JUST LEAVE THE HOUSE!!
During the swingin’ days of 1971, trucker Roger Perron (Ron Livingston), his wife Carolyn (Lili Taylor) and their five daughters, all move to a big old Rhode Island house in the country. At first, it feels like a nice escape for the family to start anew, but that’s before things start going creek in the night, the dog doesn’t come in the house, birds fly directly at the house, and the youngest daughter of the five gets an imaginary friend. Once that all begins to happen and turns violent, the Perron’s know that they have no other of where to go except to call in the professionals. Enter mega-serious ghostbusters Lorraine and Ed Warren (Vera Farmiga and Patrick Wilson) who stand up to the hard task of defeating this demon and not killing anybody while doing so. However, being in the ghostbusting business for as long as they have does begin to take a toll on even the strongest souls, especially once demons come into play.
Here’s one of those horror flicks that’s been getting some of the biggest buzz I’ve heard in a long, long time. Obviously the teaser scared the shorts off of me because it was so simple, yet at the same time, freaky as hell. And then, the second trailer came in, ruined everything, and had me realize that maybe this was just another generic, horror flick that just so happened to take place during the 70’s, where apparently the Zombies were constantly playing in everybody’s hearts and minds. Felt like a gimmick that could have worked if it had the right creator for it, but James Wan hasn’t done much to really get my interest-meter boosting off the radar so, as usual, I remained cool, calm, collective, and ready to see what this horror flick could do for me, if anything at all.
“Help!!! She just told me that “my mother sucks cocks in hell!!”
Needless to say, I was scared and I jumped. More than a couple of times actually.
And yes, for a schmuck like me that doesn’t care too much for the horror genre and considers October to be a pretty weak month; that’s saying a hell of a whole lot and it makes me respect Wan as a director more, because the guy has a knack for directing horror here that could really do some damage to people. Seriously, the way he’s able to manipulate the audience into being freaked out just by a single action of somebody opening the door they weren’t supposed to, or losing the only source of light you have in the pitch blackness, really requires a certain skill and trade that I haven’t seen in quite some time, especially within the horror genre. Wan isn’t really re-inventing the wheel with this flick, or even the tricks that he pulls off, but he does show you that you can create something tense and scary, even if it is convention, as long as the inspiration and the sure-will to make something fun and entertaining for all is there.
However, calling a horror movie “fun” and “entertaining”, isn’t necessarily doing it any favors. A horror movie has to be scary, jumpy, and full of terror that makes you sleep with more than just one night-light on. And this is that type of movie, even if you’re a movie-dork like me and can see each and every one coming away. Even then, the movie-dork inside of me sort of began to fall back because I soon realized that this is a horror movie that isn’t trying to do anything new, yet isn’t trying to bore me either. It wants to have me jump and cover my eyes, even if it’s only for a scene or two and with that extra-push from Wan’s direction: it happened. Wan is the type of director I know I have to look out for now, and let’s hope he can single-handedly revive the horror genre into being the wrecking ball it used to be, for both critics and audiences alike.
That said, there’s still a lot that I feel like this guy has to work on and if there’s one aspect I had to choose to talk about the most, it’s the writing. With the oodles of scares and jumps Wan has at his disposal, obviously he can’t be too concerned if the script’s anything memorable or smart for that matter, but with the high-caliber cast he has here, he should have done more. Certain lines come off cheesy; character-development is obvious and practically leaning on the star’s talents to squeeze anything out; and the back-story for the reason why everything is happening is unoriginal, and feels like it was the easiest way out of exploring any type of new ground possible. Once again, I get that the movie isn’t trying to create a new type of horror flick that needs to be seen to be believed, but a little more effort in the writing-department would have made an absolutely huge difference here, even if the regular, everyday movie-goer didn’t notice it.
Critics at least would have been happier and aren’t they worth satisfying?
“What? Did I miss a spot or something?”
At least Wan’s lucky enough to have assembled such a talented cast such as the one he has here, because they really, REALLY do help this material out, even when it seems to linger towards the most conventional parts that you can see coming and ending a mile away. Lili Taylor and Ron Livingston make for a sympathetic married-couple that obviously seem to love one another, as well as their five daughters, so that when the bad shite does begin to happen to all of them, we at least feel some sort of emotion as it shouldn’t be happening to them. But then we think about it and realize that if it wasn’t happening to them, then we wouldn’t have a movie. So then, we’re happy and are especially glad it wasn’t us that this demon decided to attack.
Patrick Wilson and Vera Farmiga are perfect fits for these two, confident pros who know what they have to do to get their jobs done, as well as how to do it without any casualties or injuries on their hands. There’s just something about Wilson’s demeanor that not only makes him the coolest guy in the room, but also makes him the smartest one too that I could totally trust with my own well-being, had I run into the same situation as these peeps found themselves. Also, there’s something about Farmiga’s look and feel that not only has her seem like the same person as Wilson, but with a little bit more love, care, and feeling added to the mix where we can see that she’s not just doing this for the money or notoriety, but for actually saving people from those a-hole demons. Together, they make for a great married-couple, even if their story together is a bit hokey, and you trust that they will do the right thing, the safest way possible. That is, until they start getting regurgitated on. P-Wilson ain’t dealing with that shite.
Consensus: You won’t be seeing anything new or ground-breaking with the Conjuring, but what you will see is a movie that’s surprisingly scary, will make you jump, will make the hairs on the back of your neck stand straight-up, and most of all, will make you think twice about going down that long, dark hallway to get a glass of water from the tap.
7.5 / 10 = Rental!!
“So, what is it that you mean when you say, “shit here is pretty fucked up?””