Sometimes Woody Allen can be such a trip.
Self-absorbed novelist Harry Block (Woody Allen) sees his literary chickens come home to roost after he pens a roman à clef that offends, enrages and alienates everyone in his orbit. The film’s sterling cast also includes Elisabeth Shue as Harry’s ex-girlfriend, Kirstie Alley as his former spouse, Bob Balaban as his best pal and Judy Davis as the erstwhile sister-in-law who wants to murder Harry.
The central plot features Block driving to a university from which he was once thrown out, in order to receive an honorary degree. Three passengers accompany him on the journey: a prostitute, a friend, and his son, whom he has kidnapped from his divorced wife. However, there are many flashbacks, segments taken from Block’s writing, and interactions with his own fictional characters. The random cuts between fact and fiction may confuse some but once you understand the characters who are real and fake, then you’ll get the story.
A lot of this is taken from Woody Allen’s own life as sort of an autobiographical take, and I must say this is probably one of his most challenging, tragic, and mature work to date. This film still has his great writing that is witty and packed with many of his smart ideas about his own personal life and overall everything else in the world. There is a lot of dirty talk which I was very surprised about coming from an Allen film, and I think he hits the mark on how he uses his art to connect.
The jokes I had a huge problem with though, and its that it isn’t the smart way Woody Allen uses his jokes. Its too much about the stereotypes of Jewish people, and black people that kind of got old by the third act. Also, the joke of how Robin Williams was always out of focus was funny at first then they used the joke probably about 14 more times to the point where it became an annoyance.
The best thing about this film is its leading performance from the always great Woody Allen who basically takes this lead role, and make it into a real-life person. He captures the confusion, and depression of his characters life, and always seem real. Except that his character is such a dick and has messed his life up so much that its kind of hard to root for him and enjoy him when he’s on-screen. The film has a lot of good side performances but nothing memorable, except for probably the Billy Crystal who uses a lot of ad-lib between him and Allen, and is a great thing to see.
Consensus: Woody Allen doesn’t make his best work with Deconstructing Harry, but surely one his most mature work. Too many jokes seem out-of-place, and over-used, but with enough smart writing and a good central performance from Allen, its a pretty difficult enjoyable trip.