Those damn Germans, always causing trouble.
The enigmatic Claus von Bülow (Jeremy Irons) stands accused of putting his wife, Sunny (Glenn Close), into a perpetual coma with an insulin overdose. Claus hires hard-charging attorney Alan Dershowitz (Ron Silver), who scrambles to defend his client — with help from some impassioned Harvard law students — while Sunny narrates flashbacks that shed light on the events that lead to her condition.
The whole film has a plot line that seems it should almost be a tragic drama. However, it combines that weird element of satire and docudrama. I mean its a weird combination, that at some points doesn’t quite work out the best in ways, but still is entertaining.
The praise of this film goes to Director Barbet Schroeder who makes this film a lot of different things, but mostly all just effective. He has this story told with so many flashbacks, and doesn’t leave out a detail that we feel as most that we are the lawyers in this film as well. The movie remains all ambiguous about what actually happened to Sunny, but we still get this feeling as to nothing is right.
I also enjoyed how many courtroom dramas that we know, like A Time To Kill and Primal Fear, all end up in the big courtroom scene, where as this is more about what goes on outside of the courtroom. We see all of the prepping, investigating, and questioning that goes into these cases, and it actually surprises me onto how much the lawyers themselves create so many stories, just to find out the truth.
However, I did have many multiple problems with this film. These “cutesy” students with their quips and their basketball and their sitting crossed-legged on coffee tables were annoying. Even Silver/Dershowitz was irritating with his persistent agonizing and flittering. Also, throughout this film the speed actually sped up, and I was more taken into this film. Then surprisingly, it got slower, and slower, without any real pace at all.
I have to give the most praise to Jeremy Irons, who actually did deserve that Oscar he was given. Although, I think Costner still gave almost a better performance with his material, Irons plays this character with such simplicity and realism, that its actually hard to tell on whether or not he actually did it. You want to hate this guy, cause of the way of his lifestyle, but yet he is so charming and cool that you actually want to be like him in a way. I think a nomination for Best Supporting Actress should have been given to Close, cause with the very few scenes she gets she actually brings out a lot of emotion, that actually has us caring for her character.
Consensus: Though its pace is all over the place and story is bit off setting, this strange film does well with its direction from Schroeder, wonderful writing, and most of all powerful performances from Irons and Close.