Rabbit out of a hat? Boooooooooring.
Burt Wonderstone (Steve Carell) and Anton Marvelton (Steve Buscemi) have been life-long freinds that both share a love of magic, and have ruled the Vegas strip for the past two years. However, with the emergence of a more brutal type of magic, courtesy of Steve Gray (Jim Carrey), they’ve fallen on hard times and break-up. Burt is left in Vegas without any type of job, any money, or any inspiration for magic anymore. That is, until he goes back to reclaim the roots that made him love magic in the first place.
Usually when I see a trailer for a comedy, I either laugh-out-loud, chuckle, or just sit there in total and utter boredom. Every, single time I saw the trailer for this movie, nothing ever came to me. It wasn’t that I hate Steve Carrell, it wasn’t that I hate magic, and it sure as hell wasn’t that I wasn’t looking forward to seeing more Jim Carrey, play Jim Carrey (more on him in a tad bit later), it was just that it wasn’t funny. I didn’t laugh and it almost seemed like all of the best parts were in the trailer. That’s really saying something.
Most comedies at least try to be funny, and succeed at times. This flick rarely has that happen to itself. Most of the time during this movie I was just sitting there, watching, and waiting for something to come by and totally take me by surprise by how funny it was, but it never came to me. Instead of actually being smart or even remotely funny, we just get a bunch of characters that are sort of dick-ish, and a bunch of jokes towards the likes of David Blaine and Criss Angel, which seems like they would have been better, had they been done when they actually relevant, almost a decade ago. Automatically, I knew I wasn’t going to like this flick just from the beginning, but much to my surprise, it does get better. Well, sort of.
Here’s the thing with this movie: when it tries to be funny, it feels painfully obvious and totally misses the mark. But, when it’s trying to be nothing but goofy and not even play-up for the laughs, then that’s where the flick really charmed it’s way into my soul. I don’t know if most of that credit is given to the cast, or the screenplay, but when I found myself laughing, it was long and hard, but only for a short while. After that said short while, then it just went back to boredom and I once again found myself sighing and eye-rolling my way through the rest of the duration of this flick. Most comedies try, but this one doesn’t even seem to and I still don’t know whether or not that’s a good thing.
Even magic lovers that go to see this, are going to be pretty disappointed since most of the magic is all CGI, special-effects, or played up to ridiculous laughs that could only happen if you watched a movie. Personally, I like the art of magic, what type of effort goes into it, and how it’s all done, which is why films like the Illusionist and the Prestige always do something for me, but this flick doesn’t even seem bothered with any of that. It’s almost like the flick just used the whole idea of having magicians battle one another, just for the sake of their being comedy and goofiness galore to occur. Nothing ever happens, and the magic never really sizzles or delights anyone. I even had a couple of magicians at my screening, and I felt like I wanted to give them a hug at the end of it. Not because it wasn’t funny (I’m sure they laughed their assess off like everybody else in the theater, with the exception of us high-level critics), but because there wasn’t much magic that felt natural or kosher to the story. It was just thrown in there to make us go, “Wow.” And you could say that’s what most magicians are supposed to make you go, but at least they’re stuff is real. This movie’s stuff wasn’t and it was a bummer for me, on both levels.
However, when you have a movie as bad as this, you can usually depend on the cast to save things and that’s what they do, for the most part. Steve Carell seems to be having fun as Burt Wonderstone, but here’s my main dilemma with Carell. Carell is hilarious when he isn’t trying too hard and just playing his own, natural-self. Usually, it’s when he’s playing the awkward-guy put into a real-life situation that he finds himself in (40 Year Old Virgin). But when he goes off and starts playing these obvious, electric characters that just seem to want your attention and praise; then, that’s when it seems that this guy is trying way, way too hard. Carell makes Wonderstone interesting, but that’s not saying much since this guy is a bigot, a dick, and just one of those dudes who acts like his shit don’t stank, all because he can do neat-o tricks that make people wonder how he did it all. I get that Wonderstone is supposed to start off as a deuche, and then progressively change into a better person as time goes on, but that didn’t matter to me because I didn’t really like this guy nor Carell playing it. Carell does what he can, but he is trying too hard here and almost made me feel like it would have been a hell of a lot better, had they casted somebody like Will Ferrell who is the man at making roles like these work. Wouldn’t have been the most original thing in the world to see, but at least it would have been more interesting and fun to watch.
It was great to see Steve Buscemi get a lead role in a movie for once, let alone one that’s a comedy, but even he feels wasted. And also, don’t let me forget to remind you that this guy shows up in almost every, single Adam Sandler comedy. If Buscemi is wasted in a flick like this, then that’s really saying something. Alan Arkin is fun as the old-school magician that every kid looked up to, Rance Holloway, and loves to just scream, shout, and be the old man that we all know and love him for. It helps that the guy was just nominated for an Oscar, but regardless, the guy’s a box of fun to watch. Also, Olivia Wilde is here as Jane, and really shows that she can play with the big-boys, even if she wasn’t as funny as we’ve seen her be in the past. Still, Wilde’s always charming and always easy-on-the-eyes. Rawr.
