Plenty of chicks I knew in high school were witches. Then again, those were the same ones who still have yet to return my phone calls/love letters. Bitches.
After his mother’s tragic death, Ethan (Alden Ehrenreich) re-enters high school in hopes that he will pick back up with his studies, get back in line with the ladies, and eventually get the hell out of his little, Southern town and venture throughout the world. And hell, if there is any kid in that small town: it’s him. But all of his plans get put to the side once Lena Duchannes (Alice Englert), a mysterious new girl, shows up to the town and everybody accuses of being a witch and a lover of all things weird. Whether or not this is true, Ethan does not care as he takes a liking to Lena and begins to start a relationship with her, even though it’s frowned-upon from his best buddy (Thomas Lennon), to the his house-keeper (Viola Davis), and even to the mother of his best buddy, who just so happens to be the head of the Church (Emma Thompson). What Ethan should care about though, is Lena’s odd uncle Macon Ravenwood (Jeremy Irons), who seems to have a bit more secrets than you could imagine.
Ever since Twilight ended, the most predictable, yet obvious thing happened to the world. The Earth still continued to revolve around the sun, people woke up the next day and went on with what they do usually do everyday, and men and women still mated in hopes that there will be a next generation to come. So yeah, the world didn’t turn over on it’s side and begin an apocalypse like every female teenager probably suspected, but what did actually happen out of the whole ending was that studios desperately realized something: they needed the next, big Twilight movie. Not necessarily Twilight itself, but something that’s along the same lines in terms of it’s one-dimensional characters, sappy, teenage romance, and supernatural happenings. This is what they came up with but here’s the problem: this movie isn’t like those crap-fests.
Sneaking into places that you aren’t originally supposed to be in: oh, how young love gets me swooning in the moment!
And by that, I mean that the movie actually has a bit of soul to itself. Not a huge soul that may have you re-thinking what you’ve been doing with your life for the past couple of years, but a soul that’s pretty clear for you to see on-screen, even if everything else surrounding it is nothing new or original you haven’t already seen done just a couple of months before. That’s what’s so surprising about this flick is that it isn’t actually boring and it isn’t actually just a movie made to appeal to the Twilight audiences (even though it’s clear that it definitely went for that type); it was actually made to entertain audiences. Wow. Who would have ever thought that you could make a movie about a teenage romance, with some superpowers, and not have it be as boring as a snail race?
Well, at times though, the movie does seem like it’s a lot more boring than a snail race, and probably just as bad as one of those shit-fests we know as Twilight. For instance, whenever the movie focuses away from the couple and goes more towards the witches and what their history means, the movie becomes exceedingly bad. It isn’t that it’s bad because it doesn’t make sense or everybody’s just speaking in code that you don’t even dare to understand, it’s that the movie doesn’t really want you to care about it. It’s honestly just there to fill up time, make us forget about the sappy love in the middle, and hope that we actually fall for the exposition it’s piling down our throats. Sometimes, however; it does work, especially when the witches get into a battle with one another. But other times; it’s just a bore of a chore to watch.
And that’s about half of the movie right there: a bunch of annoying, shitty exposition that’s only here to add more depth and information to this story than needed. Obviously the books they adapted this movie from probably had the same bit of exposition and rules to being a witch and how, but that still doesn’t make it any more or less interesting. What looks good and informative on the page, may not look the same on screen and I have to call-out director Richard LaGravenese for not realizing that. The dude definitely tries his hardest to try and make us care about these witches and what it is that they do, but we just don’t, as it seems like the movie doesn’t really care for them either. Or, well, care enough for them to actually give them a decipherable history, meant to be understood by the common-folk who don’t quite understand witches, except for the fact that they make stew that’s supposed to poison you or something of that kind nature.
However, like I said, the movie isn’t always as bad as I may make it sound, because at the center of it all is actually a love that’s worth caring about and believing in, which is most thanks to the chemistry between the two leads: Aiden Ehrenreich and Alice Englert. Both of them together, was great to see because you could tell that they actually did both care for one another and didn’t care about what the rest of their little town had to say. They don’t fall head-over-heels right off-the-bat, but over time and through getting to understand one another, something nice between the two develops and it was a nice reminder that the central love in your story doesn’t have to be awe-inspiring to work, it just has to have some amount of detail to. Of course, my thoughts may be with a totally different movie that may have actually put more emphasis on their relationship-dynamic, but at least the movie still gave them enough development together as a couple to make it work well enough, that to when shit started getting weird with this plot and these characters; that I was at least somewhat invested in what I saw.
“Well darn’ tootin’ boys and gals! Yee-haw!! Southern enough for ya?”
Because trust me, these two are the only elements of this movie grounded in any sort of reality. Still wondering if that’s a good or bad thing.
Every supporting character seems to be camping it up beyond belief that it’s no wonder why people think they’re all crazy-ass witches. Jeremy Irons strains himself trying to hide his English-accent, and gives Macon a very goofy-demeanor where you don’t know if you should be terrified of him, or get him a drink while he parties it up with all the gals and sings karaoke. Irons seems to be having fun, but it’s at our expense and it’s a bit strange to watch. Not saying an veteran who has given his life to the big-screen can’t have a little bit of fun every once awhile, but what I’m saying is that watching it does become a tad strange after awhile. Once again, don’t know if that’s a good or bad thing considering I didn’t seem to quite know where this movie was going with it.
He’s just the starting-point though, as everybody else is just as campy and goofy as he is. Emma Thomspon is another who’s guilty as Mrs. Lincoln, who seems to be really enjoying the hell out of herself, but like Irons; still seems to be doing it just by simply goofing around. Whether or not we are supposed to be scared by her, is totally up to us and how much we still wet the bed at night. Emmy Rossum is good as the sexy and seductive Ridley Duchannes, who seems to be using her good looks to get whatever it is the hell that she oh so desires, but it doesn’t go further enough. She’s a big part of the story and then, all of a sudden, gets kicked out, only to come in again. The scenes with her were pretty good, but the movie didn’t use them or her quite enough to really get her character across the board and in our minds. Except for the maybe teenage dudes who were strangled into seeing this with their girlfriends. Then, lastly, there’s Viola Davis who actually feels bored with the material, almost as much as we are. Can’t blame her though since all she has to do is talk about what witches do, what’s bad about them, what’s good about them, and while she’s at it, put the groceries away into fridge. You would honestly think that after doing something like the Help, that the gal would gain a bit more respect for what roles she’d be given, but nope; she’s right back to getting food and packing it up for white folks.
Consensus: Most of what’s wrong with Beautiful Creatures, lies on the fact that the movie tries too hard to appeal to the Twilight crowd, but it’s slightly better than that because of it’s leads and the love story in the middle. Everything else is a bit too campy or over-the-top to take seriously or really care about enough.
5.5 / 10 = Rental!!
One second, she’s making the Thanksgiving dinner for a white family of two. Next second; she’s reading witch diaries.