The Western that even made Clint chuckle. Just a little bit, though. He still found a way to be as bad-ass as ever
Here lies the story of the Wild West outlaws known as Robert LeRoy Parker, known to history as Butch Cassidy (Paul Newman) and his partner Harry Longabaugh, the “Sundance Kid” (Robert Redford). Together, they pulled-off many wacky and wild heists back in their day but here, we watch specifically as they migrate to Bolivia while on the run from the law in search of a more successful criminal career. It works for a little while, that is until the boys rely who they really are and know that they can’t settle down, be calm, and cool. They got to rob, even if their lives depend on it.
For the past two months, something has come over me. I keep on finding myself, sitting down once a week, and poppin’ in a DVD of a Western movie. I don’t know if it’s because of the weather, because I’m bored, or just because I enjoy a nice little shoot ’em up action that take place in deserts, but I’ve just been watching them a lot lately. However, seeing all of these Westerns so much, I think I’ve come to terms with what’s usually seen and accepted with them, which makes it all the better to see one that isn’t your typical Western, no matter how much it gets regarded as one.
What separates this Western, from so many others out there in the world is that director George Roy Hill takes an approach to this material that is more light-hearted, then it is grim, which is something very different for a Western, especially for one back in that day. When you get the usual Eastwood/Leone Spaghetti-Westerns, you get sinister, dark stares into the sky; guys killing each other in cold blood; innocents going down like flies, and a whole bunch of other gritty shit that is willing to make anybody feel depressed. That’s where this film is very different with that idea that everything has to be dark and grim, in order to make a good Western. All you really need is a bunch of laughs, shootings, and bank robberies, to have a good old-fashioned time, and that is exactly what Hill and co. allow for us to have.
In fact, that’s what really kept me going with this film even when it started to hit some slow spots, here and there. Everybody involved with this flick seems like they’re having so much fun and it’s almost contagious because whenever you see these guys rob a bank or beat the shit out of some gringos, you don’t feel mad at them or feel like these are the two most despicable pieces of human-beings that you have ever seen put on-screen. Instead, you love it and you can’t wait till they start to do some more of that, along with knocking out some pretty funny one-liners along the way to really get you laughing. It’s not all about being an evil son-of-a-bitch here, it’s about being on the bad-side of the law and still having a fun-ass time regardless of wondering who is following you and when they are going to eventually catch your asses. Very different approach to the usual Western people in those days were used to, and I’d say it’s a good thing that it changed the genre up because without this flick, that genre probably would have started to fall off the face of the Earth and become a bore to every person who even bothered with it.
Then again, it’s a genre that’s still growing strong all of these years later, so I think it’s safe to say that the times may have changed, yet the game remains the same.
But people, let’s be honest, this movie would not be as entertaining and fun if it wasn’t for the two leading men, playing in these iconic roles: Paul Newman and Robert Redford as Butch Cassidy and the Sundance Kid. Both of these actors, in their own right, are amazing actors that will forever be remembered in pop-culture just for giving out some great performances for basically every film they have done, but they’re pairing here is definitely some of the most fun either of them have had in any film prior to this. Whether they are together or not, both seem to be having a ball with themselves, as well as the material and it’s almost infectious, especially when you get to watching these two vets just work their hardest to make their fun time, not just their fun time, but ours as well. Thankfully, it works.
Newman just oozes cool no matter what it is that he does and plays the brains-side of this duo very well as Butch Cassidy, and Robert Redford plays his charm up perfectly, as one of the most intimidating dudes with a ‘stache ever, The Sundance Kid. Both of them have very different sets of skills, but they both complement each other in a way where the one would totally have the others back no matter what it was that they have gotten themselves into.
Watching these guys together on-screen is like a work of magic because every scene they have together, just makes them feel more and more like they were actual buds, who just got done having a few pints at the bar before they walked onto the set and started filming. They both play off of each other perfectly and use their hilarious comedic-timing to their advantage every which way of this flick and it definitely helped me stay on-board with this flick, even when it seemed like the film was starting to lose my attention at points. You never stop liking these guys, no matter what bad acts they commit, and I think that’s much ado to the pure likability that lie within these guys’ acting. The chemistry between them is THAT good, and it’s no wonder why they teamed up again for The Sting, and kicked ass there as well.
Perhaps if I was to choose a problem with this flick, it would be that it’s not all that exciting as I would have liked to have expected. The story starts off perfectly with just the right amount of energy and fun that’s needed, but as soon as the film starts to focus on the unneeded “love triangle” between Butch, Sundance, and Sundance’s girl, Etta, I felt like the film cooled down it’s brakes and was really wasting valuable time that could have been dedicated more to these guys just having a fun time, regardless of whether it was all true or not. Thankfully, that last shoot-out where they face-off against all of Bolivia is by far one of the most iconic endings in film-history, and with good reason: it’s full of just the right amount of suspense and emotion, all to solidifie the legends of Butch Cassidy and the Sundance Kid. And what legends they truly were, to all bandits all over the world. Even the wet ones.
Consensus: Though it cools itself down in bits and pieces, Butch Cassidy and the Sundance Kid is still a very fun, light, and humorous-take on the Western genre that is so much more legit, due to the fact of Newman and Redford’s chemistry being some of the best anyone has ever seen between two buddies in a buddy film, on and off the screen.
8.5 / 10 = Matinee!!