The real stand-out of this while movie definitely has to be Jim Carrey, as he’s the only one who really seems to be trying to make this movie and it’s comedy work, yet, does it so flawlessly that it doesn’t seem hard at all. Carrey likes playing strange characters like Steve Gray, and what only makes it better is that he isn’t at the fore-front of it all. Carrey actually allows others to take over the center-stage and wiggle their elbows a bit, only until he pops-up and starts having a ball. Carrey definitely provided the best moments of the movie for me and after awhile, was the only aspect of the whole thang that actually kept me watching. Sorry, Olivia. You’re hot and all, but come on. Jim’s still got it.
Consensus: If you like magic; you will be disappointed. If you like to laugh; you will be disappointed. If you like Jim Carrey; then you will probably be happy with The Incredible Burt Wonderstone for that reason, and that one reason only considering it’s rarely ever funny and tries hard while doing so.
5 / 10 = Rental!!
Ron Burgundy really does love Scotch.
The story revolves around Nick Halsey (Will Ferrell), a career salesman who gets fired, for falling off the wagon one last time. He returns home to discover his wife has left him, kicked him out of his own house and dumped all his possessions out on the front yard. Faced with his life imploding, Nick puts it all on the line – or more properly, on the lawn – reluctantly holding a yard sale that becomes a unique strategy for survival.
Anybody coming into this film expecting, yet another, yuckfest from Ferrell will probably be let-down right off the bat. However, if you’re going into this expecting another Stranger Than Fiction, you will probably get what you want, without the Emma Thompson narration.
This is a very impressive debut from Dan Rush because he initially takes a simple story of a guy, who is down-on-his luck and suffering from alcoholism, and gives it a fresh and lighter approach to make this story more interesting. I don’t want to go out there and say this is a comedy per se, but there are quite a bunch of humorous moments that work and bring a light feel to this film even when it steps into darker territory. This darker territory worked though because you actually feel for Nick and all of the problems that he’s going through, so when you see him getting the temptation of getting a drink, you can’t help but feel scared for the guy and hope that he doesn’t do what you think he’s about to do. Rush does a very good job at actually making us care for this character and his life, even though, deep down inside, he is a very sad and lonely man that can’t really be cured of his problems unless he cures himself.
Where the film really got me at was how Rush makes this story a lot more touching than I actually expected. The whole theme with this story is about how we are all lonely people in this world, and we somehow need to connect with others in order to feel less lonely. It’s a very real theme and one that works well for this movie’s subject matter, but what really had me going were some of the scenes that Rush puts in here that work and make you feel something. One scene in particular is when Nick goes to visit an old girlfriend, played by the stunning Laura Dern, and the whole scene is on for about 2 minutes but it’s the most touching and realistic scene of the whole flick that makes you realize; “maybe there is a light at the end of the tunnel after all”. Really nice touch by Rush and also, especially by Dern.
The film does have its problems though, especially when it came to its metaphors. I knew exactly what the film was going for and what it was trying to say, but sometimes this flick does hit us over the head a little too much with what it’s trying to throw at us. Scenes like when Nick is walking past a Quick Mart and keeps on staring at it, wanting a beer, or when his old boss leaves him a drink in the bathroom of a place and he’s there, contemplating on whether or not to drink it. Some of those scenes were pretty obvious and bothered me but thankfully, they aren’t all there. Also, the pacing can be a little slow and actually reminded me a bit of The Descendants, where I felt like the film started up, then slowed down, then started up, then slowed down, and continued to do the same thing for the whole time-limit. A little bothersome but when you think about the whole product, it’s pretty minor.
Most people will probably realize that this isn’t Will Ferrell playing his usual “Frank the Tank” roles and may even consider this stunt casting, but it’s so much better than that. Ferrell has the charisma in his acting to give such a dark character, more likability than he has any right to be. The character he’s playing, Nick, can be very mean, very drunk, and very sad but Ferrell is able to bring a lot of humanity and heart out of this guy without ever over-doing it. In fact, the moments where his character is barely saying anything, are still powerful just because Ferrell is able to convey so many emotions just by sitting there and looking lonely. Very subtle and very strong performance from Mr. Burgundy.
The rest of the cast that surrounds him is also pretty damn good such as Christopher Wallace (aka Biggie’s son) playing a young kid that decides to help Nick with his Yard Sale/life; Rebecca Hall as a pregnant, but lonely, housewife who misses her hubby; and the always reliable, Michael Peña as Nick’s sponsor. It’s a small cast but a very effective one at that.
Consensus: People expecting another Will Ferrell laugh-out-loud comedy will probably be disappointed, but anyone who wants a sad, but inspirational story, featuring plenty of touching moments and good performances from the cast, will probably feel happy with the final product they have here with Everything Must Go.
If only Ron Burgundy really did run for office. Do I hear the basis for a sequel…?
When long-term congressman Cam Brady (Will Ferrell) commits a major public gaffe before an upcoming election, a pair of ultra-wealthy CEOs plot to put up a rival candidate and gain influence over their North Carolina district. Their man: naïve Marty Huggins (Zach Galifianakis), director of the local Tourism Center.
If you are going to release an election comedy, the time right before the election would be a perfect time, really. Everybody is basically sick and tired of seeing what these candidates all have to say about themselves, their goals as president, what they think about the other candidates, how much of a wonderful family and dog they have, how they are going to lower taxes, blah, blah, and blah. So you know it’s time for a political satire, especially one with two of the goofiest and funniest comedic actors working right now, right?
