Before he faces the Avengers, Loki gets to bone married women. Nice year this dude’s having.
The film centers on a London socialite (Rachel Weisz) whose loveless marriage with a well-to-do and much older high-court judge (Simon Russell Beale) is crumbling. She engages in a passionate affair with an ex-RAF pilot (Tom Hiddleston), a romance that is doomed from the start.
From what I hear, writer/director Terence Davies is a dude that people love and he has a style that cannot be messed with. I haven’t seen any of his other flicks except for this one and I have to say that maybe he’s not the perfect fit for a rowdy, 18-year old like myself.
What really brought me into this story right off the bat was the vision from Davies. This film takes place in one day, with plenty of flash-backs, but the film’s setting never really goes anywhere else except for its post-War England 1950’s setting and that was fine for me. The costume and production designs all look like they were taken right from a history book and put onto here and the film itself carries this very bright lighting approach that at first may be a bit distracting since it’s constantly in your face, but after awhile makes you realize that its actually drawing some extra layers to these characters and the story. It’s a very good style that may be a bit distracting at first by how damn good it is, but you start to forget it’s there and just pay total attention to everything else that’s going on…well..kind of..
The screenplay, which was adapted from a play, is pretty good even though I can say that there are a few missteps to be had here. I liked how the film showed this one woman’s troubles with both of these men and shows how they both made her happy and also how they made her go completely mad. We see her fall in love and decide whether or not she is sharing passion or love between these men and the answers in the end never really come up and it’s very brave for a film to show a woman’s love/passion in such a dark and sad way.
However, where this film fell through for me was the character development itself. We do get plenty of flash-backs of this woman and the two men in her life but barely ever do they convey any more emotions than the score tries to pull off. Both of the romances seem like they could work, mainly thanks to the cast involved, but the film barely touches on this in order to have us believe in what road she should end up choosing. The younger dude is obviously there to make her feel young again and the older dude is obviously there to make her for more upper-class and sophisticated, but there wasn’t anything else other than that here and I needed something more to work with.
Another problem was that not only did we not know how powerful of a love she shared with both of these guys was but we also didn’t know too much about her and what really made her tick. In the beginning, we see her sad and messed up over something and for the rest of the flick she never really gets out of that funk. We’re sort of left there the whole time to watch as this chick tries her hardest to make sense of what she wants, while she cries and acts like one of those chicks that you can’t trust home alone because no matter what, something will be effed up when you get back whether it be her or something in the house, you just know it.
I do have to say that this is where the cast came in and actually won this flick over for me. Rachel Weisz gives a very brave and emotional performance here as Hester, the woman in peril and gives one of the better performances that I’ve seen from her in recent time. She owns all of these scenes and as much as Hester may be a bit one-note, Weisz still seems to give her a believable side and also an understandable side as well. Tom Hiddleston was also very good here as her young lover, Freddie, and he definitely shows a lot of spunk and energy in a performance that could have easily been one of those “wild and crazy young lover” role, but instead makes it very likable and believable. Stage star Simon Russell Beale is also very good as Hester’s hubby, Sir William, and gives a good performance here as well even though I was shocked to find out that he is gay in real life. Gave me a whole bunch of more respect for him considering it’s so hard for a straight man to play a gay man, that I can only imagine how hard it must be for a gay man to play a straight man! Oh jeez, the acting skills!
Consensus: The Deep Blue Sea is beautiful to watch and has great performances from its trio of leads, but the story is a bit jilted in a way and we aren’t given much to care for here except for a couple of moments where there’s obvious devastation from our lead, but other than that, it’s all pretty lame.