Adore (2013)

Knowing my friends and their moms, why can’t either of them be this open to experimentation?

Lil (Naomi Watts) and Roz (Robin Wright) have been besties ever since they were children. They grew up together, got married and had families together, and are not banging each other’s son together. Wait, what?!?! You heard me, right: They are banging one another’s son, and what’s the strangest thing behind it all is that they like it, and don’t want to put at end to it. Roz’s relationship with Ian (Xavier Samuel) gives her a way to escape the problems she’s having with her hubby (Ben Mendelsohn); whereas Lil’s relationship with Tom (James Frecheville) is mostly spurred-on by the fact that Roz is in one with her son, so why not her, right? Anyway, the two seem to enjoy nailing these younger dudes, but what happens when the idea of them moving on and getting acquainted with women more their age, becomes a reality?

You could only imagine how a premise like this would settle in with any real person, mother or not. It’s pretty weird to think that one second, your best-friend’s mom is cooking you sandwiches for lunch, and then the next second, she’s cooking you sandwiches for your post-sex lunch. Pretty weird idea, don’t you think? Well, what may be construed as “weird” in the eyes of normal folk like, say, you or me, may not be in other people’s eyes and believe it or not: I could totally see something as outlandish as this actually happening in real-life. Hell, it could practically be happening right from underneath my nose for all I know!

"So it's cool, right? Not weird at all if you start locking arms with my son, and mine with yours?"
“So it’s cool, right? Not weird at all if you start locking arms with my son, and mine with yours?”

With that said, the movie takes the daring, but bold choice in showing these characters and their situations as real human-beings, that not only have a reasoning for mom-swapping, but also do not judge the other for doing so either. They’re all fine and dandy with the idea that they’ll be having dinner like a normal bunch of friends and family, and then be spankin’ the hell out one another right after. Pretty weird, I know, but the movie never judges these characters for partaking in such actions either, and I have to give it credit for that, if nothing else.

We see them, for them, and, in terms of our main female characters, paints them in a way that shows them as sexually-dominating, getting what they want, how they want it. Usually in movies like this, the shoes are on the other-foot, with the male getting whatever type of sexual-satisfaction he wants, whenever he says so; but here, it’s a bit different and I liked seeing a movie approach a story in that light. It may have not been able to work any other way (except maybe if you showed it from the guy’s perspectives, and had the movie written and directed by Neil Labute) and I’m glad they rolled down the avenue, making it more appealing to all MILFS world-wide.

And hell, if that gets their rumps in the seats, then count me in! Can’t lie, but I wouldn’t mind myself an older woman here and there, knowing what I’m saying? Probably not, but so be it! I know what I like, people! Leave me be!

But despite the brave approach the movie takes to its story, somehow, someway, none of it ever seems to come flying off the screen. You’d think that with this much sexual-tension lying underneath each and every frame of this movie, that you’d probably need about four fans and bottles of water around you just to make sure you stay cool and alive for the rest of the movie, but it surprisingly never reaches that point. There are signs that it may go that way, but after the first scene where the act of sex has already been initiated, it all sort of gets repetitive after that, showing how these four characters all entangle themselves in affairs, and don’t really seem to care for much else, except for maybe time away so they can bang each other some more.

You know, weird stuff like that.

The film does make you wonder though, and it brings up this question more than often: What are these young dudes and older women going to do with their sexual-lives together when the idea of moving-on, meeting new people, and exploring life shows up? Well, probably sit down, cry, and pout like it’s no tomorrow, because that’s exactly what these characters seem to do and it didn’t really make much sense either; and it should have, however, the film didn’t bother to spend much time developing these characters further than just that they like having sex, and best of all, with each other. More time spent on who these characters are, the way they function when they aren’t spreading themselves across the sheets and what they think about doing for the rest of their lives. would have done a sexualized-story like this wonders, but it somehow doesn’t get off the ground or make much sense.

Or, "The MILF-slayers" as they like to go by in some circles.
Or, “The MILF-slayers” as they like to go by in some circles.

For instance, take the two characters of the young guys. Both are chiseled, sexxed-up, in-shape, ready-to-go, and able to get any woman all hot and ready upon first-glance, so why the hell are they settling for these older ladies, who also happen to be each other’s mommies? Never made much sense, mainly because they aren’t weird dudes. They definitely are young and use their dicks more as tools than as meaningful parts of their body, used for creation and years of love, but it never hit me why they would get so far as to bang these gals, and then stick with them for so long. Never made much sense, and as much as Frecheville and Samuel do try with their roles, they aren’t anything more than just a bunch of pretty faces, slapped on to some sexy bodies. Hey, I’m not going to lie, I was pretty dam impressed with what they had packing.

As for the two older ladies that they’re banging, Naomi Watts and Robin Wright, both seem to like this material and put their hearts into it, but the movie doesn’t really do them any favors either. Even though the movie is on their side and shows that they have wants and needs too, it never feels like it gives them much credit for being the great actresses they are. They don’t develop that much, and in ways, get really strange at times, almost to the point of where it really creeped me out. It is creepy to see them all hang out like a normal family that goes to dinner, chats, and hangs out together, but it was even creepier to see them try to step out into the real world, and act like there isn’t anything more going on between them all. Now that, my friends, is strange as can be.

Consensus: The premise for Adore is odd and will definitely shock most normal, run-of-the-mill humans out there, but it does take a respectable-stance on its material, and doesn’t pass judgment on these characters, as thinly-written as they may be.

5.5 / 10 = Rental!!

The future looked so bright for these friends, and then puberty hit.
The future looked so bright for these close friends, and then puberty hit.

Photo’s Credit to:


  1. I just watched this too. The look of the film does not translate the icky-ness of the premise, thank god. But i agree with you it’s so thinly written. Watts still good though!

  2. I adored ‘Adore’ 😉 But seriously, I loved the way they handled the story. I don’t know why people found it so laughable. To me, it was graceful, sensitive, and considerate towards the characters and their feelings. Not at all an unbelievable situation. Unlikely, but not impossible 🙂

    • Do you think Roz and Lil would support Hannah and Mary bedding each other’s daughter when the girls turned 17? I think Lil would but not Roz…Since it doesn’t involve them Ian and Tom wouldn’t give a shit!

  3. I am going to tell you this. Seriously my mom knows Ann Fontaine the director. I have to call her and tell her you just didn’t like this one much. Thank you for you honest opinion. I have not seen it yet but now I have to. Nice review.

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