You would expect a comedy about politics, being released very slightly before election-time, to have at least some sort of sides to choose or just plain and simple satire on politics themselves, but somehow, you get nothing here from that. Looking at director Jay Roach‘s track record (Austin Powers, Meet the Parents, Dinner for Schmucks), I knew that I wasn’t going to get anything that was necessarily considered biting, when it comes to satire department, but I wasn’t expecting something as safe and sometimes, soft like this. What bothered me the most about this flick is that there is so much room for political satire to the point of where you could almost make it up on your own, but for some odd reason, these guys never seem to go for it. To me, this seems like a huge, wasted opportunity that definitely could have given us a smarter look at the politics we see on TV today, but I guess they’re all fine with just settling for being funny.
Actually, this missed-opportunity probably wouldn’t have bothered me as much if it wasn’t for the fact that this film definitely isn’t as funny as I was expecting it to be. There’s a lot of those dim-witted, goof-ball jokes that we are used to getting with Ferrell and his movies, but it just seems repetitive here, almost to the point of where Ferrell and co. felt like they ran out of material to joke around about, so they just tried to say the same jokes, over-and-over again but it a new fashion. This starts to get very tiring and actually, very boring, almost to the point of where I was actually looking at my “watch” (code name for phone, but don’t tell anyone) more than anything else on the screen. Which is a total shame because I usually have a ball with these guys, as I did with Dinner for Schmucks, a very underrated comedy, in my opinion.
But for when it did make me laugh, it sure as hell did make me laugh and that’s all I can give it credit for. Some scenes stood-out to me in particular, but the best was probably in the first 15 minutes where Huggins goes around his family-table and allows them to all share secrets that they have hid underneath the table for very, very long, and some of the stuff that just comes out of these people’s mouths are hilarious and dirty. It was a sure sign that I was in for something funny and everything else from the punching-baby sequence, to the vengeful political-ad videos, to the drunk driving incident, all had me laughing enough to say that I had a pretty enjoyable time, even if I feel like there could have been so much more to this material.
The real reason this whole film works is mainly because of the two comedic all-stars in the leads that always seem to give every role they have, their all and these ones are no different. Will Ferrell is basically playing-up the same buffoon he plays in every movie, but this time with a mix of his George W. Bush impression and some of Bill Clinton in there as well. It’s a nice little mix that Ferrell makes work by just being, well, Will Ferrell, and that’s all I really ask for when it comes to him and his comedies. Then, you have Zach Galifianakis as the heterosexual Marty Huggins, that just seems so sweet and nice, but can never catch a break because of Brady is always one-step ahead of his ass. Literally sometimes, too. Zach is always a funny guy and even though he hasn’t had many times to prove so outside of his roles as Alan, he proves that here and gives this Marty Huggins a lot of jeer-full goofiness to him, but not enough to the point of where it’s annoying and campy. Whenever these guys were on-screen together, I laughed my ass off and I sort of wish that they did a better movie to head-line together because this one sure doesn’t live up to what people would most expect from these two comedic fellas.
It was also nice to see Jason Sudeikis play a supporting, goofy role as the straight-man behind Cam Brady, Mitch. Sudeikis is funny, as always, but this time he allows all of the jokes play-out from Ferrell’s side of the equation and it’s nice to see what this cat can do when it comes to comedy, considering I haven’t been all that impressed by this dude as of late. Though, the highlight of the cast is probably Dylan McDermott as the evil campaign advisory, Tim Wattley. McDermott is good with this role because he plays everything with such a stern, serious look on his face that adds so many more laughs to this film, whenever it seemed like Zach and Will weren’t necessarily helping out the situation. What was even better was how they even compared him to Dermot Mulroney during this film, which I thought was funny because I actually thought he would have been a good fit for this kind of role.
Consensus: Though it’s satire never fully takes a bite, The Campaign still features a fun cast and a funny bunch of moments that are worth to see, if only for the two leads themselves.
Spanish is such a fun language to speak, especially if your Ron Burgundy.
This film tells the story of Armando Alvarez (Ferrell), a struggling ranch owner whose fortune seem to turn when his younger brother Raul (Diego Luna), a successful businessman, shows up to save the property. But when Armando falls for his brother’s fiancee (Genesis Rodriguez), and Raul’s business dealings turn out to be a bit shady, all hell breaks loose as they find themselves in the crosshair of Mexico’s most feared drug lord, the ruthless Onza (Gael Garcia Bernal).
It seems like Will Ferrell is able to do anything as long as it consists of him doing anything funny or that makes him look utterly ridiculous. This film does both but not as well as I or the film itself would have it liked it being.
This is basically one long parody of those corny-ass, Spanish television shows you would see at around 1 p.m. and it actually is very funny even though it could be said that the film is just using one joke, over and over again. There is a lot that they parody with this flick (all of the sets and animals look so damn fake!) and it made me laugh much like I was expecting. But it’s not just a satire because there are plenty of moments where it seems like straight-up low brow humor that we have seen from certain Apatow flicks. It’s a funny combination of both styles of comedic writing and they both come together pretty well.
