“Getttt offffff of myyy fieeeeld.”
The film centers on an aging Atlanta Braves scout (Clint Eastwood) who is starting to lose his sight and goes on a last scouting trip with his reluctant daughter (Amy Adams), who, in her own time, becomes slightly involved with a rival scout (Justin Timberlake).
Not only does it seem like Dirty Clint has lost his mind (talking to chairs and all), but the guy’s also losing a lot of energy and steam to not only make movies, but to star in them as well. That’s why it is heavily rumored that this may be his last flick, ever, and thought what better way to go out then give the directing duties over to a first-timer he’s been working with for over 12 years. Problem is, there is a better way to go out: make your own movie because you got the skill to do so jackass!
First-time director Robert Lorenz doesn’t really do anything spectacular with this material whatsoever. It’s a generic, boring, and dull-looking film that doesn’t bring-out anything neat or different in it’s story-line, either. Now, I know Eastwood was no master when it came to directing flicks (hell, his last directorial effort was J. Edgar, and we all know how that did) but at least the guy put some heart, emotion, and feeling into his work. This Lorenz guy doesn’t really seem like he has any of that and is just trying to see what he can do with himself behind the camera this time. I actually wouldn’t be surprised if this was another George Lucas situation where he plays the head-producer behind the flick, but is automatically the director in his own way because he takes over every decision that was made. Actually, I would be surprised because this doesn’t seem like something Eastwood would just churn out, no matter how old or goofy he gets.
A lot of the people going into this flick will probably expect a baseball drama along the lines of last year’s fall-hit Moneyball (even though it talks-out against using a computer for statistics), or the classic baseball tearjerker, Field of Dreams, but will end-up most likely being disappointed with how little baseball action there is. I knew it wasn’t going to be a full-out baseball movie where bats were hitting balls, peanuts were being chewed, and tobacco was being dipped, so I wasn’t all that bummed when it started focusing on the actual-story at-hand but I kind of wish they did something more with this generic story. Right from the first scene, you can tell where it’s all going to go. It’s going to follow the same patterns you would expect from a family-drama like this one here and any chance the film actually gets to surprise us, it either tries and fails, or doesn’t even try at all. It’s sort of like this flick trudges along, like a baseball game between two teams that suck, but you only went to go and see because the tickets cost less than the whole McDonald’s Value menu combined together. Been there, done that and don’t want to go back to it again.
The story itself was also quite repetitive and never seemed to fully make sense with itself. There’s this constant problem that Clint has with getting old, then Adams tries to help him, he gets mad, growls at her, she gets mad, leaves, and then they are back together in the next scene acting as if nothing had just happened between them. I don’t know how most families work out most of their problems but if my mom or dad basically tells me to piss-off, I’m not going to be sitting with them at a baseball game, telling them how everything’s going. I’m going to tell them to kiss my ass and ask for somebody else to help. Then again, I may not be the most lovable son out there, but you get my point. Then, the ending pops-up and it seems as if nothing was fully resolved. Well, yeah, in a way it was but nobody ever really comes out of this feeling like a changed-person and never really admits to doing any wrong in their lives, ever. It’s almost as if this film/story never happened which is a shame because these stars make the best of it and deserve a hell of a lot better.
Clint Eastwood (in which I hope isn’t his last role) does a great job playing the usual, cranky old man that people have come to know and love him for, but this character has a bit of an emotional ting to him that makes his character a bit more accessible. Granted, a lot of the film has Clint doing his usual “growl”, and non-stop yells at random people, but he has a bit of a soft-side to him that you see very early on and continues to show various times throughout the whole flick. It’s a nice performance from Clint, but not one of his best and I hope that he doesn’t decide to end a stellar career on this one because I think, and this is just my opinion, he’s got one more solid performance left in him that may give the Academy voters a bit of a run for their money. Don’t know if I’m ever going to actually get to see that but that’s why I keep my fingers crossed.
Amy Adams is fun to watch as his everyday woman, that has a bit of that tomboy-ish act to her that separates her from most gals. Adams is good here and offers up plenty of real and honest emotion, and most of her scenes with Eastwood feel genuine enough to make me believe in that story only, but I couldn’t help thinking how much more powerful and special this role would have been, had it been given to Sandra Bullock in the first-place like they originally planned. Obviously, that whole idea would just change-up the whole movie in general, but it would have been more interesting to see her in a dramatic role, opposite of a legend like Eastwood. Still though, I can’t take too much away from Amy as she does do a nice job with what she’s given.
Everybody has this terrible hate for Justin Timberlake which in ways, I do see, but at the same time, I don’t because the guy is just so damn likable. Timberlake is a lot of fun in this role because he seems like a genuinely nice and fun guy to be around, and brings out a lot of energy and spirit in most scenes that seem a bit boring and generic. His whole love-story with Adams seems a little tacked-on, but they have a nice chemistry that makes you believe in it and makes it a lot more fun to watch their scenes. There’s a whole bunch of other actors that show-up in this flick and all do their parts well, but also seem like they just decided to do this movie because it had Eastwood in it. That’s not a terribly bad thing, as this film really isn’t, but it also shows you the type of impact Eastwood still has on everybody in the business. Yes, that’s right, even Matthew Lillard.
Consensus: There’s a crowd-pleasing feel to Trouble with the Curve that will have the audience happy, as well as the great performances from the talented cast, but is also too predictable, too repetitive, too manipulative, and too disappointing to be anything that really hits you hard and seems like a flick that Clint better not end on.