Leave the homeless be! They’re already fine living their simple, care-free lives.
Kate (Catherine Keener) and Alex (Oliver Platt) seem like a happy couple because not only do they own a mid-century antique furniture shop where they sell stuf for a much larger price than they originally get it at, but because they see nothing really wrong with their lives. Sure, they take stuff from families who just had somebody die, but they aren’t exploiting them and even give them some cash for their problems as well, so they can rest easy on their conscience, right? Well, for some reason, Kate still feels guilty about all of this and begins to start helping anybody that she can, especially her neighbors (Amanda Peet and Rebecca Hall) who aren’t really fond of her because of the fact that their 91-year-old grandmother (Ann Guilbert) lives in the house that she owns. Meaning basically, when she croaks, then they get the house back and are able to sell it for whatever they want and do whatever they want with it, which obviously rubs the granddaughters the wrong way, as you could expect.
I must admit, even though I’ve only seen two of her flicks so far (this one included), I don’t really see the whole appeal behind Nicole Holofcener. She’s a good writer and is more than capable of stacking together a very talented ensemble, but she seems like she has a little too many ideas crammed into one, less-than-2-hour movie, and doesn’t seem to go anywhere with them. Like I said, this is coming from a guy who has only seen 2 movies of hers so far so take with that what you will, but I feel as if I’ve seen two, realized that they both sort of share the same ideas and plot-points in ways, than I’ve practically seen all of them. While Enough Said looks like a bit of a change-of-pace for her, once again, I’ll expect to see somebody complaining about how much or how little money they have, and/or start talking about how they’re getting older and how they have no control over it.
“Hey, hey, hey! We’re just a happy, simple-minded family from Manhattan. Love us, please.”
But those aren’t bad things to talk about in movies, regardless of if it’s over-and-over again, because they’re problems actual, real-life people have. Which, in a strange way, made this movie a bit more interesting to watch because even though it gives us characters that aren’t all that pleasant to be around as they bitch and moan about their financial issues, it still gives us a reason to care or at least be interested by them, just by the way they’re written. There’s more than meets the eye with these characters, and even though most of them aren’t happy people, you can tell that they are capable of being happy, and making those around them happy as well. At times, it may seem like it’s hard for them to do, but you know they’ll be able to in the near-future, and I think that’s what really kept me going with this movie.
Holofcener could have really thrown it in my face and given me characters that I didn’t give a shit about, and made me watch them as they throw their misery and unpleasantness on others around them, but she doesn’t allow for that to happen. She allows them time to grow, experience life, and realize that there are bigger problems out there in the world which, believe it or not, are more important than a $200 pair of jeans. But Holofcener also does something else with these characters where she does have a sort of playfulness with them; one in which she isn’t making fun of the way they overreact to little happenings, but at the same time, she’s not really supporting it either. It’s strange, but somehow, some way, it works well in the movie’s favor. It allows plenty of room for character-development, some emotional moments, as well as others that are rich with dark-comedy. Take, for instance, the awkward birthday party that goes oddly astray once the liquor is brought out. It’s a funny scene, but also a very dark one for reasons I won’t give away, but will open your eyes to what the rest of this movie can and will do.
However, this is a very slight movie that I don’t think you need to see right away, but definitely should if you’re just hanging out and slumming around the house. Everything that happens to these characters by the end, can sort of be seen a mile away, but it never rings false. It just sort of happens, with enough humanity to seem believable, despite it being as obvious as humanly possible. But, that’s life, and sometimes, things just happen the way you expect them to happen. Maybe not in the way you had originally imagined, but still with the same result.
Like with most of Holofcener’s films, Catherine Keener obviously plays a big role in it, which isn’t such a terrible thing to have because Keener has been a solid actress for as long as she’s been working, and she’s able to turn any character into a likable, sympathetic person. Even though the main conflict that Keener’s character has is that she can’t stop “giving” to people who seem as if they are in need of something. For example, one of her main quirks is that she gives money away to homeless people that she sees on the street, except that sometimes, they aren’t even homeless. Wouldn’t be so bad either if all she did was give her money away to the homeless people that need it, but she won’t even give her daughter money that she oh so desires and has been desiring for quite some time. The fact that this character can’t stop helping and reaching-out to others is a problem that nobody should care about, nor ever want to see a whole movie surround itself around, but Keener makes it ring true and Holofcener never judges her character for the over-dramatic gal that she is. Sometimes the movie will throw a joke making fun of her ways, but never anything that could be deemed as “disrespectful” or even “mean”. They both keep Kate likable and sympathetic enough to where you sort of want her to wake up and change her ways, even if that means giving the homeless $5, instead of $20 . Hey, any change is a good change, especially for her!
Caught in the act of actually appearing in a good movie.
Everybody else gets the same fair-treatment as Kate and Keener, even though it’s obvious that Holofcener’s heart truly lies with her. Oliver Platt is, as usual, fun and fluffy playing Kate’s husband who’s a bit more realistic with the way he lives and spends his money, however, also has a bit of problems too that are shown throughout the movie and make you wonder if he’s a nice guy, or not. Amanda Peet gets a meaty-enough role that’s worthy of her talents as Mary, the more stubborn granddaughter of the two and seems to really be enjoying herself with this material, while also being able to get past all of the high times, and give us some substance that a character like hers so desperately needed in order to be considered “tolerable”, and she pulls it off very well. It’s been awhile since I’ve really seen Peet do something that’s as dramatic as her work here, and it makes me wish she would take these types of roles more often.
Rebecca Hall plays her younger sister, Rebecca (original), who’s a lot more meek, quiet and sweeter, even though there’s an underlying sadness to her that you can’t help but make you feel as if you want to hug her, hold her, and just tell her that life will go on and she’ll be happy. Hall’s good in this role, even though it feels like she could have easily been the main character in this movie, and it probably would have been better had she been. However, that’s not what happened, so what the hell do I need to complain about?!?! Nada, that’s what!!
Consensus: Though the problems the characters in Please Give face may be a little over-dramatized, the emotion and heart is still there enough to make you feel for them, rather than belittle them for being so self-loathsome all of the time.
7.5 / 10 = Rental!!
Believe it or not, G-Mom’s the happiest one out of them all.
Photo’s Credit to: IMDB, Collider, Joblo, ComingSoon.net