Some people are actually complaining about how the script is so dumb, but that’s pretty much the point. The whole film focuses on pointing little jokes here and there at how over-dramatic these certain stories can get and it works in that way. It had me laughing, that’s for damn sure, but it definitely could have had me laughing a hell of a lot more. However, that’s what brings me onto my biggest problem with this flick.
Since the film is essentially a one-joke premise, there is a part where the film really starts to run out of steam and feel as if it was long, extended SNL skit. Don’t get me wrong, I definitely laughed plenty of times but there were other times where I felt like the jokes started either totally missing the mark or just trying too hard to be funny that it almost seemed like the film was actually straining itself. It also gets bad when certain jokes go on a little too long like where they explain what a scene would have been like if it weren’t for the fact that it was a little too crazy for its budget. That may sound funny on paper, and it’s actually funny in the film itself but it runs on just a tad too long like the director didn’t know when it was time to end his punch-line.
What also was sort of a total let-down was the fact that this flick looked like it was going to be one big ridiculous comedy that just got more and more dumb as it went on, but for some reason, I couldn’t help but think it’s not as ridiculous as the plot and advertisements may have you think at first. Of course you have Ferrell speaking Spanish and a whole bunch of other moments where it seems like they are being over-dramatic just to be funny, but for some odd reason it just never crossed that boundary into utterly ridiculous territory. Maybe I expected too much, but then again coming from Ferrell, I should be expecting this sort of stuff. And lots and lots of it.
I must say though, it was great to see Will Ferrell explore his comedic talents with his way of trying to speak in Spanish and even as unbelievable he may be at that language, it still doesn’t matter because he’s very funny playing that lovable, big, goofy dude we all know and love him for. Gael García Bernal is also quite funny as the notorious drug kingpin villain that we always get in these sort of flicks; Diego Luna is having a pretty good year so far with this and ‘Contraband’; and Génesis Rodríguez is so damn hot that I didn’t really pay attention much to her performance rather than just her rack. Still though, good performances from everybody speaking in their native tongue, except for Ferrell obviously.
Consensus: Casa de Mi Padre features some very funny moments that will either leave you crying or just chuckling thinking about it long after the movie is over, but there are times where the jokes seem to go on for too long and the fact that it isn’t consistently funny may be a bit of a draw-back, especially when you consider that Will Ferrell is in it.
Being on Adult Swim does not mean that making a film is the next step. Just stay on TV.
Two guys (Tim Heidecker and Eric Wareheim) get a billion dollars to make a movie, only to watch their dream run off course. In order to make the money back, they then attempt to revitalize a failing shopping mall.
I will say that on occasion, I have found myself watching the 15-minute, Adult Swim TV series that this flick is made from. However, as funny as that show may be at times, I can’t help but think that maybe they should have just stayed doing what it was that they were doing rather than just really stretching it all out.
Where my problem with this film lied was in its overall pacing. Even though there is an occasional spark of humor found, the film starts off terribly slow and doesn’t really build-up anything all that interesting or compelling about it other than that these dudes are trying to re-build a mall so they can pay off debts. I definitely would have not minded this as much if it was consistently funny but it just felt like Tim and Eric didn’t really have any idea where to take this film other than just try and tie all of these funny sketches they had in their heads with some story that was just about every bit as lame. In fact, even this film just feels like one whole sketch being stretched out a little too far even if it is only about an hour and a half time-limit.
This film first gained a whole bunch of controversy at Sundance because the gross-out stuff they have going on in this flick was apparently a little too much for the crowd, but it wasn’t as bad as I was expecting. I mean you got a while scene of diarrhea, a scene of Eric jizzing, and a whole simulated sex scene where Tim and this chick are basically rolling around with one another, giving each other some fun dildo action in the you know where spots. These guys definitely know how to push the boundaries which is always something I like but here it didn’t really do much other than gross me out just a bit.
Where my compliments of this film lie is actually that some parts of this flick really had me laughing, despite the other parts where I felt like they just ran every skit/joke they had into the ground and stomped on their face while they were done. Yeah, I know it sounds brutal but after awhile you may start to think that too. The film isn’t hilarious but there are a couple of times where it seems like Tim & Eric are obviously having a lot of fun with all of the money they’ve been given to make this flick so they choose this as an opportunity to poke fun at some major Hollywood happenings as well as just poke fun at certain type of plot conventions. The bright moments here in this flick had me remembering exactly why the show is so cult followed today but there just wasn’t enough of it to fully have me hitting up the Netflix account looking all over for their show.
Tim and Eric are both good here as themselves but since they are on-screen the whole time, it doesn’t much matter because this is all about who these two dudes actually know well enough to get them to show up in their movie. Will Ferrell plays the mall’s original member and his one early scene with Tim and Eric really shows all three of their great chemistry together; Zach Galifianakis plays a hippie friend of these dudes named Jim Joe Kelly and it’s great to see him being sort of funny again; and it was also pretty funny to see John C. Reilly play Taquito, the janitor of the mall, and basically looks like he always does in every flick but has this strange, Mexican-like accent going on that doesn’t really work but then again, maybe that’s just the point that Tim and Eric are at least trying to get through.
