So does any of this explain as to why gas is up to 4 bucks?!?
This is the story that tells the oil industry from different perspectives such as a CIA operative (George Clooney), an energy analyst (Matt Damon), a Washington attorney (Jeffrey Wright), and a young unemployed Pakistani migrant worker (Mazhar Munir) in an Arab country in the Persian Gulf.
Damn, I wish I was smarter when it came to watching movies because this film pretty much killed me. However, coming from the dude who wrote Traffic, I wasn’t expecting anything less.
Writer/director Stephen Gaghan does the same thing he did with that film and give it the inter-connecting story-lines, with plenty of characters, and all centering around one central topic. This time around, it’s not as good but he still has his moments as writer and director, mostly the latter though. I liked the look Gaghan gave this film: gritty, dirty, and very realistic looking as I actually felt like I was there going from Pakistan to Texas, then to Maryland and back to Pakistan again. Gaghan also some nice moments of suspense and tension here with the script as you know something crazy is going to go down and you can feel the heat in the air rising. However, the problem with all of that is that I didn’t know exactly what or why that heat was rising in the first place.
My main problem with this flick was that I don’t think that this film really was for me. I like to watch a movie to be enjoyed, to see good performances, nice writing, and maybe learn a thing or two in the process, but the problem here is that I didn’t learn anything probably because I didn’t know anything about this topic to begin with. Gaghan knows what he’s talking about when it comes to all of this political mumbo-jumbo about the oil and foreign relations, but I honestly didn’t. Instead of trying to make it work for the audience in anyway, Gaghan doesn’t seem to really give a shit whether or not anybody understands what the hell everybody’s talking about because he’s got some knowledge to drop on us. Gaghan constantly keeps on bringing out information left and right and it was so frustrating after awhile because even though I tried to fill in the blanks myself as to who was doing what to who, I still couldn’t come up with anything and realized that I was missing out on some key plot elements to this film, not like I was going to even know what was going on in the first place anyway.
I guess the blame could be put down on me since I barely knew anything about this main topic, or anything else they talked about here but I honestly think that Gaghan could have at least dumbed it down just a bit. That’s right people, I said dumb it down and I will stand by that statement only for this flick. Hell, maybe dumb it down isn’t the right thing to say, maybe it just needed to be more coherent for an average folk such as myself. Yeah, coherency is what I really meant.
The key audience for this flick who will understand just about everything that’s going on are probably dilettantes, politicians, pundits, and all of the other people that are involved with the government, but for your regular movie goer, it’s hard to understand anything really and I think that Gaghan could have really benefited from some explanation or more time to keep this flick going and making a lot more sense to the wider audience. Maybe this film is too smart or maybe I’m just too dumb, either way, I can’t say that I was on the edge of my seat nor did I have any real clue as to what was going on.
Where the film really did start to pick up though was about the last 30-45 minutes when everything started making sense after awhile. All of the stories start to come together and even though I didn’t really know what the hell was going on in the first place, I could say that the ending was definitely a satisfying ending because I did pay enough close attention to it the whole time. I know it’s a cheat saying that I almost forgave the film for it’s last act, but I still think Gaghan handled it well. Wish I could say the same for the rest of his flick.
The ensemble Gaghan was also able to get here worked very well even though it really comes down to three people: George Clooney, Matt Damon, and the criminally underrated Jeffrey Wright, who are all great and perfect choices to be the anchors for this flick. They are all very good with their roles as is everybody else in this big-ass ensemble too but really, it’s Clooney who shines the most. Clooney got his Oscar with this performance as Robert Barnes, and as good and strong as it may be, I don’t quite think it was pure Oscar material but this guy is going to get a big win in the future so it’s all fine and dandy for now.
Consensus: Gaghan’s direction is well-done, and his work with this big ensemble is also very impressive, but the problem with his script is that it’s way too confusing with all of it’s jargon that will only make sense to people who actually pay attention to this stuff in the first place. I don’t know if it was just me or the flick itself, but something wasn’t going too well here and that’s why I can’t say it’s as great as everybody says it is.