Finally Samuel L. has just had it with all of these white people effin’ him over.
Police choppers circle as swat marksmen target Danny Roman (Samuel L Jackson). he is holding the chief of the Internal Affairs Department at gunpoint. Roman’s world has been destroyed by false charges of murder and embezzlement. Chris Sabian (Kevin Spacey), a negotiator from another precinct is brought in to mediate.
What we have here is a pretty generic, B-movie that wouldn’t want to be watched by anybody if it didn’t have the two stars it has in the lead roles. To be honest though, I can’t say that it’s a bad thing either.
Director F. Gary Gray does a pretty good job at keeping this flick moving with a nice essence of suspense and tension through the air. It reminded me a lot of a mixture between Man on a Ledge and Dog Day Afternoon, where I had no idea what was going to happen next with this negotiator and these hostages as well. Gray is good at keeping the action moving but it’s not just about big explosions, car chases, and guns going off in this flick, it’s more about the game of wits between the two negotiators. Since they are both professional negotiators, they both know all the tricks of the trade when it comes to talking a person out of doing something and it’s very interesting to see considering we never really see the tables turned around like this in a generic movie such as this one.
However, all of those games suddenly get lost by the half-way mark and then the script starts to lose itself a bit. Rather than being a flick about two professionals basically out-playing the other one, it ends up being another “whodunit” that we always see and in this case it’s nothing or exciting. It’s not hard to see where this film is going right from the start but it was such a disappointment considering I was having so much fun with these two dudes on-screen, but instead, Gray had to bring in the big-bangs and the boom-booms so I sort of have to blame him as well.
What also bothered me about this flick was that this script got really thin, really quick. I felt a lot for Danny, our main character, because the guy totally got effed over and how could you not want to cheer someone on when they’re up against a bunch of dirty cops? But the problem I had here was that he was the only character that was really fleshed out, and everybody else was just a bunch of corny types that we see in movies like this all time. The cops here are the usual “get the job done, at any cost” types, the hostages are the “we’re scared, but can also help you with this hostage situation you’re pulling off” type, and even the other negotiator himself is a type too. So many people here are types and even though I’m not always disappointed in every film that I see that shows characters as two-dimensional, here it bothered me because it seemed like they were starting off so well.
When it comes to two actors like Samuel L. Jackson and Kevin Spacey though, you can’t go wrong. Samuel L. is awesome here as Danny and creates a likable and believable character that really could g0 to the ends of the earth to prove that he’s innocent after all this time. Jackson has a couple of scenes where he just lets loose on his anger, especially one where he messes with another negotiator who just doesn’t know what to do and it’s funny, but also very tense the whole way through which reminded me a lot of his “What” scene in Pulp Fiction. Spacey is also very good with his toneless readings here as Chris and gives him a certain edge that makes him a lot cooler than any of the other cops in this flick. Still though, I think that with Spacey you need to have more dimensions to him because his voice is so monotone and sinister, that he can give any likable character a darker edge to them as well. Then again, they didn’t go down this road and Spacey still did fine with it so I can’t complain that much.
Consensus: The Negotiator has tension and suspense to it, and also features strong performances from reliable leads like Jackson and Spacey, but it starts to lose itself about half-way through and gets more and more predictable until we end at a conclusion we thought we were going to have all along.