Consensus: When it comes to pushing the boundaries of how far a flick can go with its gross-out humor, Tim and Eric’s Billion Dollar Movie definitely succeed, but when it comes to making a full-length feature flick and actually making it seem funny without stretching their sketch comedy skills a little too far, they don’t do so well. Still, fans of the show will definitely love this a lot more than myself.
A big-blue testicle vs. Brad Pitt.
A big-brained and blue super-villain named Megamind (Will Ferrell) finally beats his big-time rival, Metro Man (Brad Pitt). He soon then faces an existential crisis of sorts after he finds out that having no superhero at all to stop him from evil-wrong doings, is actually pretty boring. So, he creates a new enemy (Jonah Hill) who seeks to destroy the world, forcing Megamind to play the hero role for once in his life.
After checking out ‘Despicable Me’ for the first time earlier this year, basically everybody started comparing that to this film, making me want to see it even more. So now that I’ve seen it, all yo guys can shut yo mouths!
What really works with this film is that it touches just about every single plot-line, cliche, and convention that comes with a superhero comic-book story. You got everything from the smart villain, to the goofy-looking costumes, and whole lot more other elements that are not left untouched and that’s where the real fun of this film comes from. The film sort of pokes fun at everything we know of these superhero stories and twist them around in their own cool and original ways to be their own story.
The film is funny, but not in the way that you would expect from an animated-flick rated PG, it’s actually pretty adult-like. The humor is pretty witty with a lot of in-jokes, pop cultural references, but even enough jokes for kids that they will understand and laugh at but not as much as the parents. I actually found myself laughing quite a bit with this flick because the whole idea was cool right from the beginning, but how the film itself just tops on that with constant references, originality, and adult-like humor is what really made it work.
There is also a lot to look at here because the flick is beautiful and gets even better when the action is there too. The colors are very bright and vibrant but how colors will come and go in the middle of one action sequence is pretty cool. The music here is also pretty fun with a lot of old-school classics from AC/DC, ELO, Guns N Roses, Michael Jackson, and whole lot more to give this film the extra kick of fun it has.
My problem with this film is that the story is sort of what we always see in any superhero film, but when the film itself starts to dive right into those conventions it’s a little bit more disappointing. This film practically makes fun of these conventions so much that when it starts to hit into them by the end, it kind of left me bummed. The laughs also started to come less and less which had me bummed even more.
Will Ferrell is a lot of fun as Megamind because his character is not just evil, but he’s also very sensitive and likable which this film really worked well on with that character; Tina Fey is smart, funny, feisty, and a little sexy as Roxanne Ritchi, aka Lois Lane; David Cross is also very funny as Minion, Megamind’s second-man/thing-in-command; and Brad Pitt is awesome as Metro Man, who is the perfect combination of Elvis, Jesus, and Superman all rolled up into one hunk.
Jonah Hill is also pretty fun as Tighten but the problem with this character is that he is almost exactly like Syndrome from ‘The Incredibles’. Think about it for a second: both used to be good guys, they were both twisted into being villains by the good guys, and they both go insane-o in the end. You don’t realize this right from the get-go but once you start to think about it because it’s all the same disappointing as the ending itself.
Consensus: It may lose some steam by the end but Megamind is still a whole lot of fun due to its humor that pokes fun at all of the conventions of the superhero genre, it’s voices that are obviously having a ball, and the constant energy that this film keeps throughout the whole flick.
Why can’t these guys do more comedies like this?
John (Owen Wilson) and his buddy Jeremy (Vince Vaughn) are emotional criminals who know how to use a woman’s hopes and dreams for their own carnal gain. And their modus operandi? Crashing weddings. Normally, they meet guests who want to toast the romantic day with a random hook-up. But when John meets Claire (Rachel McAdams), he discovers what true love — and heartache — feels like.
Here’s a film that has been in my mind ever since it first came out. I remember when I was in fifth grade and I always used to watch this with my buddies, and we would laugh our asses off like a bunch of hyenas, even though half of the shit these people said in this film, were stuff we had no idea about. The only thing that mattered is that it was dirty stuff and that was cool.
What works with Wedding Crashers is just how damn funny it is. The humor here is raunchy but the whole time it had me laughing my ass off by just how witty these one-liners were. When I was watching the film, I couldn’t help but quote lines like “Baba ganoush!”, or “lock it up!”, and even the “people helping people” speech that we get. I love when I can quote films and still laugh at the quotes even though I have seen this film about 15 times. Yes, I have been counting.
The film is essentially broken up into three parts – the hour where we are at the Summer House and the two half-hours where we are not. Everything in this one hour at the Summer House works incredibly well and had me laughing non-stop because that feeling of just being around this one family, where everyone’s a little kooky in their own way and nothing seems to be going right for one person, but does for the other, is always funny in my book.
The only problem with this film is that by the last act, the film starts to get terribly and I do repeat terribly over-dramatic. Throughout the film, there were these little montages of Wilson and McAdams falling in loooooove, which I thought was incredibly stupid and annoying but when the last act showed up and then you have the dumb-ass speech where you’re all lovey-dovey and saying sorry all-over-the-place, that’s where this film lost me and had me totally annoyed. I usually hate it when films do this and this was even worse considering how funny that one hour was, and everything else is basically chuckle-worthy.
