It’s the future, and Aubrey Plaza still does not smile.
Darius is an intern at a general interest magazine. She has no idea what she’s going to do with her life. She has no friends and no real source of income. Jeff, one of the staff writers, brings her along on a gig investigating a classified ad. Someone is looking for the perfect companion to join them on a dangerous time travelling mission. After a quick series of misfires, Darius becomes the bait for the magazine story.
Time-travel is a certain idea that most people just scoff at. However, there are plenty of those other peeps out there who believe that it’s there and that the government is still using it till this very day. Then again, those are the same people who believe it’s Doc Brown doing it so you can’t really decide on what to believe. All I know is that this film won’t really change your mind onto whether or not it’s real after all, but hey it’s an indie movie, they don’t give a shit anyway.
This film starts off as a somewhat wacky movie with a lot of goofy stuff going on with these characters as they are all being introduced to each other and a very jokey approach to a story that seems like it deserves just that. When you see a premise as wild as this, you automatically think it’s going to be one of those wild and stupid comedies, which this actually does start off with but something happens in the middle, then it all changes.
While this film does start off as your usual, quirky comedy, things start to get very romantic and somewhat dramatic, but it’s done in a very modest way where you feel like it’s genuine and you barely even notice the transition of moods. Director Colin Trevorrow gives us these characters, shows them for all that they are, some likable and some not, but by the end gives us fully-realized characters that actually go through some big changes throughout this whole story. Some of the changes for these characters are happy and others are sometimes bad, but in the end, we seem to get a full sense of who were watching the whole entire time through this whole flick. Because not only, do you feel like you know them, but you also start to root them on a tad bit by the end and that’s where the story got me, the problem is that I didn’t know what it was trying to do. And to be honest, I don’t think it did, either.
There’s a line in this movie that stuck-out for me where one guy asks one of the reporters, “so what’s your story about?”, only to have the reporter respond by saying, “I honestly do not know anymore”. To be honest, that’s how I felt about this film. I’ll give the film some love by saying it’s tone changes are nice and the story is heartfelt, but there seems to be almost too much going on here by the end that you feel like you don’t know what this story is talking about. We start off finding out about these people and how they look at time-travel, how this one quirky dude runs away from the government, has a secret life going on, and then people start to fall in love, but before the big ending where we all of a sudden are focusing on the whole time-travel aspect. Honestly, I didn’t know where this film was going towards the end and how they were going to end it, but when they did, I felt disappointed and left with a tad bit of an empty feeling. Not only did I feel like this because the last 15 minutes feel somewhat rushed as if the writer felt like he needed to end the story before it got drawn-out for far too long, but I also because there was too much going on that strayed away from the whole premise we began with for me to even feel something towards it. I also would have drew up a better ending for this flick, but then again, I can pretty much say that about any movie I watch.
If there was one thing that really attracted me to this movie was Aubrey Plaza, doing her usual sarcastic role she’s loved and known for in everything she does, especially my favorite show on TV right now, Parks and Recreations (which is saying something cause I don’t watch much TV). Plaza starts her character, Darius, off with her usual eye-rolling/sarcastic using act but after awhile, you start to see a lot of that break-down and you see here in a very vulnerable state, which is something you rarely ever see from her even when she is on TV. Plaza is so good here with all of the comedic stuff that it almost surprises the hell out of you, when she comes out of nowhere and brings out all of these emotional feelings out of her that not only feel real, but make you look at her acting in a different way. I hope Plaza gets bigger roles like this one in movies, because this chick definitely has what it takes to be a leading lady. You can quote me on that, bitch!
After seeing Your Sister’s Sister, I have come to realize that Mark Duplass is a very skilled actor and his role here as the nut-ball, Kenneth, shows just that. Kenneth is a total cook throughout the whole movie, but he’s a likable dude that you feel like wouldn’t hurt a fly unless he was pushed to do so. Duplass handles this goofy material perfectly and gives Kenneth a soft-edge that makes you see the world from his point-of-view. Jake M. Johnson also has a good role as the deuchy boss of Plaza, who starts off as this shallow and demeaning asshat, but is eventually brought to his knees and shown the ways of growing up, which was another story I was not only touched by but believed as well. I also have to give some love to Karan Soni as a fellow intern, who is so damn geeky and nerdy, that by the end, when he finally gets his time to shine, you can’t help but be so happy for the guy.
Consensus: Though it’s ending may not be as effective as it’s first hour, Safety Not Guaranteed is still a well-acted indie that features a lot of heart, a lot of humor, and a lot to show you of how you can take a time-travel premise, and push it in so many different ways to show you something just a tad different.
Note to self: never bang your best friends sister, unless they both agree for three-some. Hey, call me what you want, I’m just human dammit.
Jack (Mark Duplass) is still reeling a year after his brother’s death. Iris (Emily Blunt), who was previously in a relationship with his brother, invites Jack to go to her family’s cabin where he can relax. When he reaches the cabin, he unexpectedly finds Iris’ sister Hannah (Rosemarie DeWitt). And that’s when things get weird.
