30 years later and my parents are still together, and I’m still fucked up. So what does that tell you about children of divorce?!?!?
Carter (Adam Scott) is what some of us call an adult child of divorce (or, for a clearer term, A.C.O.D.). While there is a book written about studies that were done on him when he was young, everything that it predicted has not come true. Though his parents (Richard Jenkins and Catherine O’Hara) are crazy and definitely have some sort of effect on him as a person, he rarely so often sees them, he’s successful, well-adjusted, with a very supportive girlfriend (Mary Elizabeth Winstead) and willing to help out anybody if they need it. Such is the case with his little bro (Clark Duke) when he decides that he wants to give marriage a try, despite only knowing the bride-to-be for no more than a few months. But hey, love is love, or so they say, so Carter decides to fund the wedding in hopes that it will go down smoothly, without a problem whatsoever, but now that his parents are both coming to it, and AT THE SAME TIME, IN THE SAME ROOM, well, then it seems like things may not go as perfectly as originally planned.
Comedies like this always get my happy and excited for what they may bring to me and my mood of that given day. More so this one because of the awesome cast that has almost anybody, and everybody that’s willing to bring out a laugh in me, no matter what the material is that they’re working with. As long as they’re funny, then I’m laughing and I’m happy. As simple as that.
However, comedies like these also make me realize why I dislike so many comedies out there because while it may boast a cast full of people very capable of being funny, it gives them little to nothing to do that be considered funny. Of course there are plenty of gags here that the writers themselves probably thought were absolutely, positively hilarious in their minds and on paper, but when it actually comes to being on film, the gags just don’t work and seem more like they were perfectly for a small sketch you’d see on MAD TV or SNL. And for a movie that’s shorter than an-hour-and-a-half, that’s not a good thing to say, especially because you can tell that the premise itself is a nifty idea, it’s just one that never fully feels like it gets stretched out. Or, at least stretched out in a reasonable way.
The basic idea of this movie is to show how this adult child of divorce is coping in the day-to-day life, with a girlfriend who wants to get married, while also knowing that marriage is doomed from the start, all because his parents couldn’t seem to stay together and be happy while at it. That’s a story worth watching get developed and having jokes work off of, but the problem is that nothing in this story ever seems to mean anything, at all. You get a sense that this character of Carter is just creating more problems then there really needs to be, and after awhile, you stop to embrace this problem of his, and get annoyed by it.
While Adam Scott is sure as hell charming as Carter, the character can be so whiny and self-deprecating at times that it was hard to really care for him or even support him with the problems he had with the people around him. Yeah, so his little bro’s getting married to a chick he just met no more than a few months ago? Big deal, let him be. Okay, and so what, his parents are back together again, shacking up and knocking boots together again like old times? What’s the big dealio with that? Eventually, they’ll get bored of one another, realize the other’s faults and never want to speak to each other ever again, sort of like old times too, right? And so what if you’re girlfriend wants to get married, but you’re not ready yet? That’s your problem, so talk it over with her and do it whenever you feel is necessary?
So many problems this guy had with life just did not at all seem to matter to me. I don’t know if that’s because my parents have been together ever since they’re early-20’s and I don’t quite get the same crisis he’s going through as a middle-aged adult or what, but what I do know is that the movie has no central-plot that really feels like you’re strung along on. Instead, it’s more like a bunch of sketches were made up, with an idea of a story in mind, and somehow, someway, the writers were going to connect them all together to make it into one cohesive story, meant to compel us one second, and howling at the moon next.
Problem is, neither of which seems to actually happen, and that’s all made worse by the fact that everybody involved are very, very, VERY funny in almost all that they do. Just not so much here.
Like I was saying before, while I was having plenty of problems with his character, Adam Scott still does do a nice job as Carter, mainly because he has just such a likable personality, it’s almost too hard to despise the guy. He may be self-loathing practically all of the time, but when he wants to be funny in his own dry, sardonic way, it works and made me laugh like as if I was watching him tell me about Game of Thrones, all over again. He’s good with everybody here, but his best scenes definitely come when he’s with Mary Elizabeth Winstead who gives us a girlfriend that isn’t begging to get hitched right away, nor is she really wanting to wait forever. She just wants to make sure that when the time is right, it will happen, and that’s a nice breath of fresh air to actually see in a movie, even if it is a bit unrealistic (am I right, men?).
The most fun out of this whole cast seem to be from both Richard Jenkins and Catherine O’Hara as Carter’s parents who, after sheer-chance, start banging once again, which makes the movie a whole lot more enjoyable to watch since they just work so perfectly damn well together. Jenkins is fun when he’s being a likable prick, whereas O’Hara is always a blast when she’s playing up her mean-side, as well as her outrageous one as well. You combine them together, and you have the best bits of the movie that make this so worth watching, even when everything else around them seems to be mildly interesting, at that.
But sure, Amy Poehler has a few funny scenes as Carter’s detestable step-mother; Jane Lynch shows up and does her thing as the psychiatrist who continues to study Carter on and on throughout the years; and Jessica Alba, sporting a slew of arm-tats, maybe has about five minutes of screen-time in this movie, is charming, very hot and shows Carter a new life he could have. But as soon as she’s gone, she never comes back and that’s that. Disappointing, I guess, but then again, nobody has ever really noticed Jessica Alba for her comedic-chops. Especially no guy has.
Consensus: The more-than capable cast of A.C.O.D. make this a lot better than it truthfully is, but whenever they aren’t working their magic, the script takes over and becomes a mind-numbing bore, offering us nothing interesting to really care about.
5 / 10 = Rental!!