I have to say though that the real show to watch in this film is definitely Vince Vaughn as Jeremy. I wouldn’t say that this is on par with his debut in Swingers but I will say that his performance here is just hilarious because he does that “speak 100 miles a minute” thing that he’s so good at and probably has some of the most funny if not memorable scenes of the whole film. The film would have still been pretty funny without him, but having Vince there just makes everything so much better and funnier.
Owen Wilson is pretty good too as John, but then again he’s just playing Owen Wilson so there’s no real stretch there for him, acting wise; Bradley Cooper is totally dickish as Sack, a name that just screams dick head; Isla Fisher is insane but hilarious as Gloria; Rachel McAdams is sort of in a whole entirely different film as Claire; and Jane Seymour is a hot and sexy mama as Kathleen, Claire and Gloria’s cougar mommy. I don’t really have much to say about her performance other than the fact that she is just hot!
Oh, and Christoper Walken is here too as the daddy. However, I don’t need to mention how awesome he is.
Consensus: With some very funny moments, tip-top comedic performances from the cast, and a big list of quotable lines, Wedding Crashers is a sure comedy classic but with the last half-hour, when things start to get a little too over-long and serious, that’s when my happiness started to run away.
A comedy that almost every teenager in the 21st century quotes non-stop.
Brennan Huff (Will Ferrell) and Dale Doback (John C. Reilly) might be grown men. But that doesn’t stop them from living at home and turning into jealous, competitive stepbrothers when their single parents (Mary Steenburgen and Richard Jenkins) marry. Brennan’s constant competition with Dale strains his mom’s marriage to Dale’s dad, leaving everyone to wonder whether they’ll ever see eye to eye.
I remember when this film first came out in the Summer of 2008 and how almost everybody who saw it, hated it. Now, almost every single person on the face of this Earth has quoted it, or at least seen it.
This film deserves to be quoted so many times because it actually is really funny. I don’t know how much of this was actually scripted but I have to say a lot of the things that are said here, will have you cracking your ass up for days. I mean you have the usual gross-out humor that serves no meaning to the actual plot, slapstick, and these two grown-ass men acting like little kids. Much of this humor is just constant rambling about something completley random, but I have to say I laughed a whole lot.
Despite laughing so much at the beginning of this film, I have to say that there’s a middle part with this film that actually slows down. You can tell right where the laughs come around less and less, and this is what bothered me since my cheeks were practically hurting from the beginning. Also, I wish there was more sophisticated laughs here instead of just childish jokes because I think if the filmmakers actually gained some confidence in the audience, they could have made a lot more funnier stuff up there.
No matter what though, it’s always awesome to see Will Ferrell and John C. Reilly doing what they do best, be down-right hilarious. A lot of this you can already tell is improvised, but these two make it seem so natural and perfect, that you can’t help but believe these two guys as these sort of man-children. The script gives them a lot to work with here, but it’s how these two actually deliver it, that works so well and keeps the laughs coming and coming. Mary Steenburgen and Richard Jenkins were also good as their parents, who both bring their own little laughs. Let’s not forget to mention Adam Scott as the asshole brother, Derek, who practically steals the show almost every time he’s on screen, and has one of the more memorable scenes. You know what I’m talking about.
Consensus: Step Brothers may get a little slow by the end, you still can’t help but laugh at all the non-stop gut-busting laughs here, that are delivered terrifically by naturals John C. Reilly and Will Ferrell.
Makes Woody Allen seem cool.
At a crossroads in his life, New Yorker Roger Greenberg (Ben Stiller) takes time to figure things out and travels to Los Angeles, where he house-sits for his brother and forges an unlikely bond with his sibling’s assistant, Florence Marr (Greta Gerwig).
This is one of those films that in the early part of last year, was getting a lot of positive reception, and it was weird because it was a film starring Gaylord Focker. However, I can see why now.
The film is from writer/director Noah Baumbach who is one of those now renown, indie directors that people just can’t get enough of, and to be honest I don’t understand why, especially after watching this film. I did laugh every once and awhile, but the problem was I just didn’t get what this film was trying to say. Maybe it’s just because I’m 18 and I haven’t gone through my mid-life crisis or anything yet, but the point they try to convey didn’t come across me once, and I still don’t know what it was.
This guy Roger Greenberg is plain and simply, a dick. He is one of those neurotic dudes who always has something to bitch about, give insight on, and be unpleasant about, but for some reason, I enjoyed that all. I think Greenberg is a fascinating character not only because you wouldn’t want him showing up to your next dinner party but because all this anger and frustration that lies within him, comes out in the oddest ways, mainly because he doesn’t give a crap about his life and what he does with it. This is more of a character study, rather than an actual story, and for the most part it works because this main character, although an asshole, really was fascinating to watch.
I think for the most part, the reason I liked Greenberg so much was because of how Ben Stiller plays him. Jim Carrey did it, Adam Sandler did it, and hell even Will Ferrell did it, so now it’s Stiller’s time to go and shake his dramatic acting chops and does an excellent job. I could actually believe Stiller as this dick of a guy, and there are moments where it just seems like this guy has no idea what to do or say for that matter, and Stiller makes it all work so well. Greta Gerwig is good as the female lead, Florence, and I still don’t understand what all the hype around her is, but I must say I liked her. My main problem with these two in a romance is that the film doesn’t really capture what makes her so attracted to him in the first place, and why she keeps on going at it with him, if he’s constantly bitching and lashing out at random things. I wish the film took a couple more looks at this whole romance, but these two were very good together I must say. It’s always nice to see Jennifer Jason Leigh and Rhys Ifans back playing some major supporting roles as well.
