for everyone to see.