Basically Scorsese can do it all!
Director Martin Scorsese and Leonardo DiCaprio re-team for this taut adaptation of Dennis Lehane’s novel about Teddy Daniels (DiCaprio), a U.S. marshal who searches for an escaped psychiatric patient on a mysterious remote island in the wake of a hurricane.
For any person who has loved all of Scorsese fast-talking, slickly directed, mobster films, well don’t look here at all for that type of movie. This is not your usual Goodfellas or The Departed, look more to Kubrick, and basically Scorsese makes a run for it.
The trailers will have you think that this movie is a straight-up horror fest, when really it isn’t. A lot of the elements from Christopher Nolan films are all here with these mind-bending psychological elements, and Scorsese does not let up once. He uses some great set pieces such as this deserted island where you feel almost nothing is explained, and a very claustrophobic place to be. The film keeps you on the edge of your seat cause throughout the whole movie things will pop up every once and awhile, and you will have no idea what’s going on but you can’t take your eyes off it.
Shutter Island is pretty confusing until the finale (basically from Why are you all wet, baby? to the end). Its pieced together slowly and is a combination of Teddy’s memories, hallucinations, and whats actually occurring in reality. The way it unfolds is kind of like trying to solve a Rubix Cube. It takes time and a little bit of effort, but is well worth it in the end. Shutter Island is a film that makes you think. Remember that going in.
The one problem I had with the film is that there were a lot of dream sequences that were just meant to bend your mind, and I think a lot of these went on for a bit too long. The graphic detail didn’t bother me but these dream sequences didn’t seem to mean very much other than just being utterly creepy and different.
Leo as usual is great here and plays this character Teddy with such great authenticity and realism, its so easy to cheer him on. But the supporting cast of Mark Ruffalo, Jackie Earle Haley, and mostly Ben Kingsley give great side performances where you don’t know if these people are real or fake and they do a great job at not giving too much away in their performances.
Consensus: Not one of Scorsese’s best but certainly is his most different piece of work, that is pieced together so well, with great performances from the cast, and mostly a fearless direction from Scorsese, who doesn’t shy away once from his grim material.