Where’s the precious?
Picking up right where the last one left off, we see the Dwarves, Bilbo (Martin Freeman) and Gandalf (Ian McKellen) still on the run from the orcs that are pursuing them. Halfway through their journey however, Gandalf decides to break off from the rest of the group, fearing that this rumored Necromancer will take over the whole land, and infect it with its pure venomous evil. As he’s gone off to do his own thing, this leaves Bilbo with the rest of the pack to venture off to the Lonely Mountain where they meet plenty of fun, exuberant, and yet, sometimes dangerous characters along the way. However, standing at the end of their journey is none other than the vicious dragon Smaug (voiced by Benedict Cumberbatch), who is the sole foe standing between them and retaking the mountain. So it only makes sense that Bilbo have to go up there and settle the peace, right?
Despite all of the problems people had with the first movie and the whole 48 fps ordeal, the Hobbit: An Unexpected Journey wasn’t all that bad. It was definitely a drawn-out movie that felt a bit unnecessary, especially considering that there was supposed to be two more movies for this said 100-page story. However, for what it was and for what it was worth, it was fun when it wanted to be and best of all, brought me back to the good old days of when I used to rollick to the movie theaters, just to place myself back in Middle Earth, even if that meant wasting half of my day doing so. So it sort of had a little bit of a nostalgic thing going on for me, which is why it didn’t kill my insides as much as it may have done to others.
All that aside though, now that we’ve got the first movie out of the way, which also means that all of the awkward plotting and setting-up of the story is with it, we finally have a sequel that should hopefully do what most sequels do: Tell the story, give us new characters, while still building ones that the homefronts have already been built for, but also, not forget about giving us the goods that usually make people happy with the movie in the first place. We get plenty of story and plenty of new characters, but what about the goods? The movie doesn’t totally shy away from giving us all of the fun, exciting and energetic bits of fantasy action and adventure we’re so used to having with these movies, but it also still feels like there’s something else missing here that was missing from the last movie, but was totally there, front-and-center with the original trilogy, and that’s an actual amount of tension and terror to be had.
Throughout the whole movie, I couldn’t help but feel like the wheels were spinning for this movie once again, but this time, without much surprise added to the mix. We get most of the same characters, doing the same things, for the same reasons and no sense that any second, these characters could be taken away from us at any moment. Now, that’s not saying that I’m some rabid animal who wants people to be dead at the drop of a hat, but there’s also nothing here that really felt like it got me over that hurdle to where I really felt like this was a story I could get involved with. Instead it just felt like a story I could watch as it played-out, but without any of the heart or emotion devoted to these characters or the actual proceedings themselves. You could practically say the same thing about the first movie, but I think that’s a tad different because we’re sort of used to that with first movies in a planned-trilogies. It’s sort of like learning how to ride a back and all for the first time after all of these years, in that you don’t actually need the training-wheels to assist you, but you may need a buddy or two to stand behind you just in case you go plummeting down.
Them, or a firm and trusty helmet. But you should have had that on already!
Anyway, back to what I was saying, basically, this movie didn’t really offer me anything new I didn’t already see with the first flick, with the exception of maybe a few new sights to see, characters and set-pieces. Fun set-pieces nonetheless like, for instance, the sequence in which we follow the dwarves as they are in a bunch of barrels, flowing down the river stream away from the orcs, but at the same time, also battling them in any which way they can, with some assistance from the elves as well, but still nothing really new or inventive to where I felt like Jackson really got back into his old school, Lord of the Rings mode. Nope, this is the Hobbit’s trilogy, or better yet, Bilbo’s, and his is a whole new breed of storytelling, if you will.
Even if that is the case though, and this is all about Bilbo Baggins, his adventure, his story and his splendid life and times with “THE RING!!!!!”, it’s sort of strange considering how only gets about fifteen or so minutes to where it’s just him and nobody else. But even stranger is the fact that it’s practically at the rear-end of this whole flick, and it’s easily the best part. Of course he had some help from his fellow Sherlock star (that bastard) but it’s still the most tense, most exciting and only time where I really felt like all of these different threads of story-lines were coming together, even though the part itself focused on one, which just so happened to be the main story we’re supposed to care about in the first place. Though Freeman’s great too, as he usually is, he still barely gets enough time in front of the screen to substantiate the fact that he is indeed who this story is all about, and he is the one we’re supposed to be rooting for and thrusting all of our emotions into. However, you just never feel that because Jackson’s got a hundred-million-bajillion other story-lines going on, none of which really seem to catch any real fire.
Same thing that I’m saying about Bilbo’s treatment, goes the same for Gandolf’s as well, which is an absolute sin since we know that Ian McKellen’s portrayal is absolutely the heart and soul that keeps these movies moving. Instead, we get introduced to a new characters like Evangeline Lilly’s Tauriel, Luke Evans’ human character with the least human name, Bard, Lee Pace playing Legolas’ daddy-o, Thranduil, and the always pleasant and charming Stephen Fry, who shows up as the corrupt and lazy Master of the Laketown in which the dwarves and Bilbo find themselves hanging around in for some time. They all do fine and bring enough to the story to where I could see them having bigger roles in the next film and being fine additions. Yet, I also see myself not really caring too much, either. Once they took Viggo away from me and replaced him with some dude named “Richard Armitage”, then I knew I’d just never be the same.
With all of that said, and I now I’ve said and awful lot to really beat and batter down this movie, it’s still somehow a hair better than the first, if only because it now actually feels like we’re getting somewhere with this story and where it’s supposed to take us. Sure, there are some mishaps here and there that definitely got in the way of what could have been a very compelling and well-told story, had there been more focus placed on Bilbo and his fellow band of dwarves, but with the way they end it, it’s hard not to get a bit jacked-up for what’s next to come. The ending is very abrupt and along with what the consensus seems to be with Catching Fire’s, most likely people will be up in arms and upset; but to me, it feels like we’re actually getting somewhere with this trilogy that should have never been. However, if Peter Jackson wants to indulge himself a bit, then hey, I won’t stop him. Not like he’d listen to a two-bit, movie blogger from Delco anyway, but still. It’s the idea of power that counts.
Consensus: Just a tad bit better than the first, yet, still feels like there’s plenty room of improvement to be made with Desolation of Smaug with the cutting-down of its run-time, exposition and endless list of characters that don’t really seem to mean much, except that they’re just big names filling in the roles, and who doesn’t love that?!?!
7.5 / 10 = Rental!!