Getting knocked up sucks but I guess the sex is fun, right?
This is a look at love through the eyes of five interconnected couples experiencing the thrills and surprises of having a baby, and ultimately coming to understand the universal truth that no matter what you plan for, life doesn’t always deliver what’s expected.
Once again, Hollywood has decided to give us a whole slew of stars and jam them into one rom-com. However, it’s not as bad as New Year’s Eve or Valentine’s Day and Gary Marshall isn’t direction so that’s good, right?
Going into this flick, I wasn’t expecting much (pun), probably because I’m a dude and dudes don’t care about all of that pregnant ish except for if the baby is theirs or not. Hate to say it, but it’s true fellas. But I was pleasantly surprised by this flick and I think a lot of that has to do with director Kirk Jones‘ way of giving every story a purpose of their own. I’m glad that this flick focused more on one certain issue to connect all of these characters with, rather than just one day or some stupid holiday, but I’m also glad that the flick didn’t really fall into the pit-falls of absolute cheese that most of Marshall’s did. Each story has their own bits and pieces of humor, but they also have some heart to it that sometimes feels fake, and other times doesn’t. It’s definitely a mixed bag here but I think I’m just going to go off and talk about each of the stories individually, rather than focusing on all of them at the same time. Let’s see what I can do here.
1) The one story between Anna Kendrick and Chace Crawford, was a story that was interesting at first, then continued to lose more and more steam as it went along. The whole idea of these two having a one-night stand and wondering whether or not they’re a good fit for the other, is a pretty interesting story in and of itself, but whenever the flick focuses on it, it starts to become a major downer and just took my mind off of it more and more. It’s the one story that doesn’t go the obvious route, but that wasn’t really a good thing considering how the film handled it. Crawford doesn’t seem like he’s better than this material, but Kendrick does and that’s what really sucks to see because this damn chick was nominated for an Oscar about 3 years ago! Come on Anna!
2) The other story about Cameron Diaz hooking up with her reality show dance partner, played by Matthew Morrison, is not necessarily a downer as it’s more just bland and uninteresting every time it’s up on-screen. Diaz is a reliable actress when it comes to comedy, but Morrison seems so damn stiff with her on-screen that he makes it seem like he’s scared to be around her. Then again, I would be too, considering all they do throughout this flick is bicker and fight about stupid shit. Maybe this is how real-life couples act whenever one in the relationship is pregnant, but here, they almost never seem stop and it’s a real wonder as to how the hell these two will do when they have to worry and care about another life. Glad they weren’t my parents and it would suck even more considering I still have a chance with Diaz. I know it. She knows it. We all know it. The chick just has to come to her senses, that’s all.
3) Another story that was pretty lame was between Jennifer Lopez and Rodrigo Santoro, who both play a couple that can’t have a baby, so they decide to adopt one from Ethiopia. Lopez is good, but seems like she was trying too hard to gain some laughs and Santoro also seemed very stiff every time he was around. Actually, I think the problem with his performance is that I couldn’t really understand him all that much with his Spanish accent that makes him sound like he is just learning English. Then again, maybe he is and maybe I’m just a dick. This story is also a downer and one I didn’t really care about but got so much better whenever they focused on Santoro hanging out with the “Dudes Group” with Rob Huebel, Thomas Lennon, Amir Talai, and Chris Rock as the leader of the park. Every time these guys were on-screen, I always laughed and that’s mainly because of Chris Rock. This guy always, no matter what flick he’s in, shows that he can get at least one laugh out of the crowd before the camera goes black (another pun intended), and even though he’s confined in PG-13 territory here, he still delivers on all of the laughs. Funny stuff with these guys but I just wish they did more of that and eliminated the whole J-Lo story altogether.
4) Probably my favorite story out of the whole flick, and maybe even the one that’s worth the price of admission alone, was the one with Elizabeth Banks and Ben Falcone, who play a couple that seems to be really struggling with pregnancy because of Banks’ hormones going up-and-down all of the damn time. Both of these stars are hilarious throughout this whole flick and made me laugh with everything they did, whereas about 5 other stars from this cast probably would have made me jump off of a bridge by how hard they tried. Banks is always reliable when it comes to comedy, but it’s Falcone who really surprised me as he showed he had great comedic timing (something else that I saw from him in Bridesmaids) and could make you care for his character just by being the sweet guy. These two have great chemistry together and easily won my heart over. Whenever they introduced the story-line between Falcone’s dad, played by Dennis Quaid, and his much-younger wife (Brooklyn Decker), I also laughed even though I think they forced the whole “dad and son are constantly in competition” thing a little too much but it still worked because Quaid and Decker both have fine comedic timing. This story was the best and even when it gets into dramatic territory by the end, it surprisingly worked which was something I wasn’t expecting from a movie like this at all.
Consensus: What to Expect When You’re Expecting is a very passable flick with some moments of genuine comedy and heart, but also isn’t very original in the way it offers a look at pregnancy and all of the problems that come along with it. My idea: get rid of every story, except for Banks and Falcone’s story, combine that with the “Dudes Group”, and keep the father angle with Quaid and Decker, and you got comedy gold. Or at least something that’s ten times better than those Gary Marshall flicks.