Should have just stayed in the box, Ryan.
Ryan Reynolds, Melissa McCarthy and Hope Davis appear in multiple roles which combine into three intertwining stories: A popular TV actor is under house arrest in “The Prisoner”; a TV producer struggles to launch a new series in “Reality Television”; and a video-game designer seeks help for his stranded family in “Knowing.”
I never really knew much about this flick other than that it’s been sitting on my Netflix queue for quite some time and that it wasn’t half bad since it had a 3 1/2 star rating. Thankfully, Netflix didn’t let me down. Or, well, not that I think just yet. Still questioning whether or not this thing really had me all ecstatic in the first-place.
Writer/director John August definitely started this flick off on the right foot with his first part, called “The Prisoner”. What I liked about this was that it was pretty funny, a little goofy, but also very strange how there was some weird ghost-like vision going on throughout this whole part and it made me wonder what I got myself into. There was a lot of questions that I kept on asking myself but then as soon as I thought the answer was coming up, Part 2 and 3 came around, then I got totally confused out of my ass.
It seemed like August definitely had a vision and clear-cut idea of what he wanted to do with all of these three intertwining stories, but for some odd reason, they seemed like they were all lost half-way through the second part. There are so many ideas being brought up, so many questions being asked, and so many different subplots coming from out of nowhere, that after awhile it became tiresome for me to handle it all in and try to understand just what August was throwing at me. The dude definitely had some bright ideas here but they all seemed to get jumbled up with whatever else came to his mind at the time of his filming.
And as confusing as the flick got, the ending left me with barely anything to feel. The last 10 minutes start to get very sappy and almost too serious because the whole film had this serio-comedy thing going on for the first two parts, then it suddenly just drops it for dramatic sake and it was a real let-down since August was doing pretty damn well with the comedy aspects here. It also bothered me that the everything was explained at the end, but I never really understood that either. The number 9’s significance to this story is explained but it seemed somewhat random and a lame excuse just to have some significance to the story. And the whole main twist at the end just seemed like a good idea on paper, but once it was played out on the big-screen, it comes off as way too pretentious and artsy for my liking. I didn’t really know what August was trying to do with these twists and the explanations to this story, but I definitely didn’t feel moved or inspired in any way shape or form.
However, with all of that said about the confusing twists and dumb-ass explanations, I still was very intrigued and entertained by this flick mainly because of August’s structure. The first two stories were very well-done and I mostly liked the second one because it put a cool spin on the whole “reality TV show” look and showed just how ugly and mean the entertainment business can be. Yeah, does it seem a little too random for something like this? Of course, but August’s writing kept me intrigued in wondering what was happening next. Also, sometimes if you pay close attention, you can sometimes catch little hints here and there about what’s really going on as other characters start to utter certain types of dialogue that has already been used in the film before and it was pretty cool to pick that up and see what August could do with this story. Shame that it ended up where it did, but it still had me entertained and that’s all that really matters.
One of the major hypes around this film was about whether or not Ryan Reynolds could carry a whole film all by his lonesome-self. Thankfully, he does just that. Reynolds is so damn good with all three of his roles he has in this flick and shows his range that goes almost all-over-the-place in terms of emotions. Still, I always bought what character Reynolds was playing and it made me realize that he does have some real talent, he just needs to get the right type of roles. Hope Davis was also very good in her roles and I don’t ever really remember her being as sexy before, as she is in this flick, and Melissa McCarthy (aka big chick from Bridesmaids) is also great here and brings a lot of humor and heart to each one of her characters, one of which, is actually herself. All three are great and play each of their roles very well, but in the end, it’s more about August’s style and what he can do with this wacky and wild story and it gets in the way of some rich performances from a pretty narrow, but interesting cast. Oh well, at least McCarthy’s been nominated for an Oscar already. I guess she’s beat these two to the punch.
Consensus: The Nines shows that Ryan Reynolds is definitely able to carry a film on his own, and definitely had me more interested in it’s crazy story than I originally thought I was going to be, but it gets way too confusing in a way that seems almost intentional from writer/director John August. However, I was never bored and maybe that’s a positive.