For me, mumblecore movies aren’t really my favorite to go out and seek. Some of them are very good and bring a lot of reality to their stories, but others just feel way too quirky and weird for it’s own good. Somehow though, I took a chance on this one, actually paying for my own ticket, and I think it brought a new piece of faith in me for these little flicks.
What I liked most about this film was just how realistic everything felt, and I think a lot of that is due to writer/director Lynn Shelton, natural screenplay. Actually, maybe the word “screenplay” is not the right thing to use here because this film seems like Shelton just wrote-out to these actors, what was going to happen and why, and then she just gave them the camera to run free and do whatever they want. And that’s probably my favorite aspect of this movie because the whole time I was watching this, I didn’t feel like I was watching some really good-looking people, in a small-indie, I felt like I was watching real people, going through a real situation, and having some real emotions be torn apart. I felt like I could also hang out with these people at a party, and just talk, and talk, and talk, which is exactly what they do here but it’s a lot more interesting than what I would talk to them about. Because if Emily Blunt was next to me, I highly doubt I would want to talk to her about her sister. Just being honest here, people.
Another aspect that could pretty much go hand-in-hand with what I already stated, is that this film brings out a lot of emotions in you, without you ever expecting it. For the first 30 minutes or so, I was laughing my ass off just by how brutally realistic and zany everything was. Then, there’s a slight change of pace for this flick where it gets pretty emotional and that’s when it started to hit me because it shows these people in vulnerable states and how they all respond to one another, especially when peoples feelings are thrown into the mix. In any lesser film, this change of pace would have effected it and make it come off as some sort of melodramatic mess that is so easily trying to rip tears out of our eyes, but not this flick. In fact, I got a little teary-eyed by the end and it was something that I was not expecting in the least bit, and for that sneakiness, I have to give major props to everyone involved.
And when I do say “everyone involved”, I mean just that. The cast isn’t that big (probably about 6-actual speaking roles) but you don’t really need many people when you have these three together. Emily Blunt is great in this role as Iris, because she not only gets to show her chicky, British side to her that we all know and love, but she also gets to go down a very emotional path with her character that makes us feel so much for her and it gives her more depth as an actress, more depth than I could have ever imagined. Don’t get me wrong, I think Blunt is a solid actress, but I don’t really think she’s been given the perfect opportunity to flaunt her drama skills, especially when she’s in flicks like The Adjustment Bureau, The Five-Year Engagement, Sunshine Cleaning, and plenty of others. Not that those flicks are bad by any means, but they just don’t let her strut her stuff as well as she does here and for that, I’m glad because I think this gal definitely has a brighter future in Hollywood now. And hell, she’s only 29. Live it up baby!
Rosemarie DeWitt is an actress I haven’t seen much of in anything really, but she gives off an amazing performance here as Hannah that makes me want to see more. Hannah is a character that’s very hard to read at first, but after awhile, you start to see a very sad and lonely person come out of there and even though she, out of everybody else, does the meanest things, you still feel for her because of what she’s been through with all of life and love. DeWitt is definitely not the most likable character out of the bunch, but she’s one that you can feel for even when she is doing some nasty things. I also loved the little sister-sister relationship her and Blunt had going on here and it made me feel like they actually were sisters. And come to think of it, they actually sort of look alike.
The one who really surprised the hell out of me with his performance was Mark Duplass as Jack. From the first scene, this guy totally had me won over with his everyday dude look that seemed realistic and had him come off as a guy that is really messed up from the death of his brother, but also doesn’t take himself too seriously. I don’t know what it was about him, whether it was his delivery or great improv skills, but he had me laughing just about the whole way through and it was even in scenes that were fairly serious. Duplass really shines in this movie because he’s able to take this character from scratch, and give him so much depth and emotional honesty, that it made me feel like I could be friends with this dude and stick by him whenever he needed a friend. Like DeWitt, I haven’t seen this guy in much, but I think now I’ll start to look out for him more.
If there was one complaint I had with this flick, and trust me, it’s a biggy, it’s that I couldn’t really buy “the first ending”. When I mean “the first ending”, I don’t mean that this is like Lord of the Rings or something where Peter Jackson can’t make up his mind on how to end, so he gives us about 30 minutes of extra-footage. No, what I really mean is that the resolution to all of these problems these people have with each other, plays out in a very unbelievable way and I tell you why. By the end of this flick, these characters go through so much uncomfortable and messed-up situations with one another, that sort of feels phony in a way, when it gets resolved at the end. The way that Shelton has it all resolve was a good trick she pulls off very well, but it happened a little neatly and too clean, whereas I think some people wouldn’t let it be resolved exactly like that. I know I sound very vague, but that’s because I don’t want to really spoil the actual ending, even though I did like the final shot of this movie.
Consensus: Your Sister’s Sister may be a tad disappointing by the end, but still features a trio of performances that feel natural and realistic, a script (or lack thereof) that sounds like real people, actually having real conversations with one another, and when the film is all said and done, you feel like you know these people from the inside and out, and you can only wish them happiness for the rest of their lives.