Make sure to say the title the right way and don’t be such a boob.
The world of the voice-acting isn’t one that’s been particularly kind to women in the past, and for the most part, never will seem to be. However, Carol Solomon (Lake Bell) wants to change that once and for all, although it may be a tad bit difficult with her dad being the famous, highly-acclaimed Sam Soto (Fred Melamed). But, like I said before, Carol is inspired to be the first ever woman to ever narrate a trailer and she will make sure that she gets that chance, even though her father, as well as her father’s protege (Ken Marino), may sometimes get in the way of her dream. Also, Carol’s sister, Dani (Michaela Watkins), has her own dilemma of sorts, but with her marriage to Moe (Rob Corddry) and how she can’t seem to swat-away the over-bearing feelings of philandering around with this Irish guy who continues to keep on flirting with her. And yet, another story also happens to be around here in which Carol may possibly have a new boyfriend in Louis (Demetri Martin), one of the dudes who is making her dream possible. Or at least something close to that.
It’s hard to hate on a movie that’s as pleasant and joyful as this, because while there are many faults to be found here, they all mean well. For instance, one of the problems that I have with Lake Bell’s direction here is that not only does she seem to carry too much weight, even for her directorial-debut, but she doesn’t quite know what point or “message” to end on when the story’s supposedly all said, done and over with. However though, I can’t hate on that aspect too much, as each and every idea of a story that she tries to cram in here, do actually work; and in other ways, they actually add more to the movie’s overall charm that’s easy-to-like and enjoy.
Thus, there’s my dilemma of sorts with this movie: While at times it definitely seems to be a sweet and entertaining piece of Hollywood-fiction, it still doesn’t know how it wants to say anything that is on its mind. Maybe I’m looking a bit too far into this movie than I possibly should be, but I can only allow myself to smile for so long, up until I finally realize that there is some nastiness at the bottom of the barrel, and I found some of that here. Even despite it being made with, once again, good intentions.
Anyway though, I could rant, and rave, and go on and on and on and on about this movie without really getting anywhere, so let me try and keep my mind at ease here and get down to the basics of this movie.
For her first time not just behind the director’s chair, but behind the writer’s, as well as the producer’s, Lake Bell does an alright job at keeping up the pace with this flick to make sure that it doesn’t linger on anything too heavy, for too long, as well as not trying to be too funny, for too many instances. She actually seems like she knows a thing or two about how to give us a good gag, and have it continue on throughout the whole movie, without ever seeming like it’s already been done-to-death. For example, Demetri Martin’s character is a very nervous, twitchy guy that always ends-up saying the wrong things, at the wrong time to Bell’s character, and gives us the idea that he really likes her, but doesn’t want to seem too weird or forward with the feelings he’s trying to get across. We’ve seen this idea done a million other times, in many other comedies out there in the world, but here, it feels fresh, vibrant and fun every time it pops-up, as if Bell herself knew what people would expect with a character who’d be written like this, so she decided to spice things up a bit.
But Martin’s character isn’t the only one she does that – she practically does this for each and every character that shows up here. Even down to the smallest, tiniest role, we get a sense that Bell actually took some time out of her busy day, to give us rich, well-written and charming characters that could be the same type of people either you or I would meet at a party someday. A lot of this credit goes to the cast, but it also goes to Bell as well for at least making sure that nobody is put to waste here, nor really as one-dimensional as they could have been in a lesser movie. These characters are also the main reasons why most of this comedy works, and keeps on surprising, even at what seem to be the most random moments.
Though, like I just said, most of this comes down to what the cast is able to do with these small, unimportant characters – all of whom seemed to be in Lake Bell’s mind the first day she took her pen to a piece of paper. Even for the character she herself plays, Carol, the type of slightly off-kilter, yet smart and witty girl that we usually see movies done about, but never as charming as she is done here. I don’t know if Bell meant to do this on purpose, as to give her a role in which everybody would see the talent she truly is and was never able to show before in the numerous supporting roles she’s done, but either way, it works for her and it works for this movie. She’s funny, sweet, kind and a bit of a smart-ass when she needs to be, but only to the people that deserve it, and it makes us feel a lot more for her, even when it seems like Hollywood, as well as everybody is working against her and her voice.
The rest of her family-unit is pretty solid, too, with wonderful character actor Fred Melamed getting a lot of moments to shine as the cocky, slightly arrogant father that thinks he is better than anybody, all because he’s been in the business for so damn long. While he would definitely seem like the type of guy you’d automatically hate in any other movie, he’s actually very charming here and sometimes, even seems like, at one time, he was a really nice guy that loved his wife, his kids and his whole family, but has been through this hard-hitting business-world we know as Hollywood, and it’s taken quite a toll on him so far. Even the actress who plays his much-younger, strange girlfriend, Alexandra Holden, doesn’t seem like the type of annoying, obviously idiotic gold digger we tend to see a lot in these movies depicting a relationship between an older, famous guy, and a younger gal; she actually wants him to reach-out towards his kids and as a result, be a better man that she can be proud of being with in the future.
And even Carol’s sister isn’t all that bad either, it’s just that her story may be the weakest one here, and practically expendable. However, Michaela Watkins is good, as well as Rob Corddry, as they both get a chance to show that they can actually act and emote quite well when they want to. But there’s plenty more where that came from along the likes of Tig Notaro, Nick Offerman, Ken Marino, and even surprise cameo’s from both Geena Davis and Eva Longoria, with the latter even going so far as to portray herself in a light that’s actually a bit mean. But hey, she’s the one who’s doing it, so it’s not that bad, right? I guess not! Good for her! Tony Parker should be sad.
Consensus: May not stay in your mind long after it’s over, but considering how much love, fun and pleasure went into making this, I don’t think that will bother anybody who decides to check-out In a World…, especially if they want to see just who this “Lake Bell person” is all about.
7.5 / 10 = Rental!!