It’s like Hitchcock with subtitles.
Paediatrician Dr Alex Beck (François Suzette) has been devastated since his childhood sweetheart and wife, Margot, was savagely murdered in the early days of their marriage eight years before. But when he receives an anonymous email, he sees a woman’s face standing in a crowd and being filmed in real time. Margot’s face… is she still alive?
Wow doesn’t that plot sound so different and original….? Of course you know that this is pretty much the same old generic thriller plot we get where the Everday Man finally gets to square off against The Man and find out more about himself and just what the hell is really going on with this case. However, the difference here is that it’s from French film-maker Guillaume Canet, which makes a huge difference.
Canet starts this film out as your ordinary mystery thriller where you have no idea what’s going on and why everything is so suspicious all of a sudden. The atmosphere is pretty chilling but it only gets better once the whole thrilling aspect of the flick starts to pick up and that’s where this film got me. Canet keeps on throwing us plot twist after plot twist after plot twist and it keeps the story more and more intriguing and interesting as it goes on. Certain things happen at first, and you have no idea why or for what reason but as the film goes on the answers start to come out and Canet will throw you a little brief hint here and there just to fool around with you. The problem most people will have with this flick is that there is a lot of reading here involved, but I think that also helps it since my French is terrible and it helps spell everything out just a bit more than what I usually get with these types of thrillers.
You get everything here, that you would get with any normal type of thriller: running , chasing, romance, heartbreak, bad things happening to good people, people dying, people getting shot, people about to get shot, gangsters, sex, and some lesbians (not in that sexy way though). It’s all here but it all feels fresh and original once the story starts to develop more, almost as if Canet watched ‘The Fugitive’ but realized that half-way through that you can still have all of the other stuff that happen in these types of flicks and decided to just throw them all in there for shits and gigs. Somehow, it works.
My only problem with this flick was that at the end, when all of the questions finally get answered in one big shock of a scene, the film still doesn’t seem to make as much sense as it would like to think. I can’t really give away any major plot points and I can’t say that everything in this flick didn’t make any sense but there will still some head scratchers for me even though I payed attention to the whole damn thing. This whole paragraph probably sounds very vague and stupid but I just don’t want to give any of the plot twists away so go watch it yourself and see what you think effers!
Since I don’t really watch a whole bunch of French films (let alone, foreign films in general), I don’t know who is really the who’s who of French cinema but I can definitely say that they have some notable faces here that all do excellent jobs. François Suzette is pretty damn good as Doctor Alexandre Beck, a guy who just wants to know what the hell happened to his wife. This guy seems very normal but then we start to see him change in the midst of all these crazy happenings and it’s great how Suzette was able to channel all of that simply through the emotions and looks on his face. I honestly thought that this was going to kick the whole police department’s ass and with the inspiration that he had for doing so, I wouldn’t doubt it either. There are a whole bunch of familiar faces here such as Kristin Scott Thomas as one of his lesbian friends (meowww), Gilles Lellouche as a tough-ass hoodlum that you want on your side named Bruno, Jean Rochefort as a bad-ass gangster that doesn’t speak much or even show up that much but when he does, you know it’s some real business, and there are plenty others here that you have all seen before but just can’t say their names.
Consensus: Tell No One doesn’t make perfect sense when it’s all said and done, but the film is entertaining, exciting, and features plenty of plot twists to keep you watching as the mystery unfolds. Damn, the French really can do it all!