Consensus: Greenberg may not have the most likable main character, and some major themes and elements to it’s story that clicks, however the cast is good, especially Stiller, and there are still enough fascinating things about this film to keep your interest.
College……damn it’s gonna be fun.
Three guys in their early 30s — Mitch (Luke Wilson), Frank (Will Ferrell) and Beanie (Vince Vaughn) — try to relive their glory days by moving into a house near their old college campus. There, they establish a “fraternity” that draws the ire of the dean (Jeremy Piven), who took their abuse as a kid. And while Frank and Beanie just want to party, Mitch concerns himself with impressing single mom Nicole (Ellen Pompeo).
In all honesty, who doesn’t love watching college films? Especially college films with guys that are about 15 years over the age to be hanging around college kids?
The writing for this film is what really gets you laughing. I have seen this about 10 times, and almost every time it gets me laughing. There are constant one-liners all over the place, that will have you and your buddies, repeating for days, trust me, I do it all the time.
The comedy goes right below the belt usually, because it’s an “R” rated comedy for a reason, with lots of swearing, nudity (both genders), and plenty of potty humor, that for some may seem appalling, but if your a dude, or a chick that likes talking about balls, and boobs, your going to laugh no matter how much you try not to.
However, not all the comedy works really. There are jokes that hit, and others, well that don’t, but I mean it is comedy, and it’s not supposed to be laugh-out-loud from beginning to end usually. I also thought that some of the supporting characters, could have been used a lot more just for shits and gigs, but hey that’s just me.
The casting of these three in one movie, is so crazy, but it somehow works perfectly. Luke Wilson is very very good here as Mitch, who firsts starts off, as just your average Joe, who soon starts to become known as “The Godfather”, and thus, the charm that is within Luke, comes out, and it really is a pleasure to watch him on screen. Vince Vaughn is perfect with his fast-talking speech, that always seems to bring out plenty of comedy, no matter what he’s saying. But Will Ferrell steals the show on this one, or should I say, Frank the Tank, steals the show on this one. He’s absouloutly hilarious with everything he does, especially since he has no shame, and will do everything to bring out a laugh, and without this film, I don’t think he would have really gotten his start right away. There’s also nice little side steps from Jeremy Piven (aka Cheese), Andy Dick, Snoop Dogg, Juliette Lewis, and Seann William Scott, among others.
Consensus: Though not consistently funny, Old School still has perfect humor for all the raunch lovers, and also the witty comedy lovers too, that has just enough humor to satisfy all dudes who watch on.
Note to Kevin Smith: This is how you do a buddy-cop comedy.
While an elite pair of New York City cops (Dwayne “The Rock” Johnson and Samuel L. Jackson) nabs headlines for their amazing heroics, fellow boys in blue Allen (Will Ferrell) and Terry (Mark Wahlberg) toil in obscurity as lowly desk jockeys, until a big break finally gives them a chance to tackle real police work. Rob Riggle, Eva Mendes, Michael Keaton and Steve Coogan co-star in this action-packed comedy directed by Adam McKay.
To start off with aspects of this film that I enjoyed, virtually every cast member involved does a solid job in their respective roles. Both Will Ferrell and Mark Wahlberg play off of each other much better than you might expect as the titular characters, and Michael Keaton once again, this summer steals just about every scene that he’s in as the Guys’ more-calm-than-he-probably-should-be captain. Also, for what little screen time that they have, both Sam Jackson and Dwayne “The Rock” Johnson shine as the two celebrity-status-garnered cops, being responsible for what could be the funniest movie moment of this year so far. Even Eva Mendes (who I’m typically not the biggest fan of) shares a couple of enjoyable moments with Ferrell as his purposely-out-of-his-league wife.
The problem is with this film is that it becomes an absolute mess especially by the last two acts. I feel like there wasn’t enough action for this film, so they just started to randomly throw in a bunch of crazy, cool, action sequences, to keep a lot of viewers entertained. The action is shot-well, but they just seem forced, and not like my favorite comedy of the year, Date Night, the film doesn’t quite know how to balance out the comedy and action as well.
The screenplay was good, I’ll give it that. A lot of stuff was ad-libbed, but many of the other jokes in this film worked, because they were silly, but made a lot of sense to the audience. However, by the end the film gets too wrapped up in some random satire, that I didn’t believe for one moment. And the ending does seem a bit forced, since there was a bit too much going on.
Consensus: The Other Guys may not know what to do by the last act, so they just add unbelievable satire, and random explosions. However, the cast is hilarious, with a great amount of consistent laughs.
I wish my life was narrated by some British chick. Actually come to think 0f it, scratch that.
As best-selling novelist Kay Eiffel (Emma Thompson) struggles with how to kill off her main character, IRS auditor Harold Crick (Will Ferrell) begins hearing her voice in his head and slowly realizes that he must stop his own death. Crick’s world turns upside down as he tries to persuade Kay to change the ending of her novel, all while getting closer to a quirky baker (Maggie Gyllenhaal) he’s auditing. Dustin Hoffman and Queen Latifah co-star.
Since the new best thing for Will Ferrell is coming out this Friday, The Other Guys. I’d thought it was time to look at a film that people basically forgot about because Ferrell isn’t his crazy self.
The best thing about this film is it’s screenplay is very rich and original. It’s a mixture between comedy, drama, and a little hit of romance, and all of it works. The comedy is smart, it’s not flat-out in your face, and sometimes its a lot more dark than you would expect. The drama works so well here, because it makes you think about life. Are we destined to be killed, and we just don’t know it, or are we bound to change it? Those questions are raised as well as others, about making life something that it should be, filled with happiness, and beauty.
Although I liked the screenplay and thought it was witty, I felt like it showed and told us too much. The final 20 minutes are effective, but it gives too much away, shows us whats to happen, and we don’t guess what’s going to happen next, and we’re just waiting for it to happen. Also, like Harold’s life, the film can’t decide whether it’s a comedy or tragedy. The film leans more towards a comedy in a way, but it doesn’t feel that way at all, especially towards the end.
Will Ferrell will disappoint a lot of fans with this performance, but here he is still funny. Although he’s calm, relaxed, and subtle, he is still funny just not the center of attention, and more of the center of all the jokes. His character goes through a huge transition, and it’s a very easy character to like, and watch as his life changes. The rest of the cast is where the humor lies, and it’s all in good hands. Dustin Hoffman seems like he’s having a fun time as this cooky, but intelligent literary writer. Queen Latifah isn’t given that much to work with, but she takes advantage of her time on screen. Maggie Gyllenhaal is funny, but true, and her romance that develops with Ferrell is funny, but never forced, and likable. Emma Thompson knocks her performance out of the park, as the writer with writer’s block. She’s funny, but it’s also great to see how tragic her life is, compared to Harold’s, and how both of them play it off.
Consensus: For some, it will seem to sappy and undecided of what it wants to be, but Stranger Than Fiction breathes air into a new taste of story-telling, with its original story, and great performances, especially a toned-down Will Ferrell.
It’s always being played on USA, you had to know this one was going to come.
When young Buddy falls into Santa’s gift sack on Christmas Eve and is inadvertently transported back to the North Pole, he’s raised as a toy-making elf by Santa’s helpers. After growing up to be a misfit who never quite fits in, the outsized elf (Will Ferrell) decides to go to Manhattan and find his real dad(James Caan).
I have probably seen this about 300 times. First time ever I actually went to the movies when this first came out and I really liked it, and as I got older nothing really changed I still liked every time the same way.
This film is not such a laugh out loud comedy as there are a lot of grins involved. Director and writer Jon Favreau really does handle this film with the comedy you wouldn’t expect from a Will Ferrell movie. It’s basically for all ages: kids, teenagers, adults, and maybe even some senior citizens.
Will Ferrell gives a very charming and hilarious performance here, as you would expect him just to be hamming it up the whole time, but I think this is the one film that really did start him to become comedy’s leading man in Hollywood today. James Caan is such an odd choice for this film considering all the other stuff he’s been in, but really does fit in with this film suprisingly.
The only thing that I have noticed that the problem with this film is that it does at points start to lag a bit in parts. Especially at the end where they start to discuss about Santa being all real, and this all felt a little to out of place, but in the end it really didn’t matter.
I can’t really say that this film is the most amazing piece of work ever, but it is one of the modern Christmas Classics. I have a feeling now in about 10-20 years people will be watching this film, the same way people watch A Christmas Story around this time. That’s just my assumption, but you never know it could happen.
Consensus: Elf has a timeless message with a charming performance from Ferrell that really does make this film shine even more, and become a modern Christmas Classic.
Will Ferrel tries to take on a 1974 TV cult classic. While Danny McBride and Anna Friel are along for the ride.
Will Ferrell stars as has-been scientist Dr. Rick Marshall, sucked into one and spat back through time. Way back. Now, Marshall has no weapons, few skills and questionable smarts to survive in an alternate universe full of marauding dinosaurs and fantastic creatures from beyond our world–a place of spectacular sights and super-scaled comedy known as the Land of the Lost.
Sucked alongside him for the adventure are crack-smart research assistant Holly (Anna Friel) and a redneck survivalist (Danny McBride) named Will.
To first start off the original TV show was very family-oriented and kid friendly show while this movie pushes the bar of an edgier PG-13 movie. The advertising for this film was pushed more towards kids but the problem is that they’re many constant sex and drug references along with a frenzy of cursing. Which are not very kid-friendly.
Mostly the identity-crisis is what kind of got to me the most because of these obvious problems a lot of the kid-friendly humor was washed away. There were a lot of high action thrilling scenes that would’ve been more exciting for kids, if there weren’t too many problems with the PG-13 rating.
However, Ferrel and McBride do their best to make good of this dry script. And mostly their talents are the only reason to see this.Their jokes and attitudes made me laugh even when I was very confused. Although Ferrel’s character wasn’t very likable is kind of a problem when you got him as your hero. Yeah bad move.
The laughs are not constant but they are there. And this film is not horrible and its not good, its just right there in the middle. Fans of Ferrel should still see this because regardless of his character I still think he is still funny. But this is without a doubt his worst up to bat yet.